"Just watched What Doesn't Kill You. A decent, workmanlike tale of a couple of guys in South Boston who get ... think about was the logistics of production. It's really too bad they couldn't have shot some of it in spring."
This is why weather is such a pain in the ass, in production terms. If it'd all been shot in the summer (like, say, everything shot in SoCal always is) you'd never have noticed. One of the things I liked about the Bourne movies is that time passes - sometimes it's summer, sometimes there's snow on the ground. To a certain extent it's also about geography (it's pretty much always summer in southern India, and never really gets all that balmy in Moscow) but they went to the trouble of adding snow for some scenes (when Berlin doubled for Moscow in #3) and it really makes a difference.
The thing I thought you were going to go for wasn't the weather, but how everybody seems to get out of prison (or some other long passage of time) looking pretty much exactly the same as when they went in, in terms of AGE. If you're lucky they'll slap a moustache on the guy as he's headed out the gate, but most of the time it seems like there's a super reading "10 Years Later" and it looks like "Later That Same Day."
Life Continues, Despite
Evidence to the Contrary
Steven