<?xml version="1.0" encoding="UTF-8" ?>
<rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>Search results for 'tag:Constructions tag:Modals' matching tags 'Constructions' and 'Modals'</title><link>http://www.englishforums.com/search/pro.htm?q=tag%3aConstructions+tag%3aModals&amp;tag=Constructions,Modals&amp;orTags=0</link><description>Search results for 'tag:Constructions tag:Modals' matching tags 'Constructions' and 'Modals'</description><dc:language>en-US</dc:language><generator>CSMOD (Build: 3191.21962)</generator><item><title>Re: there had to be</title><link>http://www.englishforums.com/English/ThereHadToBe/glvgh/post.htm#556434</link><pubDate>Tue, 19 Aug 2008 07:23:43 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:556434</guid><dc:creator>CalifJim</dc:creator><description>&lt;BLOCKQUOTE&gt;&lt;div&gt;&lt;img src="/Themes/englishforums/images/icon-quote.gif"&gt; &lt;strong&gt;pructus&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;a past tense&amp;nbsp;subjunctive referring to the present, like, &amp;quot;You could be right.&amp;quot;&lt;/div&gt;&lt;/BLOCKQUOTE&gt; This is a modal construction (&lt;i&gt;could&lt;/i&gt;), not a subjunctive.&lt;/p&gt;&lt;p&gt;Here&amp;#39;s a subjunctive (underlined):&amp;nbsp; &lt;i&gt;It is important that you &lt;u&gt;be&lt;/u&gt; right.&lt;/i&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;I&amp;#39;m not sure what you&amp;#39;re asking, I guess.&lt;/p&gt;&lt;p&gt;CJ&amp;nbsp;</description></item><item><title>Re: the middle voice option</title><link>http://www.englishforums.com/English/TheMiddleVoiceOption/4/gdmjw/Post.htm#519494</link><pubDate>Tue, 27 May 2008 08:09:34 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:519494</guid><dc:creator>Dawnstorm</dc:creator><description>Hi,&lt;/p&gt;&lt;p&gt;I&amp;#39;m really enjoying this. You&amp;#39;re making me think.&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;I&amp;#39;m going to take your points out of sequence. I think I&amp;#39;m still replying to your post; if I misrepresent what you&amp;#39;re saying, please correct me.&lt;/p&gt;&lt;p&gt;&amp;nbsp;First, the summary of what I&amp;#39;m going to say: A lot depends on theory, and how you frame your terms. To me, ergativity in English is primarily a side topic to voice, and the only &amp;quot;marked&amp;quot; voice in English is the passive. All others rely on semantics and indirect evidence (such as your very detailled and useful post about the transitivity system in English). BUT: how do you frame the evidence there is systematically? In syntax? Make it part of the lexicon? In other words, what exactly is it that the term &amp;quot;ergative&amp;quot; adds to a combination of transitivity and lexical tagging? I&amp;#39;m still thinking about your suggestion to speak of &amp;quot;ergative structures&amp;quot; rather than &amp;quot;ergative verbs&amp;quot;. This is an interesting approach, de-emphasising the lexicon in that respect; but I&amp;#39;m trying to ignore it for this post, mostly because I&amp;#39;m not done thinking it through.&lt;/p&gt;&lt;p&gt;&amp;nbsp;Second, I think I&amp;#39;ve used the term &amp;quot;semantic&amp;quot; very loosely in my other post. There&amp;#39;s reference, and then there&amp;#39;s cognitive framing. (Or content and point of view.) The cognitive framing is harder to get at and interpret, mostly because these things aren&amp;#39;t always immediately visible. We&amp;#39;re talking about &amp;quot;ergative structures&amp;quot; in English, or the &amp;quot;middle voice&amp;quot;, because we&amp;#39;ve noticed these constructions in other languages (Basque for ergativity; Ancient Greek for Middle voice; etc.). That is we have to strip away the structure and get down to the point-of-view meaning that the structures imply. And then we have to go back to English and look for expressions of said point-of-view meaning in this language. (Something similar is going on when linguists are probing &amp;quot;shall/will&amp;quot; along the lines of futurity/modality, within the discussion whether English has a future tense or not. The consensus is it doesn&amp;#39;t, but the discussion - assuming &amp;quot;will/shall&amp;quot; as tense-modals - has been productive, if not conclusive.) But the thing is this: if you&amp;#39;re bringing concepts to a language from outside (which is usual in comparative linguistics) you need an anchor; conventional structural methods - such as your &amp;quot;what syntactic operations yield well-formed usage?&amp;quot; approach - have their limitations. So do semantic (referential or framing). &lt;i&gt;This&lt;/i&gt; makes ergativity/unaccusativity hard to think about, &lt;i&gt;before&lt;/i&gt; you choose your approach.&lt;/p&gt;&lt;p&gt;&amp;nbsp;Examples follow:&amp;nbsp;&lt;/p&gt;&lt;p&gt;This is about the sentence, &amp;quot;He died a cruel death.&amp;quot;  &lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;BLOCKQUOTE&gt;&lt;div&gt;&lt;img src="/Themes/englishforums/images/icon-quote.gif"&gt; &lt;strong&gt;MrPedantic&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;The object here is a &lt;i&gt;cognate&lt;/i&gt; object (it is implied in&amp;nbsp;the verb
itself) and thus belongs to a slightly different model. (I would say
that it only exists to provide an adverbial opportunity: &amp;quot;he died a
cruel death&amp;quot; = &amp;quot;he died in a cruel way&amp;quot;.)&lt;/div&gt;&lt;/BLOCKQUOTE&gt;&lt;/p&gt;&lt;p&gt;I agree that, framing-wise, the object functions much like an adverbial. But it&amp;#39;s an &amp;quot;object&amp;quot; in syntax, which has implications that are incompatible with adverbials. Most relevant, here, &amp;quot;die&amp;quot; is now prone to passivisation.&lt;/p&gt;&lt;p&gt;&amp;nbsp;&amp;quot;A cruel death was died,&amp;quot; does sound odd (I&amp;#39;ll get to it in a minute), but I wouldn&amp;#39;t bat an eyelid at &amp;quot;Many deaths were died that night.&amp;quot; Interestingly, it&amp;#39;s hard to put this into the active voice, mostly because no subject seems appropriate. (?&amp;quot;The Soldiers died many deaths that night.&amp;quot;; ?&amp;quot;The army died many deaths that night.&amp;quot;...). To me, all the examples I can think of (plural nouns, collective nouns...) don&amp;#39;t express the passive meaning. The closest I come is &amp;quot;Many people died that night.&amp;quot; Anything else I can think of is of questionable grammaticality.&lt;/p&gt;&lt;p&gt;&amp;nbsp;However, &amp;quot;A cruel death was died,&amp;quot; although it sounds odd, doesn&amp;#39;t sound ungrammatical in the least (at least not to me). It&amp;#39;s also not a semantic problem; I understand the sentence perfectly well, both reference- and framingwise. &lt;/p&gt;&lt;p&gt;The reason, I think, this sounds odd is a pragmatic one. I think this one sounds odd because it&amp;#39;s hard to find a context for this utterance that justifies the passive, which is a &amp;quot;marked construction&amp;quot;. You generally expect &amp;quot;marked&amp;quot; constructions to be there for a reason. I suspect in the right context the above sentence would be perfectly fine. (It&amp;#39;s a matter of &lt;a href="http://www.ux1.eiu.edu/~cfbxb/class/1900/prag/grice.htm" target="_blank" title="http://www.ux1.eiu.edu/~cfbxb/class/1900/prag/grice.htm"&gt;Grice&amp;#39;s conversational maxims&lt;/a&gt;, the maxim of manner, in particular.)&lt;/p&gt;&lt;p&gt;This is where the &amp;quot;frame-semantics&amp;quot; of syntactic constructions become complicated, I think. How do language structures tie in with cognitive structures (e.g. To what extent do we buy the &lt;a href="http://en.wikipedia.org/wiki/Sapir-Whorf_hypothesis" target="_blank" title="http://en.wikipedia.org/wiki/Sapir-Whorf_hypothesis"&gt;Sapir-Worf hypothesis&lt;/a&gt;?)&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;So, from this I go to self-observation:&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;BLOCKQUOTE&gt;&lt;div&gt;&lt;img src="/Themes/englishforums/images/icon-quote.gif"&gt; &lt;strong&gt;MrPedantic&lt;/strong&gt;&lt;/div&gt;&lt;div&gt; and precisely because of that distinction, I would call &amp;quot;break&amp;quot; here&amp;nbsp;ergative (ex. 5) , and &amp;quot;die&amp;quot; unaccusative (ex. 2).&lt;/div&gt;&lt;/BLOCKQUOTE&gt;&lt;/p&gt;&lt;p&gt;See, I had the hardest time even to grasp what that meant, not now in this thread, but when I first discovered the distinction. That&amp;#39;s because, learning English, I didn&amp;#39;t train to see the difference. It wasn&amp;#39;t necessary, as ergativity/unaccusativity isn&amp;#39;t expressed through syntactic structures, but only indirectly through what operations are possible on the verb; this I pretty much took care off either through lexical list-tagging, or through collocation. If there is a hidden logic to it that I applied in learning, it never became conscious. (It&amp;#39;s quite possible that I had a practical knowledge, but no discoursive one of this subject; but why, then, is it so hard to grasp?)&lt;/p&gt;&lt;p&gt;If we go back to the list and sift through the operations there, we&amp;#39;ll find that &amp;quot;die&amp;quot; behaves different from &amp;quot;break&amp;quot; in the way we specified. But here&amp;#39;s the catch: to apply that structural method, we have to assume that &amp;quot;break&amp;quot; in 5.a = &amp;quot;break&amp;quot; in 5.b = &amp;quot;break&amp;quot; in 5.c etc.; i.e. that &amp;quot;break&amp;quot; is the same lexical item in all these instances. That&amp;#39;s because syntax has a hard time to differentiate between &amp;quot;signifier&amp;quot; and &amp;quot;signified&amp;quot;, or &amp;quot;sign&amp;quot; and &amp;quot;concept&amp;quot;.&lt;/p&gt;&lt;p&gt;&amp;nbsp;Notice, for example, how your 5.a is already the transitive, while systematically it should be the intransitive agentive: 5.a *He broke. (i.e. &amp;quot;He caused/performed the action of breaking.&amp;quot; as opposed to &amp;quot;He underwent the process of breaking,&amp;quot; which is 5.b, now, and would be 5.c)&lt;/p&gt;&lt;p&gt;So I&amp;#39;d amend this, to:&lt;/p&gt;&lt;p&gt;5a. *He broke.&lt;/p&gt;&lt;p&gt;5b. He broke the plate&lt;/p&gt;&lt;p&gt;5c. The plate broke.&lt;/p&gt;&lt;p&gt;5d. The plate was broken.&lt;/p&gt;&lt;p&gt;5e. The broken plate&lt;/p&gt;&lt;p&gt;5f. The plate broke easily &lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;And the comparison with &amp;quot;die&amp;quot; would be two-fold:&lt;/p&gt;&lt;p&gt;&amp;nbsp;1. = sign; 2. = concept&lt;/p&gt;&lt;p&gt;5.1a He died.&lt;/p&gt;&lt;p&gt;5.2a He killed.&lt;/p&gt;&lt;p&gt;5.1b *He died the man.&lt;/p&gt;&lt;p&gt;5.2b He killed the man&lt;/p&gt;&lt;p&gt;5.1c The man died.&lt;/p&gt;&lt;p&gt;5.2c *The man killed.&lt;/p&gt;&lt;p&gt;5.1d *The man was died.&lt;/p&gt;&lt;p&gt;5.2d The man was killed.&amp;nbsp;&lt;/p&gt;&lt;p&gt;5.1e *The died man [cf. The dead man.]&lt;br /&gt;&lt;/p&gt;&lt;p&gt;5.2e The killed man. &lt;/p&gt;&lt;p&gt;5.1f The man died easily. (&amp;lt;-- What&amp;#39;s the difference to 5.1a? Should I add an * before it, as this is out of place, here?)&lt;/p&gt;&lt;p&gt;5.2f *The man killed easily. (&amp;lt;-- Is this not available, because 5.1f is available?) &lt;/p&gt;&lt;p&gt;&amp;nbsp;5.1a, 5.1c, and 5.1f seem to be much the same. And &lt;i&gt;this&lt;/i&gt; is the problem I have systematising a structural comparison. One possibility, I see is to re-cast 5a as reflexive 1. *He died himself./2. He killed himself. I might try to justify this through dying being a process you undergo, thus if you add an agentive/causative to core meaning (which is not in slot a, but in slot c) the verb becomes by necessity reflexive (&amp;quot;He caused himself to die.&amp;quot;)&lt;/p&gt;&lt;p&gt;But these things are all a bit... tentative. I fear it&amp;#39;s more rationalised than rational, if you get my drift. &lt;br /&gt;&lt;/p&gt;&lt;p&gt;[Interesting aside: you used the term &amp;quot;anticausative&amp;quot; alongside &amp;quot;ergative&amp;quot; and &amp;quot;unaccusative&amp;quot; for break in your thread. Bears repeating, as it&amp;#39;s something I&amp;#39;m also still thinking about; a very interesting concept I haven&amp;#39;t come across yet.]&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;BLOCKQUOTE&gt;&lt;div&gt;&lt;img src="/Themes/englishforums/images/icon-quote.gif"&gt; &lt;strong&gt;MrPedantic&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;But I find a semantic difference too: the first presents the sign from
the point of view of the reader, and the second, from the point of view
of the writer.&lt;/div&gt;&lt;/BLOCKQUOTE&gt;&lt;/p&gt;&lt;p&gt;Now, that&amp;#39;s an interesting observation. I&amp;#39;d argue that the semantic difference is not referential (it refers to the same state of affairs), but it&amp;#39;s a framing difference. If we view the sign as a proxy for the agent, we&amp;#39;re importing the difference of active vs. voice into a construction that&amp;#39;s free of the syntactic properties that normally accompany this framing device in English. &amp;quot;Reads,&amp;quot; then, is ergative, while &amp;quot;says is a straightforward accusative verb (one that takes the accusative (which isn&amp;#39;t marked in English - except, perhaps, for pronouns, where it&amp;#39;s indistinguishable - morphologically - from the dative; the conventional term would be &amp;quot;direct object&amp;quot;).&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;BLOCKQUOTE&gt;&lt;div&gt;&lt;img src="/Themes/englishforums/images/icon-quote.gif"&gt; &lt;strong&gt;MrPedantic&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;Also, although the same few verbs tend to recur as examples in these discussions, actual usage is more imaginative.&lt;/div&gt;&lt;/BLOCKQUOTE&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;That&amp;#39;s what makes language so fascinating, isn&amp;#39;t it? Nice example, there, too. &lt;br /&gt;</description></item><item><title>Re: bare-infinitive vs. to-infinitive</title><link>http://www.englishforums.com/English/BareInfinitiveInfinitive/zpmjh/post.htm#494928</link><pubDate>Mon, 31 Mar 2008 14:04:52 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:494928</guid><dc:creator>Anonymous</dc:creator><description>&amp;nbsp;In Old English there was a real infinitive (bare) -- e.g. &amp;quot;fremman&amp;quot; (to do) -- and the &amp;quot;inflected infinitive&amp;quot; -- &amp;quot;to fremmenne&amp;quot; (in order to do).&amp;nbsp; The bare infinitive was used with auxiliaries/modals much as it still is, while the inflected infinitive was used to express purpose and a wide variety of constructions similar to today&amp;#39;s.&amp;nbsp; The bare infinitive precedes the inflected variety, the forerunner of today&amp;#39;s &amp;quot;to- infinitive&amp;quot;. &amp;nbsp; &amp;quot;Help&amp;quot; with another verb has a slightly modal sense which may explain why it can be used without &amp;quot;to&amp;quot;. </description></item><item><title>Verbs</title><link>http://www.englishforums.com/English/Verbs/zxkld/post.htm</link><pubDate>Sun, 16 Mar 2008 09:38:41 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:489467</guid><dc:creator>ganesh77</dc:creator><description>The list isn&amp;#39;t meant to be exhaustive or carefully arranged. Any additions, corrections or further examples would be welcomed.&amp;nbsp;

&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;1 main verbs; lexical verbs (all verbs which are not
auxiliaries or modals) &lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;2 action verbs; event verbs; dynamic verbs (a verb which can
be used in continuous tenses) i.e. eat, run, talk&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;3 state of being verbs; existence verbs; state verbs;
stative verbs; static verbs (a verb which describes a state and is not usually
used in a continuous tense) i.e. be, own, know&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;4 regular verbs (a verb that has four forms and follows the
normal rules)&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;5 irregular verbs; strong verbs (a verb not following the
normal rules for inflection)&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;6 auxiliary and modal verbs (which make up verbal phrases) â
23 in total&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;7 linking verbs; copulative verbs; copulas (a verb which
links the subject and complement of a clause) i.e. It is warm today.&lt;span&gt;&amp;nbsp; &lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;8 transitive verbs (a verb used to talk about an action or
event that involves more than one person or thing, and so is followed by an
object) i.e. Sheâs wasting her money. &lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;9 intransitive verbs (a verb used to talk about an action or
event that only involved the subject and so has no object) i.e. She arrived. &lt;/p&gt;







&lt;p&gt;&amp;nbsp;&lt;br /&gt;10 multiword verbs&lt;/p&gt;&lt;p&gt;a type 1 â intransitive [phrasal
verbs; adverb particle&lt;/p&gt;&lt;p&gt;b type 2 â transitive (inseparable)
[prepositional verbs; preposition particles]&lt;/p&gt;





&lt;p&gt;c type 3 â transitive (separable) [phrasal
verbs; adverb particle]&lt;/p&gt;&lt;p&gt;d type 4 â transitive (with two
inseparable particles) [phrasal-prepositional verbs;&lt;span&gt;&lt;/span&gt; first particle is
an adverb, second particle is a preposition]&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;11 compound verbs&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;12 delexical verbs (a verb which has very little meaning in
itself but is used with an object to describe an action) i.e. She gave a small
cry.&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;13 ditransitive verbs (a verb which can have both a direct
and indirect object) i.e. She gave me a kiss. &lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;14 ergative verbs (a verb which can be used transitively to
focus on the performer of the action, or intransitively to focus on the thing
affected by the action) i.e. He boiled the water. The water boiled. &lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;15 reporting verbs; performance verbs; performative verbs (a
verb used with a quote or a reported clause to describe what people say or
think) i.e. suggest, say, wonder&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;16 reciprocal verbs (a verb which describes an action
involving two people doing the same thing to each other) i.e. They met in the
street. &lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;17 reflexive verbs (a verb which is typically used with a
reflexive pronoun) i.e. Donât cut yourself with that knife.&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;18 defective verbs (a verb without all the inflected forms
of a regular verb) i.e. modals &lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;19 finite and non-finite&lt;/p&gt;

&lt;p&gt;a infinitives&lt;/p&gt;

&lt;p&gt;b gerunds; verbal nouns&lt;/p&gt;

&lt;p&gt;c participles&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;20 catenative verbs (a verb that takes other verb forms as
objects; found at the head of a series of linked constructions) i.e. We agreed
to try to decide to stop eating snacks.&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;21 causative verbs (a verb that designates the action
necessary to cause another action to happen) i.e. The devil made me do it. &lt;/p&gt;

&lt;p&gt;&amp;nbsp;</description></item><item><title>Re: the purpose of would have+p.p.</title><link>http://www.englishforums.com/English/ThePurposeOfWouldHavePP/zmhdp/post.htm#478650</link><pubDate>Tue, 19 Feb 2008 01:07:33 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:478650</guid><dc:creator>Avangi</dc:creator><description>&lt;p&gt;&lt;BLOCKQUOTE&gt;&lt;div&gt;&lt;img src="/Themes/englishforums/images/icon-quote.gif"&gt; &lt;strong&gt;CalifJim&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;That would be Della&amp;#39;s car. ~ That &lt;u&gt;is&lt;/u&gt; probably Della&amp;#39;s car.&amp;nbsp; That &lt;u&gt;is&lt;/u&gt; most likely Della&amp;#39;s car. 
&lt;p&gt;That would have been Della&amp;#39;s car. ~ That &lt;u&gt;was&lt;/u&gt; probably Della&amp;#39;s car.&amp;nbsp; That &lt;u&gt;was&lt;/u&gt; most likely Della&amp;#39;s car.&amp;nbsp;&lt;/p&gt;
&lt;p&gt;CJ&amp;nbsp;&lt;/div&gt;&lt;/BLOCKQUOTE&gt;Hi Jim,&lt;/p&gt;
&lt;p&gt;Don&amp;#39;t know anything about &amp;quot;modals&amp;quot;, and this probably begs the question, &lt;strong&gt;but&lt;/strong&gt; my sense of this construction has always been that there&amp;#39;s absolutely no doubt in the mind of the speaker. He knows something which is unknown to the person or group he&amp;#39;s addressing.&amp;nbsp; Based either on information they&amp;#39;ve given him, or on facts evident to them all, he makes an induction of which he is sure.&amp;nbsp; The reason &amp;quot;is&amp;quot; or &amp;quot;was&amp;quot; doesn&amp;#39;t apply is because it&amp;#39;s not necessarily evident to the group he&amp;#39;s addressing, although he &lt;u&gt;could&lt;/u&gt; have chosen &amp;quot;is&amp;quot; or &amp;quot;was.&amp;quot;&lt;/p&gt;
&lt;p&gt;My question is, is doubt an essential quality of the construction in current usage, and if so, is it doubt in the mind of the speaker or some kind of logical doubt based on context&amp;nbsp; -&amp;nbsp; or something else?&lt;/p&gt;
&lt;p&gt;It would be different if he said, &amp;quot;I think/believe that would be Della&amp;#39;s car.&lt;/p&gt;
&lt;p&gt;Best regards,&amp;nbsp; - A.&lt;/p&gt;</description></item><item><title>Re: Modal forms</title><link>http://www.englishforums.com/English/ModalForms/zkhhd/post.htm#468880</link><pubDate>Fri, 25 Jan 2008 22:52:35 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:468880</guid><dc:creator>Marius Hancu</dc:creator><description>OK, we consulted with friends and they proposed the following: &lt;br&gt;
&lt;br&gt;
&lt;i&gt;He &lt;b&gt;may have arrived&lt;/b&gt; here &lt;font color="#0000ff"&gt;by 5 o'clock tomorrow&lt;/font&gt;. &lt;br&gt;
&lt;br&gt;
He &lt;b&gt;may have been waiting&lt;/b&gt; for us an hour &lt;font color="#0000ff"&gt;by the time our train&lt;br&gt;
finally arrives&lt;/font&gt;.&lt;br&gt;
&lt;br&gt;
He &lt;b&gt;may have been waiting&lt;/b&gt; an hour &lt;font color="#0000ff"&gt;by the time our train&lt;br&gt;
finally arrives&lt;/font&gt;.&lt;br&gt;
&lt;br&gt;
&lt;/i&gt;Thus no one seems really surprised by such constructions. &lt;i&gt;&lt;br&gt;
&lt;/i&gt;&lt;br&gt;</description></item><item><title>Re: Adverb in perfect tense construction &amp;amp; split infinitive</title><link>http://www.englishforums.com/English/AdverbPerfectTenseConstruction-SplitInfinitive/zjkvj/post.htm#464789</link><pubDate>Wed, 16 Jan 2008 06:41:17 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:464789</guid><dc:creator>Mister Micawber</dc:creator><description>&lt;br&gt;It was my (unconscious) option.&amp;nbsp; I think the modal is more formal.&lt;br&gt;&lt;br&gt;</description></item><item><title>Re: Adverb in perfect tense construction &amp;amp; split infinitive</title><link>http://www.englishforums.com/English/AdverbPerfectTenseConstruction-SplitInfinitive/zjkvr/post.htm#464780</link><pubDate>Wed, 16 Jan 2008 05:49:32 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:464780</guid><dc:creator>Believer</dc:creator><description>&lt;P&gt;Thank you, Mr.M.&lt;/P&gt;
&lt;P&gt;In&amp;nbsp;your previous responding post, you wrote:&lt;/P&gt;
&lt;P&gt;The 'rule' against splitting infinitives is long defunct; it need be observed only if your teacher insists on it in his/her assignments or tests.&lt;BR&gt;&lt;BR&gt;What is the facor involved in deciding&amp;nbsp;which way to write your partial sentence?&lt;/P&gt;
&lt;P&gt;it need be observed only if ...&amp;nbsp;(I think this is a modal form)&lt;/P&gt;
&lt;P&gt;it needs to be observed only if ...&amp;nbsp;(I think this isn't a modal form)&amp;nbsp;&lt;/P&gt;</description></item><item><title>How to say using modal verb?</title><link>http://www.englishforums.com/English/HowToSayUsingModalVerb/zwgrb/post.htm</link><pubDate>Sun, 30 Dec 2007 22:39:41 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:458644</guid><dc:creator>Fandorin</dc:creator><description>&lt;P&gt;"How can I continue work any longer?"&lt;/P&gt;
&lt;P&gt;"How can I shall be working any longer?"&lt;/P&gt;
&lt;P&gt;or simply: "How can I work any longer?"&lt;/P&gt;
&lt;P&gt;I want to relate it to the future. I will be very grateful for help. Which of these construction&amp;nbsp;are correct or not? Thanks a lot. &lt;/P&gt;</description></item><item><title>Re: Easy but long...)))</title><link>http://www.englishforums.com/English/EasyButLong/zgxmw/post.htm#451341</link><pubDate>Sun, 09 Dec 2007 16:20:51 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:451341</guid><dc:creator>Yankee</dc:creator><description>Hi Pres1dent&lt;br&gt;&lt;br&gt;You should break up long posts such as this one into several short posts.&amp;nbsp; That way it's &lt;u&gt;&lt;b&gt;much&lt;/b&gt;&lt;/u&gt; easier for other people to comment.&lt;br&gt;&lt;br&gt;I've made suggestions. Some of the sentences in these exercises don't sound terribly natural, so there are also suggestions in places where there were no asterisks (**).&lt;br&gt;&lt;br&gt;I. Grammar Exercises
&lt;br&gt;1 Articles
&lt;br&gt;1. *&lt;font color="#0000ff"&gt;(The)&lt;/font&gt;* equipment &lt;font color="#0000ff"&gt;&lt;strike&gt;of&lt;/strike&gt; from&lt;/font&gt; Blake &amp;amp; Co is very good.&amp;nbsp; They sell it to ** &lt;font color="#0000ff"&gt;various&lt;/font&gt; different companies
&lt;br&gt;2. Where are *the* newspapers? They are on *the* desk.
&lt;br&gt;3. There &lt;font color="#0000ff"&gt;is&lt;/font&gt; ** &lt;font color="#0000ff"&gt;&lt;strike&gt;much&lt;/strike&gt;&lt;/font&gt; &lt;font color="#0000ff"&gt;a lot of&lt;/font&gt; built&lt;font color="#0000ff"&gt;&lt;b&gt;-&lt;/b&gt;&lt;/font&gt;in furniture in our kitchen. *The* furniture makes *the* kitchen comfortable.
&lt;br&gt;4. We are interested in buying ** &lt;font color="#0000ff"&gt;the/ -&lt;/font&gt; machines from British companies.
&lt;br&gt;5. &lt;font color="#0000ff"&gt;&lt;strike&gt;*The* tools of&lt;/strike&gt;&lt;/font&gt; Blake &amp;amp; Co &lt;font color="#0000ff"&gt;tools&lt;/font&gt; are &lt;strike&gt;of&lt;/strike&gt; ** high quality.
&lt;br&gt;6. We&lt;font color="#0000ff"&gt;&lt;strike&gt;âve&lt;/strike&gt;&lt;/font&gt; received *&lt;font color="#0000ff"&gt;&lt;strike&gt;the&lt;/strike&gt;&lt;/font&gt; &lt;font color="#0000ff"&gt;an&lt;/font&gt;* enquiry for ** three machines &lt;strike&gt;lately&lt;/strike&gt; &lt;font color="#0000ff"&gt;recently&lt;/font&gt;.
&lt;br&gt;7. ** Last month our manager went to St. Petersburg by train. He &lt;strike&gt;went there by&lt;/strike&gt; &lt;font color="#0000ff"&gt;took&lt;/font&gt; *an * express train. *The* train had no stops.
&lt;br&gt;8. If you want to get &lt;font color="#0000ff"&gt;accommodation(s)&lt;/font&gt; at *a *hotel in Nice in &lt;font color="#0000ff"&gt;the&lt;/font&gt; &lt;font color="#0000ff"&gt;summertime&lt;/font&gt;
you must reserve *the* &lt;font color="#0000ff"&gt;room&lt;/font&gt; in advance. ** Nice hotels are
full during &lt;font color="#0000ff"&gt;the&lt;/font&gt; &lt;font color="#0000ff"&gt;summer &lt;strike&gt;time&lt;/strike&gt;&lt;/font&gt;.
&lt;br&gt;9. The &lt;font color="#0000ff"&gt;s&lt;/font&gt;eller didnât agree to give us *&lt;font color="#0000ff"&gt;a&lt;/font&gt;* discount as their goods were in *&lt;font color="#0000ff"&gt;&lt;strike&gt;a&lt;/strike&gt;&lt;/font&gt;* great demand at that price.
&lt;br&gt;10. We are interested in buying ** compressors for *a* new shop &lt;font color="#0000ff"&gt;in&lt;/font&gt; *&lt;strike&gt;the&lt;/strike&gt;* &lt;font color="#0000ff"&gt;a&lt;/font&gt; large plant in Siberia. *The* shop is already under construction
and &lt;font color="#0000ff"&gt;the&lt;/font&gt; customer&lt;strike&gt;s&lt;/strike&gt; require&lt;font color="#0000ff"&gt;s the &lt;/font&gt;goods urgently, as they must complete the
construction of the shop by the end of the year.
&lt;br&gt;
&lt;br&gt;2 Prepositions
&lt;br&gt;1. She is sitting *&lt;font color="#0000ff"&gt;&lt;strike&gt;on&lt;/strike&gt; &lt;/font&gt;&lt;font color="#0000ff"&gt;at&lt;/font&gt;*  the table and &lt;strike&gt;speaking&lt;/strike&gt; &lt;font color="#0000ff"&gt;talking&lt;/font&gt; *&lt;font color="#0000ff"&gt;on&lt;/font&gt;* the phone. She is making an appointment &lt;strike&gt;&lt;font color="#0000ff"&gt;on&lt;/font&gt;&lt;/strike&gt; &lt;font color="#0000ff"&gt;for&lt;/font&gt; Friday.
&lt;br&gt;2. They met Mr. Black *in* his office. The meeting began at 10 oâclock and lasted ** &lt;strike&gt;(for?)&lt;/strike&gt; two hours.
&lt;br&gt;3. *The* other day Rossexport received an enquiry for the motors of Johanson &amp;amp; Sons.
&lt;br&gt;4. The train will arrive with a delay &lt;font color="#0000ff"&gt;&lt;strike&gt;for&lt;/strike&gt; of&lt;/font&gt; 40 minutes. Will you go to the departure lounge and wait for the announcement?
&lt;br&gt;5. -Can you give us a discount *&lt;font color="#0000ff"&gt;for/on&lt;/font&gt;* a large order?
&lt;br&gt;- As we have done a lot of business with you&lt;font color="#0000ff"&gt;,&lt;/font&gt; we can give you a small discount. &lt;br&gt;- In &lt;font color="#0000ff"&gt;that&lt;/font&gt; case&lt;font color="#0000ff"&gt;,&lt;/font&gt; weâd like to have a discount of 7%.
&lt;br&gt;6. The charge for a room in this hotel is not very high. 
&lt;br&gt;7. They offered to deliver the pumps *in* &lt;strike&gt;(of?)&lt;/strike&gt; four lots &lt;font color="#0000ff"&gt;of&lt;/font&gt; 12 pumps each&lt;font color="#0000ff"&gt;&lt;strike&gt; in&lt;/strike&gt; at&lt;/font&gt; regular intervals of 5 months.
&lt;font color="#0000ff"&gt;(at regular 5-month intervals)&lt;/font&gt;&lt;br&gt;8. Youâve reserved a single and a double room &lt;font color="#0000ff"&gt;&lt;strike&gt;for you&lt;/strike&gt;&lt;/font&gt; for two
nights on the fourth floor. These are modern rooms with private baths.
They donât face the street.
&lt;br&gt;9. -Iâd like a suit for office wear.
&lt;br&gt;-Try *&lt;font color="#0000ff"&gt;on/-&lt;/font&gt;* this one &lt;font color="#0000ff"&gt;&lt;strike&gt;in&lt;/strike&gt; for&lt;/font&gt; size.
&lt;font color="#0000ff"&gt;(OR:&amp;nbsp; &lt;i&gt;Try this one on for size.&lt;/i&gt;)&lt;/font&gt;&lt;br&gt;10. The &lt;font color="#0000ff"&gt;s&lt;/font&gt;eller offered the goods *at* CIF terms and payment collection.
&lt;font color="#0000ff"&gt;(This sounds clunky.&amp;nbsp; I'd just say this:&amp;nbsp; &lt;i&gt;The seller offered the goods CIF&lt;/i&gt;.)&lt;/font&gt;&lt;br&gt;
&lt;br&gt;3 Degrees of comparison
&lt;br&gt;1. The Sony TV set is more expensive than the Akai TV set. Itâs one of the most expensive TV sets.
&lt;br&gt;2. Are our cars as &lt;font color="#0000ff"&gt;convenient &lt;/font&gt;as German cars?
&lt;font color="#0000ff"&gt;(In my opinion, &lt;b&gt;&lt;i&gt;reliable&lt;/i&gt;&lt;/b&gt; would be a more logical choice of words.)&lt;/font&gt;&lt;br&gt;3. This is the busiest airport Iâve ever seen.
&lt;br&gt;4. I come &lt;font color="#0000ff"&gt;later&lt;/font&gt; on Monday&lt;font color="#0000ff"&gt;s&lt;/font&gt; &lt;strike&gt;later&lt;/strike&gt; than on other days.
&lt;br&gt;5. &lt;strike&gt;*More often*&lt;/strike&gt; we give &lt;font color="#0000ff"&gt;a&lt;/font&gt; discount to buyers&lt;font color="#0000ff"&gt; most often&lt;/font&gt; if we have known them for a long time.
&lt;br&gt;
&lt;br&gt;4Verb times
&lt;br&gt;1. Now you *see* Mr. Black in his office. During the day he *looks*
through English newspapers &lt;font color="#0000ff"&gt;and&lt;/font&gt; *discusses* business matters. Now he is
reading a letter. &lt;font color="#0000ff"&gt;Later, h&lt;/font&gt;e *is going to phone* the manager of the company.
&lt;br&gt;2. -What model are you interested in?
&lt;br&gt;-Model BC5 *meets* our requirement.
&lt;br&gt;3. The fact *is* I sent you our offer last week. In my letter I
asked you to study it and give us your answer but we havenât received
it yet.
&lt;br&gt;4. -*&lt;font color="#0000ff"&gt;Will&lt;/font&gt;* the plane &lt;font color="#0000ff"&gt;t&lt;/font&gt;o Moscow leave&lt;font color="#0000ff"&gt;&lt;strike&gt;s&lt;/strike&gt;&lt;/font&gt; on time?
&lt;font color="#0000ff"&gt;/Will the plane to Moscow be leaving on time?&lt;/font&gt;&lt;br&gt;-There is a delay but it probably *wonât be* over 30 minutes
&lt;br&gt;5. Good morning, Mr. Black. Iâm glad to see you. I havenât seen you since we met in London
&lt;br&gt; 6. How long *&lt;strike&gt;it takes&lt;/strike&gt;* (&lt;font color="#0000ff"&gt;will it take&lt;/font&gt;?) me to get there?
&lt;br&gt;-Itâll take you about half an hour to get there at this time of the
day. There is a lot of traffic now. Look, bus 79A *is coming.*
&lt;br&gt;7. Have you discussed the terms of delivery yet?
&lt;br&gt;8. Jack arrived at the theatre about 7 oâclock. Ten minutes later he was sitting in the stalls and watching the performance.
&lt;br&gt;9. Rossexport started shipping the goods nine months after we *&lt;font color="#0000ff"&gt;(had) signed&lt;/font&gt;* the contract.
&lt;font color="#0000ff"&gt;(Past perfect is OK, but not necessary.)&lt;/font&gt;&lt;br&gt;10. I donât know when our accountant &lt;strike&gt;comes&lt;/strike&gt; &lt;font color="#0000ff"&gt;will be&lt;/font&gt; back
&lt;br&gt;
&lt;br&gt;5Reported speech&amp;nbsp;
&lt;i&gt;&lt;font color="#0000ff"&gt;It's often difficult to judge reported speech without also knowing what the direct speech was.&lt;br&gt;&lt;br&gt;&lt;/font&gt;&lt;/i&gt;1. Mr. Black said it hadnât taken &lt;font color="#0000ff"&gt;us?&lt;/font&gt; long to discuss the price.
&lt;font color="#0000ff"&gt;(It sounds as though the sentence need 'them' rather than 'us'.)&lt;/font&gt;&lt;br&gt;2. The office manager said you would go &lt;font color="#0000ff"&gt;&lt;strike&gt;on business&lt;/strike&gt;&lt;/font&gt; to London &lt;font color="#0000ff"&gt;on business&lt;/font&gt; soon.
&lt;br&gt;3. Mr. Black asked if Mr. Taylor was staying with us.
&lt;br&gt;4. Mr. Black wants to know what discount Mr. Smith can give &lt;font color="#0000ff"&gt;us(?)&lt;/font&gt;.
&lt;br&gt;5. Mr. Black said your prices were very high and they couldnât accept them.
&lt;br&gt;6. Mr. Black asked who Mr. Brown was waiting for.
&lt;br&gt;7. Mr. Black wanted to know if Nancy had translated the letter.
&lt;br&gt;8. Mr. Black says to look through the quotation from Dunn &amp;amp; Co.
&lt;br&gt;9. Mr. Black said not to send the fax to Smith &amp;amp; Co.
&lt;br&gt;10. Mr. Black asked if their goods met Mr. Smithâs requirements.
&lt;br&gt;
&lt;br&gt;6Modal verbs
&lt;br&gt;1. Can I offer you a cup of tea?
&lt;br&gt;2. -&lt;strike&gt;&lt;font color="#0000ff"&gt;Must&lt;/font&gt;&lt;/strike&gt; &lt;font color="#0000ff"&gt;Do I have to&lt;/font&gt; go to the office every day?
&lt;br&gt;-No&lt;font color="#0000ff"&gt;, y&lt;/font&gt;ou &lt;font color="#0000ff"&gt;&lt;strike&gt;mustnât&lt;/strike&gt;&lt;/font&gt; &lt;font color="#0000ff"&gt;don't&lt;/font&gt;.
&lt;br&gt;3. -&lt;font color="#0000ff"&gt;&lt;strike&gt;May&lt;/strike&gt;&lt;/font&gt; &lt;font color="#0000ff"&gt;Can&lt;/font&gt; I invite businessmen to the conference room?
&lt;br&gt;-No, you &lt;font color="#0000ff"&gt;&lt;strike&gt;mustnât (or mightnât?)&lt;/strike&gt;&lt;/font&gt; &lt;font color="#0000ff"&gt;can't&lt;/font&gt;. It &lt;font color="#0000ff"&gt;&lt;strike&gt;must&lt;/strike&gt;&lt;/font&gt; &lt;font color="#0000ff"&gt;has to&lt;/font&gt; be cleaned.
&lt;br&gt;4. When can you look through it?
&lt;br&gt;5. -Why are you so late?
&lt;br&gt;-Because I had to phone the British company.
&lt;br&gt;6. -Why did Mr. Smith go to London last month?
&lt;br&gt;-He was&lt;font color="#0000ff"&gt;/had &lt;/font&gt;to sign a contract there.
&lt;br&gt;7. If the manager doesnât have to stay late at the head office today&lt;font color="#0000ff"&gt;&lt;b&gt;, &lt;/b&gt;&lt;/font&gt;he will be able to meet Mr. Smith
&lt;br&gt;8. We received your offer 5 days ago &lt;font color="#0000ff"&gt;&lt;strike&gt;wand &lt;/strike&gt;but&lt;/font&gt; we &lt;font color="#0000ff"&gt;&lt;strike&gt;couldnât&lt;/strike&gt; haven't been able to&lt;/font&gt; study it &lt;font color="#0000ff"&gt;(yet)&lt;/font&gt;.
&lt;br&gt;9. Who can make good coffee?
&lt;br&gt;10. You are to contact Black &amp;amp; Co next Monday.
&lt;br&gt;</description></item></channel></rss>