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<rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>Search results for 'tag:Adverbs tag:Paragraphs' matching tags 'Adverbs' and 'Paragraphs'</title><link>http://www.englishforums.com/search/pro.htm?q=tag%3aAdverbs+tag%3aParagraphs&amp;tag=Adverbs,Paragraphs&amp;orTags=0</link><description>Search results for 'tag:Adverbs tag:Paragraphs' matching tags 'Adverbs' and 'Paragraphs'</description><dc:language>en-US</dc:language><generator>CSMOD (Build: 3191.21962)</generator><item><title>Re: What does "essentially" modify?</title><link>http://www.englishforums.com/English/WhatDoesEssentiallyModify/gllvl/post.htm#558427</link><pubDate>Mon, 25 Aug 2008 14:11:36 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:558427</guid><dc:creator>Avangi</dc:creator><description>&lt;BLOCKQUOTE&gt;&lt;div&gt;&lt;img src="/Themes/englishforums/images/icon-quote.gif"&gt; &lt;strong&gt;Infinik&lt;/strong&gt;&lt;/div&gt;&lt;div&gt; I&amp;#39;m still puzzled by essentially in (a).&amp;nbsp; (a) is quoted from TRIPS Article 27, Paragraph 3(b). If &amp;quot;essentially&amp;quot; were to modify &amp;quot;biological&amp;quot;, I still need to figure out what &amp;quot;essentially biological processes&amp;quot; means, both legally and scientifically.&lt;br /&gt;&amp;nbsp;&lt;br /&gt;I have another view on (a).&amp;nbsp;The word &amp;quot;essentially&amp;quot; is used because it emphasizes what is not included as non-biological processes. As you&amp;#39;ve said, it can be dropped without harm.&amp;nbsp; But, just wondering, it could have lawful meaning attached, just like &amp;quot;substantially&amp;quot;, which is a legalese in patent specs interpretation.&lt;/div&gt;&lt;/BLOCKQUOTE&gt; I understand what you want, but the legal meaning would be moot, because it&amp;#39;s not grammatical.&amp;nbsp; Essentially, substantially, extremely etc. are adverbs and would modify the adjective, biological.&amp;nbsp; What kind of processes may be exempted??&amp;nbsp; Biological processes!&amp;nbsp; How biological are they??&amp;nbsp; They&amp;#39;re &lt;em&gt;&lt;span style="TEXT-DECORATION:underline;"&gt;extremely&lt;/span&gt;&lt;/em&gt; biological; they&amp;#39;re &lt;em&gt;&lt;span style="TEXT-DECORATION:underline;"&gt;substantially&lt;/span&gt;&lt;/em&gt; biological; they&amp;#39;re &lt;em&gt;&lt;span style="TEXT-DECORATION:underline;"&gt;essentially&lt;/span&gt;&lt;/em&gt; biological.&lt;br /&gt;&lt;br /&gt;Okay.&amp;nbsp; I concede you have a point.&amp;nbsp; It could mean these processes are &lt;strong&gt;&lt;em&gt;&lt;span style="TEXT-DECORATION:underline;"&gt;mostly&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt; biological.&amp;nbsp; I guess I agree with you.&amp;nbsp; (I couldn&amp;#39;t see it that way last night.)&amp;nbsp; In other words the exempted processes must be &lt;em&gt;&lt;span style="TEXT-DECORATION:underline;"&gt;mainly&lt;/span&gt;&lt;/em&gt; biological, and the non-biological aspects/components must be &lt;em&gt;&lt;span style="TEXT-DECORATION:underline;"&gt;non-essential&lt;/span&gt;&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;&amp;quot;Essential biological processes&amp;quot; would have an entirely different meaning.&amp;nbsp; That is, &lt;span style="text-decoration:underline;"&gt;only those biological processes which are essential&lt;/span&gt;, vs. &lt;span style="text-decoration:underline;"&gt;only those processes which are essentially biological&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;I&amp;#39;m glad you pressed me on this.&amp;nbsp; I guess I owe MM an apology.&amp;nbsp;&amp;nbsp; - A.</description></item><item><title>chossing correct tense/tense consistency</title><link>http://www.englishforums.com/English/ChossingCorrectTenseTense-Consistency/glgzd/post.htm</link><pubDate>Wed, 20 Aug 2008 21:08:59 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:556991</guid><dc:creator>MaxMaximus</dc:creator><description>Greetings,&lt;br /&gt;&lt;br /&gt;I have a pretty big favour to ask.&lt;br /&gt;&lt;br /&gt;I&amp;#39;ve been struggling with this topic for quite awhile now.It goes without saying that my English &amp;quot;leaves something to be desired&amp;quot;.&lt;br /&gt;&lt;br /&gt;Having in mind the subtle differences that occur from using particular tenses, I have often wondered how the authors of following exercises expect anyone to choose the correct form, without providing sound and unambiguous references.&lt;br /&gt;&lt;br /&gt;I&amp;#39;ve uploaded 2 exercises that I stumbled upon :&lt;br /&gt;&lt;br /&gt;&lt;div&gt;1. http://rapidshare.com/files/138835945/HP.txt.html&amp;nbsp;&amp;nbsp; &lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; and&lt;br /&gt;2.http://rapidshare.com/files/138835946/redundancy.txt.html&lt;br /&gt;&lt;br /&gt;I have converted them into .txt files to ease moderators&amp;#39;&amp;nbsp; job.&lt;br /&gt;&lt;/div&gt; &lt;p&gt; &lt;/p&gt;&lt;table&gt;&lt;tr&gt;&lt;td&gt;&lt;br /&gt;&lt;/td&gt;&lt;td align="right"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt; They present the essence of my inability to comprehend and do right.&lt;br /&gt;&lt;br /&gt;First text:&lt;br /&gt;1. First sentence, adverb &amp;quot;always&amp;quot; stands before the verb (author did not bother to put it in the brackets (always/be)). If she is dead (we don&amp;#39;t know that until we have finished reading) or if she is not &amp;quot;a fighter&amp;quot; anymore (we are clueless about that either), - we could use Past Simple. Of course, Present Perfect is more likely choice, but the position of adverb puzzles.&lt;br /&gt;&lt;br /&gt;2.&amp;quot;But, prior to...&amp;quot; - Past Continuous or Past Perfect?&lt;br /&gt;&lt;br /&gt;3.The sentence : &amp;quot;it (be)__ slow to notice..&amp;quot;.I&amp;#39;m not sure whether Past Simple or Past Perfect should be used here.There is no strong reference whether this &amp;quot;slow noticing&amp;quot; occurred prior to her arrival or about the time when she came on board.&lt;br /&gt;&lt;br /&gt;4.&amp;quot;Those three years are not over..&amp;quot;. The starting point is present time, but, that has nothing to do with the moment when she realized how things stand, which I know nothing about.Even the Present Simple is possible if she keeps realizing everyday that things are harder than she expected.For the rest of the paragraph I&amp;#39;m not certain whether Present Perfect should be used.&lt;br /&gt;&lt;br /&gt;5.&amp;quot;Above all,..&amp;quot; - from Present Simple (finds, is trying, is going to embark)...to Present Perfect (has found, has tried/has been trying, has embarked)...The tenses chosen in these sentences determine the tenses of the last paragraph in the text.&lt;br /&gt;&lt;br /&gt;Second text:&lt;br /&gt;1. First sentence: we could use Future Simple as well as Present Simple for the verb &amp;quot;have to&amp;quot;?&lt;br /&gt;&lt;br /&gt;2. &amp;quot;Although no business or industry..&amp;quot;. If there was a recent survey - do interviewed subjects still claim what they have said - or the use of Past Tense is obligatory? The word &amp;quot;any&amp;quot; is used in interrogative or negative sentences - but here, no question is being asked nor it is possible to be negative. Instead, &amp;quot;some&amp;quot; should have been used, I think.&lt;br /&gt;&lt;br /&gt;3. &amp;quot;Those who have...&amp;quot; - Present Continuous or Present Simple? Former is more likely choice although the latter is possible also.&lt;br /&gt;&lt;br /&gt;4. &amp;quot;In the past..&amp;quot; - as far as I know this presents the &amp;quot;indefinite moment in time&amp;quot;. The Present Perfect could be used - but the position of adverb &amp;quot;always&amp;quot; confuses, again.&lt;br /&gt;&lt;br /&gt;I would be more than grateful to anyone who can shed some light on these issues.&lt;br /&gt;If I could reach to any other decent credible source I wouldn&amp;#39;t ask for help in this way.&lt;br /&gt;&lt;br /&gt;Thanks in advance,&lt;br /&gt;Georgie.</description></item><item><title>Re: Please correct my essay thanks my friends!!</title><link>http://www.englishforums.com/English/CorrectEssayFriends/gkqml/post.htm#555095</link><pubDate>Fri, 15 Aug 2008 12:28:04 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:555095</guid><dc:creator>26TMNTJG2PG</dc:creator><description>&lt;BLOCKQUOTE&gt;&lt;div&gt;&lt;img src="/Themes/englishforums/images/icon-quote.gif"&gt; &lt;strong&gt;Dipsik&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;Could you please explain to me why you didnÂ´t correct the indefinite article before the word &lt;strong&gt;kids&lt;/strong&gt; (second paragraph, first line)?&lt;/div&gt;&lt;/BLOCKQUOTE&gt; &lt;br /&gt;&lt;br /&gt; &lt;p&gt;&lt;span&gt;You are right the &amp;#39;a&amp;#39; before &amp;#39;kids&amp;#39; should not be there. I missed out. Thank you. The original poster, please note.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;BLOCKQUOTE&gt;&lt;div&gt;&lt;img src="/Themes/englishforums/images/icon-quote.gif"&gt; &lt;strong&gt;Dipsik&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;I would also write serious&lt;strong&gt;ly&lt;/strong&gt;, instead of the word &amp;quot;serious&amp;quot; you used (the latter is only used in&amp;nbsp;informal English&amp;nbsp;- at least as far as I know...)&lt;/div&gt;&lt;/BLOCKQUOTE&gt;&lt;br /&gt;&lt;br /&gt;The part in question is &lt;p&gt;&lt;span style="COLOR:#12263b;"&gt;&lt;br /&gt;&amp;quot;The streets practically were &lt;/span&gt;&lt;span style="COLOR:red;"&gt;practically&lt;/span&gt;&lt;span style="COLOR:#12263b;"&gt; flooded but not &lt;/span&gt;&lt;span style="COLOR:red;"&gt;serious&lt;/span&gt;&lt;span style="COLOR:#12263b;"&gt; enough to cause a total flooding or some &lt;/span&gt;&lt;span style="COLOR:red;"&gt;any&lt;/span&gt;&lt;span style="COLOR:#12263b;"&gt; tragedy&amp;quot; and you have a point here as &amp;#39;seriously&amp;#39; will be another adverb modifying the verb &amp;#39;were flooded&amp;#39; but I used the adjective there to be illiptical for &amp;#39;the floods were not serious enough&amp;#39; to be natural.&lt;/span&gt;&lt;/p&gt;</description></item><item><title>Re: Conjunctive adverbs Vs Transitional words</title><link>http://www.englishforums.com/English/ConjunctiveAdverbsTransitionalWords/ggdrh/post.htm#531478</link><pubDate>Mon, 23 Jun 2008 15:20:52 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:531478</guid><dc:creator>Anonymous</dc:creator><description>&lt;p&gt;Hi, &lt;/p&gt; &lt;p&gt;conjunctions are a small closed class of function words that link words, phrases clauses in the same sentence. examples are&lt;span&gt;: is, the, of, but, or, and, so, are, for, on, at, it. &lt;br /&gt;&lt;br /&gt;Transitional words tend, more often than not, to link thoughts and phrases or provide continuity from one sentence or paragraph&amp;nbsp;to the next. E.g. Maddie&amp;#39;s excited to see her friends and family after arriving home from six months abroad. However, she is not looking forward to going back to work. &lt;br /&gt;&lt;br /&gt;However works as the transitional word. Other transitional words are: however, although, thus, therefore, furthermore, consequently, whereas. &lt;br /&gt;&lt;br /&gt;Hope this helps. &lt;br /&gt;&lt;br /&gt;Ela&lt;/p&gt;&lt;/span&gt;</description></item><item><title>Re: conjunctive adverbs</title><link>http://www.englishforums.com/English/ConjunctiveAdverbs/zpnhl/post.htm#495187</link><pubDate>Tue, 01 Apr 2008 05:13:39 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:495187</guid><dc:creator>miriam</dc:creator><description>&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;span&gt;Conjunctive adverbs, or simply &amp;quot;conjuncts&amp;quot;, do exist, and are
different from sentence adverbials.These conjuncts link sentences or paragraphs
and usually appear at the beginning of a sentence.&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span&gt;The adverbials Anonymous mentioned in their first post, those that tell
us something about the verb (why, when, where, how, what for, etc.) are
adjuncts (as opposed to conjuncts. Unlike conjuncts, adjuncts are part of the
structure of the sentence (from the point of view of syntax); they will appear
in the predicate. You also have âsentence adverbialsâ, which modify an entire
clause or sentence and are placed, usually, at the beginning of the sentence).&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;b&gt;&lt;span&gt;Adverb&lt;/span&gt;&lt;/b&gt;&lt;span&gt;: a part of speech whose main function is that
of modifying a verb, an adjective or another adverb.&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;b&gt;&lt;span&gt;Adverbial:&lt;/span&gt;&lt;/b&gt;&lt;span&gt; a syntactic function that may be
realised by a number of structures (and even single words): adverbs,
prepositional phrases, clauses (both finite and non-finite), noun phrases.&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span&gt;Both conjuncts and adjuncts are adverbials, only they are of different
types.&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span&gt;Most conjuncts are adverbs or prepositional phrases: however,
consequently, yet (meaning âhoweverâ), firstly, lastly, anyway, nonetheless,
nevertheless, meanwhile, by the way, on the one hand, on the other hand, to
begin with, to sum up, in short, etc. Even some conjunctions can function as
conjuncts, as long as they appear at the very beginning of the sentence (for
example âandâ and âbutâ). again, these are not part of either the subject or
the predicate, but remain outside the structure of the sentence and act as
links to the previous sentence/s or paragraph.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;Miriam&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;</description></item><item><title>i need help from grammar experts </title><link>http://www.englishforums.com/English/GrammarExperts/znwrw/post.htm</link><pubDate>Sat, 01 Mar 2008 22:21:25 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:483794</guid><dc:creator>market-huxley</dc:creator><description>&lt;div id="post_message_2113569"&gt;I&amp;#39;m taking a correspondence course. These are some of the exercises that I need to submit. So please I need help from grammar exerperts thanks. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="#ff00"&gt;Question 2 : In the following paragraphs, find one example of each of the parts of the sentence listed below. Lable each example clearly. You will have a total of 16 items listed as examples. &lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="#ff00"&gt;a.Noun. &lt;/font&gt;&lt;br /&gt;&lt;font color="#ff00"&gt;b.Relative pronoun&lt;/font&gt;&lt;br /&gt;&lt;font color="#ff00"&gt;c.Article&lt;/font&gt;&lt;br /&gt;&lt;font color="#ff00"&gt;d.Regular adjective&lt;/font&gt;&lt;br /&gt;&lt;font color="#ff00"&gt;e.Pronominal adjective&lt;/font&gt;&lt;br /&gt;&lt;font color="#ff00"&gt;f.Regular adverb&lt;/font&gt;&lt;br /&gt;&lt;font color="#ff00"&gt;g.Preposition â single word &lt;/font&gt;&lt;br /&gt;&lt;font color="#ff00"&gt;h.Preposition â group of words&lt;/font&gt;&lt;br /&gt;&lt;font color="#ff00"&gt;I.Conjunction â single-word co-ordinate&lt;/font&gt;&lt;br /&gt;&lt;font color="#ff00"&gt;j.Conjunction - subordinate&lt;/font&gt;&lt;br /&gt;&lt;font color="#ff00"&gt;k.Verbal - gerund&lt;/font&gt;&lt;br /&gt;&lt;font color="#ff00"&gt;l.Verbal - infinitive&lt;/font&gt;&lt;br /&gt;&lt;font color="#ff00"&gt;m.Appositive&lt;/font&gt;&lt;br /&gt;&lt;font color="#ff00"&gt;n.Expletive&lt;/font&gt;&lt;br /&gt;&lt;font color="#ff00"&gt;o.Predicate - smiple&lt;/font&gt;&lt;br /&gt;&lt;font color="#ff00"&gt;p.Complete subject&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Taking a correspondence course involves a great amount of self-discipline on the part of the student. &lt;br /&gt;When someone studies at home, there are always distractions to overcome: telephone calls from friends, favourite soap operas on TV, or sunny days beckoning outside the window. People who need to interact with their teacher on a daily basis may not wish to study a course on their own. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;However, there are also definite advantages to studying âby mail.â A student may progress as rapidly as he or she wants to, instead of moving along at the same pace as a classroom full of people. A few missing high school credits can be picked up quickly, so the need to spend an extra year in school is eliminated. Instructors, or markers, are available to answer questions by telephone or e-mail. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Here are some of my answers: ( I&amp;#39;m having a tough time with this exercise... I need some help)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="#ff00"&gt;a.Noun. : home, window&lt;/font&gt;&lt;br /&gt;&lt;font color="#ff00"&gt;b.Relative pronoun: &lt;font color="#00"&gt;who (?)&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;&lt;font color="#ff00"&gt;c.Article: &lt;font color="#00"&gt;a &lt;/font&gt;&lt;/font&gt;&lt;br /&gt;&lt;font color="#ff00"&gt;d.Regular adjective: &lt;font color="#00"&gt;sunny (?)&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;&lt;font color="#ff00"&gt;e.Pronominal adjective: &lt;font color="#00"&gt;(?)&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;&lt;font color="#ff00"&gt;f.Regular adverb: &lt;font color="#00"&gt;quickly&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;&lt;font color="#ff00"&gt;g.Preposition â single word : &lt;font color="#00"&gt;on (the part of the student) from (friends)&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;&lt;font color="#ff00"&gt;h.Preposition â group of words: &lt;font color="#00"&gt;full of , on the part of (?)&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;&lt;font color="#ff00"&gt;I.Conjunction â single-word co-ordinate: &lt;font color="#00"&gt;(?)&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;&lt;font color="#ff00"&gt;j.Conjunction â subordinate: &lt;font color="#00"&gt;(?)&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;&lt;font color="#ff00"&gt;k.Verbal â gerund : &lt;font color="#00"&gt;beckoning , taking, (?)&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;&lt;font color="#ff00"&gt;l.Verbal â infinitive: &lt;font color="#00"&gt;to spend, to answer, to study&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;&lt;font color="#ff00"&gt;m.Appositive: (&lt;font color="#00"&gt;?) (?)&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;&lt;font color="#ff00"&gt;n.Expletive: &lt;font color="#00"&gt;there (and it ) , there (are also) &lt;/font&gt;&lt;/font&gt;&lt;br /&gt;&lt;font color="#ff00"&gt;o.Predicate â smiple: &lt;font color="#00"&gt;involves&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;&lt;font color="#ff00"&gt;p.Complete subject: &lt;font color="#00"&gt;(instructors, or markers ) (?)&lt;/font&gt;&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="#00"&gt;How are my answers , and what would be the missing ones.. thanks&lt;/font&gt;&lt;/div&gt;</description></item><item><title>need help from grammar experts</title><link>http://www.englishforums.com/English/GrammarExperts/zmwnb/post.htm</link><pubDate>Wed, 20 Feb 2008 01:36:26 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:479095</guid><dc:creator>market-huxley</dc:creator><description>&lt;p&gt;I&amp;#39;m taking a correspondence course. This is one of the exercises that I need to submit. So please only grammar exerperts. &lt;br /&gt;&lt;br /&gt;1.give the part of speach of each word in the following passge. &lt;br /&gt;&lt;br /&gt;Here are what you can use : noun, pronoun,adjective,verb,(verbals)infinitive,gerund, participle, adverb,preposition, conjunction,interjection.&lt;br /&gt;&lt;br /&gt;&lt;font color="blue"&gt;In the marshy mists of a deserted village churchyard, a shivering, limping convict on the run suddenly terrifies Pip, a tiny orphan boy. Years later, a supremely arrogant young Pip boards the coach to london where, by the grace of a mysterious benefactor, he will eagerly join the ranks of the idle rich and âbecome a gentleman.â &lt;/font&gt;&lt;br /&gt;&lt;br /&gt;These are my answers.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;In(prep) the marshy(adj) mists(noun) of(prep) a deserted(adv) village(adj) churchyard(noun), a shivering(adj), limping(adj) convict(noun) on the run suddenly(adv) terrifies(verb) Pip(noun), a tiny(adj) orphan(adj) boy(noun). Years later, a supremely(adv) arrogant(adj) young(adj) Pip(noun) boards(verb) the coach(noun) to(prep) london(noun) where, by the grace(noun) of(prep) a mysterious(adj) benefactor(noun), he(pronoun) will(verb) eagerly(adv) join(verb) the ranks(noun) of the idle(adj) rich(noun) and âbecome(verb) a gentleman(noun).â&lt;br /&gt;&lt;br /&gt;are my answers good? I would like some help please. Other words in that paragraph I don&amp;#39;t know what to classify them as. &lt;br /&gt;&lt;br /&gt;thanks&lt;/p&gt;</description></item><item><title>(Unknown 22884)OHHH I FINALLY CAN POST!!!</title><link>http://www.englishforums.com/English/Unknown22884OhhhFinallyPost/zhlxk/post.htm</link><pubDate>Fri, 21 Dec 2007 01:51:40 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:455423</guid><dc:creator>Jen001</dc:creator><description>&lt;P dir=ltr&gt;&amp;nbsp;&lt;/P&gt;
&lt;P&gt;"The Change of the Characteristics in the passage from &lt;EM&gt;The Hours&lt;/EM&gt;"&lt;/P&gt;
&lt;P&gt;&amp;nbsp;&lt;/P&gt;
&lt;P&gt;The passage from the novel &lt;I&gt;The Hours&lt;/I&gt; by Michael Cunningham is intriguing. The passage illustrates the difference between the character's characteristics in different time settings: past and present. This difference is clearly shown through the contrasting structure, imagery and language.&lt;/P&gt;
&lt;P&gt;&amp;nbsp;&lt;/P&gt;
&lt;P&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The structure reflects the division of the time setting and helps to contrast the different characteristics. The passage has two paragraphs, each describing the character's thoughts and perception about a same place, of the past and present. The length of each paragraph is different; the one from the past is much longer than the other one from the&amp;nbsp; present. This can be related to each of the paragraph's sentence construction. In the first paragraph, about the past, the lengths of the sentences are very long. The first sentence takes eight lines, lengthened continuously within commas, semi-colons and colons. In fact, in one sentence, there are five commas, five semi-colons and a colon. This overly-continued sentence gives a sense of unfiltered, informal, and unrestricted flowing of thoughts. Moreover, the use of brackets, âsome sort of wood(cedar? Camphor?),â seems to be less sophisticated, compared to using dashes or other punctuations of the same function. However, in the second paragraph of the present, the sentence construction is shown contrastingly. The paragraph starts with a short simple sentence: âShe turns down Bleecker, goes up Thomson.â Also, in this paragraph, there are four sentences in six lines, and three of the four sentences are written in simple sentence, including the example above. Although there are a few commas in some of the sentences, there is no semi-colon, but only a colon in the last sentence. The colon is used in a very appropriate way, functioning to introduce the list of âthingsâ, such as âjewelryâ and âjackets.â Thus, within the brief and concise sentence construction, the character in the present appears to be more mature, filtered and sophisticated than in the past. However, as a result of that, the sense of youthful, unfiltered freedom cannot be found anymore in the present.&lt;/P&gt;
&lt;P&gt;&amp;nbsp;&lt;/P&gt;
&lt;P&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; In addition to the structure, the contrasting imagery of each paragraph demonstrates further differences of the characteristic in the past and present. As both paragraphs are of the same setting, the image of the same place is described at each time. So, the consistent place makes the comparison between the two more distinctive and reliable. The imagery of the place is very vivid in the past, not only within the visual sense, but also within the auditory and olfactory senses, whereas that of the past only relies on the sense of sight. For example, in the past, âthe neighborhoodâ is depicted as âthe center of something new and wildâ in âthe city where the sound of guitars drifted all nightâ and âwhere the stores â¦ smelled the way â¦ Arab bazaars must smell.â This is detail, imaginative and lively, even the âArab bazaarsâ creates a somewhat mystical and adventurous atmosphere. This interesting and passionate depiction is being minimized in the present into three words: an âimitation of itself.â It is now âa watered-down carnival for tourists,â which gives a sense of inactivity and boredom. Also, the stores now âall sell essentially the same things,â such as âsouvenir T-shirts.â This seems to be dull, with no excitement or creativity or passion. This changed imagery, depicted by the character, rather shows the change in the character's perception. The change in perception is demonstrated more clearly within the notion of the âdoorâ and âalley.â In the past, she says, âif you passed through the wrong door or down the wrong alley you would meet a fate,â however, in the present, she âknows that behind these doors, and down these alleys lies nothing more or less than people living their lives.â In the past, she seems to be more concerned with the 'inner' world of thought or imagination. Whereas in the present, she seems to be more grounded in the external world of physical reality. As like the previously discussed change in the sentence structure, she is now more sophisticated, knowledgeable and realistic than the past. Also, as like the image of the place, her perception changed from the creative, interesting and adventurous to the boring, predictable and filtered way. Thus, the contrasting imagery of the past and present reflects the similar change in the character's perception.&lt;/P&gt;
&lt;P&gt;&amp;nbsp;&lt;/P&gt;
&lt;P&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; While the structure and the imagery convey the distinctive change in the characteristics of the character, the contrasting use of language supports those differences. More specifically, the diction [dash]shown in the past and the present[dash] is comparable. Reflecting the imagery of the varied senses, the words and expressions used in the past are also varied and animated, such as âincense and richâ and âdung-y dustâ describing the smell of the stores. These two expressions, âincense and richâ and âdung-y dustâ are contrasting; they express the diversity of the object. Moreover, the speaker creates a non-existing adjective, âdung-y.â The extra adding of â-yâ grants a more animated image, and it gives a sense of freedom and even somewhat childishness. The âsmellâ is then described as âsomething fruitily, fertilely rotting.â Again, she creates a non-existing adverb, âfruitily,â expressing the scent rather vividly, which would be sour as it ârots.â The other adverb âfertilelyâ contributes to create a sense of abundance and richness of the imagery. However, the use of those two positive adverbs, modifying the negative verb ârottingâ seems to be oxymoron in âfruit[full]â or âfertile,â as well as the use of adjective âdisreputable,â following ânew and wild.â The oxymoron adds an unpredictable sense to the imagery and hence to the depicter's thoughts. On the other hand, in the present, the adjectives used to describe the âcityâ and the âstores,â are ânothing,â âless,â âsame,â and âstill.â All of them are negative and reflect the boredom, dullness and hopelessness. More significantly, the speaker uses the adverb, âGrotesquelyâ before describing how âthe same bars and coffeehouses are still [th]ereâ, showing the character's cynical characteristic. So does the use of the adjective âcheapâ for the goods at the stores. Thus, in the past, the character uses language interestingly [dash] it is diverse, lively and creative [dash]&amp;nbsp;whereas that of the past is inactive, hopeless and cynical. These differences are directly reflecting the character's contrasting, changed characteristic.&amp;nbsp; &lt;/P&gt;
&lt;P&gt;&amp;nbsp;&lt;/P&gt;
&lt;P&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The change of the characteristic seems to be abrupt. As a cause, something would have happened to her, that is not shown in the passage. However, an assumption can be drawn within the evidences from the passage. There is a shift in the first paragraph within âHere,â showing the shifted tense from the past to the past perfect. In the past perfect, there is a scene of Clarissa, the major character, and her boyfriend Richard. She seems to appreciate Richard a lot, for example, she does not use the pronoun 'he' for âRichard,â even though he is the only male character. So, in a sentence, Richard is successively repeated three times, âwith Richard, when Richard â¦ when Richard.â Moreover, she describes his appearance in detail; he âwas nineteen,â âa firm-featured, hard-eyed, not-quite-beautiful dark-haired boy with an impossibly long and graceful, very pale neck.â So, to describe Richard, she combines an adjective and a noun to create a single adjective, such as âhard-eyed.â This shows her seriousness about describing him precisely. His âimpossibly longâ and âvery paleâ neck would seem negative, if not for the complementary adjective âgraceful.â Also, the adverb âimpossiblyâ gives a sense of special and unusual feeling for the person. Besides the use of language, the use of punctuation should also be noted. There are many commas, causing the sentences to seem choppy. This would be imitating the feeling of uncertainty and the tension in the situation. The uncertainty of the situation is shown in the line, ââ¦about what? A kiss? Had Richard kissed her, or had she, Clarissaâ¦,â also the tension created as they âhad certainly argued.â Then, the reason for the âargu[ment]â is explained: âClarissa wanted her freedom and Richard wanted, well, too much.â It is notable that as Richard âwanted â¦ too muchâ relating to the âkiss,â the pronoun 'he' is used as âdidn't &lt;I&gt;he&lt;/I&gt; always?â In this case, however, the pronoun 'he' seems to more likely indicate every 'man', rather than particularly âRichard.â Thereafter the paragraph ends, and the paragraph of the present starts. It is not sure whether the abrupt change in Clarissa's characteristic is due to âRichardâ or not. Although it is not, it is evident that Clarissa once considered and cared about him quite specially.&lt;/P&gt;
&lt;P&gt;&amp;nbsp;&lt;/P&gt;
&lt;P&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Despite of the uncertain reason, the change in the Clarissa's characteristic from the past to the present is shown clearly throughout&amp;nbsp; the contrasting structure, imagery and language. The characteristic includes the thoughts and perception, which were unrestricted, unfiltered, creative and animated in the past; whereas in the present, they are shown&amp;nbsp; restricted, filtered, dull and inactive. The change is extreme, but no particular evidence for the extremity is being suggested, except the short scene with Richard. Thus, this passage not only introduces the setting and the character, but also evokes the reader's curiosity: What has happened to Clarissa?&lt;/P&gt;
&lt;P&gt;&amp;nbsp;&lt;/P&gt;
&lt;P&gt;&amp;nbsp;------------------------------------------------&lt;/P&gt;
&lt;P&gt;&amp;nbsp;&lt;/P&gt;
&lt;P&gt;I really really really appreciate for your help... Thank you..!&amp;nbsp;&lt;/P&gt;
&lt;P&gt;&amp;nbsp;&lt;/P&gt;
&lt;P&gt;&amp;nbsp;&lt;/P&gt;
&lt;P&gt;&amp;nbsp;&lt;/P&gt;</description></item><item><title>Re: Introduce electronics technology</title><link>http://www.englishforums.com/English/IntroduceElectronicsTechnology/zcmzc/post.htm#430986</link><pubDate>Mon, 15 Oct 2007 09:16:34 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:430986</guid><dc:creator>Ti:Ê§É</dc:creator><description>&lt;BLOCKQUOTE&gt;&lt;table width="85%"&gt;&lt;tr&gt;&lt;td class="txt4"&gt;&lt;img src="/Themes/default/images/icon-quote.gif"&gt;&amp;nbsp;&lt;strong&gt;Quangtrungvtv wrote:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="quoteTable"&gt;&lt;table width="100%"&gt;&lt;tr&gt;&lt;td width="100%" valign="top" class="txt4"&gt;&lt;p&gt;Hi, This is a paragraph talk about electronics technology subject:&lt;/p&gt;
&lt;p&gt;Please comment for me,&lt;/p&gt;
&lt;p&gt;This subject introduces about elctronics component , electronics circuit, analog circuit, digital circuit ... And many technology signal processing.&lt;/p&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/BLOCKQUOTE&gt;&lt;br&gt;&lt;br&gt;Hi Trung.&lt;br&gt;&lt;br&gt;I would say something like this:&lt;br&gt;&lt;br&gt;This subject introduces electronic components, electronic circuits, analog circuits, digital circuits and many types of signal processing technology.&lt;br&gt;&lt;br&gt;&lt;b&gt;Introduce &lt;/b&gt;does not need a preposition, so we can get rid of &lt;b&gt;about&lt;/b&gt;. Usually, electronic&lt;b&gt;s&lt;/b&gt; is a subject or discipline, but I think it's more appropriate to use the adverb &lt;b&gt;electronic &lt;/b&gt;to describe the components and circuits. There isn't really any need for the ellipsis (...). I have also restructured "technology signal processing". I think you mean technologies used to process signals, right?&lt;br&gt;</description></item><item><title>Re: proofreading#2</title><link>http://www.englishforums.com/English/Proofreading2/dgvkw/post.htm#281375</link><pubDate>Sun, 15 Oct 2006 22:39:22 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:281375</guid><dc:creator>Castellano</dc:creator><description>&lt;p&gt;&lt;font face="Verdana" size="2"&gt;Ever since its birth, this dog has been with Larry. Now, the dog&amp;nbsp;was malodorous, old, crippled
and blind, but Larry was always with it. &lt;font color="#ff0000"&gt;&lt;i&gt;(The adj. stinky is too colloquial to be employed in written English.)&lt;/i&gt;&lt;/font&gt; Larry's roommate, John, wanted to get rid &lt;font color="#ff0000"&gt;of&lt;/font&gt; the dog because he was bothered by the smell. &amp;nbsp;Even though the dog left the room, the
smell would still remain in the room. One day, they&amp;nbsp;sat opposite
each other at the table, playing cards.&amp;nbsp;John said that
his&amp;nbsp;friend's dog herded a lot of pups and that he wanted to get some of them; but
Larry&amp;nbsp;paid no attention&amp;nbsp;about what he said.&lt;/font&gt;&lt;/p&gt;&lt;br&gt;&lt;font color="#ff0000" face="Verdana" size="2"&gt;-----&lt;br&gt;&lt;/font&gt;&lt;p&gt;&lt;font color="#ff0000" face="Verdana" size="2"&gt;Couple of things:&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;font color="#ff0000" face="Verdana" size="2"&gt;- You need to connect your sentences. A good solid sentence will always remind the reader of something and introduce the reader TO something. Connect your sentences with commas, semicolons, hyphens, etc...&amp;nbsp; Use adverbs too, like but, also, because, etc...&lt;/font&gt;&lt;/p&gt;&lt;font color="#ff0000" face="Verdana" size="2"&gt;- Use spell check; it will pick up or flag spelling and grammatical errors.&lt;br&gt;&lt;br&gt;Now, try to edit your second paragraph. If you still think you need help, write back!&lt;br&gt;&lt;br&gt;-----&lt;/font&gt;&lt;br&gt;&lt;p&gt;&lt;font face="Verdana" size="2"&gt;&lt;br&gt; &lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font face="Verdana" size="2"&gt;A bunk house stood somewhere in the plain. There&amp;nbsp;was about eight
beds in it. All&amp;nbsp;labor men&amp;nbsp;who worked in the barley farm lived there.
The&amp;nbsp;boss's&amp;nbsp;daughter-in-law lived a miled away.&amp;nbsp;&amp;nbsp;People in the bunk
house talked about her. She was a tramp who gave the eye to every one
she saw. &lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font face="Verdana" size="2"&gt;&lt;br&gt;&lt;/font&gt; &lt;/p&gt;</description></item></channel></rss>