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<rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>Search results for 'tag:Commas tag:Conversations' matching tags 'Commas' and 'Conversations'</title><link>http://www.englishforums.com/search/pro.htm?q=tag%3aCommas+tag%3aConversations&amp;tag=Commas,Conversations&amp;orTags=0</link><description>Search results for 'tag:Commas tag:Conversations' matching tags 'Commas' and 'Conversations'</description><dc:language>en-US</dc:language><generator>CSMOD (Build: 3170.31378)</generator><item><title>Re: Filipinisms/Filipinoisms? Ring a bell?</title><link>http://www.englishforums.com/English/FilipinismsFilipinoismsRingBell/glngp/post.htm#559043</link><pubDate>Wed, 27 Aug 2008 00:07:37 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:559043</guid><dc:creator>Mister Micawber</dc:creator><description>. &lt;br /&gt;&lt;strong&gt;I would consider this exercise damagingly prescriptive; most are neither uniquely Filipino nor wrong.&amp;nbsp; However (and my comments refer to AmE/BrE):&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;1. Free subscription of... (Free subscription toâ¦) - prepo issue-- &lt;strong&gt;AmE/BrE uses the collocation subscribe to.&lt;/strong&gt;&lt;br /&gt;2. Can I speak withâ¦? (May I speak withâ¦) - To sound more polite/ask permission?--&lt;strong&gt; Both OK.&amp;nbsp; &amp;#39;Can&amp;#39; is more casual but just as common.&lt;/strong&gt;&lt;br /&gt;3. Come again? (I&amp;#39;m sorry I didn&amp;#39;t get quite get that / Excuse me? / I&amp;#39;m sorry would you please say that again?) - English trainers discourage agents to use this because they say that it could mean &amp;#39;cum again&amp;#39;)-&lt;strong&gt;- The English trainers are nuts.&amp;nbsp; Come again is common and casual.&lt;/strong&gt; &lt;strong&gt;Your examples in parentheses are overly formal for most situations.&lt;/strong&gt;&lt;br /&gt;4. It&amp;#39;s for free! (It&amp;#39;s free. / It&amp;#39;s free of charge. / We&amp;#39;re sending it to you for free.) - Filipinos have been used to saying &amp;#39;It&amp;#39;s for free&amp;#39;. How do I say that it should be avoided? What makes it wrong?--&lt;strong&gt; Nothing makes it wrong; it&amp;#39;s fine.&lt;/strong&gt;&lt;br /&gt;5. Hold your line/For awhileâ¦ (Would you mind if I put you on hold for a second? / Please hold) - hold your line is absurd. any comment? what about for awhile?--&lt;strong&gt; I agree that &amp;#39;Hold your line&amp;#39; is not natural in AmE/BrE.&amp;nbsp; &amp;#39;Please hold&amp;#39; or &amp;#39;Could you hold, please&amp;#39; is the usual.&lt;/strong&gt;&lt;br /&gt;6. Open/ close the light/computer (Turn on/off the light/TV/computer) - how do I explain this? it sounds like opening/closing the tv for repair.- &lt;strong&gt;This seems to be a direct translation from Spanish? Tagalog?&amp;nbsp; At least, it is the same error that Japanese make.&lt;/strong&gt;&lt;br /&gt;7. Do you mind waiting? Yes, I&amp;#39;ll wait. (No, not at all. / No, I don&amp;#39;t mind at all.) - YES is the issue. wrong response. any other feedback?--&lt;strong&gt; &amp;#39;Yes&amp;#39; is logically wrong but common when the tag ( e.g. &amp;#39;I&amp;#39;ll wait&amp;#39;) is also present; speakers seldom have the opportunity to stop and think about the &amp;#39;Do you mind?&amp;#39; form, and this includes native AmE/BrE speakers.&lt;/strong&gt;&lt;br /&gt;8. Anything? (Is there anything I can do for you? / How may I help you?) - fragmented, seems vague?-&lt;strong&gt;- Yes, it seems vague and fragmentary out of context.&lt;/strong&gt;&lt;br /&gt;9. I&amp;#39;ll ask her an apology. (I&amp;#39;ll apologize to her. / I should make an apology.) - this sounds illogical?-&lt;strong&gt;- Not a natural AmE/BrE formation&lt;/strong&gt;.&lt;br /&gt;10. We take lunch. (We eat lunch. / We have lunch (every Sunday).)-- &lt;strong&gt;&amp;#39;Take&amp;#39; seems to be an occasional replacement in this context in many Englishe&lt;/strong&gt;s&lt;strong&gt;.&amp;nbsp; It is not an egregious variation.&lt;/strong&gt;&lt;br /&gt;11. We accept repairs. (This shop repairs cars/cellphones, etc.)--&lt;strong&gt; Seems fine to me.&lt;/strong&gt;&lt;br /&gt;12. We accept painting jobs. (This shop does painting jobs.)- &lt;strong&gt;Quite common.&lt;/strong&gt;&lt;br /&gt;13. Tuck out (Untuck)- &lt;strong&gt;Odd.&lt;/strong&gt;&lt;br /&gt;14. He was salvaged. (He was assassinated.)--&lt;strong&gt; A new meaning for the word for me, and it is not in the dictionary.&lt;/strong&gt;&amp;nbsp;&lt;strong&gt; Perhaps some confusion with &amp;#39;savaged&amp;#39;?&lt;/strong&gt;&lt;br /&gt;15. She delivered her baby yesterday. (She had her baby yesterday. / Dr. Smith delivered her baby.)-- &lt;strong&gt;This is fine.&amp;nbsp; From the dictionary-- &amp;#39;to give birth to: &lt;span&gt;She delivered twins at 4 a.m. &lt;/span&gt;&lt;/strong&gt;&amp;#39;&lt;br /&gt;16. Xerox (Photocopy)-- &lt;strong&gt;Very common in AmE at least.&lt;/strong&gt;&amp;nbsp;&lt;strong&gt; Among my generation, &amp;#39;to xerox&amp;#39; is perhaps more usual than &amp;#39;to photocopy&amp;#39;.&lt;/strong&gt;&lt;br /&gt;17. Oppositor (Opposition member)-- &lt;strong&gt;A new word for me.&amp;nbsp; Not a bad formation, but perhaps difficult to understand by foreigners.&lt;/strong&gt;&lt;br /&gt;18. Hand carry (Carry - on luggage)-- &lt;strong&gt;A new word, but reasonable.&lt;/strong&gt;&lt;br /&gt;19. It&amp;#39;s traffic today. (Traffic is heavy.) -- &lt;strong&gt;It seems vague and fragmentary &lt;/strong&gt;&lt;br /&gt;20. Senatoriable (Senatorial candidate) -- &lt;strong&gt;Odder than #17&lt;/strong&gt;&lt;br /&gt;21. At around 2pm (At about 2pm) - around is Am? about is Brit?-&lt;strong&gt; Very common in AmE; it also appears with this meaning in the Cambridge dictionary.&lt;/strong&gt;&lt;br /&gt;22. I failed in Accent training. (I failed accent training.)-- &lt;strong&gt;A common expression, though I prefer your alternative.&lt;/strong&gt;&lt;br /&gt;23. We were under Mr. Johnson. (Mr. Johnson was our teacher.) - Filipinos are used to saying &amp;#39;That student is under my class&amp;#39; so this filipinism has started.-- &lt;strong&gt;In context, &amp;#39;We were under Mr. Johnson&amp;#39; sounds fine, while &amp;#39;That student is under my class&amp;#39; does not.&lt;br /&gt;&lt;/strong&gt;24. My brother is taking up law. (My brother is taking law. / My brother is studying law.) --&lt;strong&gt; &amp;#39;Take up&amp;#39; is common, but means the overall intention, not just the matriculation.&lt;/strong&gt;&lt;br /&gt;25. Where are you studying? (Where do you go to school? / What school do you go to?)-&lt;strong&gt; &amp;#39;Where are you studying&amp;#39; is fine.&lt;/strong&gt;&lt;br /&gt;26. Pass by my office before you go. (Drop by my office before you go.) - Brit/Am phrasal?-&lt;strong&gt;- Not AmE, at least.&amp;nbsp; &amp;#39;Stop by&amp;#39; or &amp;#39;Drop by&amp;#39;.&lt;/strong&gt;&lt;br /&gt;27. We have one participant only. (We only have one participant.) - should they say &amp;#39;only one participant&amp;#39;?-- &lt;strong&gt;The &amp;#39;only&amp;#39; can go in several places; at the end is one of those places.&lt;/strong&gt;&lt;br /&gt;28. I talked to her already. (I already talked to her.) - I need help on adverb order. This confuses all Filipinos and me too. Where should adverbs be placed?- &lt;strong&gt;Adverbs are relatively variable in their placement.&amp;nbsp; In this case, both are all OK.&amp;nbsp; More interesting is that AmE uses simple past more consistently with &amp;#39;yet&amp;#39; and &amp;#39;already&amp;#39; than does BrE, which prefers the perfect aspect.&lt;/strong&gt;&lt;br /&gt;29. Will you be at the office at 7am? Actually. (Will you be at the office at 7am? Yes.)-- &lt;strong&gt;Not AmE/BrE&lt;/strong&gt;&lt;br /&gt;30. Actually, I like Jennifer Aniston. (I like Jennifer Aniston.) - Actually/basically has become Filipinos expressions.--&lt;strong&gt; I wouldn&amp;#39;t say that it is unique to Filipinos; many AmE speakers develop the habit in various contexts.&amp;nbsp; Too much is too much, however.&lt;/strong&gt;&lt;br /&gt;31. As per Paul, all request forms should be signed by him. (As per Paul&amp;#39;s instructions, all request forms should be signed by him.)-- &lt;strong&gt;This is common bizspeak throughout the English-speaking world.&lt;/strong&gt;&lt;br /&gt;32. Wanted: Sewer (Wanted: Tailor or seamstress)--&lt;strong&gt; Yes, it is certainly open to misinterpretation!&amp;nbsp; But &amp;#39;seamstress&amp;#39; is sexist.&lt;/strong&gt;&lt;br /&gt;33. Take home (Take it home / To go. / For take out)-- &lt;strong&gt;&amp;#39;Take home food&amp;#39; seems like a regional variant of &amp;#39;take out food&amp;#39;.&lt;/strong&gt;&lt;br /&gt;34. I felt kind of tired. (I felt rather tired.)-- &lt;strong&gt;&amp;#39;Kind of&amp;#39; is&lt;span style="text-decoration:underline;"&gt; very&lt;/span&gt; common in informal AmE.&lt;/strong&gt;&lt;br /&gt;35. As to the projectâ¦ (About the projectâ¦)-- &lt;strong&gt;A common formality in most Englishes.&lt;/strong&gt;&lt;br /&gt;36. Thank you for that/this one. (Thank you for the information. / Thank you.) - I need to send this in a few minutes and I still couldn&amp;#39;t think of an explanation. Phrasing sounds awkward to me. But besides getting straight to the point, why did &amp;#39;for that/this one&amp;#39; make it wrong?--&lt;strong&gt; &amp;#39;One&amp;#39; is wrongly used; &amp;#39;information&amp;#39; is uncountable.&lt;/strong&gt;&lt;br /&gt;37. I do love playing basketball/volleyball. (I love playing basketball/volleyball.) - this may sound right depending on the flow of the conversation, right? e.g. you don&amp;#39;t love playing... No, I do...-&lt;strong&gt;- You are correct.&amp;nbsp; This is called the emphatic &amp;#39;do&amp;#39;.&lt;/strong&gt;&lt;br /&gt;38. Currently, I live in Quezon City right now. (Currently, I live in Quezon City. / I live in Quezon City.) - redundant - now and currently.- &lt;strong&gt;Yes, redundant.&lt;/strong&gt;&lt;br /&gt;39. Actually, I like Microsoft, Symantec and Adobe (I like Microsoft Symantec and Adobe)--&lt;strong&gt; The comma is necessary if Microsoft and Symantec are different softwares.&lt;/strong&gt;&lt;br /&gt;40. As per Mon, all request forms should be signed by him. (As per Paul&amp;#39;s instructions, all request forms should be signed by him.&lt;strong&gt;)-- This is the same as #31, and OK.&lt;/strong&gt;&lt;br /&gt;41. I do apologize (I apologize.)-- &lt;strong&gt;This is fine indeed. It is the same as #37, and is more polite than your bracketed alternative.&lt;/strong&gt;&lt;br /&gt;.</description></item><item><title>Re: who[(m)ever] - whose[ever] - what[ever] - when[ever] - where[ever] - how[ever]</title><link>http://www.englishforums.com/English/EverWhoseEverEverEverEverEver/2/gkhcc/Post.htm#552315</link><pubDate>Thu, 07 Aug 2008 22:24:31 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:552315</guid><dc:creator>Mr Wordy</dc:creator><description>&lt;p&gt;* Possible in informal conversation, but, to varying degrees, dubious (IMO). &lt;/p&gt;
&lt;p&gt;I should mention, in case it&amp;#39;s not already obvious, that while some choices are obviously correct, and some are obviously wrong, there is a grey area in between where you look at some of the options and think &amp;quot;Hmmm... is that right or not?&amp;quot;.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;[2] What we feel has a lot to do with &lt;strong&gt;how&lt;/strong&gt; / &lt;strike&gt;however&lt;/strike&gt; we conceptualize things.&lt;br /&gt;&lt;br /&gt;[4] It is not important to him &lt;strong&gt;how&lt;/strong&gt;&lt;/em&gt; &lt;em&gt;/ &lt;strong&gt;however*&lt;/strong&gt; you do the job. &lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;img src="http://www.englishforums.com/emoticons/emotion-14.gif" alt="Devil" title="Devil" /&gt; It&amp;#39;s going to cost a lot &lt;strike&gt;how&lt;/strike&gt; / &lt;strong&gt;however&lt;/strong&gt; you look at it.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;[9] The answer is always the same &lt;/em&gt;&lt;strong&gt;&lt;em&gt;whoever&lt;/em&gt; &lt;/strong&gt;[everyday use]&lt;em&gt;&lt;strong&gt; / whomever&lt;/strong&gt;&amp;nbsp; &lt;/em&gt;[formal]&lt;em&gt; you ask.&lt;br /&gt;&lt;br /&gt;[11] They were followed closely &lt;strong&gt;wherever&lt;/strong&gt; / &lt;strike&gt;where&lt;/strike&gt; &lt;/em&gt;[borderline, perhaps just about possible]&lt;em&gt; they went.&lt;br /&gt;&lt;br /&gt;[13] It is not important &lt;strong&gt;where&lt;/strong&gt; / &lt;strong&gt;wherever*&lt;/strong&gt; they went.&lt;br /&gt;&lt;br /&gt;[15] A carload of soldiers goes with him &lt;strong&gt;wherever / where&lt;/strong&gt; &lt;/em&gt;[less likely]&lt;em&gt; he goes.&lt;br /&gt;&lt;br /&gt;[17] It was nothing to do with me &lt;strong&gt;what / whatever&lt;/strong&gt; she did.&lt;/em&gt; [A comma is needed before &amp;quot;whatever&amp;quot; IMO]&lt;br /&gt;&lt;br /&gt;&lt;em&gt;[19] What we feel has a lot to do with &lt;strong&gt;what / whatever&lt;/strong&gt;&lt;/em&gt; [less likely, but probably OK] &lt;em&gt;we conceptualize.&lt;br /&gt;&lt;br /&gt;[21] It&amp;#39;s okay with me&amp;nbsp;&lt;strong&gt;whatever&lt;/strong&gt; / &lt;strong&gt;what* &lt;/strong&gt;&lt;/em&gt;&lt;em&gt;you decide.&amp;nbsp;&lt;/em&gt; [I would put a comma before &amp;quot;whatever&amp;quot;]&lt;br /&gt;&lt;br /&gt;&lt;em&gt;[23] He is happy and contented &lt;strong&gt;whenever / when&lt;/strong&gt; he returns to this place.&lt;br /&gt;&lt;br /&gt;[25] It is of no concern to her &lt;strong&gt;when / whenever&lt;/strong&gt; &lt;/em&gt;[see note]&lt;em&gt;&amp;nbsp;he returns to this place.&lt;/em&gt; [This sentence can be read in two ways. Either the time of his return is of no concern, or something else (whatever &amp;quot;it&amp;quot; refers to) doesn&amp;#39;t concern her at the time he returns. &amp;quot;whenever&amp;quot; fits the second meaning but not the first.]&lt;br /&gt;&lt;br /&gt;&lt;em&gt;[27] It is not important &lt;strike&gt;whosever&amp;#39;s &lt;/strike&gt;/ &lt;strike&gt;whosever&lt;/strike&gt; / &lt;strong&gt;whose / whoever&amp;#39;s*&lt;/strong&gt;&amp;nbsp;car this is.&lt;br /&gt;&lt;br /&gt;[30] We have to fine (him) &lt;strong&gt;whoever&amp;#39;s&lt;/strong&gt; / &lt;strong&gt;whosever&lt;/strong&gt; &lt;/em&gt;[rarer]&lt;em&gt; / &lt;strike&gt;whose&lt;/strike&gt; car this is.&lt;/em&gt; [If &amp;quot;him&amp;quot; is included then I&amp;nbsp;would put a comma after &amp;quot;him&amp;quot;]&lt;/p&gt;</description></item><item><title>Re: Conjunction beginning a sentence</title><link>http://www.englishforums.com/English/ConjunctionBeginningSentence/gwbrh/post.htm#540726</link><pubDate>Sun, 13 Jul 2008 11:56:55 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:540726</guid><dc:creator>Cool Breeze</dc:creator><description>&amp;nbsp;1. &lt;i&gt;Because&lt;/i&gt; is a conjunction which begins a subordinate causal clause. &lt;font color="#ff0000"&gt;A subordinate clause&lt;/font&gt; should normally be accompanied by &lt;font color="#0000ff"&gt;a main clause&lt;/font&gt;. A main clause can stand on its own; it is not necessary to accompany a main clause with a subordinate clause.&lt;/p&gt;&lt;p&gt;Examples:&lt;/p&gt;&lt;p&gt;Main clause - subordinate clause. &lt;i&gt;&lt;font color="#0000ff"&gt;I didn&amp;#39;t go out&lt;/font&gt; &lt;font color="#ff0000"&gt;because/as/since it was raining&lt;/font&gt;.&lt;/i&gt;&lt;/p&gt;&lt;p&gt;Subordinate clause - main clause: &lt;i&gt;&lt;font color="#ff0000"&gt;Because/As/Since it was raining,&lt;/font&gt; &lt;font color="#0000ff"&gt;I didn&amp;#39;t go out. &lt;/font&gt;&lt;/i&gt;&lt;font color="#000000"&gt;(Note the comma!)&lt;/font&gt; &lt;/p&gt;&lt;p&gt;Main clause:&lt;font color="#0000ff"&gt; &lt;i&gt;I didn&amp;#39;t go out.&lt;/i&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;A subordinate clause without a main clause is usually&lt;u&gt; incorrect&lt;/u&gt;: &lt;i&gt;&lt;font color="#ff0000"&gt;Because/As/Since it was raining&lt;/font&gt;. &lt;/i&gt;(WRONG!) You may use clauses like this in conversation but avoid them in serious writing.&lt;/p&gt;&lt;p&gt;2. Many style guides suggest that it is usually not good style or advisable to begin a &lt;u&gt;sentence&lt;/u&gt; with &lt;i&gt;and.&lt;/i&gt; Marius has already given you good advice about that. &lt;i&gt;Even&lt;/i&gt; is &lt;u&gt;not&lt;/u&gt; a conjunction and nothing prevents you from beginning a clause or a sentence with it:&lt;/p&gt;&lt;p&gt;&lt;i&gt;Even the poorest people in that town own a car.&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;Even my stupid friend understood what was being said.&lt;/i&gt;&lt;/p&gt;&lt;p&gt;CB &lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;</description></item><item><title>Re: What's the difference between these words?</title><link>http://www.englishforums.com/English/DifferenceBetweenTheseWords/gzjzb/post.htm#528378</link><pubDate>Mon, 16 Jun 2008 22:17:33 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:528378</guid><dc:creator>Mr Wordy</dc:creator><description>&lt;p&gt;&amp;quot;Maybe&amp;quot; is more conversational and less likely to be used in formal writing, but&amp;nbsp;other than that&amp;nbsp;the two words are very often interchangeable -- as they are in all&amp;nbsp;your dictionary examples. There might be some expressions in which only one of &amp;quot;maybe&amp;quot; or &amp;quot;perhaps&amp;quot; is idiomatic, but none immediately come to mind.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;John is not a engineer, maybe a technician.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;This is not very good English. You could say &lt;em&gt;John is not a engineer; maybe/perhaps he&amp;#39;s&amp;nbsp;a technician.&lt;/em&gt; or &lt;em&gt;John is not a engineer; he may be a technician.&lt;/em&gt;&amp;nbsp;In ordinary conversation&amp;nbsp;&lt;em&gt;John is not a engineer ...&amp;nbsp;maybe a technician. &lt;/em&gt;is a kind of shorthand, but&amp;nbsp;I wouldn&amp;#39;t&amp;nbsp;punctuate it with a comma.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Perhaps/maybe, but I&amp;#39;m not sure about that.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Fine.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Perhaps, I may have a car.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;I&amp;#39;d punctuate this as&amp;nbsp;&lt;em&gt;Perhaps I may have a car&lt;/em&gt; (unless you actually mean &lt;em&gt;Perhaps. I may have a car.&lt;/em&gt;). Strictly you don&amp;#39;t need both &amp;quot;perhaps&amp;quot; and &amp;quot;may&amp;quot;, but in ordinary conversation it&amp;#39;s the kind of thing one would say. Actually, to answer my own question, when&amp;nbsp;the sentence&amp;nbsp;(redundantly) also includes the word &amp;quot;may&amp;quot;, it would sound odd to use &amp;quot;maybe&amp;quot;. For example, &lt;em&gt;Maybe I may have a car &lt;/em&gt;is strange (while &lt;em&gt;Maybe I&amp;#39;ll have a car &lt;/em&gt;is fine).&lt;/p&gt;</description></item><item><title>Fragmented sentences</title><link>http://www.englishforums.com/English/FragmentedSentences/gzgzh/post.htm</link><pubDate>Sun, 15 Jun 2008 08:33:04 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:527517</guid><dc:creator>New2grammar</dc:creator><description>&lt;font&gt; &lt;p&gt;&lt;strong&gt;Now, come to think of it, not considering the reason behind, it was quite unfair to her, given that she came all the way, travelled 700 miles, to a totally different state and city to work for him.&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;I know the sentence is fragmented. But I wonder if it&amp;#39;s understandable to native speakers. And if it&amp;#39;s also common in daily conversations. I&amp;#39;ve heard so many fragmented sentences but I don&amp;#39;t think I have any idea how to form them correctly. Are there any rules? My believe is when you want to emphasize some points which you&amp;#39;ve just&amp;nbsp;articulated but Ooops...you think they are not clear, you would pause which is indicated&amp;nbsp;by a comma in writing&amp;nbsp;and follow with elaboration and once you&amp;#39;re done, you end it with another pause and go back to your original thought.&amp;nbsp;Though it&amp;#39;s ugly in writing, I feel&amp;nbsp;it&amp;#39;s quite important in conversation to make your point. Of course, if you can speak as good as you write, there&amp;#39;s no need for this ugliness.&amp;nbsp;But at the moment, this is a quick fix&amp;nbsp;for me while&amp;nbsp;I continue to&amp;nbsp;polish my&amp;nbsp;English. Please be honest. Thanks in advance.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&lt;/font&gt;</description></item><item><title>Re: Proofreading essay</title><link>http://www.englishforums.com/English/ProofreadingEssay/gvvqx/post.htm#522220</link><pubDate>Mon, 02 Jun 2008 23:49:06 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:522220</guid><dc:creator>Mister Micawber</dc:creator><description>.&lt;br /&gt;&lt;strong&gt;&lt;em&gt;I have crossed out inappropriate material and underlined some problem areas.&amp;nbsp; You have trouble with commas and with chatting:&lt;br /&gt;&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;span&gt;&lt;strike&gt;In taking upon my Senior Honors Project I have thrown myself over a ledge with the intention to climb back up. Through this year my drive, enthusiasm, and patience have been tested. However, I believe I am within an armâs reach of the top and, with one final grasp, I shall report my experience&lt;/strike&gt;.&lt;/span&gt;&lt;span&gt;I could not have completed my project without some very important &lt;strike&gt;outside&lt;/strike&gt; resources. One of these resources that greatly aided me was the PHP manual on php.net. This website holds information on all of the &lt;span style="text-decoration:underline;"&gt;built in&lt;/span&gt; PHP functions. On each &lt;span style="text-decoration:underline;"&gt;page users&lt;/span&gt; can post solutions to common problems &lt;span style="text-decoration:underline;"&gt;arisen by&lt;/span&gt; the function dedicated to it or &lt;span style="text-decoration:underline;"&gt;describe&lt;/span&gt; in more detail how to use them. Using this has cut down on development time by giving me answers to almost all of my &lt;span style="text-decoration:underline;"&gt;syntax and function related&lt;/span&gt; questions. If I had trouble remembering the name of a&lt;span style="text-decoration:underline;"&gt; function I&lt;/span&gt; could simply look it up on the site. Without&lt;span style="text-decoration:underline;"&gt; this I&lt;/span&gt; would either have to use a guess-and-check &lt;span style="text-decoration:underline;"&gt;type of finding&lt;/span&gt; the solution or type it into a &lt;span style="text-decoration:underline;"&gt;search-engine&lt;/span&gt; and rely on third-party sites. This resource also helped me discover new functions that made my coding easier; I would not have to âreinvent the wheelâ when a &lt;span style="text-decoration:underline;"&gt;built in&lt;/span&gt; function existed.&lt;/span&gt;&lt;span&gt;&lt;span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;The conversations with my project mentor, Ed Sprenger, have also yielded great knowledge. The insight he has given me &lt;span style="text-decoration:underline;"&gt;on&lt;/span&gt; all my questions was very inform&lt;span style="text-decoration:underline;"&gt;ative and&lt;/span&gt; he has taught me what I would have otherwise never learned through basic research. Our topics of discussion ranged from future jobs, programming languages, and life in the computer science field to internet security and database advice. It has been very helpful to have someone to talk to who is in the computer science field and understands what I am doing. I &lt;span style="text-decoration:underline;"&gt;cannot imagine getting&lt;/span&gt; through this project with someone who didnât know a bit from a byte. Ed Sprenger was a valuable resource in my project and has taught me very well.&lt;/span&gt;&lt;span&gt; &lt;br /&gt;&lt;br /&gt;One of my objectives from the start of the project was to learn how to program in the &lt;span style="text-decoration:underline;"&gt;windows&lt;/span&gt; environment. &lt;strike&gt;I am now confident that I am very knowledgeable in this field.&lt;/strike&gt; Through use of the Windows API (Application Programming Interface) in my pr&lt;span style="text-decoration:underline;"&gt;oject I&lt;/span&gt; have learned all about programming &lt;span style="text-decoration:underline;"&gt;windows&lt;/span&gt; applications. Some of the main topics I &lt;span style="text-decoration:underline;"&gt;delved into&lt;/span&gt; were message controls and message handling. Controls are &lt;span style="text-decoration:underline;"&gt;the things that&lt;/span&gt; make up a dialog box or application window: edit boxes, &lt;span style="text-decoration:underline;"&gt;drop down&lt;/span&gt; boxes, and radio buttons. These, along with message handling, are all it takes to create a functional and effective Windows program. Message handling is a broad subject and was therefore &lt;strike&gt;a&lt;/strike&gt; difficult &lt;strike&gt;subject&lt;/strike&gt; to grasp and implement. Messages are data that &lt;span style="text-decoration:underline;"&gt;is&lt;/span&gt; sent to the main application, child dialog boxes, and controls. These messages range from telling the object it has been clicked upon to telling the object to destroy itself. There are many messages that could be potentially &lt;span style="text-decoration:underline;"&gt;sent and&lt;/span&gt; choosing &lt;strike&gt;which&lt;/strike&gt;&lt;strong&gt; the&lt;/strong&gt; ones to recognize and the handling of them is up to the programmer. Lu&lt;span style="text-decoration:underline;"&gt;ckily the&lt;/span&gt; Windows SDK Documentation outlines all the messages and their data.&lt;/span&gt;&lt;span&gt;The Windows SDK (Software Development Kit) Documentation and the online documentation at msdn.com &lt;strike&gt;both&lt;/strike&gt; helped me in the application programming aspect of my project. Since the documentation is straight from Microsoft, I can rely on it to tell me everything about the piece of information that I am looking up. It describes itself plainly and clearly and &lt;span style="text-decoration:underline;"&gt;cross references&lt;/span&gt; related &lt;span style="text-decoration:underline;"&gt;data that&lt;/span&gt; has&lt;span style="text-decoration:underline;"&gt; more than often&lt;/span&gt; helped me grasp the subject beyond a basic understanding.&lt;/span&gt;&lt;span&gt;&amp;nbsp; Every website needs a directory &lt;span style="text-decoration:underline;"&gt;chain; a&lt;/span&gt; way of organizing the folders that hold the files. I got my idea from a web programming job I held with Chad Furman two summers &lt;span style="text-decoration:underline;"&gt;back&lt;/span&gt;. &lt;strike&gt;I learned a lot from him, holding that job.&lt;/strike&gt; &lt;strike&gt;This directory tree was one thing that I remember&lt;/strike&gt;. I have one main folder that houses all of the main pages of the site. This includes the index page, the login page, and the report card &lt;span style="text-decoration:underline;"&gt;page among&lt;/span&gt; others. &lt;span style="text-decoration:underline;"&gt;From there&lt;/span&gt; I have a picture folder which houses all the pictures and a folder called âincludesâ. This âincludesâ folder contains all of the PHP helper files that process the HTML &lt;span style="text-decoration:underline;"&gt;forms along&lt;/span&gt; with some helper functions. Within lies another folder labeled âcla&lt;span style="text-decoration:underline;"&gt;ssesâ which&lt;/span&gt; contains the PHP classes of the project. Each class has its own &lt;span style="text-decoration:underline;"&gt;file which&lt;/span&gt; &lt;span style="text-decoration:underline;"&gt;is included by&lt;/span&gt; the different files in the âincludeâ folder. So an example design would be the report card &lt;span style="text-decoration:underline;"&gt;page including&lt;/span&gt; the report card include file (in the âincludeâ folder). This included file would then include the report card class file (in the âclassesâ folder). The design is not very co&lt;span style="text-decoration:underline;"&gt;mplex but&lt;/span&gt; it does a good job of organizing my files.&lt;/span&gt;&lt;span&gt;One aspect of the site that I &lt;span style="text-decoration:underline;"&gt;was&lt;/span&gt; very proud of is the system for logging in. What I have set up is an include file that is required by all pages that require &lt;span style="text-decoration:underline;"&gt;access to&lt;/span&gt; user validity or other user functions. This include file holds the user class which contains functions that deal with all aspects&lt;span style="text-decoration:underline;"&gt; to &lt;/span&gt;the user. Any page containing the file can check for user validity, log the user in, log them out, and access the userâs data. Parents, teachers, and administrators all use the same login page. How&lt;span style="text-decoration:underline;"&gt;ever when&lt;/span&gt; parents&lt;span style="text-decoration:underline;"&gt; login they&lt;/span&gt; only &lt;span style="text-decoration:underline;"&gt;in need of &lt;/span&gt;a password and not a &lt;span style="text-decoration:underline;"&gt;username&lt;/span&gt;. The database holds all the different types of usersâ data the same way and in the same table. &lt;strike&gt;I was lucky for the logging in system to turn out as good as it did&lt;/strike&gt;.&lt;/span&gt;&lt;span&gt;Upon logging in every user has a set of session variables. These variables are used &lt;span style="text-decoration:underline;"&gt;for keeping&lt;/span&gt; track of the &lt;span style="text-decoration:underline;"&gt;user and their&lt;/span&gt; credentials. They will hold their value for as long as the internet browser is open.&lt;span style="text-decoration:underline;"&gt; So &lt;/span&gt;a &lt;span style="text-decoration:underline;"&gt;user&lt;/span&gt; is logged in, even while surfing other pages, providing &lt;span style="text-decoration:underline;"&gt;they donât&lt;/span&gt; log &lt;span style="text-decoration:underline;"&gt;themselves&lt;/span&gt; out or close out of &lt;span style="text-decoration:underline;"&gt;their &lt;/span&gt;browser. This technique&lt;span style="text-decoration:underline;"&gt; trumps&lt;/span&gt; using browser cookies for a couple of reasons. The pro of using cookies to save data over multiple sessions &lt;span style="text-decoration:underline;"&gt;does hold&lt;/span&gt; value &lt;strike&gt;in my case&lt;/strike&gt;. No one user will be travelling the website often enough for this feature to be worth the trouble of implementing it. Session variables are fine for what I am setting out to do.&lt;/span&gt;&lt;span&gt;&lt;span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;There are three basic sections that the end user has access to on the website. They are all accessed through the control panel, and depending on which type of user is requesting that &lt;span style="text-decoration:underline;"&gt;page depends on&lt;/span&gt; the control panel they see. The control panel checks the session âaccessâ variable, and depending on the value, displays the appropriate options to be linked on the control panel.&lt;/span&gt;&lt;span&gt;&lt;span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;The most common type of user is the &lt;span style="text-decoration:underline;"&gt;parent.&lt;/span&gt; &lt;span style="text-decoration:underline;"&gt;Their&lt;/span&gt; control panel consists of one item; a link to see &lt;span style="text-decoration:underline;"&gt;their&lt;/span&gt; childâs report card. Clicking this takes&lt;span style="text-decoration:underline;"&gt; them&lt;/span&gt; to a table showing &lt;span style="text-decoration:underline;"&gt;their&lt;/span&gt; report card. Each entry contains the class, the teacher, and the grade. For a class descr&lt;span style="text-decoration:underline;"&gt;iption they&lt;/span&gt; can simply click on the class name and a pop-up window will &lt;span style="text-decoration:underline;"&gt;open containing&lt;/span&gt; the text. The only other option the parent has is to logout, which is on all the usersâ control panels.&lt;/span&gt;&lt;span&gt;&lt;span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;The next type of user is the &lt;span style="text-decoration:underline;"&gt;teacher. They&lt;/span&gt; have considerable more options than the parent, as &lt;span style="text-decoration:underline;"&gt;they &lt;/span&gt;should. The first thing to be noted is the teacher panel. This page is where the teachers may access and edit the enrollment and grades of their class. They may add and remove students from their class and add, edit, and delete the grades of their students. This is where &lt;span style="text-decoration:underline;"&gt;the teacher&lt;/span&gt; will be spending most of &lt;span style="text-decoration:underline;"&gt;their&lt;/span&gt; time. The next thing &lt;span style="text-decoration:underline;"&gt;a teacher&lt;/span&gt; may do is view report cards. &lt;span style="text-decoration:underline;"&gt;They&lt;/span&gt; can see any childâs report card that is in &lt;span style="text-decoration:underline;"&gt;their&lt;/span&gt; class. Ho&lt;span style="text-decoration:underline;"&gt;wever the&lt;/span&gt; only grades that will be listed are the ones from classes that the viewing teacher teaches. So an English teacher will not be able to see the grade a student gets in a &lt;span style="text-decoration:underline;"&gt;Math&lt;/span&gt; class. The last thing on the teacher control panel is the class stats page. This page contains a list of all the grades in the class and the class mean, class median, and class range.&lt;/span&gt;&lt;span&gt;&lt;span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;The last type of user is the &lt;span style="text-decoration:underline;"&gt;administrator. They&lt;/span&gt; have access to everything. Right from the control panel they can go into the admin &lt;span style="text-decoration:underline;"&gt;panel which&lt;/span&gt; lets them edit almost everything on the site. On this admin panel page there are the cat&lt;span style="text-decoration:underline;"&gt;egories: &lt;/span&gt;Student, Parent, Teacher, &lt;span style="text-decoration:underline;"&gt;Admin&lt;/span&gt;, Class, Enrollment, and Grade. Under each of these are the opt&lt;span style="text-decoration:underline;"&gt;ions: &lt;/span&gt;Add, Delete, and Edit. So under each of the categories they can add to them (e.g. adding a student), delete them (e.g. deleting a grade), and edit them (e.g. changing a classâs description). With &lt;span style="text-decoration:underline;"&gt;this they&lt;/span&gt; can &lt;span style="text-decoration:underline;"&gt;start from scratch&lt;/span&gt; and create a whole grading &lt;span style="text-decoration:underline;"&gt;system complete&lt;/span&gt; with classes, teachers, students, and grades. Along with this &lt;span style="text-decoration:underline;"&gt;power&lt;/span&gt;, the administrator can see all studentsâ report &lt;span style="text-decoration:underline;"&gt;cards complete&lt;/span&gt; with all classes and see all classesâ stats pages. The administrator is the person who must set everything up &lt;strike&gt;once&lt;/strike&gt;, and after &lt;span style="text-decoration:underline;"&gt;this the&lt;/span&gt; teachers and parents may use the site&lt;span style="text-decoration:underline;"&gt; to the max&lt;/span&gt;.&lt;/span&gt;&lt;span&gt;&lt;span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;On every one of the pages that displays personal &lt;span style="text-decoration:underline;"&gt;data there&lt;/span&gt; is a security check &lt;span style="text-decoration:underline;"&gt;on each page refresh&lt;/span&gt;. This is done to prevent users from seeing what they shouldnât be seeing. This feature works by taking the user id session variable and/or the student id pertaining to that user and checks them against their respective &lt;span style="text-decoration:underline;"&gt;get&lt;/span&gt; variables. Without this security, a user could log in and then see other usersâ data. For example, a parent could log in and direct their browser to the report card page. Naturally, their childâs report card will show up. However if they change the user id âgetâ variable and refresh the page they will see another childâs grades. This is where my protection kicks in, preventing this and giving the user an &lt;span style="text-decoration:underline;"&gt;error&lt;/span&gt; explaining that they donât have access to the page they are trying to view.&lt;/span&gt;&lt;span&gt;&lt;span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;With the database designed as it is, deleting data has become a little complicated. For example, when you delete a class, all the grades are still in the &lt;span style="text-decoration:underline;"&gt;database despite&lt;/span&gt; the fact that they have no class associated with them. &lt;span style="text-decoration:underline;"&gt;Also when&lt;/span&gt; a &lt;span style="text-decoration:underline;"&gt;student&lt;/span&gt; is &lt;span style="text-decoration:underline;"&gt;removed their&lt;/span&gt; grades stay behind &lt;strike&gt;to rot&lt;/strike&gt;. I have fixed this by allowing the administrator (the only one doing any deleting affected by this) the option to delete all &lt;span style="text-decoration:underline;"&gt;associative&lt;/span&gt; data relating to the entry being deleted. &lt;strike&gt;So now&lt;/strike&gt; (assuming the user chooses the option) when &lt;span style="text-decoration:underline;"&gt;a student is deleted their &lt;/span&gt;grades and &lt;span style="text-decoration:underline;"&gt;their&lt;/span&gt; parent user are also deleted. Also when a class is &lt;span style="text-decoration:underline;"&gt;deleted all&lt;/span&gt; the grades go along with it. This prevents old and needless data from piling up in the database and causing confusion &lt;span style="text-decoration:underline;"&gt;among&lt;/span&gt; the users.&lt;/span&gt; &lt;p&gt;&lt;span&gt;&lt;span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;Upon completion of my senior honors &lt;span style="text-decoration:underline;"&gt;project I &lt;/span&gt;am confident with my skills and am ready to go out into the world in search of a computer science career. &lt;strike&gt;Spending a lot of my free time in front of my computer and programming has put me through the ringer, and I liked it.&lt;/strike&gt; Before I started, I had no experience working on an organized project with a &lt;strike&gt;pre-existing&lt;/strike&gt; goal. &lt;strike&gt;Before, I have just worked on small projects that have not gone anywhere.&lt;/strike&gt; Now that I am done programming, I can see the product that I have made. I can see that it has been completed with success. I have taken my ideas and integrated them efficiently and successfully. I have learned a great deal this year.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</description></item><item><title>comma usage</title><link>http://www.englishforums.com/English/CommaUsage/gclpz/post.htm</link><pubDate>Fri, 16 May 2008 11:05:17 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:514391</guid><dc:creator>Anonymous</dc:creator><description>&lt;p&gt;Are the commas and emdashes used correctly in the below sentences? Please correct them if needed.&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;It has to do with the fact that, due to immigration, travel, Internet, diaspora of all religions around the world, we are now in each other&amp;#39;s faces, we are now each other&amp;#39;s neighbors.&lt;/p&gt;&amp;nbsp; 
&lt;p&gt;The Muslim Brotherhood, for example, which was founded in Egypt &lt;strike&gt;one of its earliest leaders was Sayyid Qutb, one of the intellectual founders of Muslim renewal&lt;/strike&gt;opposed, at the time, most of the movements of the modern world &lt;strike&gt;communism, capitalism, nationalism&lt;/strike&gt;in the interest of establishing what they wanted to call an original Islamic &lt;i&gt;ummah,&lt;/i&gt; informed by Quranic justice and equality.&lt;/p&gt;&amp;nbsp; 
&lt;p&gt;This pattern of tactical avoidance, though it may preserve a certain atmosphere, eventually leads to evading hard questions. It leads to obscuring the involvement, the inconvenient factor, that throughout history, conflicts within and between religious traditions have been suffused with political element, and such detextualized conversations &lt;strike&gt;and I repeat, not all of the meetings are like this&lt;/strike&gt;can therefore lead to a false sense of optimism about the interfaith relationships and the inevitable disillusionment that sets in when they don&amp;#39;t seem to work out as we had hoped.&lt;/p&gt;&amp;nbsp;&amp;nbsp; 
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description></item><item><title>Re: I Want To Be  Fluent English Speaker How Please?</title><link>http://www.englishforums.com/English/FluentEnglishSpeaker/2/zpvkz/Post.htm#492631</link><pubDate>Tue, 25 Mar 2008 05:58:38 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:492631</guid><dc:creator>Anonymous</dc:creator><description>&lt;font&gt;Hello to all, &lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font&gt;I believe that to learn English depends of the interest of individual and depending of the English knowledge you wanted to learn. like for instance, if you want to speak English all you have to do&amp;nbsp;is to listen very carefully to&amp;nbsp;some tools such as CD, DVD, tapes etc. either audio or video, any kinds of topics as long as educational and knowledgeable and while you are listening just follow and&amp;nbsp;speak what they are talking this is a training of the tongue or tongue twisting trying to develop proper accent, pronunciation, intonation etc, if any words you donât understand have your dictionary besides you and open it. next step just prepare any topics as guidelines [ prepare the main topics, sub topics and conclusion] prolong, elongate and expound the topics you wanted to discuss make it in English version at first you might have the difficulty to speak&amp;nbsp; but try and try until your English would connect and connect at this point your trying to bridge the gap. What is needed in English is&amp;nbsp;that at least you have many words to know {synonym and antonyms} is what i mean.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font&gt;The basic training of English is that you have to speak English&amp;nbsp;by any topics. I understand that for a person who lived {not speaking country have the difficulty to speak English}&amp;nbsp;on my behalf, English education must start first on basic like for instance if you need English&amp;nbsp;conversation find a person who could talk with you English, or else&amp;nbsp;speak and talk&amp;nbsp;English with yourself even if someone&amp;nbsp;listening at&amp;nbsp;you and say something you are a fool forget it.&amp;nbsp;What is needed is you learn something and&amp;nbsp;speak English. if&amp;nbsp;you &amp;nbsp;have the difficulty to write English just read books literatures etc at this point you can get many ideas and your vocabulary broadens, watch the period, punctuation, commas, etc, if you are not a good English listener&amp;nbsp; try to listen English teachings, news whatever that could improve your English, the four pillars of English are: reading. Speaking, writing and listening, if you have this all then you can speak English although not fluent as what others did but at least you can communicate via reading, writing, listening and speak. Fluent English would follow donât give up keep trying until success. &lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font&gt;I am a Filipino not an English speaker, writer, etc but in terms of communication i could communicate. For to me to learn English depends on individual. If we have the&amp;nbsp;basic then we have to improve, have the desire, act on it, and apply&amp;nbsp;no need a tutor&amp;nbsp;individual interest is vital here. Donât be shy to speak English if the English is crooked and someone laughs at you accept it consider yourself &amp;nbsp;that you are not an English person, perhaps the person who laughs at you donât know how to speak English and even to communicate with. Thereâs a saying goes: a noisy person have little knowledge&amp;nbsp;than a silent one. in this world what is important is communication regardless of races, nationality and religion. a crooked English is better than nothing, a crooked or a carabao English has the opportunity to become fluent rather than nothing. but if you have nothing at all nobody blames except yourself, your making your own fate and destiny donât blame your parents and the government its your own decision for what you are now, your right decision now will be your future someday but if you donât plan or decision today do you think you have something to expect in the future.&amp;nbsp;To speak English needs perseverance, long patience and determination to reach the goal this is fundamental&amp;nbsp;requirements. people who cannot&amp;nbsp;speak English has less opportunity to go abroad particularly in the open country, and thatâs the reason why I wanted to learn English even basic for &amp;nbsp;this is my only tool to go to other countries if opportunities permit. &lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font&gt;&amp;nbsp;From Philippines,&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font&gt;Rene&lt;/font&gt;&lt;/p&gt;&lt;font&gt;&amp;nbsp;&lt;/font&gt; 
&lt;p&gt;&amp;nbsp;</description></item><item><title>comma to link separate, yet related clauses?</title><link>http://www.englishforums.com/English/CommaLinkSeparateRelatedClauses/zxcjq/post.htm</link><pubDate>Mon, 10 Mar 2008 20:00:22 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:487134</guid><dc:creator>Believer</dc:creator><description>&lt;p&gt;Hi,&lt;/p&gt;
&lt;p&gt;I think you can use a comma to sort of link two separately written, yet very related-in-content clauses like this:&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Thank you, it was good to receive a gift of appreciation by you last week.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;I think &amp;#39;Thank you&amp;#39; and what follows can be thought of as two separate clauses yet can be linked by a comma.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;&lt;u&gt;That was his decision&lt;/u&gt;, deciding to support his care his aged father by himself&amp;nbsp;and not put the father somewhere difficult to care for&amp;nbsp;was&amp;nbsp;the right thing to do.&amp;nbsp;-- Since the underlined clause contains an element, which is &amp;#39;decision&amp;#39;. that is further elucidated by&amp;nbsp;the longer clause that followed, I think it could be argued a comma is correclty used. Right?&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;But you wouldn&amp;#39;t agree this use of a comma is correct, would you?&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;&lt;u&gt;That was thrown abruptly&lt;/u&gt;, he could not have anticipated its coming while quite immersed in his conversation with his old friend.&amp;nbsp;-- &amp;#39;it&amp;#39; refers to a ball, in this case.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Are there a guideline as to this use of comma (if it is in fact correctly used)?&amp;nbsp;&amp;nbsp;&lt;/p&gt;</description></item><item><title>Re: Help proofreading &amp;quot;A Doll's House&amp;quot;</title><link>http://www.englishforums.com/English/ProofreadingDollsHouse/zmpbq/post.htm#480929</link><pubDate>Sun, 24 Feb 2008 05:53:58 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:480929</guid><dc:creator>Mister Micawber</dc:creator><description>&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;i&gt;I have underlined some problem areas:&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p align="center"&gt;&lt;font color="#003366"&gt;&lt;b&gt;The Woman Within the Doll&lt;/b&gt;&lt;/font&gt;&lt;/p&gt;
&lt;p align="left"&gt;&lt;font color="#003366"&gt;&lt;b&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;The Baltimore Sun &lt;/i&gt;&lt;span&gt;wrote
that back in 1879, âA Doll&amp;#39;s Houseâ by Henrik Ibsen âshocked and
offended people wherever [it] was played,â and that the dramatist
&lt;u&gt;assured&lt;/u&gt; it was not about a woman, but about âanyone who had to live
according to the rules created by othersâ (Hyder). Society &lt;u&gt;thought to
be&lt;/u&gt; outrageous that a woman would get involved in manly things, for her
role in society was exclusively to care for the family and please her
husband. Women did not enjoy the rights women do now. They were not
taken seriously, and decisions were made by the &lt;u&gt;man who&lt;/u&gt; was and still
is considered the head of the family. &lt;/span&gt;&lt;span&gt;&lt;span&gt;Nora&amp;#39;s choice
to become &lt;u&gt;free, independent&lt;/u&gt; and leave her husband, along with some of
the characters&amp;#39; &lt;u&gt;actions made&lt;/u&gt; this play &lt;u&gt;to be&lt;/u&gt; scandalous for its time.&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/font&gt;&lt;/p&gt;
&lt;p align="left"&gt;&lt;font color="#003366"&gt;&lt;b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Ibsen wrote in a letter that the story &lt;u&gt;in&lt;/u&gt; âA Doll&amp;#39;s Houseâ was about a woman who feels:&lt;/b&gt;&lt;/font&gt;&lt;/p&gt;
&lt;p align="left"&gt;&lt;font color="#003366"&gt;&lt;b&gt;&amp;quot; Oppressed
and bewildered by belief in authority, she loses her faith in her own
moral right and ability to bring up her&amp;nbsp;children... [She is bittered
because,] like&amp;nbsp;certain insects,&lt;u&gt; (ought to) &lt;/u&gt;go away and die when she has
done her duty towards the continuance of the species... [she shakes]
off of cares, [but then she feels] a sudden return of apprehension and
dread. She must&amp;nbsp;bear it all aloneâ &lt;u&gt;&lt;span&gt;(&lt;/span&gt;Doll)&lt;/u&gt;.&lt;/b&gt;&lt;/font&gt;&lt;/p&gt;
&lt;p align="left"&gt;&lt;font color="#003366"&gt;&lt;b&gt;Nora had a beautiful&lt;u&gt;
life, she&lt;/u&gt; had a husband, beautiful children, and everything she wanted.
Earlier in her marriage, &lt;u&gt;his&lt;/u&gt; husband suffered &lt;u&gt;of&lt;/u&gt; an illness &lt;u&gt;of&lt;/u&gt; which he
needed to recover somewhere in the south, but this was concealed from
him by the doctor and Nora. Not having the means to afford a trip&lt;u&gt; so
costly and &lt;/u&gt;out of love and desperation, Nora decides to ask for a loan
without letting Tolvard know. She forges her father&amp;#39;s signature to
obtain the loan because she does not want to trouble her father either,
who is very ill &lt;u&gt;himself too&lt;/u&gt;. However, she is responsible and works
secretly from home in order to make the payments. Eventually, Tolvard
&lt;u&gt;finds out about&lt;/u&gt; her secret and feels that his life, happiness and
reputation will be lost once Krogstad, who lent the money, publishes
the &lt;u&gt;then scandalous situation&lt;/u&gt; out of &lt;u&gt;revenged&lt;/u&gt; for &lt;u&gt;having&lt;/u&gt; fired him from
the bank he now manages. He quickly turns against her. That is the
moment when Nora starts to understand things she did not understand
before; she realizes she does not love Tolvard &lt;u&gt;anymore just&lt;/u&gt; as he does
not really love her as she thought&lt;u&gt;, and decides&lt;/u&gt; to leave for good to
discover herself.&lt;font color="#000000"&gt; &lt;/font&gt;&lt;font color="#000000"&gt;[&lt;i&gt;Too many pronouns-- I don&amp;#39;t know who&amp;#39;s doing what to whom&lt;/i&gt;]&lt;/font&gt;&lt;br /&gt;&lt;/b&gt;&lt;/font&gt;&lt;/p&gt;
&lt;p align="left"&gt;&lt;span&gt;&lt;font color="#003366"&gt;&lt;b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The
&lt;u&gt;scenery&lt;/u&gt; consists of the Helmer&amp;#39;s apartment and nowhere else. The
description of the apartment &lt;u&gt;depicts&lt;/u&gt; the decision that Nora will have
to make. There is a door to the right which leads to the entryway and
another to the left which leads to Helmer&amp;#39;s study. Nora will have to
decide which door to take: freedom or Helmer &lt;/b&gt;&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font color="#003366"&gt;&lt;b&gt;[&lt;i&gt;&lt;font color="#000000"&gt;Tolvard / Helmer:&amp;nbsp; we don&amp;#39;t know if they are one or two&lt;/font&gt;&lt;/i&gt;]&lt;/b&gt;&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font color="#003366"&gt;&lt;b&gt;. The place is not
&lt;u&gt;â&lt;/u&gt;expensively furnished&lt;u&gt;â&lt;/u&gt;, but it is comfortable, just like Nora&amp;#39;s
&lt;u&gt;marriage, she&lt;/u&gt; lives a comfortable life, but there are certain things
she lacks that are more important than riches. No woman could even
consider back in the 1800s doing such &lt;u&gt;a scandalous things&lt;/u&gt; as to leave
not only &lt;u&gt;the&lt;/u&gt; husband, but her children too.&lt;/b&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p align="left"&gt;&lt;font color="#003366"&gt;&lt;b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The main
character in the story is Nora, a seemingly selfish, materialistic
woman who cares a lot about money and in living a good life. This is to
be &lt;u&gt;expected since&lt;/u&gt; her father liked to spend money himself and live a
life he could only could afford with credit. He used to called her his
âdoll-child, &lt;span&gt;and he played with [her] the way [she] played with [her] dollsâ (Ibsen &lt;u&gt;1041&lt;/u&gt;)&lt;/span&gt;.
She was obviously very protected and spoiled by &lt;u&gt;both, her&lt;/u&gt; father and
her husband, who provided anything she needed or wanted. Her father
raised her &lt;u&gt;not think&lt;/u&gt; for herself and just play her role in society.
âWhile [she] was at home with [her] father, he&amp;nbsp;used to tell [her] all
his opinions, and [she] held the same opinions.&amp;nbsp;If [she] had others
[she] said nothing about them, because he wouldn&amp;#39;t&amp;nbsp;have liked itâ
(1041) [&lt;i&gt;&lt;font color="#000000"&gt;All the bracketed pronouns are distracting; it would be better to give the exact quotes&lt;/font&gt;&lt;/i&gt;]. This &lt;u&gt;repeated again&lt;/u&gt; as a married woman; she would not express
her opinion to Tolvard, for they never talked seriously, but seemed to
have trusted Dr. Rank better. &lt;u&gt;Norah&lt;/u&gt; was greatly misunderstood. She was
a loving &lt;u&gt;person, she&lt;/u&gt; loved her husband so much that she was willing to
forge her father&amp;#39;s signature &lt;u&gt;to obtain a loan to take her husband south
in order for him to recover from a deadly illness&lt;/u&gt; [&lt;i&gt;&lt;font color="#000000"&gt;You said all this before; cut it&lt;/font&gt;&lt;/i&gt;.]. She is willing to do
anything for him. Eventually she&lt;u&gt; realized&lt;/u&gt; she does not have to play the
doll anymore. One can only imagine people&amp;#39;s &lt;u&gt;reaction&lt;/u&gt; throughout the
&lt;u&gt;play&amp;#39;s events&lt;/u&gt;.&lt;/b&gt;&lt;/font&gt;&lt;/p&gt;
&lt;p align="left"&gt;&lt;font color="#003366"&gt;&lt;b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Tolvard Helmer
&lt;u&gt;seemed&lt;/u&gt; [&lt;i&gt;&lt;font color="#000000"&gt;Be consistent in verb tenses&lt;/font&gt;&lt;/i&gt;] to be an ideal husband. He is loving, admirable, honest,
ethical, hard-working and successful, but there seems to be a dark side
&lt;u&gt;of&lt;/u&gt; him. He is a prideful &lt;u&gt;man, he&lt;/u&gt; won&amp;#39;t ask for money&lt;u&gt; to&lt;/u&gt; &lt;u&gt;anyone, to&lt;/u&gt; [&lt;i&gt;&lt;font color="#000000"&gt;Commas are not conjunctions.&lt;/font&gt;&lt;/i&gt;] do
so would be humiliating. To him, honor and appearances are more
important than family. He does not believe people can change and become
good, as he did not believe Krogstad was a good person although he had
been honest for a long time &lt;u&gt;already&lt;/u&gt;. Also, he is so affectionate &lt;u&gt;that
makes&lt;/u&gt; one wonder &lt;u&gt;of&lt;/u&gt; his sincerity; he calls Nora diminutive names such
as &lt;u&gt;featherbrained, spendthrift&lt;/u&gt; [&lt;i&gt;&lt;font color="#000000"&gt;These are not diminutives.&lt;/font&gt;&lt;/i&gt;] , a squirrel, a song-bird, lark, strange
little being all the time (994). One cannot think of a woman who would
like being called &lt;u&gt;like that&lt;/u&gt; and who would not be affected emotionally.
Tolvard&amp;#39;s reaction after finding out Nora&amp;#39;s secret is amusing. He had
told Nora that sometimes he wished â[she] was in some terrible danger,
just so [he] could take [his] life and soul and everything, for [her]
sakeâ (1038), yet he quickly turns against &lt;u&gt;her calling&lt;/u&gt; her a wretched
woman, a criminal, unprincipled, untrustworthy of raising her children,
incapable, etc. His hypocrisy is clearly revealed&lt;u&gt; when as &lt;/u&gt;soon as he
realizes that Nora&amp;#39;s mistake won&amp;#39;t affect his &lt;u&gt;reputation he&lt;/u&gt; forgives
her (1039-1949). There&amp;#39;s a saying that &lt;u&gt;goes something like&lt;/u&gt; &lt;i&gt;&lt;span&gt;a good friend is hard to find, specially during difficult times&lt;/span&gt;&lt;/i&gt;;
Tolvard was &lt;u&gt;nor&lt;/u&gt; a good&lt;u&gt; friend neither&lt;/u&gt; that perfect husband he seemed to
be. He loved to have control of his wife&amp;#39;s life, and his conversations
usually &lt;u&gt;tend to imply&lt;/u&gt; that Nora would be lost without &lt;u&gt;him; that &lt;/u&gt;she
needed his guidance and teaching. Tolvard did not love &lt;u&gt;Nora, &lt;/u&gt;â[he]
thought it fun to be in love with [her]â (1041).&lt;/b&gt;&lt;/font&gt;&lt;/p&gt;
&lt;p align="left"&gt;&lt;span&gt;&lt;font color="#003366"&gt;&lt;b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Dr. Rank
is in love with Nora, and that seems to have been the main reason he
visited the Helmer&amp;#39;s house. This character is not essential &lt;u&gt;in&lt;/u&gt; the
play, but it causes outrage when he dares to &lt;u&gt;reveal Nora&lt;/u&gt; his secret.
This is almost vulgar for him to do, and very dishonorable, specially
during those times in which people were very conservative. It is as if
he had taken advantage of the trust the family had in &lt;u&gt;it&lt;/u&gt; and ended up
tarnishing his reputation.&lt;/b&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p align="left"&gt;&lt;span&gt;&lt;font color="#003366"&gt;&lt;b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Mrs.
Linde is one of Nora&amp;#39;s old friends from school. She gave up her true
love for money, but in the end things did not turn out the way she had
expected. Her husband &lt;u&gt;died leaving&lt;/u&gt; her in a terrible financial
&lt;u&gt;situation making&lt;/u&gt; &lt;i&gt;&lt;font color="#000000"&gt;[On the other hand, commas are essential for separating dependent clauses.]&lt;/font&gt;&lt;/i&gt; it necessary for her to work in order to sustain her
mother and brothers. After her mother passed away and her brothers did
not need her &lt;u&gt;help she&lt;/u&gt; left town. Not to have someone to take care of
made her feel âcompletely alone in the worldâ, and it frightened her
âto be so empty and lostâ (1032). She needed âsomeone to take care &lt;u&gt;ofâ,
she&lt;/u&gt; wanted to be a mother and wanted the companionship of a husband. In
the end, she was supposed to have helped Nora hide her secret. She
could have convinced Mr. Krogstad to get the letter back, but she did
not intercede (1033). She might have been envious of&lt;u&gt; Nora, after&lt;/u&gt; all,
Nora had all she was longing &lt;u&gt;for; &lt;/u&gt;a husband, beautiful children, and a
good life.&lt;/b&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p align="left"&gt;&lt;span&gt;&lt;font color="#003366"&gt;&lt;b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Lastly,
Krogstad is the one who lent Nora money to save her husband, and
threatens&lt;u&gt; her&lt;/u&gt; to tell her husband if she does not convince Tolvard to
let him keep his job at the&lt;u&gt; bank, but&lt;/u&gt; just as Nora did, he once made a
mistake, which caused him to&lt;u&gt; loose&lt;/u&gt; his reputation. He was a man who
seems to have been &lt;u&gt;harden&lt;/u&gt; by life&amp;#39;s difficulties. When he was left by
the woman he dearly &lt;u&gt;loved âit&lt;/u&gt; was as if all the solid ground dissolved
from under [his] feetâ (1031). This might have caused him to become the
âhalf-drownedâ kind of man, as he refers to himself. After finding love
in his&lt;u&gt; life he&lt;/u&gt; turns from&lt;u&gt; the&lt;/u&gt; revengeful person into a forgiving one.&lt;/b&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p align="left"&gt;&lt;span&gt;&lt;font color="#003366"&gt;&lt;b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; In
conclusion, Nora &lt;u&gt;realized of &lt;/u&gt;her true value as a human being and as a
woman. She decides to leave everything and &lt;u&gt;everyone,&lt;/u&gt; husband, children,
&lt;u&gt;luxuries to&lt;/u&gt; a journey to liberate herself. To do&lt;u&gt; such thing&lt;/u&gt; was
unthinkable at that time and caused turmoil, but it was the best choice
she could ever make. To leave one&amp;#39;s children is&lt;u&gt; a terrible things&lt;/u&gt; to do
and was not necessary, but looking beyond that, without prejudices, it
is not hard to &lt;u&gt;understands&lt;/u&gt; she is trying to figure out who she really
is and what she believes in. This is essential to one&amp;#39;s happiness;
therefore she is determined to make necessary changes in her life even
if people think&lt;u&gt; bad&lt;/u&gt; of her. It seems that daring to do so back in the
1800s was just as bad as selling drugs or prostituting oneself.&lt;/b&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;
&lt;font color="#003366"&gt;.&lt;br /&gt;&lt;/font&gt;&lt;p&gt;&amp;nbsp;</description></item></channel></rss>