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Mythical Lady  +  241600 Fri, 30 Jun 06 02:48 PM

Hi all!!

First, I'd like to thank you all for participating hereHeart [L]

Second, to Irene: I completely agree with you about the final scene. That was aimed to give a strong impression, but what do you think about the beginning, the introduction of the character of Tom??. I find it boring still and not effective!! It's not as professional as the end. Anyway may you kiss your lovely son for meKiss [K]??

Third, to Foong, I feel that you have that deep sense for the poor but don't you think that the final scene is still completely fictional?? I may not hear much stories about the poor (I've seen pictures more and I believe picture is more expressive that words).

Please don't feel ashamed, 'cause you know we are human (to err is human). I mayself came to know characters and novels and love them so much, yet when asked, I just couldn't recall them easily!!Smile [:)]

About the novels you mention, I have read or studied most of them , novels of Pearl, Dickens, Brontes(both sisters), Mitchel..etc. But I am really crazy of Jane Eyre and Tales of Two Cities by Dickens and novels written by Jane Austen.(a little bit romanticEmbarrassed [:$]) I'll make sure to read The Thorn Birds one day.

Thaaaannnnk youuu aaaalllll

I enjoy talking to you.Rose [F] 

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What lies behind us and what lies before us are TINY matters compared to what lies WITHIN us
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Irene L  +  241930 Sat, 01 Jul 06 07:03 PM

 Mythical Lady wrote:

Anyway may you kiss your lovely son for me??Kiss [K]

I kissed him just now, and he smiled back, so this smile is yours!!!Big Smile [:D]

The introduction seems too long to me, an action is languid and slow in it, especially after Tom came across the preacher. The whole chapter is dedicated to a turtle! It was difficult to me to get through it. Still, I think Steinbeck did this on purpose, not because of the lack of writing skill. Tom trudges his way home slowly; the preacher has an inclination to philosophy and talks much. They aren’t in hurry, and don’t aware of the changes waiting for them.

And what do you think about Noah? Why didn’t he feel the love of the family? Why he went away?

 Phuongninhbao wrote:

Steinbeck has received the Pulitzer prize for this novel.

Yes, and he was Nobel Prize laureate in literature, too, for ‘The Grapes of Wrath’, ‘The Winter of Our Discontent’ and ‘Of Mice and Men’. I think they’re all worth reading, especially ‘The Winter of Our Discontent’. The main character, who is working in a grocery store, appears as a humble, polite and high-educative man. But he’s under constant pressure of his wife who thinks they are poor. He searches for ways of getting more money, but he doesn’t see any honest enough. People around him teach that there is no need to be so honest as he is, and advice not to think so much about morality…

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Mythical Lady  +  242484 Tue, 04 Jul 06 03:09 AM

Hi again,

I agree that the author did this on purpose but as for the first encounter withTom I dislike it. His threat to the driver who gave him a lift didn't really reflect that deep politeness and respectful way of behavior Tom had had during the journey.(we have a saying in my mother tongue stated that you can't say I know a person deeply unless you accompany him/her in a journey whereas you can see him/her on his/her reality).But as for the character of the preacher, he is actually a man of thought and his talks reveal much about the mentality people at that time. He is a real hero.

But to Noah, I almost forget about him. I only considered him as what we call in literature study "flat character", not having that strong effect yet his presence serves the plot. I wondered some time while reading "where is he?" .I realize his impracticality. (I don't know I find the reason the father mentioned justifying his son's action is a funny one. Yet it presents the simplicity and naivety of them and clarifies some of their conventions).

Back to Noah, I find it inadequate thing from any professional writer to eliminate a character from his/her writing suddenly (e.g a sudden accident or escaping with no evident reason) but here the runaway of Noah is consistent to his character and his passive role. He seems he understood himself better. That's it.Thinking [8-)]

Regards,

Irene L  +  242583 Tue, 04 Jul 06 12:22 PM

I can’t say I liked the way he treated the driver, either. Generally, Tom WAS polite and respectful alright, but at the same time his behavior towards the driver wasn’t something unusual for him. Thus he snaps at the owner of the patrol station:

 ‘Well, you ain’t never gonna know… I seen fellas like you before. You ain’t askin’ nothin’; you’re jus’ singin’ a kinda song. “What we comin’ to?” You don’ wanta know…’, and so on.

And then at the one-eyed worker at sevice-station:

‘Now look-a-here, fella. You got that eye wide open. An’ ya dirty, ya stink. Ya jus’ askin’ for it. Ya like it. Lets ya feel sorry for yaself…’

And then at Al:

‘I’m gonna take a fall outa you, Al. You jus’ scrabbli’ ass over tit, fear somebody gonna pin some blame on you. I know what’s a matter. Young fella, all full a *** an’ vinegar. Wanta be a hell of a guy all the time…’

Not too polite, eh? Hmm [^o)]

In my opinion, Tom just can’t stand someone acting insincerely; it irritates him badly. He is sincere with himself and with others, and wants people around him to say what they actually think, without any hypocrisy or pretence, too. He may feel sorry afterwards, as in the case with a patrol station’s owner (Tom felt guilty when he realized the man was poor, with his business wrecked). So, this scene with driver at the beginning doesn’t conflict with his nature. The driver just pretended he wasn’t interested in Tom’s business, but Tom saw it clearly, and it vexed him much. But I can’t deny it was ungrateful at the same time.

Phuongninhbao  +  243411 Fri, 07 Jul 06 04:54 AM

Dear Myth and Irene,

I don't know why I like to talk about Rose -of - Sharon.However, I'll wait for your comment on The Thorn birds., I think it will be very interesting because there is a lot of rumour about this terrific novel. Any comment - good or bad is better than "no comment', such as in The grape of Wrath: The vilification from the bankers, the Okies, made Steinbeck famous because  of a large extend read of his book.The end of this novel recalls me to the 22nd example of Showing Filial piety in ancient Chinese legend like this.: Grandma of Thoi Son Nam couldn't eat. Her daughter- in -law fed breast her to make her live longer.Sometimes, I think it's very ridiculous  (according to Steinbeck) if it's not grandma but grandad, what will be, will be? In my country, in the past, some rich people rented women to feed breast to their old parents. And there was a lot of rumour about  this subject, especially their fathers . And these women couldn't feed breast her children so they should drink  the rice soup. How pitiful it is!

Phuong Ninh

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Likeguslee  +  243467 Fri, 07 Jul 06 10:39 AM

The description of a turtle crossing the road was intended by Steinbeck as a metaphor for the struggles of the working class.

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Likeguslee  +  243480 Fri, 07 Jul 06 11:31 AM

Since this thread is about the novel “The Grapes of Wrath” written by Steinbeck, I thought it would be informative to share with you the context for the novel.

Phuong Ninh Bao commented that Steinbeck did not really describe poor people, and that there are poorer people in her country than the Joads.

Hopefully, the context would shed light on the status of families like the Joads during the Depression in America.

 

The following was an excerpt from Spark Notes on the novel “The Grapes of Wrath”

 

John Steinbeck was born in Salinas, California, on February 27, 1902. He attended Stanford University without graduating, and though he lived briefly in New York, he remained a lifelong Californian. Steinbeck began writing novels in 1929, but he garnered little commercial or critical success until the publication of Tortilla Flat in 1935. Steinbeck frequently used his fiction to delve into the lives of society's most downtrodden citizens. A trio of novels in the late 1930s focused on the lives of migrant workers in California: In Dubious Battle, published in 1936, was followed by Of Mice and Men in 1937, and, in 1939, Steinbeck's masterpiece, The Grapes of Wrath.

 

During the early 1930s, a severe drought led to massive agricultural failure in parts of the southern Great Plains, particularly throughout western Oklahoma and the Texas panhandle. These areas had been heavily overcultivated by wheat farmers in the years following World War I and were covered with millions of acres of loose, exposed topsoil. In the absence of rain, crops withered and died; the topsoil, no longer anchored by growing roots, was picked up by the winds and carried in billowing clouds across the region. Huge dust storms blew across the area, at times blocking out the sun and even suffocating those unlucky enough to be caught unprepared. The afflicted region became known as the "Dust Bowl."

 

By the mid-1930s, the drought had crippled countless farm families, and America had fallen into the Great Depression. Unable to pay their mortgages or invest in the kinds of industrial equipment now necessitated by commercial competition, many Dust Bowl farmers were forced to leave their land. Without any real employment prospects, thousands of families nonetheless traveled to California in hopes of finding new means of survival. But the farm country of California quickly became overcrowded with the migrant workers. Jobs and food were scarce, and the migrants faced prejudice and hostility from the Californians, who labeled them with the derisive epithet "Okie." These workers and their families lived in cramped, impoverished camps called "Hoovervilles," named after President Hoover, who was blamed for the problems that led to the Great Depression. Many of the residents of these camps starved to death, unable to find work.

 

When Steinbeck decided to write a novel about the plight of migrant farm workers, he took his task very seriously. To prepare, he lived with an Oklahoma farm family and made the journey with them to California. When The Grapes of Wrath appeared, it soared to the top of the best-seller lists, selling nearly half a million copies. Although many Oklahomans and Californians reviled the book, considering Steinbeck's characters to be unflattering representations of their states' people, the large majority of readers and scholars praised the novel highly. The story of the Joad family captured a turbulent moment in American history, and, in the words of critic Robert DeMott, "entered both the American consciousness and conscience." In 1940, the novel was awarded the Pulitzer Prize and adapted to the screen. Although Steinbeck went on to have a productive literary career and won the Novel Prize for Literature in 1962, none of his later books had the impact of The Grapes of Wrath. He died in 1968.

 

Today, readers of The Grapes of Wrath often find fault with its excessive sentimentality and generally flat characterizations, which seem at odds with Steinbeck's otherwise realistic style of writing. However, in writing his novel, Steinbeck attempted not only to describe the plight of migrant workers during the Depression but also to offer a pointed criticism of the policies that had caused that plight. In light of this goal, Steinbeck's characters often emerge as idealized archetypes or epic heroes; rather than using them to explore the individual human psyche, the author presents them as embodiments of universal ideals or struggles. Thus, the novel stands as a chronicle of the Depression and as a commentary on the economic and social system that gave rise to it.

 

Mythical Lady  +  243779 Sat, 08 Jul 06 04:20 PM

It's really informative and illuminates some many points. Thanks Likeguslee for this post. I don't know that the turtle scene conveys something about the struggle. I find it a little bit odd if this is the case!!! I read some info about Time of Depression in the U.S while studying American Drama particularly the writings of Aurther Miller which I like so much. As for the author presenting his characters as idealized ones, I don't actually have got this sense! I'm not familiar with Steinbeck's writings.  Right now, I am having his novel (The Pearl), I'll read it God Willing and try to compare between both of them.

To Foong, the story you mention is pathetic if it's true. The following's out of the topic. In my own religion, feeding breast is something so important .i.e. if a woman fed breast a child within his/her first two years (who is not hers of course),that child is considered as one of her own children. He/she calls her Mom and her husband as father and their own children are his/her brothers and sisters even if he/she grows old. She/he should pay visits to her/his fostering family and never ever cut the relationship between them. Smile [:)]

To Irene: I partly agree with you about Tom but what do you think about Noah??

Thanks all

Likeguslee  +  243887 Sun, 09 Jul 06 03:48 AM

The correct verb is bread feast and not feed breast. The noun is breast feeding.

Should a mother breast feed her child within the first two years of his life? Studies have shown that breast fed infants are less likely to get sick than bottle fed infants.

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