Performance was initially conceived by Donald Cammell as "The Performers" and was to be a lighthearted swinging 60's romp. (SNIP) As the project evolved the story became significantly darker. Cammell was heavily influenced by the Argentinian writer Jorge Luis Borges (a portrait of Borges on a book cover can be seen at a crucial moment in the film) as he redrafted the script to create an intense, intellectual film dealing with issues of identity crisis.
Artaud's theories on the links between performing and madness also influenced Cammell. Cammell and co-director Nicolas Roeg (mainly responsible for the 'look' of the film) also benefited from a lack of interference from Warner Bros. studio executives, who believed they were getting a Rolling Stones equivalent of the Beatles' A Hard Day's Night (1964). Instead, Cammell and Roeg delivered a dark, experimental film which included graphic depictions of violence, sex and drug use.
The film has gained notoriety due to the difficulties it faced in getting on screen. The film's content was a complete surprise to the studio. It has been reported that during a test screening, one Warner executive's wife vomited in shock. The response from the studio was to deny the film a cinematic release. It has been claimed that at one stage Warner Bros. wanted the negative to be destroyed.
Heres a clip: