Kooyeen wrote: |
Hi, I don't think grammar in writing is different from grammar in speech at all. You can write the way you speak and speak the way you write. So... what is that QCA really doing? Nothing, I guess. Playing cards instead of working, LOL. ![Smile [:)]](/emoticons/emotion-1.gif)
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I agree in some part, Kooyeen. I think that spoken language and written language are not sharply divided but exist on continuum.
But, looking at specifics, Geoffrey Leech would say that conversation avoids elaboration or specification of meaning. Does written English do that?
Do these seem like characteristic examples of written English?
- This little shop ... it's lovely.
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I buy loads of you know records that I like.
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it’s just a really good rock and roll night you know what I mean, it’s sort of like you know like you know trash trashy sex drugs and rock and roll and you know what I mean it’s fantastic
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That yellow car, is it yours?
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They’re pretty good, those mince pies
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It should fit there cos it’s not that big I don’t think
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And what's your take on this extract from The Cambridge Grammar of English?
"Full noun phrases
The use of multiple modifiers before a head noun in a noun phrase rarely happens in everyday informal speech. Speakers are alert to the constraints which listeners are under in processing information. In informal conversation there is an overwhelming preference for a very simple structure of determiner (+ one adjective) + noun such as:
Yeah it’s a big house, six bedrooms.
(compare the possible alternative: It’s a big, six-bedroom house.)
It’s a large house, lovely, just right.
However, in writing, it is not difficult to find more complex adjectival structures:
Living in a big, dirty, communal house eating rubbish …
The cosy, lace-curtained house …
Simple noun phrases are not a rule of spoken grammar, but it is a very strong
tendency. Any speaker may use a structurally complex noun phrase in spoken
communication (for example in a public speech or presentation), but in casual
conversation they will probably be heard as rather formal. Similarly, a writer may
wish to create a more informal, interactive and dialogic style and may make such
choices for different expressive purposes."