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<rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>Search results for 'tag:Determiners tag:Auxiliaries' matching tags 'Determiners' and 'Auxiliaries'</title><link>http://www.englishforums.com/search/pro.htm?q=tag%3aDeterminers+tag%3aAuxiliaries</link><description>Search results for 'tag:Determiners tag:Auxiliaries' matching tags 'Determiners' and 'Auxiliaries'</description><dc:language>en-US</dc:language><generator>CSMOD (Build: 3248.36859)</generator><item><title>What types of phrase have been underlined?</title><link>http://www.englishforums.com/English/TypesPhraseUnderlined/hrrnn/post.htm</link><pubDate>Fri, 07 Nov 2008 17:45:46 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:584881</guid><dc:creator>ericsteef</dc:creator><description>&lt;font&gt; &lt;p style="color:#80ff00;"&gt;&lt;span style="color:#111111;"&gt;&lt;span style="color:#0000ff;"&gt;&lt;span style="text-decoration:underline;"&gt;&lt;em&gt;&lt;strong&gt;I answered this question i just need someone check my answer and tell me if there a mistake and what is the correction of it.&lt;br /&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;font&gt; &lt;/font&gt;&lt;p&gt;&lt;span style="color:#7f003f;"&gt;&lt;font&gt;What types of phrase have been underlined? Analyse the phrases and give information about what elements they contain and what sort of words they consist of.&lt;/font&gt;&lt;/span&gt;&lt;font&gt; &lt;/font&gt;&lt;/p&gt;&lt;font&gt;&lt;/font&gt; &lt;p&gt;&lt;span&gt;&lt;font color="#000000"&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt; &lt;p style="color:#80ff00;"&gt; &lt;/p&gt;&lt;table cellpadding="0" cellspacing="0"&gt;  &lt;tr&gt; &lt;td style="background-color:transparent;"&gt; &lt;p&gt;&lt;span&gt;&lt;font color="#000000"&gt;1&lt;/font&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;&lt;font color="#000000"&gt;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;&lt;font color="#000000"&gt;3&lt;/font&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;&lt;font color="#000000"&gt;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;&lt;font color="#000000"&gt;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;&lt;font color="#000000"&gt;6&lt;/font&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;&lt;font color="#000000"&gt;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;&lt;font color="#000000"&gt;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;&lt;font color="#000000"&gt;9&lt;/font&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;&lt;font color="#000000"&gt;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;&lt;font color="#000000"&gt;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;&lt;font color="#000000"&gt;12&lt;/font&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;&lt;font color="#000000"&gt;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;&lt;font color="#000000"&gt;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;&lt;font color="#000000"&gt;15&lt;/font&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;&lt;font color="#000000"&gt;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;&lt;font color="#000000"&gt;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;&lt;font color="#000000"&gt;18&lt;/font&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;&lt;font color="#000000"&gt;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;&lt;font color="#000000"&gt;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;&lt;font color="#000000"&gt;21&lt;/font&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;&lt;font color="#000000"&gt;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;&lt;font color="#000000"&gt;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;&lt;font color="#000000"&gt;24&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;&lt;/td&gt; &lt;td style="background-color:transparent;"&gt; &lt;p&gt;&lt;font color="#000000"&gt;&lt;span&gt;Hercule Poirot made his first appearance in &lt;em&gt;&lt;a href="http://uk.agathachristie.com/story-explorer/stories/the-mysterious-affair-at-styles/"&gt;&lt;span style="color:windowtext;"&gt;The Mysterious Affair at Styles&lt;/span&gt;&lt;/a&gt;&lt;/em&gt;, &lt;/span&gt;&lt;span&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/font&gt;&lt;span style="color:#666666;"&gt;&lt;a href="http://leo.stcloudstate.edu/grammar/phraseformulas.html#participial" target="_blank"&gt;&lt;strong&gt;&lt;span style="color:#333333;"&gt;Participial Phrase&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt; &lt;/span&gt;&lt;font color="#000000"&gt;&lt;span&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;called upon by his friend Hastings, to solve a most mysterious murder.&amp;nbsp; This Belgian refugee from the First World War began his career as a police &lt;strong&gt;officer&lt;/strong&gt; - Christie felt it only fitting that he had &lt;span style="text-decoration:underline;"&gt;a professional background&lt;/span&gt; as it would explain his &lt;strong&gt;knowledge&lt;/strong&gt; of police proceedings when he later became a private detective.&amp;nbsp; He began his private career on the continent, which is where he formed his lifelong friendship with Hastings.&lt;/span&gt;&lt;/font&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;&lt;font color="#000000"&gt;Poirot would be the first to call himself a great man - he has never been known for his &lt;strong&gt;modesty&lt;/strong&gt; - but with such success in his career he is quite justified in his opinion!&amp;nbsp; He finishes each case with a dramatic dÃ©nouement, satisfying his own ego and confirming to all, that he is truly âthe greatest mind in &lt;strong&gt;Europe&lt;/strong&gt;.â&amp;nbsp; His love of elegance, beauty, and precision, as well as his eccentric mannerisms are often ridiculed by the local bumbling policemen, but it is always Poirot who has the last word!&lt;/font&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;font color="#000000"&gt;&lt;span style="text-decoration:underline;"&gt;&lt;span&gt;Christie&amp;#39;s inspiration for Poirot&lt;/span&gt;&lt;/span&gt;&lt;span&gt; lay behind the Belgian refugees who had escaped the war and made their home in the Parish of Torre.&amp;nbsp; Christie had seen how the locals had opened their &lt;strong&gt;arms&lt;/strong&gt; to them and how some, not understanding the British way of life, preferred to do things their own way.&amp;nbsp; Christie decided to make Poirot &lt;span style="text-decoration:underline;"&gt;more mature&lt;/span&gt;, a decision she would later regret; âthe result is that my fictional detective is well over a hundred by now.â&amp;nbsp;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;&lt;font color="#000000"&gt;But not even Christie &lt;span style="text-decoration:underline;"&gt;could&lt;/span&gt; ever &lt;span style="text-decoration:underline;"&gt;have imagined&lt;/span&gt; how popular Poirot would become, nor how many &lt;strong&gt;stories&lt;/strong&gt; she would write about him.&amp;nbsp; He would star &lt;span style="text-decoration:underline;"&gt;in thirty-three novels&lt;/span&gt; and fifty-four short stories, including some of Christieâs best such as &lt;em&gt;Murder on the Orient Express&lt;/em&gt;, &lt;em&gt;&lt;a href="http://uk.agathachristie.com/story-explorer/stories/the-murder-of-roger-ackroyd/"&gt;&lt;span style="color:windowtext;"&gt;The Murder of Roger Ackroyd&lt;/span&gt;&lt;/a&gt; &lt;/em&gt;and &lt;em&gt;&lt;a href="http://uk.agathachristie.com/story-explorer/stories/death-on-the-nile/"&gt;&lt;span style="color:windowtext;"&gt;Death on the Nile&lt;/span&gt;&lt;/a&gt;&lt;/em&gt;.&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;font color="#000000"&gt;&lt;span style="text-decoration:underline;"&gt;&lt;span&gt;Poirot deserves his place in crime fiction history&lt;/span&gt;&lt;/span&gt;&lt;span&gt; and this was certainly achieved on his death in 1975; Poirot became the only fictional character in history to be honoured with an obituary on the front of The New York Times!&lt;/span&gt;&lt;/font&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;&lt;font color="#000000"&gt;(Adapted from the official Agatha Christie page (http://uk.agathachristie.com)&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#0000ff;"&gt;a professional background:&lt;/span&gt;&lt;span style="color:#0000ff;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#000000;"&gt;it is NP âaâ is indefinite article function as determiner.&lt;/span&gt;&lt;span style="color:#0000ff;"&gt;&lt;span style="color:#000000;"&gt;âProfessionalâ is adjective,â &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#000000;"&gt;a professionalâ is a premodifier of the noun phrase, âbackground âis the head noun of the noun phrase.&lt;/span&gt; &lt;p&gt;&lt;span style="color:#0000ff;"&gt;2-Christie&amp;#39;s inspiration for Poirot :&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;it is NP âChristieâsâ is noun of the noun phrase form functions as Premodifier ,â inspirationâ the head noun of the noun phrase âfor Poirotâ i&lt;/p&gt;&lt;/font&gt;&lt;span&gt; &lt;/span&gt;&lt;p&gt;&lt;span&gt;&lt;/span&gt;&lt;font&gt;&lt;span&gt;&lt;span style="color:#0000ff;"&gt;2-Christie&amp;#39;s inspiration for Poirot&lt;/span&gt; :&lt;br /&gt;&lt;br /&gt;it is NP âChristieâsâ is noun of the noun phrase form functions as Premodifier ,â inspirationâ the head noun of the noun phrase âfor Poirotâ is Prep: P âforâ preposition âPoirotâ noun and all the phrase âfor Poirotâ is the postmodifeir of the noun phrase.&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;&lt;font&gt;&lt;/font&gt;&lt;font&gt; &lt;/font&gt;&lt;p&gt;&lt;font&gt;&lt;/font&gt;&lt;span&gt;&lt;font&gt;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;font&gt;&lt;font&gt;&lt;span style="color:#0000ff;"&gt;&lt;span style="color:#0080ff;"&gt;&lt;span style="color:#0000ff;"&gt;3-More mature:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;adjective phrase in its comparative form consists of âmoreâ determiner function as premodifier of the adjective phrase and âmatureâ adjective is the head of the adjective phrase.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;&lt;font&gt;&lt;font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font&gt; &lt;/font&gt;&lt;p&gt;&lt;font&gt;&lt;/font&gt;&lt;font&gt;&lt;span&gt;&lt;span style="color:#0000ff;"&gt;Could have imagined&lt;/span&gt;: &lt;br /&gt;&lt;br /&gt;verb phrase consists of, âcouldâ modal auxiliary verb, âhaveâ grammatical auxiliary, imagined stative verb in past participle form and all the phrase in the present perfective tense.&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;&lt;font&gt;&lt;/font&gt;&lt;font&gt; &lt;/font&gt;&lt;p&gt;&lt;font&gt;&lt;/font&gt;&lt;font&gt;&lt;span&gt;&lt;span style="color:#0000ff;"&gt;In thirty-three novels&lt;/span&gt;:&lt;br /&gt;&amp;nbsp;&lt;br /&gt;prepositional phrase consists of preposition âinâ,&lt;/span&gt;â thirty three&amp;quot; &amp;nbsp;Post determinerâ âNovelsâ is the head noun of the noun phrase.&lt;/font&gt;&lt;/p&gt;&lt;font&gt;&lt;/font&gt;</description></item><item><title>Re: two questions on grammar</title><link>http://www.englishforums.com/English/TwoQuestionsOnGrammar/dgdxh/post.htm#281153</link><pubDate>Sun, 15 Oct 2006 09:53:06 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:281153</guid><dc:creator>Inchoateknowledge</dc:creator><description>&lt;P&gt;1. what is the auxiliary? it is &lt;EM&gt;&lt;STRONG&gt;was&lt;/STRONG&gt;&lt;/EM&gt;. So, it should be &lt;EM&gt;was not he (&lt;STRONG&gt;he&lt;/STRONG&gt; is the subject&lt;/EM&gt;)?&lt;/P&gt;
&lt;P&gt;2. You need (a) wider reference.&lt;/P&gt;
&lt;P&gt;With the determiner, the emphasis is on &lt;EM&gt;&lt;STRONG&gt;reference. W&lt;/STRONG&gt;&lt;/EM&gt;ithout it&lt;EM&gt;&lt;STRONG&gt;, wider&lt;/STRONG&gt;&lt;/EM&gt; is more emphatic&lt;/P&gt;</description></item><item><title>Re: Classification of the word &amp;quot;The&amp;quot;</title><link>http://www.englishforums.com/English/ClassificationWord/ckdzp/post.htm#217139</link><pubDate>Tue, 18 Apr 2006 10:58:08 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:217139</guid><dc:creator>Mister Micawber</dc:creator><description>&lt;br&gt;&lt;i&gt;The&lt;/i&gt; is an &lt;u&gt;article&lt;/u&gt; (the definite article, to be precise), a kind of &lt;u&gt;determiner&lt;/u&gt;.&lt;br&gt;&lt;br&gt;Your set of 'negatives' are not of the same nature of classification of parts of speech as are &lt;i&gt;conjunctions, determiners, adjectives&lt;/i&gt;, etc.&amp;nbsp; &lt;i&gt;Not&lt;/i&gt; is an &lt;u&gt;adverb&lt;/u&gt; (albeit negative), &lt;i&gt;did&lt;/i&gt; is an auxiliary &lt;u&gt;verb&lt;/u&gt;.&lt;br&gt;&lt;br&gt;</description></item><item><title>Re: H me with these</title><link>http://www.englishforums.com/English/HMeWithThese/cjhlb/post.htm#213470</link><pubDate>Sat, 08 Apr 2006 05:57:49 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:213470</guid><dc:creator>Clive</dc:creator><description>&lt;P&gt;&lt;FONT color=#0000ff&gt;Hi,&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#000000&gt;What are the differences for these two kinds of words? Give me some practical examples.&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#000000&gt;1.&amp;nbsp;sport vs sports&lt;/FONT&gt;&lt;FONT color=#0000ff&gt; &lt;EM&gt;I used to play one sport, but now I play three sports.&lt;/EM&gt; &lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;When we speak generally, we usually speak of 'sport', eg &lt;EM&gt;'Sport is good for your health'&lt;/EM&gt;. But, 'sports' can also&amp;nbsp;be used in this way.&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#000000&gt;2. parent vs parents. &lt;/FONT&gt;&lt;FONT color=#0000ff&gt;It's just singular/plural. &lt;EM&gt;I had two parents, but one died. Now I have one parent.&lt;/EM&gt;&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#000000&gt;Additionally, can you help me with these?&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;3. &lt;EM&gt;... the auxiliary "will" takes &lt;U&gt;base form&lt;/U&gt; of the verb ...&lt;/EM&gt; (Does it require &lt;FONT style="BACKGROUND-COLOR: #ffa500"&gt;no articles&lt;/FONT&gt;?)&lt;/P&gt;
&lt;P&gt;Can the colored word be "no article"? &lt;FONT color=#0000ff&gt;Yes, in fact I prefer it.&amp;nbsp;&lt;/FONT&gt;Can the determiner ??? "no" take on a singular noun?&amp;nbsp;&lt;FONT color=#0000ff&gt;Yes&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;4.&amp;nbsp;Do you need&amp;nbsp;commas&amp;nbsp;at the underlined parts? I think&amp;nbsp;they don't need there.&lt;FONT color=#0000ff&gt; They shouldn't be there.&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;(the sentences are from the posts.)&lt;/P&gt;
&lt;P&gt;&lt;EM&gt;The proper introduction is&lt;U&gt;, ???&lt;/U&gt;" ... and now, please welcome Imago!"&lt;/EM&gt;&lt;/P&gt;
&lt;P&gt;&lt;EM&gt;So similary, in the case of Smelly Rose,&amp;nbsp;they should be introduced as&lt;U&gt;, ???&lt;/U&gt;" ... and now, please welcome Smelly Rose."&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/EM&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;Best wishes, Clive&lt;/FONT&gt;&lt;/P&gt;</description></item><item><title>H me with these</title><link>http://www.englishforums.com/English/HMeWithThese/cjgpv/post.htm</link><pubDate>Fri, 07 Apr 2006 12:28:39 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:213252</guid><dc:creator>Believer</dc:creator><description>&lt;P&gt;What are the differences for these two kinds of words? Give me some practical examples.&lt;/P&gt;
&lt;P&gt;1.&amp;nbsp;sport vs sports&lt;/P&gt;
&lt;P&gt;2. parent vs parents.&lt;/P&gt;

&lt;P&gt;Additionally, can you help me with these?&lt;/P&gt;
&lt;P&gt;3. &lt;EM&gt;... the auxiliary "will" takes &lt;U&gt;base form&lt;/U&gt; of the verb ...&lt;/EM&gt; (Does it require &lt;FONT style="BACKGROUND-COLOR: #ffa500"&gt;no articles&lt;/FONT&gt;?)&lt;/P&gt;
&lt;P&gt;Can the colored word be "no article"? Can the determiner ??? "no" take on a singular noun?&amp;nbsp;&lt;/P&gt;
&lt;P&gt;4.&amp;nbsp;Do you need&amp;nbsp;commas&amp;nbsp;at the underlined parts? I think&amp;nbsp;they don't need there.&lt;/P&gt;
&lt;P&gt;(the sentences are from the posts.)&lt;/P&gt;
&lt;P&gt;&lt;EM&gt;The proper introduction is&lt;U&gt;, ???&lt;/U&gt;" ... and now, please welcome Imago!"&lt;/EM&gt;&lt;/P&gt;
&lt;P&gt;&lt;EM&gt;So similary, in the case of Smelly Rose,&amp;nbsp;they should be introduced as&lt;U&gt;, ???&lt;/U&gt;" ... and now, please welcome Smelly Rose."&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/EM&gt;&lt;/P&gt;</description></item><item><title>Re: The meaning of 'Gonna'</title><link>http://www.englishforums.com/English/TheMeaningOfGonna/2/cvmgc/Post.htm#190266</link><pubDate>Sun, 29 Jan 2006 07:43:18 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:190266</guid><dc:creator>Anonymous</dc:creator><description>&lt;font color="#0000ff"&gt;What is the word &lt;i&gt;sucks&lt;/i&gt; in &lt;i&gt;"&lt;/i&gt;Homework sucks&lt;i&gt;"&lt;/i&gt;? Is it a verb or an adjective? If it is a verb, what does homework suck?&lt;br&gt;&lt;/font&gt;&lt;br&gt;This brings up an excellent point, and a wonderful opportunity to discover the beautiful syntactic structure of the English language. The question at hand is &lt;i&gt;"&lt;/i&gt;Does an English verb need to have an object?&lt;i&gt;"&lt;/i&gt; Consider the simple construction, &lt;i&gt;"&lt;/i&gt;I eat&lt;i&gt;"&lt;/i&gt; (Subject-ActionVerb). It is a coherent English thought; there is no need to express what is eaten. Just because an English sentence contains an action verb does not mean an object of that action must occur. The neat thing is, though, that it can occur and the thought is just as coherent. &lt;i&gt;"&lt;/i&gt;I eat pizza&lt;i&gt;"&lt;/i&gt; (Subject-ActionVerb-Object) is an equally logical thought. &lt;br&gt;&lt;br&gt;Action verbs that have an object of their action are said to be &lt;i&gt;transitive&lt;/i&gt;, while those that do not are said to be &lt;i&gt;intransitive&lt;/i&gt;. Objects can receive the action of their verb either directly or indirectly. An object which is indirectly acted upon only occurs when there is one which is directly acted upon as well. Objects which receive their verb&lt;i&gt;'&lt;/i&gt;s action directly are said to be &lt;i&gt;direct&lt;/i&gt;,&lt;i&gt; &lt;/i&gt;whereas those which receive it indirectly are said to be &lt;i&gt;indirect&lt;/i&gt;. In the sentence &lt;i&gt;"&lt;/i&gt;I baked them pizza,&lt;i&gt;"&lt;/i&gt; &lt;i&gt;pizza&lt;/i&gt; is a direct object, and &lt;i&gt;them&lt;/i&gt; is an indirect object.&lt;br&gt;&lt;br&gt;We have observed three fundamental patterns of the English language:&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; Subject-IntransitiveVerb &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (S-InV)&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;  &amp;nbsp;&amp;nbsp;  &amp;nbsp;&amp;nbsp;  &amp;nbsp;&amp;nbsp;  I eat.&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; Subject-TransitiveVerb-DirectObject &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (S-TrV-DO)&amp;nbsp;&amp;nbsp;  &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;  I eat pizza.&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; Subject-TransitiveVerb-IndirectObject-DirectObject&amp;nbsp; (S-TrV-IO-DO)&amp;nbsp;&amp;nbsp;&amp;nbsp;  I bake them pizza.&lt;br&gt;&lt;br&gt;As it turns out, the entire English language follows only about six different fundamental patterns, depending on how you count them. Essentially, there are only three more. I find this fascinating, so here I have written a short exposition on the topic. I intend to learn as much from those who view this forum as they can learn from me, so please read, enjoy (hopefully&lt;img src="/emoticons/emotion-2.gif" alt="Big Smile [:D]" /&gt;), and critique it.&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;font size="5"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; An Inquiry into the Syntactical Structure of the English Language&lt;/font&gt;&lt;br&gt;&lt;br&gt;&lt;b&gt;Fundamental Parts of Speech&lt;/b&gt;&lt;br&gt;&amp;nbsp;There exist various schemes that depict the fundamental parts of speech in the English language. The underlying assumption of them all is that every English word can be classified into a fairly small number of categories. According to a word&lt;i&gt;'&lt;/i&gt;s inherent qualities these are somewhat nebulous, but according to how the word is used in a sentence they our definitive. The scheme I adopt here models English words in seven divisions: &lt;i&gt;nouns&lt;/i&gt;* (N), &lt;i&gt;verbs&lt;/i&gt; (V), &lt;i&gt;adjectives&lt;/i&gt;** (Adj), &lt;i&gt;adverbs&lt;/i&gt; (Adv), &lt;i&gt;prepositions&lt;/i&gt; (Prep), &lt;i&gt;conjunctions&lt;/i&gt; (Conj), and &lt;i&gt;interjections&lt;/i&gt; (Interj). No attempt will be put forth to define these whether operationally or inherently. That being beyond the scope of this work&lt;br&gt;&lt;font size="2"&gt;*&lt;i&gt;Nouns&lt;/i&gt; in this work refers to both nouns and pronouns. Though they constitute two distinct categories they are used virtually interchangeably distinguishable only by the inherent qualities they possess. (A point in which syntax is largely uninterested.)&lt;br&gt;**This class contains what other schemes might divide into the categories of &lt;i&gt;articles&lt;/i&gt;, &lt;i&gt;determiners&lt;/i&gt;, &lt;i&gt;qualifiers&lt;/i&gt;, &lt;i&gt;modifying nouns&lt;/i&gt;, etc.&lt;br&gt;&lt;/font&gt;&lt;b&gt;A Steal Framework&lt;/b&gt;&lt;font size="3"&gt;&lt;b&gt;&lt;/b&gt;&lt;/font&gt;&lt;br&gt;Again the various models of English syntax would number the fundamental patterns differently. I have adopted a scheme of six. The patterns are concerned only with two parts of speech: verbs and nouns. They form a sort of a metal framework upon which the rest of the fundamental part bestow their graces connecting and decorating it into a beautiful masterpiece. I model English nouns as possessing eight unique functions (&lt;i&gt;subject&lt;/i&gt; (S), &lt;i&gt;direct object&lt;/i&gt; (DO), &lt;i&gt;indirect object&lt;/i&gt; (IO), &lt;i&gt;objective complement&lt;/i&gt; (OC), &lt;i&gt;subjective complement&lt;/i&gt; (SC), &lt;i&gt;object of the preposition&lt;/i&gt; (OP), &lt;i&gt;noun of direct address&lt;/i&gt; (DA), and &lt;i&gt;appositive&lt;/i&gt; (App)) and English verbs as possessing four unique functions (&lt;i&gt;action verb&lt;/i&gt;*, &lt;i&gt;linking verb&lt;/i&gt; (LV), &lt;i&gt;state of being verb&lt;/i&gt; (Be), &lt;i&gt;helping verb&lt;/i&gt;** (Aux)). Only the first five of the noun functions and the first three of the verb functions are used in constructing the patterns. The rest are added on later for decoration.&lt;br&gt;&lt;font size="2"&gt;*As it has been aforementioned actions verbs are either &lt;i&gt;transitive verbs&lt;/i&gt; (TrV), possessing objects, or &lt;i&gt;intransitive verbs&lt;/i&gt; (InV), not possessing objects.&lt;/font&gt;&lt;font size="2"&gt;&lt;br&gt;**Helping verbs also known as &lt;i&gt;auxiliary verbs&lt;/i&gt; or simply &lt;i&gt;auxiliaries&lt;/i&gt; serve solely to aid the one main verb of a syntactic pattern in expressing such complexities as &lt;i&gt;tense&lt;/i&gt;, &lt;i&gt;mood&lt;/i&gt;, or &lt;i&gt;voice&lt;/i&gt;. Unlike other languages, English verb ending are unable to accomplish this consisting of only four principle parts with little variation or no variation for person or number. Rarely will you find a verb written more than four ways.&lt;br&gt;&lt;/font&gt;&lt;b&gt;&lt;br&gt;&lt;/b&gt;&lt;font size="3"&gt;&lt;b&gt;The Fundamental Syntactic Patterns&lt;/b&gt;&lt;/font&gt;&lt;br&gt;Some schemes include adjective and adverb elements. I do not, however, because I do not consider them the pegs on which other elements can hang. They are merely filler. I have put alternate examples in &lt;b&gt;boldface type&lt;/b&gt; for where some find grounds for other patterns.&lt;br&gt;&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 1. S-Be&lt;i&gt;*&lt;/i&gt;&lt;i&gt;&lt;font color="#ff0000"&gt;&lt;/font&gt; &amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; I am&lt;/i&gt;. or &lt;i&gt;I am &lt;b&gt;here&lt;/b&gt;&lt;/i&gt;.&lt;br&gt;&lt;font size="2"&gt;&lt;/font&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 2. S-LV-SC&lt;i&gt;&lt;font color="#008000"&gt;*&lt;/font&gt;&lt;/i&gt;&lt;font color="#ff0000"&gt;&lt;font color="#000000"&gt;,&lt;/font&gt;&lt;/font&gt;&lt;i&gt;&lt;font color="#ff0000"&gt;*&lt;/font&gt;&lt;/i&gt;&lt;i&gt; &lt;/i&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; I am&amp;nbsp; Daniel&lt;/i&gt;.&lt;i&gt; &lt;/i&gt;or &lt;i&gt;I am &lt;b&gt;good&lt;/b&gt;&lt;/i&gt;.&amp;nbsp;&amp;nbsp;  &lt;br&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 3. &lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;S-InV&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;i&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; I eat&lt;/i&gt;.&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 4. &lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;S-TrV-DO&lt;font color="#0000ff"&gt;*&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;i&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; I eat pizza&lt;/i&gt;.&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 5. &lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;S-TrV-IO-DO&lt;font color="#0000ff"&gt;*&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;i&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; I bake them pizza&lt;/i&gt;.&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 6. &lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;S-TrV-DO-OC&lt;font color="#0000ff"&gt;*&lt;/font&gt;,&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;i&gt;&lt;font color="#ffff00"&gt;*&lt;/font&gt; &amp;nbsp;&amp;nbsp; &amp;nbsp; I consider pizza food&lt;/i&gt;. or &lt;i&gt;I find pizza &lt;b&gt;tasty&lt;/b&gt;&lt;/i&gt;.&lt;br&gt;&lt;font size="2"&gt;*&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt; &lt;i&gt;"&lt;/i&gt;I am here,&lt;i&gt;"&lt;/i&gt; or, &lt;i&gt;"&lt;/i&gt;I am of the tribe of Benjamin,&lt;i&gt;"&lt;/i&gt; are examples of an adverb element on the S-Be pattern. Under some schemes this would be a new pattern, S-be-Adv. &lt;/font&gt;&lt;font size="2"&gt;The adverb element, often referred to as the &lt;i&gt;adverbial&lt;/i&gt; modifies the verb indicating where or when.&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;br&gt;&lt;font color="#008000"&gt;*&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;The subjective &lt;b&gt;comple&lt;/b&gt;ment is the &lt;b&gt;comple&lt;/b&gt;ter of the subject. If it is an adjective it is called the &lt;/font&gt;&lt;font size="2"&gt;&lt;i&gt;predicate adjective&lt;/i&gt;&lt;/font&gt;&lt;font size="2"&gt; (PA). If it is a noun it is called the &lt;i&gt;predicate nominative&lt;/i&gt; or &lt;i&gt;noun&lt;/i&gt; (PN). As a noun it is said to rename the subject (Daniel). As a adjective it is said to  modify the subject (good). Under some schemes these two cases form distinct patterns (S-LV-PN and S-LV-PA).&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;font color="#ff0000"&gt;&lt;br&gt;*&lt;/font&gt;Depending
on whether or not the definition of linking verb is broadened to
include the state of being verbs, a separate pattern (S-be-SC) is often
employed which in turn is typically divided into the two distinct patterns
(S-be-PA and S-be-PN).&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;br&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;font color="#0000ff"&gt;*&lt;/font&gt;Both direct and indirect objects are considered to be &lt;i&gt;predicate complements &lt;/i&gt;(PC). So the distinction between them is sometimes lost and these patterns can be depicted S-TrV-PC, S-TrV-PC-PC, and S-TrV-PC-OC with the former two occasionally fusing into one pattern (S-TrV-PC).&lt;br&gt;&lt;font color="#ffff00"&gt;*&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;Sometimes a distinction is made between an objective complement that functions as a noun (pizza), &lt;i&gt;objective noun&lt;/i&gt; (ON), and one that functions as a adjective (tasty), &lt;i&gt;objective adjective&lt;/i&gt; (OA). Thus two distinct patterns are formed (S-TrV-DO-ON and S-TrV-DO-OA).&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;br&gt;&lt;font size="3"&gt;&lt;br&gt;Whether or not it is wise to exclude the patterns S-Be-Adv, S-LV-PA, and S-TrV-OA, I do not know, but since I maintain that the fundamental syntactic units are composed of certain nouns and verbs I will. For now the other parts of speech and remaining nouns and verbs are for filling out the framework.&lt;br&gt;&lt;br&gt;&lt;b&gt;The Decorations and Connections&lt;/b&gt;&lt;br&gt;The remaining verbs, helping/auxiliary verbs (Aux), come before the verbs in the patterns and give them tense. Of the remaining nouns, nouns of direct address (DA) are when you address the person you are talking two by name, appositives come right after one of the nouns in the fundamental patterns and serve to rename them, and objects of the preposition are the words the prepositions (Prep) are relating to the rest of the sentence. Prepositions (Prep) then relate nouns to the rest of the sentence. Conjunction (Conj) join elements whether they be fundamental patterns, subject, or verbs. Interjections (Interj) do just that. Butt in breaking the flow of everything. Adjectives (Adj) modify nouns, and adverbs (Adv) modify verbs, adjectives, and other adverbs.&lt;font size="2"&gt;&lt;br&gt;&lt;br&gt;&lt;font size="3"&gt;These nine links and flesh may simply be one word or, as four of them (OP, App, Adj, and Adv)&lt;/font&gt;&lt;font size="3"&gt; often are, be expanded into multiword units composed themselves of smaller units which in turn are linked to other units. Thus you have the massive interlocking structure of the English language.&lt;br&gt;&lt;br&gt;What are these large units with in units though? They are either &lt;i&gt;clauses&lt;/i&gt; or &lt;i&gt;phrases&lt;/i&gt;.&lt;br&gt;&lt;b&gt;&lt;br&gt;Clauses&lt;br&gt;&lt;/b&gt;Clause c&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;ontain both a subject and a verb but cannot stand alone as a complete thought. They are one of the fundamental units fleshed out. They&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;font size="3"&gt; come in three varieties those that will function as an adverb (Adv), those that will function as a adjective (Adj), and those that will function as a noun (not just OP and App, but the fundamental makeup of the patterns S, DO, IO, OC, and PN/SC).&lt;br&gt;&lt;br&gt;&lt;b&gt;Phrases:*&lt;/b&gt;&lt;br&gt;Phrases certain either a subject or a verb, but not both. The &lt;i&gt;prepositional phrase&lt;/i&gt;--the unit Prep-OP (sometimes fleshed out with other elements)--functions as either an Adj, Adv, or a N. There are three phrase which are one of the six or nine depending on how you look at it fundamental patterns with the S severed from them. The &lt;i&gt;gerund phrase&lt;/i&gt; is the one in which the main verb must be in the second principle part** and functions as a N. The &lt;i&gt;participle phrase&lt;/i&gt; is the one in which the main verb must be in the second or fourth principle part** and functions as an Adj. The &lt;i&gt;infinitive phrase &lt;/i&gt;is the one in which the verb must be in the infinitive (nearly synonymous with the first principle part** and functions as an Adj, Adv, or a N. A fifth and unusual type of phrase functions as a modifier (Adj or Adv&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;) of the entire sentence, and is composed of a noun followed by a participial phrase.&lt;br&gt;&lt;font size="2"&gt;*Sometimes the classifications of phrases are broadened to include a &lt;i&gt;noun phrase&lt;/i&gt;, &lt;i&gt;verb phrase&lt;/i&gt;, &lt;i&gt;adjective phrase&lt;/i&gt;, &lt;i&gt;adverb phrase&lt;/i&gt;, and &lt;i&gt;appositive phrase&lt;/i&gt;. However, I will abstain from such a measure because noun phrases are just simply any of the five above which can function as a N, appositive phrases are just simply any of the five above which can function as an appositive (a N), adjective phrases are just any of the five above which can function as Adj, adverb phrases are just simply any of the five above which can function as Adv, and verb phrases are just the verb of the six fundamental patterns with its auxiliaries.&lt;br&gt;**Sometimes English verbs are depicted as having three principle parts, (1) present, (2) past, and (3) past participle, presumably because the present participle of all English verbs is the &lt;i&gt;present + -ing&lt;/i&gt;. However, the scheme used here is that which depicts four principle parts, (1) present, (2) present participle, (3) past, (4) past participle, which can be derived from the infinitive [&lt;i&gt;to &lt;/i&gt;&lt;b&gt;&lt;i&gt;. . .&lt;/i&gt;&lt;/b&gt;]&lt;b&gt; &lt;/b&gt;by asking the four questions (1) &lt;i&gt;Today, &lt;/i&gt;[&lt;i&gt;I/we, you, he/she/it/they&lt;/i&gt;]&lt;i&gt; . . .&lt;/i&gt;&lt;i&gt;Currently, &lt;/i&gt;[&lt;i&gt;I/we, you, he/she/it/they&lt;/i&gt;]&lt;i&gt; &lt;/i&gt;[&lt;i&gt;to be&lt;/i&gt;]&lt;i&gt; . . .&lt;/i&gt; , (3) &lt;i&gt;Yesterday, &lt;/i&gt;[&lt;i&gt;I/we, you, he/she/it/they&lt;/i&gt;]&lt;i&gt; . . . &lt;/i&gt;, (4) &lt;i&gt;Previously, &lt;/i&gt;[&lt;i&gt;I/we, you, he/she/it/they&lt;/i&gt;]&lt;i&gt; &lt;/i&gt;[&lt;i&gt;to have&lt;/i&gt;]&lt;i&gt; . . . &lt;/i&gt;of the infinitive&lt;i&gt;.&lt;/i&gt;&lt;/font&gt;&lt;br&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;</description></item><item><title>Re: Noun phrase</title><link>http://www.englishforums.com/English/NounPhrase/hdln/post.htm#35458</link><pubDate>Fri, 02 Jul 2004 09:00:28 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:35458</guid><dc:creator>miriam</dc:creator><description>Yes, it is possible for a noun phrase to have two heads, or more.&lt;br /&gt;&lt;br /&gt;If "NHS" mrefers to both the clinics and the centres (not just to the clinics) then the head is, as you said, "clinics and centres". I don't know in which way you are asked to go about syntactic analysis. What I would do, however is underline the phrase "clinics and centres" and label it "head". Inside that, I'd write "head 1" and "head 2" under the nouns, and "coordinating conjunction" under "and".&lt;br /&gt;&lt;br /&gt;I hope it helps.&lt;br /&gt;&lt;br /&gt;BTW, here's an example of noun phrases with more than one head:&lt;br /&gt;"Auxiliary verbs, prepositions, pronouns, determiners, and conjunctions are sometimes called function words or structure words."&lt;br /&gt;&lt;br /&gt;In this sentence, you have a noun phrase as subject which has five heads (each name of a part of speech acts as a head -'auxiliary verbs' being one of them), and a noun phrase in the predicate that has two heads ('function words' and 'structure words').&lt;br /&gt;&lt;br /&gt;Miriam&lt;br /&gt;&lt;br /&gt;</description></item></channel></rss>