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<rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>Search results for 'tag:Articles tag:Nominative' matching tags 'Articles' and 'Nominative'</title><link>http://www.englishforums.com/search/pro.htm?q=tag%3aArticles+tag%3aNominative&amp;tag=Articles,Nominative&amp;orTags=0</link><description>Search results for 'tag:Articles tag:Nominative' matching tags 'Articles' and 'Nominative'</description><dc:language>en-US</dc:language><generator>CSMOD (Build: 3191.21962)</generator><item><title>Re:  nominative and objective pronouns.......confusing!</title><link>http://www.englishforums.com/English/NominativeObjectivePronouns-Confusing/3/gnvqw/Post.htm#566431</link><pubDate>Mon, 15 Sep 2008 21:20:46 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:566431</guid><dc:creator>Cool Breeze</dc:creator><description>&lt;BLOCKQUOTE&gt;&lt;div&gt;&lt;img src="/Themes/englishforums/images/icon-quote.gif"&gt; &lt;strong&gt;Avangi&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;br /&gt;When the majority of native speakers prefer an incorrect usage, grammarians respond. &lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;/div&gt;&lt;/BLOCKQUOTE&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Avangi, I couldn&amp;#39;t agree more!&amp;nbsp;&lt;img src="http://www.englishforums.com/emoticons/emotion-1.gif" alt="Smile" title="Smile" /&gt; You have arrived at the nitty-gritty of &lt;u&gt;language&lt;/u&gt;! &lt;u&gt;(Zero&lt;/u&gt; article!) That&amp;#39;s the only way it happens, no matter what usage experts say, sometimes for a long time! Some people have been objecting to using &lt;i&gt;like&lt;/i&gt; as a conjunction in sentences like &lt;i&gt;Do like I say!&lt;/i&gt; for about 150 years. They are late. It has been used that way for 500 years and no one objected to it until the mid-19th century. I am of course liberal enough not to object to anyone being opposed to using &lt;i&gt;like&lt;/i&gt; as a conjunction. I am just wondering WHY? </description></item><item><title>Re: which one is a properly constructed one?</title><link>http://www.englishforums.com/English/ProperlyConstructed/vrlgk/post.htm#337375</link><pubDate>Fri, 09 Mar 2007 10:05:34 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:337375</guid><dc:creator>Believer</dc:creator><description>&lt;P&gt;Thank you, Mr. M.&lt;/P&gt;
&lt;P&gt;That is as you said, I think.&lt;/P&gt;
&lt;P&gt;As to the first one, I think like this.&lt;/P&gt;
&lt;P&gt;His dog is a happiness.&amp;nbsp;&amp;nbsp;&amp;nbsp;(a kind of happiness his dog&amp;nbsp;is.)&lt;/P&gt;
&lt;P&gt;As to&amp;nbsp;the second sentence, why no article here? I think it is because eventhough it is&amp;nbsp;the same predicate nominative as the one above, it is different from&amp;nbsp;the above one because it is NOT&amp;nbsp;saying&amp;nbsp;it is a kind of beauty but rather this&amp;nbsp;is&amp;nbsp;expressing his feeling. This is what I think.&amp;nbsp;Please tell me why there is no need for 'a' here? Sorry if I ask too many questions on this subject.&lt;/P&gt;
&lt;P&gt;This is (no 'a' why??) real beauty.&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/P&gt;</description></item><item><title>Re: Lesson on issue of descriptive adjective and choice</title><link>http://www.englishforums.com/English/LessonIssueDescriptiveAdjective-Choice/ddkkk/post.htm#268372</link><pubDate>Sun, 17 Sep 2006 13:23:37 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:268372</guid><dc:creator>Mister Micawber</dc:creator><description>&lt;br&gt;&lt;i&gt;Actually, I think I have already said what I had to say in my response to your post about the cats and alligators.&amp;nbsp; But I'll go over some of your concerns&lt;/i&gt;:&lt;br&gt;&lt;br&gt;I think I saw from a post here that kind of said that many times,
having "descriptive adjectives"&amp;nbsp;in front of UNCOUNTABLE NOUNS trigger
the need (necesssity??) to have&amp;nbsp;the indefinite article "a" -- &lt;i&gt;I don't think there is the need, but certainly there is the possibility:&lt;/i&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;I have great faith in you.&lt;br&gt;I have a great sadness in my heart for their pligh&lt;/i&gt;t.&lt;br&gt;&lt;br&gt;&lt;br&gt;and I think
Mr. M said to the effect that in many cases, the choice to put "a" or
not to put it is optional for the cases like one below ("a great happiness"&amp;nbsp; vs.&amp;nbsp; just "great happiness")--&lt;i&gt; &lt;b&gt;generally&lt;/b&gt; optional because both are possible; each case demands its own decision on which should be used.&lt;/i&gt;&lt;br&gt;&lt;br&gt;Here, I think&amp;nbsp;&lt;em&gt;happiness&lt;/em&gt; is one-hundred percent&amp;nbsp;uncountable
noun??, not a variable noun.--&lt;i&gt; No, we have no context, and the noun itself is capable of either form&lt;/i&gt;.&lt;br&gt;&lt;p&gt;His dog is a great happiness in his life. (Sounds good,
isn't it?&amp;nbsp;I&amp;nbsp;think&amp;nbsp;the writer is talking about a kind of happiness and
not the general term, happiness.) -- &lt;i&gt;I agree&lt;/i&gt;&lt;br&gt;&lt;/p&gt;
&lt;p&gt;His dog is&amp;nbsp;great happiness in his life.&amp;nbsp;&amp;nbsp;&amp;nbsp; (Sounds good,
I&amp;nbsp;think, and the writer seems to be saying that his dog is great
happiness in a general sense,&amp;nbsp;not to mean any&amp;nbsp;kind of happiness.) -- &lt;i&gt;I don't agree.&amp;nbsp; You have set up a predicate nominative.&amp;nbsp; &lt;/i&gt;His dog has &lt;b&gt;brought&lt;/b&gt; great happiness into his life&lt;i&gt; would be fine.&amp;nbsp; I leave further analysis to you.&lt;/i&gt;&lt;br&gt;&lt;/p&gt;
&lt;p&gt;1)&amp;nbsp; So, can I&amp;nbsp;say &lt;u&gt;in almost all the cases&lt;/u&gt;, the choice to put
a or not to put a when you have some descriptive adjectives in front of
them&amp;nbsp; depend on the context and perspective of the writer? --&lt;i&gt; Yes, that sounds good-- but more critical is the semantic meaning.&lt;/i&gt;&lt;br&gt;&lt;/p&gt;
&lt;p&gt;2) Can you give me some cases where the choices as described above in not available? -- &lt;i&gt;Not offhand, but I am sure there are many-- I am sure that not all candidate nouns are capable of such permutations&lt;/i&gt;.&lt;br&gt;&lt;/p&gt;
&lt;p&gt;3) Can you check if these are right?&lt;/p&gt;
&lt;p&gt;This&amp;nbsp;form of words is fantastic English. -- &lt;i&gt;OK&lt;/i&gt;&lt;br&gt;&lt;/p&gt;
&lt;p&gt;This form of words is&amp;nbsp; perfectly acceptable English. -- &lt;i&gt;OK&lt;/i&gt;&lt;br&gt;&lt;/p&gt;
&lt;p&gt;This form of words is "good" English --&lt;i&gt; OK&lt;/i&gt;&lt;br&gt;&lt;/p&gt;
&lt;p&gt;This form of words is a fantastic English.-- &lt;i&gt;Not so.&lt;/i&gt;&lt;br&gt;&lt;/p&gt;
&lt;p&gt;This form of words is a perfectly acceptable English. -&lt;i&gt;- Not so.&lt;/i&gt;&lt;br&gt;&lt;/p&gt;
&lt;p&gt;This form of words is a "good" English. -- &lt;i&gt;Not so&lt;/i&gt;&lt;/p&gt;&lt;b&gt;&lt;i&gt;This form of words is a regional English&lt;/i&gt;&lt;/b&gt; -- &lt;i&gt;OK.&amp;nbsp; English and Englishes are specific concepts in linguistics; perhaps that is why the countable form is not so attractive in your sentences.&amp;nbsp; Context, flexibility, semantics&lt;/i&gt;.&lt;br&gt;4)&amp;nbsp;Right now, I have this uneasy feeling when I&amp;nbsp;try to put what look
to be descriptive adjectives in front of uncountable&amp;nbsp;nouns because I am
afraid&amp;nbsp;I might accidently turn them into paticular kinds of something
and not to mean generally. Do you think my feeling regarding that is
unwarranted because the control is in me whether I want to&amp;nbsp;make them to
mean&amp;nbsp; kinds of something or refer (or use&amp;nbsp;them to mean something) in
general terms?&amp;nbsp; -- &lt;i&gt;Fear not; just think what you are trying to say:&amp;nbsp; are you speaking of a general concept or an individual instance?&lt;/i&gt; &lt;i&gt;and choose accordingly&lt;/i&gt;. &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;p&gt;5) Can I be able to put "a" in front of uncountable nouns which have
what I think are descriptive adjectives? -- &lt;i&gt;Generally yes, if you realize that it then becomes countable&lt;/i&gt;.&lt;/p&gt;&lt;p&gt;Is something in apostrophes
qualify like "good" above qualify as a descriptive adjective? -- &lt;i&gt;Yes&lt;/i&gt;.&lt;br&gt;&lt;/p&gt;Help. --&lt;i&gt; I hope this did&lt;/i&gt;.&lt;p&gt;&lt;br&gt;&lt;/p&gt;</description></item><item><title>Re: The reform of linguistics</title><link>http://www.englishforums.com/English/TheReformOfLinguistics/3/clqkz/Post.htm#225884</link><pubDate>Tue, 16 May 2006 14:44:13 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:225884</guid><dc:creator>Forbes</dc:creator><description>&lt;P&gt;Imagine a language in which:&lt;/P&gt;
&lt;P&gt;âThe man hit the table with a stickâ is &lt;/P&gt;
&lt;P&gt;âCopoloteko tipadela tisadure asutariki bu.â&lt;/P&gt;
&lt;P&gt;In this sentence &lt;/P&gt;
&lt;P&gt;co = a classifier indicating that we are talking about something animate &lt;/P&gt;
&lt;P&gt;polo = man&lt;/P&gt;
&lt;P&gt;te = a nominative case marker&lt;/P&gt;
&lt;P&gt;ko = the speaker wishes to emphasise the word âmanâ&lt;/P&gt;
&lt;P&gt;ti = a classifier indicating that we are talking about something inanimate &lt;/P&gt;
&lt;P&gt;pade = table&lt;/P&gt;
&lt;P&gt;la = accusative marker&lt;/P&gt;
&lt;P&gt;ti = as above&lt;/P&gt;
&lt;P&gt;sadu = stick&lt;/P&gt;
&lt;P&gt;re = an instrumental case marker&lt;/P&gt;
&lt;P&gt;a = a prefix indicating that the event took place in the recent past&lt;/P&gt;
&lt;P&gt;suta = hit&lt;/P&gt;
&lt;P&gt;ri = a suffix indicating that the subject of the sentence is animate&lt;/P&gt;
&lt;P&gt;ki = a suffix indicating that the object of the sentence is inanimate&lt;/P&gt;
&lt;P&gt;bu = a particle showing respect to the person addressed&lt;/P&gt;
&lt;P&gt;If we substitute a completely different set of phonemes throughout, so that for example âcopolotekoâ becomes âdasazaviwuâ, the morphology and syntax have not been changed. We can go a step further and make all the syllables closed so that we have âdansaszarvitwunâ, or again go further still and introduce some consonant clusters to produce âdranspaszarvlistwunâ. In each case the phonology of the language is different, but the morphology and syntax&amp;nbsp;are identical.&lt;/P&gt;
&lt;P&gt;Now of course changes in the phonology of a language go hand in hand with changes in its morphology: a classic case is where case endings for nouns are weakened and eventually dropped. But what you seem to be saying, and please correct me if I am wrong, is that you can predict the morphology and syntax of a language from its phonology. In particular, you seem to be suggesting that if a language has a small inventory of phonemes and a simple phonology (that is all syllables must be of the form V or CV or CVC where the final C is restricted to, say, /m/ /n/ and /Å/) the language must be analytic, isolating, monosyllabic and have significant tonality.&lt;/P&gt;
&lt;P&gt;If we take Spanish, it is a language with a comparatively simple phonology. It has only five vowels and the total number of phonemes is about the same as in Mandarin Chinese. The range of consonant clusters is restricted to initial C1C2 where C2 has to be /l/ or /r/. Syllables may only end in a vowel or /Ã°/, /l/, /n/, /r/, /s/ and /&lt;FONT face="Times New Roman"&gt;Î¸&lt;/FONT&gt;/ and even then the /Ã°/, /r/, and /s/ are weak and even disappear in some speakers/varieties with /&lt;FONT face="Times New Roman"&gt;Î¸&lt;/FONT&gt;/ becoming /s/. Whilst Spanish is less synthetic than Latin, from which it derives, it is not isolating, certainly not monosyllabic and does not have significant tonality, at least not at the lexical level, though the difference between statements and questions is often marked only by intonation. Thus we have Spanish and Chinese with broadly similar phonologies (except of course that the phoneme inventories are different) but which are otherwise completely different from each other. It may also be noted that whilst French has a far greater number of phonemes and a more complex phonology than Spanish, Spanish and French have a similar morphology and syntax (at least compared to other non-Romance languages).&lt;/P&gt;
&lt;P&gt;Unless I have completely misunderstood what you are saying, what seems to be the sum of your argument is that simple phonology equals simple language equals simple mind, which is a contention I cannot possibly accept.&amp;nbsp;&lt;/P&gt;</description></item><item><title>Re: Looking for an accepted grammatical explanation.</title><link>http://www.englishforums.com/English/LookingAcceptedGrammatical-Explanation/2/chwdx/Post.htm#203810</link><pubDate>Mon, 06 Mar 2006 21:28:25 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:203810</guid><dc:creator>Pinenut</dc:creator><description>&lt;P&gt;&lt;BLOCKQUOTE&gt;&lt;table width="85%"&gt;&lt;tr&gt;&lt;td class="txt4"&gt;&lt;img src="/Themes/default/images/icon-quote.gif"&gt;&amp;nbsp;&lt;strong&gt;Paco2004 wrote:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="quoteTable"&gt;&lt;table width="100%"&gt;&lt;tr&gt;&lt;td width="100%" valign="top" class="txt4"&gt;&lt;FONT color=#0000ff&gt;"The farther you move away from Earth's center, the less the pull of gravity becomes" &lt;/FONT&gt;&lt;BR&gt;&lt;BR&gt;This "the" was originally "thy", i.e., the instrumental case of the nominative definite article "the" and was used to mean "by means of". Now this "the" is lexically classed as an adverb and OED's grammarians take it that the first "the" means "by how much" and the second "the" means "by so much"&lt;BR&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; "By how much farther you move away from Earth's center, by so much less the pull of gravity becomes."&lt;BR&gt;The oldest use of this construct appeared in King Alfred's translation of Gregory's Regula Pastorialis scripted in 897: "ÃÃ¦t her Ã°y mara wisdom on londe wÃ¦re, Ã°y we ma geÃ°eoda cuÃ°on"&lt;BR&gt;&lt;BR&gt;On the other hand, a&amp;nbsp;British grammarian Quirk explains "the â¦ the â¦" in his CGEL as paring subordinators to make up a proportional relative clause similar to "as â¦ so â¦".&lt;BR&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; "As you move away from Earth's center farther, so the pull of gravity become less."&lt;BR&gt;Suppose the paired "the"s could be used independently,&amp;nbsp;and suppose&lt;BR&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;FONT color=#0000ff&gt;The pull of gravity becomes less &lt;B&gt;the farther&lt;/B&gt; you move away from Earth's center.&lt;/FONT&gt;&lt;BR&gt;be grammatical,&amp;nbsp;then it&amp;nbsp;would be paraphrased like:&lt;BR&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; "As you move away from Earth's center farther, the pull of gravity become less."&lt;BR&gt;It makes sense, but sounds somewhat weaker in the sense of proportionality than "the ... the â¦" or "as â¦ so â¦"&lt;BR&gt;&lt;BR&gt;paco&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/BLOCKQUOTE&gt;&lt;/P&gt;
&lt;P&gt;I am somewhat satisfied with this explanation. It at least tries to explain the usage of "the" in 'the farther'. &lt;/P&gt;</description></item><item><title>Re: Looking for an accepted grammatical explanation.</title><link>http://www.englishforums.com/English/LookingAcceptedGrammatical-Explanation/chwdg/post.htm#203802</link><pubDate>Mon, 06 Mar 2006 20:33:09 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:203802</guid><dc:creator>paco2004</dc:creator><description>&lt;FONT color=#0000ff&gt;"The farther you move away from Earth's center, the less the pull of gravity becomes" &lt;/FONT&gt;&lt;BR&gt;&lt;BR&gt;This "the" was originally "thy", i.e., the instrumental case of the nominative definite article "the" and was used to mean "by means of". Now this "the" is lexically classed as an adverb and OED's grammarians take it that the first "the" means "by how much" and the second "the" means "by so much"&lt;BR&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; "By how much farther you move away from Earth's center, by so much less the pull of gravity becomes."&lt;BR&gt;The oldest use of this construct appeared in King Alfred's translation of Gregory's Regula Pastorialis scripted in 897: "ÃÃ¦t her Ã°y mara wisdom on londe wÃ¦re, Ã°y we ma geÃ°eoda cuÃ°on"&lt;BR&gt;&lt;BR&gt;On the other hand, a&amp;nbsp;British grammarian Quirk explains "the â¦ the â¦" in his CGEL as paring subordinators to make up a proportional relative clause similar to "as â¦ so â¦".&lt;BR&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; "As you move away from Earth's center farther, so the pull of gravity become less."&lt;BR&gt;Suppose the paired "the"s could be used independently,&amp;nbsp;and suppose&lt;BR&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;FONT color=#0000ff&gt;The pull of gravity becomes less &lt;B&gt;the farther&lt;/B&gt; you move away from Earth's center.&lt;/FONT&gt;&lt;BR&gt;be grammatical,&amp;nbsp;then it&amp;nbsp;would be paraphrased like:&lt;BR&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; "As you move away from Earth's center farther, the pull of gravity become less."&lt;BR&gt;It makes sense, but sounds somewhat weaker in the sense of proportionality than "the ... the â¦" or "as â¦ so â¦"&lt;BR&gt;&lt;BR&gt;paco</description></item><item><title>Re: The meaning of 'Gonna'</title><link>http://www.englishforums.com/English/TheMeaningOfGonna/2/cvmgc/Post.htm#190266</link><pubDate>Sun, 29 Jan 2006 07:43:18 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:190266</guid><dc:creator>Anonymous</dc:creator><description>&lt;font color="#0000ff"&gt;What is the word &lt;i&gt;sucks&lt;/i&gt; in &lt;i&gt;"&lt;/i&gt;Homework sucks&lt;i&gt;"&lt;/i&gt;? Is it a verb or an adjective? If it is a verb, what does homework suck?&lt;br&gt;&lt;/font&gt;&lt;br&gt;This brings up an excellent point, and a wonderful opportunity to discover the beautiful syntactic structure of the English language. The question at hand is &lt;i&gt;"&lt;/i&gt;Does an English verb need to have an object?&lt;i&gt;"&lt;/i&gt; Consider the simple construction, &lt;i&gt;"&lt;/i&gt;I eat&lt;i&gt;"&lt;/i&gt; (Subject-ActionVerb). It is a coherent English thought; there is no need to express what is eaten. Just because an English sentence contains an action verb does not mean an object of that action must occur. The neat thing is, though, that it can occur and the thought is just as coherent. &lt;i&gt;"&lt;/i&gt;I eat pizza&lt;i&gt;"&lt;/i&gt; (Subject-ActionVerb-Object) is an equally logical thought. &lt;br&gt;&lt;br&gt;Action verbs that have an object of their action are said to be &lt;i&gt;transitive&lt;/i&gt;, while those that do not are said to be &lt;i&gt;intransitive&lt;/i&gt;. Objects can receive the action of their verb either directly or indirectly. An object which is indirectly acted upon only occurs when there is one which is directly acted upon as well. Objects which receive their verb&lt;i&gt;'&lt;/i&gt;s action directly are said to be &lt;i&gt;direct&lt;/i&gt;,&lt;i&gt; &lt;/i&gt;whereas those which receive it indirectly are said to be &lt;i&gt;indirect&lt;/i&gt;. In the sentence &lt;i&gt;"&lt;/i&gt;I baked them pizza,&lt;i&gt;"&lt;/i&gt; &lt;i&gt;pizza&lt;/i&gt; is a direct object, and &lt;i&gt;them&lt;/i&gt; is an indirect object.&lt;br&gt;&lt;br&gt;We have observed three fundamental patterns of the English language:&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; Subject-IntransitiveVerb &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (S-InV)&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;  &amp;nbsp;&amp;nbsp;  &amp;nbsp;&amp;nbsp;  &amp;nbsp;&amp;nbsp;  I eat.&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; Subject-TransitiveVerb-DirectObject &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (S-TrV-DO)&amp;nbsp;&amp;nbsp;  &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;  I eat pizza.&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; Subject-TransitiveVerb-IndirectObject-DirectObject&amp;nbsp; (S-TrV-IO-DO)&amp;nbsp;&amp;nbsp;&amp;nbsp;  I bake them pizza.&lt;br&gt;&lt;br&gt;As it turns out, the entire English language follows only about six different fundamental patterns, depending on how you count them. Essentially, there are only three more. I find this fascinating, so here I have written a short exposition on the topic. I intend to learn as much from those who view this forum as they can learn from me, so please read, enjoy (hopefully&lt;img src="/emoticons/emotion-2.gif" alt="Big Smile [:D]" /&gt;), and critique it.&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;font size="5"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; An Inquiry into the Syntactical Structure of the English Language&lt;/font&gt;&lt;br&gt;&lt;br&gt;&lt;b&gt;Fundamental Parts of Speech&lt;/b&gt;&lt;br&gt;&amp;nbsp;There exist various schemes that depict the fundamental parts of speech in the English language. The underlying assumption of them all is that every English word can be classified into a fairly small number of categories. According to a word&lt;i&gt;'&lt;/i&gt;s inherent qualities these are somewhat nebulous, but according to how the word is used in a sentence they our definitive. The scheme I adopt here models English words in seven divisions: &lt;i&gt;nouns&lt;/i&gt;* (N), &lt;i&gt;verbs&lt;/i&gt; (V), &lt;i&gt;adjectives&lt;/i&gt;** (Adj), &lt;i&gt;adverbs&lt;/i&gt; (Adv), &lt;i&gt;prepositions&lt;/i&gt; (Prep), &lt;i&gt;conjunctions&lt;/i&gt; (Conj), and &lt;i&gt;interjections&lt;/i&gt; (Interj). No attempt will be put forth to define these whether operationally or inherently. That being beyond the scope of this work&lt;br&gt;&lt;font size="2"&gt;*&lt;i&gt;Nouns&lt;/i&gt; in this work refers to both nouns and pronouns. Though they constitute two distinct categories they are used virtually interchangeably distinguishable only by the inherent qualities they possess. (A point in which syntax is largely uninterested.)&lt;br&gt;**This class contains what other schemes might divide into the categories of &lt;i&gt;articles&lt;/i&gt;, &lt;i&gt;determiners&lt;/i&gt;, &lt;i&gt;qualifiers&lt;/i&gt;, &lt;i&gt;modifying nouns&lt;/i&gt;, etc.&lt;br&gt;&lt;/font&gt;&lt;b&gt;A Steal Framework&lt;/b&gt;&lt;font size="3"&gt;&lt;b&gt;&lt;/b&gt;&lt;/font&gt;&lt;br&gt;Again the various models of English syntax would number the fundamental patterns differently. I have adopted a scheme of six. The patterns are concerned only with two parts of speech: verbs and nouns. They form a sort of a metal framework upon which the rest of the fundamental part bestow their graces connecting and decorating it into a beautiful masterpiece. I model English nouns as possessing eight unique functions (&lt;i&gt;subject&lt;/i&gt; (S), &lt;i&gt;direct object&lt;/i&gt; (DO), &lt;i&gt;indirect object&lt;/i&gt; (IO), &lt;i&gt;objective complement&lt;/i&gt; (OC), &lt;i&gt;subjective complement&lt;/i&gt; (SC), &lt;i&gt;object of the preposition&lt;/i&gt; (OP), &lt;i&gt;noun of direct address&lt;/i&gt; (DA), and &lt;i&gt;appositive&lt;/i&gt; (App)) and English verbs as possessing four unique functions (&lt;i&gt;action verb&lt;/i&gt;*, &lt;i&gt;linking verb&lt;/i&gt; (LV), &lt;i&gt;state of being verb&lt;/i&gt; (Be), &lt;i&gt;helping verb&lt;/i&gt;** (Aux)). Only the first five of the noun functions and the first three of the verb functions are used in constructing the patterns. The rest are added on later for decoration.&lt;br&gt;&lt;font size="2"&gt;*As it has been aforementioned actions verbs are either &lt;i&gt;transitive verbs&lt;/i&gt; (TrV), possessing objects, or &lt;i&gt;intransitive verbs&lt;/i&gt; (InV), not possessing objects.&lt;/font&gt;&lt;font size="2"&gt;&lt;br&gt;**Helping verbs also known as &lt;i&gt;auxiliary verbs&lt;/i&gt; or simply &lt;i&gt;auxiliaries&lt;/i&gt; serve solely to aid the one main verb of a syntactic pattern in expressing such complexities as &lt;i&gt;tense&lt;/i&gt;, &lt;i&gt;mood&lt;/i&gt;, or &lt;i&gt;voice&lt;/i&gt;. Unlike other languages, English verb ending are unable to accomplish this consisting of only four principle parts with little variation or no variation for person or number. Rarely will you find a verb written more than four ways.&lt;br&gt;&lt;/font&gt;&lt;b&gt;&lt;br&gt;&lt;/b&gt;&lt;font size="3"&gt;&lt;b&gt;The Fundamental Syntactic Patterns&lt;/b&gt;&lt;/font&gt;&lt;br&gt;Some schemes include adjective and adverb elements. I do not, however, because I do not consider them the pegs on which other elements can hang. They are merely filler. I have put alternate examples in &lt;b&gt;boldface type&lt;/b&gt; for where some find grounds for other patterns.&lt;br&gt;&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 1. S-Be&lt;i&gt;*&lt;/i&gt;&lt;i&gt;&lt;font color="#ff0000"&gt;&lt;/font&gt; &amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; I am&lt;/i&gt;. or &lt;i&gt;I am &lt;b&gt;here&lt;/b&gt;&lt;/i&gt;.&lt;br&gt;&lt;font size="2"&gt;&lt;/font&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 2. S-LV-SC&lt;i&gt;&lt;font color="#008000"&gt;*&lt;/font&gt;&lt;/i&gt;&lt;font color="#ff0000"&gt;&lt;font color="#000000"&gt;,&lt;/font&gt;&lt;/font&gt;&lt;i&gt;&lt;font color="#ff0000"&gt;*&lt;/font&gt;&lt;/i&gt;&lt;i&gt; &lt;/i&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; I am&amp;nbsp; Daniel&lt;/i&gt;.&lt;i&gt; &lt;/i&gt;or &lt;i&gt;I am &lt;b&gt;good&lt;/b&gt;&lt;/i&gt;.&amp;nbsp;&amp;nbsp;  &lt;br&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 3. &lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;S-InV&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;i&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; I eat&lt;/i&gt;.&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 4. &lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;S-TrV-DO&lt;font color="#0000ff"&gt;*&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;i&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; I eat pizza&lt;/i&gt;.&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 5. &lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;S-TrV-IO-DO&lt;font color="#0000ff"&gt;*&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;i&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; I bake them pizza&lt;/i&gt;.&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 6. &lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;S-TrV-DO-OC&lt;font color="#0000ff"&gt;*&lt;/font&gt;,&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;i&gt;&lt;font color="#ffff00"&gt;*&lt;/font&gt; &amp;nbsp;&amp;nbsp; &amp;nbsp; I consider pizza food&lt;/i&gt;. or &lt;i&gt;I find pizza &lt;b&gt;tasty&lt;/b&gt;&lt;/i&gt;.&lt;br&gt;&lt;font size="2"&gt;*&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt; &lt;i&gt;"&lt;/i&gt;I am here,&lt;i&gt;"&lt;/i&gt; or, &lt;i&gt;"&lt;/i&gt;I am of the tribe of Benjamin,&lt;i&gt;"&lt;/i&gt; are examples of an adverb element on the S-Be pattern. Under some schemes this would be a new pattern, S-be-Adv. &lt;/font&gt;&lt;font size="2"&gt;The adverb element, often referred to as the &lt;i&gt;adverbial&lt;/i&gt; modifies the verb indicating where or when.&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;br&gt;&lt;font color="#008000"&gt;*&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;The subjective &lt;b&gt;comple&lt;/b&gt;ment is the &lt;b&gt;comple&lt;/b&gt;ter of the subject. If it is an adjective it is called the &lt;/font&gt;&lt;font size="2"&gt;&lt;i&gt;predicate adjective&lt;/i&gt;&lt;/font&gt;&lt;font size="2"&gt; (PA). If it is a noun it is called the &lt;i&gt;predicate nominative&lt;/i&gt; or &lt;i&gt;noun&lt;/i&gt; (PN). As a noun it is said to rename the subject (Daniel). As a adjective it is said to  modify the subject (good). Under some schemes these two cases form distinct patterns (S-LV-PN and S-LV-PA).&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;font color="#ff0000"&gt;&lt;br&gt;*&lt;/font&gt;Depending
on whether or not the definition of linking verb is broadened to
include the state of being verbs, a separate pattern (S-be-SC) is often
employed which in turn is typically divided into the two distinct patterns
(S-be-PA and S-be-PN).&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;br&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;font color="#0000ff"&gt;*&lt;/font&gt;Both direct and indirect objects are considered to be &lt;i&gt;predicate complements &lt;/i&gt;(PC). So the distinction between them is sometimes lost and these patterns can be depicted S-TrV-PC, S-TrV-PC-PC, and S-TrV-PC-OC with the former two occasionally fusing into one pattern (S-TrV-PC).&lt;br&gt;&lt;font color="#ffff00"&gt;*&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;Sometimes a distinction is made between an objective complement that functions as a noun (pizza), &lt;i&gt;objective noun&lt;/i&gt; (ON), and one that functions as a adjective (tasty), &lt;i&gt;objective adjective&lt;/i&gt; (OA). Thus two distinct patterns are formed (S-TrV-DO-ON and S-TrV-DO-OA).&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;br&gt;&lt;font size="3"&gt;&lt;br&gt;Whether or not it is wise to exclude the patterns S-Be-Adv, S-LV-PA, and S-TrV-OA, I do not know, but since I maintain that the fundamental syntactic units are composed of certain nouns and verbs I will. For now the other parts of speech and remaining nouns and verbs are for filling out the framework.&lt;br&gt;&lt;br&gt;&lt;b&gt;The Decorations and Connections&lt;/b&gt;&lt;br&gt;The remaining verbs, helping/auxiliary verbs (Aux), come before the verbs in the patterns and give them tense. Of the remaining nouns, nouns of direct address (DA) are when you address the person you are talking two by name, appositives come right after one of the nouns in the fundamental patterns and serve to rename them, and objects of the preposition are the words the prepositions (Prep) are relating to the rest of the sentence. Prepositions (Prep) then relate nouns to the rest of the sentence. Conjunction (Conj) join elements whether they be fundamental patterns, subject, or verbs. Interjections (Interj) do just that. Butt in breaking the flow of everything. Adjectives (Adj) modify nouns, and adverbs (Adv) modify verbs, adjectives, and other adverbs.&lt;font size="2"&gt;&lt;br&gt;&lt;br&gt;&lt;font size="3"&gt;These nine links and flesh may simply be one word or, as four of them (OP, App, Adj, and Adv)&lt;/font&gt;&lt;font size="3"&gt; often are, be expanded into multiword units composed themselves of smaller units which in turn are linked to other units. Thus you have the massive interlocking structure of the English language.&lt;br&gt;&lt;br&gt;What are these large units with in units though? They are either &lt;i&gt;clauses&lt;/i&gt; or &lt;i&gt;phrases&lt;/i&gt;.&lt;br&gt;&lt;b&gt;&lt;br&gt;Clauses&lt;br&gt;&lt;/b&gt;Clause c&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;ontain both a subject and a verb but cannot stand alone as a complete thought. They are one of the fundamental units fleshed out. They&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;font size="3"&gt; come in three varieties those that will function as an adverb (Adv), those that will function as a adjective (Adj), and those that will function as a noun (not just OP and App, but the fundamental makeup of the patterns S, DO, IO, OC, and PN/SC).&lt;br&gt;&lt;br&gt;&lt;b&gt;Phrases:*&lt;/b&gt;&lt;br&gt;Phrases certain either a subject or a verb, but not both. The &lt;i&gt;prepositional phrase&lt;/i&gt;--the unit Prep-OP (sometimes fleshed out with other elements)--functions as either an Adj, Adv, or a N. There are three phrase which are one of the six or nine depending on how you look at it fundamental patterns with the S severed from them. The &lt;i&gt;gerund phrase&lt;/i&gt; is the one in which the main verb must be in the second principle part** and functions as a N. The &lt;i&gt;participle phrase&lt;/i&gt; is the one in which the main verb must be in the second or fourth principle part** and functions as an Adj. The &lt;i&gt;infinitive phrase &lt;/i&gt;is the one in which the verb must be in the infinitive (nearly synonymous with the first principle part** and functions as an Adj, Adv, or a N. A fifth and unusual type of phrase functions as a modifier (Adj or Adv&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;) of the entire sentence, and is composed of a noun followed by a participial phrase.&lt;br&gt;&lt;font size="2"&gt;*Sometimes the classifications of phrases are broadened to include a &lt;i&gt;noun phrase&lt;/i&gt;, &lt;i&gt;verb phrase&lt;/i&gt;, &lt;i&gt;adjective phrase&lt;/i&gt;, &lt;i&gt;adverb phrase&lt;/i&gt;, and &lt;i&gt;appositive phrase&lt;/i&gt;. However, I will abstain from such a measure because noun phrases are just simply any of the five above which can function as a N, appositive phrases are just simply any of the five above which can function as an appositive (a N), adjective phrases are just any of the five above which can function as Adj, adverb phrases are just simply any of the five above which can function as Adv, and verb phrases are just the verb of the six fundamental patterns with its auxiliaries.&lt;br&gt;**Sometimes English verbs are depicted as having three principle parts, (1) present, (2) past, and (3) past participle, presumably because the present participle of all English verbs is the &lt;i&gt;present + -ing&lt;/i&gt;. However, the scheme used here is that which depicts four principle parts, (1) present, (2) present participle, (3) past, (4) past participle, which can be derived from the infinitive [&lt;i&gt;to &lt;/i&gt;&lt;b&gt;&lt;i&gt;. . .&lt;/i&gt;&lt;/b&gt;]&lt;b&gt; &lt;/b&gt;by asking the four questions (1) &lt;i&gt;Today, &lt;/i&gt;[&lt;i&gt;I/we, you, he/she/it/they&lt;/i&gt;]&lt;i&gt; . . .&lt;/i&gt;&lt;i&gt;Currently, &lt;/i&gt;[&lt;i&gt;I/we, you, he/she/it/they&lt;/i&gt;]&lt;i&gt; &lt;/i&gt;[&lt;i&gt;to be&lt;/i&gt;]&lt;i&gt; . . .&lt;/i&gt; , (3) &lt;i&gt;Yesterday, &lt;/i&gt;[&lt;i&gt;I/we, you, he/she/it/they&lt;/i&gt;]&lt;i&gt; . . . &lt;/i&gt;, (4) &lt;i&gt;Previously, &lt;/i&gt;[&lt;i&gt;I/we, you, he/she/it/they&lt;/i&gt;]&lt;i&gt; &lt;/i&gt;[&lt;i&gt;to have&lt;/i&gt;]&lt;i&gt; . . . &lt;/i&gt;of the infinitive&lt;i&gt;.&lt;/i&gt;&lt;/font&gt;&lt;br&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;</description></item><item><title>Re: parts of speech</title><link>http://www.englishforums.com/English/PartsOfSpeech/bmdqw/post.htm#143624</link><pubDate>Sat, 01 Oct 2005 14:39:08 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:143624</guid><dc:creator>Mister Micawber</dc:creator><description>&lt;br&gt;
&lt;b&gt;&lt;font face="Arial"&gt;1) &lt;/font&gt;&lt;/b&gt;&lt;font face="Arial"&gt;My&lt;/font&gt;&lt;font face="Arial"&gt; little&lt;/font&gt;&lt;font face="Arial"&gt; brother&lt;/font&gt;&lt;font face="Arial"&gt; would &lt;/font&gt;&lt;font face="Arial"&gt;not &lt;/font&gt;&lt;font face="Arial"&gt;turn&lt;/font&gt;&lt;font face="Arial"&gt; down&lt;/font&gt;&lt;font face="Arial"&gt; the&lt;/font&gt;&lt;font face="Arial"&gt; radio&lt;/font&gt;&lt;font face="Arial"&gt; volume &lt;/font&gt;&lt;font face="Arial"&gt;in &lt;/font&gt;&lt;font face="Arial"&gt;the&lt;/font&gt;&lt;font face="Arial"&gt; morning.&lt;/font&gt;&lt;br&gt;
&lt;br&gt;
&lt;font face="Courier New"&gt;MY = &lt;/font&gt;&lt;font face="Courier New"&gt;possessive adjective &lt;/font&gt;&lt;br&gt;
&lt;font face="Courier New"&gt;LITTLE = &lt;i&gt;DESCRIPTIVE ADJECTIVE&lt;/i&gt;&lt;/font&gt;&lt;br&gt;
&lt;font face="Courier New"&gt;BROTHER = noun &lt;/font&gt;&lt;br&gt;
&lt;font face="Courier New"&gt;WOULD = modal auxiliary&lt;/font&gt;&lt;br&gt;
&lt;font face="Courier New"&gt;NOT = &lt;i&gt;NEGATIVE PARTICLE&lt;/i&gt;&lt;/font&gt;&lt;br&gt;
&lt;font face="Courier New"&gt;TURN = main verb &lt;/font&gt;&lt;br&gt;
&lt;font face="Courier New"&gt;DOWN = &lt;i&gt;adverb particle&lt;/i&gt;&lt;/font&gt;&lt;br&gt;
&lt;font size="3"&gt;&lt;font face="Courier New"&gt;THE = definite article&lt;/font&gt;&lt;/font&gt;&lt;br&gt;
&lt;font size="3"&gt;&lt;font face="Courier New"&gt;RADIO = noun (&lt;i&gt;used as an &lt;b&gt;adjective&lt;/b&gt;&lt;/i&gt;)&lt;/font&gt;&lt;/font&gt;&lt;br&gt;
&lt;font size="3"&gt;&lt;font face="Courier New"&gt;VOLUME = noun&lt;/font&gt;&lt;/font&gt;&lt;br&gt;
&lt;font size="3"&gt;&lt;font face="Courier New"&gt;IN = preposition&lt;/font&gt;&lt;/font&gt;&lt;br&gt;
&lt;font face="Courier New"&gt;&lt;font size="3"&gt;THE = definite article &lt;/font&gt;&lt;/font&gt;&lt;br&gt;
&lt;font size="3"&gt;&lt;font face="Courier New"&gt;MORNING = &lt;i&gt;&lt;b&gt;NOUN&lt;/b&gt; OBJECT OF PREPOSITION; THE PREP PHRASE IS A TIME ADVERBIAL&lt;/i&gt;&lt;/font&gt;&lt;/font&gt;&lt;br&gt;
&lt;br&gt;
&lt;font face="Arial"&gt;&lt;b&gt;1) &lt;/b&gt;She came to class ver&lt;/font&gt;&lt;font face="Arial"&gt;y &lt;/font&gt;&lt;font face="Arial"&gt;late.&lt;/font&gt;&lt;br&gt;
&lt;br&gt;
&lt;font face="Arial"&gt;&lt;font face="Courier New"&gt;SHE = &lt;/font&gt;&lt;font face="Courier New"&gt;nominative personal pronoun&lt;/font&gt;&lt;/font&gt;&lt;br&gt;
&lt;font face="Arial"&gt;&lt;font face="Courier New"&gt;CAME = main verb&lt;/font&gt;&lt;/font&gt;&lt;br&gt;
&lt;font face="Arial"&gt;&lt;font face="Courier New"&gt;TO = preposition&lt;/font&gt;&lt;/font&gt;&lt;br&gt;
&lt;font face="Arial"&gt;&lt;font face="Courier New"&gt;CLASS = noun&lt;/font&gt;&lt;/font&gt;&lt;br&gt;
&lt;font face="Arial"&gt;&lt;font face="Courier New"&gt;VERY = adverb of intensity&lt;/font&gt;&lt;/font&gt;&lt;br&gt;
&lt;font face="Arial"&gt;&lt;font face="Courier New"&gt;LATE = adverb of time&lt;br&gt;
&lt;br&gt;
&lt;/font&gt;&lt;/font&gt;&lt;br&gt;</description></item><item><title>parts of speech</title><link>http://www.englishforums.com/English/PartsOfSpeech/bmdxd/post.htm</link><pubDate>Sat, 01 Oct 2005 12:04:31 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:143585</guid><dc:creator>Hela</dc:creator><description>&lt;DIV&gt;Dear teachers,&lt;BR&gt;&lt;BR&gt;Would you please tell me if my analysis is correct ?&lt;BR&gt;&lt;BR&gt;&lt;B&gt;&lt;FONT face=Arial&gt;1) &lt;/FONT&gt;&lt;/B&gt;&lt;FONT face=Arial&gt;My&lt;/FONT&gt;&lt;FONT face=Arial&gt; little&lt;/FONT&gt;&lt;FONT face=Arial&gt; brother&lt;/FONT&gt;&lt;FONT face=Arial&gt; would &lt;/FONT&gt;&lt;FONT face=Arial&gt;not &lt;/FONT&gt;&lt;FONT face=Arial&gt;turn&lt;/FONT&gt;&lt;FONT face=Arial&gt; down&lt;/FONT&gt;&lt;FONT face=Arial&gt; the&lt;/FONT&gt;&lt;FONT face=Arial&gt; radio&lt;/FONT&gt;&lt;FONT face=Arial&gt; volume &lt;/FONT&gt;&lt;FONT face=Arial&gt;in &lt;/FONT&gt;&lt;FONT face=Arial&gt;the&lt;/FONT&gt;&lt;FONT face=Arial&gt; morning.&lt;/FONT&gt;&lt;BR&gt;&lt;BR&gt;&lt;FONT face="Courier New"&gt;MY = &lt;/FONT&gt;&lt;FONT face="Courier New"&gt;possessive adjective &lt;/FONT&gt;&lt;BR&gt;&lt;FONT face="Courier New"&gt;LITTLE = determinative adjective (quantifier)&lt;/FONT&gt;&lt;BR&gt;&lt;FONT face="Courier New"&gt;BROTHER = noun &lt;/FONT&gt;&lt;BR&gt;&lt;FONT face="Courier New"&gt;WOULD = modal auxiliary&lt;/FONT&gt;&lt;BR&gt;&lt;FONT face="Courier New"&gt;NOT = ?? &lt;/FONT&gt;&lt;BR&gt;&lt;FONT face="Courier New"&gt;TURN = main verb &lt;/FONT&gt;&lt;BR&gt;&lt;FONT face="Courier New"&gt;DOWN = preposition or adverb ? (adverb particle ?)&lt;/FONT&gt;&lt;BR&gt;&lt;FONT size=3&gt;&lt;FONT face="Courier New"&gt;THE = definite article&lt;/FONT&gt;&lt;/FONT&gt;&lt;BR&gt;&lt;FONT size=3&gt;&lt;FONT face="Courier New"&gt;RADIO = noun (used as an adjective ?)&lt;/FONT&gt;&lt;/FONT&gt;&lt;BR&gt;&lt;FONT size=3&gt;&lt;FONT face="Courier New"&gt;VOLUME = noun&lt;/FONT&gt;&lt;/FONT&gt;&lt;BR&gt;&lt;FONT size=3&gt;&lt;FONT face="Courier New"&gt;IN = preposition&lt;/FONT&gt;&lt;/FONT&gt;&lt;BR&gt;&lt;FONT face="Courier New"&gt;&lt;FONT size=3&gt;THE = definite article &lt;/FONT&gt;&lt;/FONT&gt;&lt;BR&gt;&lt;FONT size=3&gt;&lt;FONT face="Courier New"&gt;MORNING = adverb of time&lt;/FONT&gt;&lt;/FONT&gt;&lt;BR&gt;&lt;BR&gt;&lt;FONT face=Arial&gt;&lt;B&gt;1) &lt;/B&gt;She came to class ver&lt;/FONT&gt;&lt;FONT face=Arial&gt;y &lt;/FONT&gt;&lt;FONT face=Arial&gt;late.&lt;/FONT&gt;&lt;BR&gt;&lt;BR&gt;&lt;FONT face=Arial&gt;&lt;FONT face="Courier New"&gt;SHE = &lt;/FONT&gt;&lt;FONT face="Courier New"&gt;nominative personal pronoun&lt;/FONT&gt;&lt;/FONT&gt;&lt;BR&gt;&lt;FONT face=Arial&gt;&lt;FONT face="Courier New"&gt;CAME = main verb&lt;/FONT&gt;&lt;/FONT&gt;&lt;BR&gt;&lt;FONT face=Arial&gt;&lt;FONT face="Courier New"&gt;TO = preposition&lt;/FONT&gt;&lt;/FONT&gt;&lt;BR&gt;&lt;FONT face=Arial&gt;&lt;FONT face="Courier New"&gt;CLASS = noun&lt;/FONT&gt;&lt;/FONT&gt;&lt;BR&gt;&lt;FONT face=Arial&gt;&lt;FONT face="Courier New"&gt;VERY = adverb of intensity&lt;/FONT&gt;&lt;/FONT&gt;&lt;BR&gt;&lt;FONT face=Arial&gt;&lt;FONT face="Courier New"&gt;LATE = adverb of time ? &lt;/FONT&gt;&lt;/FONT&gt;&lt;BR&gt;&lt;FONT face=Arial&gt;&lt;FONT face="Courier New"&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;BR&gt;&lt;FONT face=Arial&gt;&lt;FONT face="Courier New"&gt;Thank you very much.&lt;/FONT&gt;&lt;/FONT&gt;&lt;BR&gt;&lt;FONT face=Arial&gt;&lt;FONT face="Courier New"&gt;Hela&lt;/FONT&gt;&lt;/FONT&gt;&lt;/DIV&gt;</description></item><item><title>It is me/I</title><link>http://www.englishforums.com/English/ItIsMeI/brmkk/post.htm</link><pubDate>Wed, 06 Apr 2005 01:05:25 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:87169</guid><dc:creator>paco2004</dc:creator><description>Hello guys&lt;br /&gt;&lt;br /&gt;I know we had a conclusion on the subject but I'd like to put some additional information. The article below is a description in a book (written in Japanese) by Late Dr Toshio Nakao, a scholar who taught the history of the English language in several colleges in Japan and in Great Britain.  &lt;br /&gt;&lt;br /&gt;Let's suppose someone ask to a group of people saying :"Who is the boss?" and let's see the historical change in the way English speakers answer to this question.&lt;br /&gt;[1] Days of Old English&lt;br /&gt;In the days when English people still retained case inflexions for nouns, A and B in the statement of "A is B" should be both in the forms of nominative case. As for the question "Who is the boss?", an grammatical answer should be "I am it". However, "It am I" was likely a more popular saying, because it was their linguistic custom in Old English to invert the subject (=I) and the complement (=it) when the complement is a pronoun."&lt;br /&gt;[2] End of Middle English&lt;br /&gt;The expression "It am I" continued to be spoken at least until the time of Chaucer. &lt;EM&gt;"Peter, it am I" quod she &lt;/EM&gt;[Chaucer, , 1386]. However some people began to feel it was rather ungrammatical. It was because they thought that in English a noun that stands before a verb should be the subject of the sentence. So they took 'it' as the subject and 'I' as the complement, and revised the phrase into "It is I". &lt;EM&gt;It is I that am here in your syth&lt;/EM&gt; [ 1450].&lt;br /&gt;[3] Early Modern English&lt;br /&gt;"It is me", what OED is still now calling as an 'uneducated speech', began as early as in 16 century. Shakespeare used the nominative me in  (1591) : &lt;EM&gt;The dog is me, and I am my self&lt;/EM&gt;. But its use has got popular since 18 century on. &lt;EM&gt;To dine with her and come at three! Impossible, it can't be me!&lt;/EM&gt; [Swift  1733]. Why do modern day's English speakers feel "It is me" more natural than "It is I"? It is because they tend to think all a nominative pronoun should be in the status of the subject in a sentence and they tend to feel as if there are two subjects in the sentence "It is I". &lt;br /&gt;&lt;br /&gt;What I have learned from this brief history of the expression "It is me" is that what expression is considered to be grammatical in a language is time dependent.&lt;br /&gt;&lt;br /&gt;paco&lt;br /&gt;</description></item></channel></rss>