<?xml version="1.0" encoding="UTF-8" ?>
<rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>Search results for 'tag:Direct objects tag:Constructions' matching tags 'Direct objects' and 'Constructions'</title><link>http://www.englishforums.com/search/pro.htm?q=tag%3aDirect+objects+tag%3aConstructions&amp;tag=Direct+objects,Constructions&amp;orTags=0</link><description>Search results for 'tag:Direct objects tag:Constructions' matching tags 'Direct objects' and 'Constructions'</description><dc:language>en-US</dc:language><generator>CSMOD (Build: 3191.21962)</generator><item><title>Re: Him killed I!</title><link>http://www.englishforums.com/English/HimKilledI/gldnw/post.htm#556265</link><pubDate>Mon, 18 Aug 2008 19:32:13 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:556265</guid><dc:creator>Huevos</dc:creator><description>&lt;BLOCKQUOTE&gt;&lt;div&gt;&lt;img src="/Themes/englishforums/images/icon-quote.gif"&gt; &lt;strong&gt;Anonymous&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;Is that correct? it seems wrong&lt;/div&gt;&lt;/BLOCKQUOTE&gt;It&amp;#39;s not wrong. Normally in English sentences are ordered &amp;quot;&lt;i&gt;Subject (S), Verb (V), Indirect Object (IO), Direct Object (DO)&lt;/i&gt;&amp;quot; but can run OSV, and, where pronouns are used in substitution of either the subject or object (e.g. your sentence) there are no word order constraints so OVS is possible. That said, such a construction is pretty unusual and almost certainly would be limited to use in literature for effect.</description></item><item><title>Re: the middle voice option</title><link>http://www.englishforums.com/English/TheMiddleVoiceOption/4/gdmjw/Post.htm#519494</link><pubDate>Tue, 27 May 2008 08:09:34 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:519494</guid><dc:creator>Dawnstorm</dc:creator><description>Hi,&lt;/p&gt;&lt;p&gt;I&amp;#39;m really enjoying this. You&amp;#39;re making me think.&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;I&amp;#39;m going to take your points out of sequence. I think I&amp;#39;m still replying to your post; if I misrepresent what you&amp;#39;re saying, please correct me.&lt;/p&gt;&lt;p&gt;&amp;nbsp;First, the summary of what I&amp;#39;m going to say: A lot depends on theory, and how you frame your terms. To me, ergativity in English is primarily a side topic to voice, and the only &amp;quot;marked&amp;quot; voice in English is the passive. All others rely on semantics and indirect evidence (such as your very detailled and useful post about the transitivity system in English). BUT: how do you frame the evidence there is systematically? In syntax? Make it part of the lexicon? In other words, what exactly is it that the term &amp;quot;ergative&amp;quot; adds to a combination of transitivity and lexical tagging? I&amp;#39;m still thinking about your suggestion to speak of &amp;quot;ergative structures&amp;quot; rather than &amp;quot;ergative verbs&amp;quot;. This is an interesting approach, de-emphasising the lexicon in that respect; but I&amp;#39;m trying to ignore it for this post, mostly because I&amp;#39;m not done thinking it through.&lt;/p&gt;&lt;p&gt;&amp;nbsp;Second, I think I&amp;#39;ve used the term &amp;quot;semantic&amp;quot; very loosely in my other post. There&amp;#39;s reference, and then there&amp;#39;s cognitive framing. (Or content and point of view.) The cognitive framing is harder to get at and interpret, mostly because these things aren&amp;#39;t always immediately visible. We&amp;#39;re talking about &amp;quot;ergative structures&amp;quot; in English, or the &amp;quot;middle voice&amp;quot;, because we&amp;#39;ve noticed these constructions in other languages (Basque for ergativity; Ancient Greek for Middle voice; etc.). That is we have to strip away the structure and get down to the point-of-view meaning that the structures imply. And then we have to go back to English and look for expressions of said point-of-view meaning in this language. (Something similar is going on when linguists are probing &amp;quot;shall/will&amp;quot; along the lines of futurity/modality, within the discussion whether English has a future tense or not. The consensus is it doesn&amp;#39;t, but the discussion - assuming &amp;quot;will/shall&amp;quot; as tense-modals - has been productive, if not conclusive.) But the thing is this: if you&amp;#39;re bringing concepts to a language from outside (which is usual in comparative linguistics) you need an anchor; conventional structural methods - such as your &amp;quot;what syntactic operations yield well-formed usage?&amp;quot; approach - have their limitations. So do semantic (referential or framing). &lt;i&gt;This&lt;/i&gt; makes ergativity/unaccusativity hard to think about, &lt;i&gt;before&lt;/i&gt; you choose your approach.&lt;/p&gt;&lt;p&gt;&amp;nbsp;Examples follow:&amp;nbsp;&lt;/p&gt;&lt;p&gt;This is about the sentence, &amp;quot;He died a cruel death.&amp;quot;  &lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;BLOCKQUOTE&gt;&lt;div&gt;&lt;img src="/Themes/englishforums/images/icon-quote.gif"&gt; &lt;strong&gt;MrPedantic&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;The object here is a &lt;i&gt;cognate&lt;/i&gt; object (it is implied in&amp;nbsp;the verb
itself) and thus belongs to a slightly different model. (I would say
that it only exists to provide an adverbial opportunity: &amp;quot;he died a
cruel death&amp;quot; = &amp;quot;he died in a cruel way&amp;quot;.)&lt;/div&gt;&lt;/BLOCKQUOTE&gt;&lt;/p&gt;&lt;p&gt;I agree that, framing-wise, the object functions much like an adverbial. But it&amp;#39;s an &amp;quot;object&amp;quot; in syntax, which has implications that are incompatible with adverbials. Most relevant, here, &amp;quot;die&amp;quot; is now prone to passivisation.&lt;/p&gt;&lt;p&gt;&amp;nbsp;&amp;quot;A cruel death was died,&amp;quot; does sound odd (I&amp;#39;ll get to it in a minute), but I wouldn&amp;#39;t bat an eyelid at &amp;quot;Many deaths were died that night.&amp;quot; Interestingly, it&amp;#39;s hard to put this into the active voice, mostly because no subject seems appropriate. (?&amp;quot;The Soldiers died many deaths that night.&amp;quot;; ?&amp;quot;The army died many deaths that night.&amp;quot;...). To me, all the examples I can think of (plural nouns, collective nouns...) don&amp;#39;t express the passive meaning. The closest I come is &amp;quot;Many people died that night.&amp;quot; Anything else I can think of is of questionable grammaticality.&lt;/p&gt;&lt;p&gt;&amp;nbsp;However, &amp;quot;A cruel death was died,&amp;quot; although it sounds odd, doesn&amp;#39;t sound ungrammatical in the least (at least not to me). It&amp;#39;s also not a semantic problem; I understand the sentence perfectly well, both reference- and framingwise. &lt;/p&gt;&lt;p&gt;The reason, I think, this sounds odd is a pragmatic one. I think this one sounds odd because it&amp;#39;s hard to find a context for this utterance that justifies the passive, which is a &amp;quot;marked construction&amp;quot;. You generally expect &amp;quot;marked&amp;quot; constructions to be there for a reason. I suspect in the right context the above sentence would be perfectly fine. (It&amp;#39;s a matter of &lt;a href="http://www.ux1.eiu.edu/~cfbxb/class/1900/prag/grice.htm" target="_blank" title="http://www.ux1.eiu.edu/~cfbxb/class/1900/prag/grice.htm"&gt;Grice&amp;#39;s conversational maxims&lt;/a&gt;, the maxim of manner, in particular.)&lt;/p&gt;&lt;p&gt;This is where the &amp;quot;frame-semantics&amp;quot; of syntactic constructions become complicated, I think. How do language structures tie in with cognitive structures (e.g. To what extent do we buy the &lt;a href="http://en.wikipedia.org/wiki/Sapir-Whorf_hypothesis" target="_blank" title="http://en.wikipedia.org/wiki/Sapir-Whorf_hypothesis"&gt;Sapir-Worf hypothesis&lt;/a&gt;?)&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;So, from this I go to self-observation:&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;BLOCKQUOTE&gt;&lt;div&gt;&lt;img src="/Themes/englishforums/images/icon-quote.gif"&gt; &lt;strong&gt;MrPedantic&lt;/strong&gt;&lt;/div&gt;&lt;div&gt; and precisely because of that distinction, I would call &amp;quot;break&amp;quot; here&amp;nbsp;ergative (ex. 5) , and &amp;quot;die&amp;quot; unaccusative (ex. 2).&lt;/div&gt;&lt;/BLOCKQUOTE&gt;&lt;/p&gt;&lt;p&gt;See, I had the hardest time even to grasp what that meant, not now in this thread, but when I first discovered the distinction. That&amp;#39;s because, learning English, I didn&amp;#39;t train to see the difference. It wasn&amp;#39;t necessary, as ergativity/unaccusativity isn&amp;#39;t expressed through syntactic structures, but only indirectly through what operations are possible on the verb; this I pretty much took care off either through lexical list-tagging, or through collocation. If there is a hidden logic to it that I applied in learning, it never became conscious. (It&amp;#39;s quite possible that I had a practical knowledge, but no discoursive one of this subject; but why, then, is it so hard to grasp?)&lt;/p&gt;&lt;p&gt;If we go back to the list and sift through the operations there, we&amp;#39;ll find that &amp;quot;die&amp;quot; behaves different from &amp;quot;break&amp;quot; in the way we specified. But here&amp;#39;s the catch: to apply that structural method, we have to assume that &amp;quot;break&amp;quot; in 5.a = &amp;quot;break&amp;quot; in 5.b = &amp;quot;break&amp;quot; in 5.c etc.; i.e. that &amp;quot;break&amp;quot; is the same lexical item in all these instances. That&amp;#39;s because syntax has a hard time to differentiate between &amp;quot;signifier&amp;quot; and &amp;quot;signified&amp;quot;, or &amp;quot;sign&amp;quot; and &amp;quot;concept&amp;quot;.&lt;/p&gt;&lt;p&gt;&amp;nbsp;Notice, for example, how your 5.a is already the transitive, while systematically it should be the intransitive agentive: 5.a *He broke. (i.e. &amp;quot;He caused/performed the action of breaking.&amp;quot; as opposed to &amp;quot;He underwent the process of breaking,&amp;quot; which is 5.b, now, and would be 5.c)&lt;/p&gt;&lt;p&gt;So I&amp;#39;d amend this, to:&lt;/p&gt;&lt;p&gt;5a. *He broke.&lt;/p&gt;&lt;p&gt;5b. He broke the plate&lt;/p&gt;&lt;p&gt;5c. The plate broke.&lt;/p&gt;&lt;p&gt;5d. The plate was broken.&lt;/p&gt;&lt;p&gt;5e. The broken plate&lt;/p&gt;&lt;p&gt;5f. The plate broke easily &lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;And the comparison with &amp;quot;die&amp;quot; would be two-fold:&lt;/p&gt;&lt;p&gt;&amp;nbsp;1. = sign; 2. = concept&lt;/p&gt;&lt;p&gt;5.1a He died.&lt;/p&gt;&lt;p&gt;5.2a He killed.&lt;/p&gt;&lt;p&gt;5.1b *He died the man.&lt;/p&gt;&lt;p&gt;5.2b He killed the man&lt;/p&gt;&lt;p&gt;5.1c The man died.&lt;/p&gt;&lt;p&gt;5.2c *The man killed.&lt;/p&gt;&lt;p&gt;5.1d *The man was died.&lt;/p&gt;&lt;p&gt;5.2d The man was killed.&amp;nbsp;&lt;/p&gt;&lt;p&gt;5.1e *The died man [cf. The dead man.]&lt;br /&gt;&lt;/p&gt;&lt;p&gt;5.2e The killed man. &lt;/p&gt;&lt;p&gt;5.1f The man died easily. (&amp;lt;-- What&amp;#39;s the difference to 5.1a? Should I add an * before it, as this is out of place, here?)&lt;/p&gt;&lt;p&gt;5.2f *The man killed easily. (&amp;lt;-- Is this not available, because 5.1f is available?) &lt;/p&gt;&lt;p&gt;&amp;nbsp;5.1a, 5.1c, and 5.1f seem to be much the same. And &lt;i&gt;this&lt;/i&gt; is the problem I have systematising a structural comparison. One possibility, I see is to re-cast 5a as reflexive 1. *He died himself./2. He killed himself. I might try to justify this through dying being a process you undergo, thus if you add an agentive/causative to core meaning (which is not in slot a, but in slot c) the verb becomes by necessity reflexive (&amp;quot;He caused himself to die.&amp;quot;)&lt;/p&gt;&lt;p&gt;But these things are all a bit... tentative. I fear it&amp;#39;s more rationalised than rational, if you get my drift. &lt;br /&gt;&lt;/p&gt;&lt;p&gt;[Interesting aside: you used the term &amp;quot;anticausative&amp;quot; alongside &amp;quot;ergative&amp;quot; and &amp;quot;unaccusative&amp;quot; for break in your thread. Bears repeating, as it&amp;#39;s something I&amp;#39;m also still thinking about; a very interesting concept I haven&amp;#39;t come across yet.]&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;BLOCKQUOTE&gt;&lt;div&gt;&lt;img src="/Themes/englishforums/images/icon-quote.gif"&gt; &lt;strong&gt;MrPedantic&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;But I find a semantic difference too: the first presents the sign from
the point of view of the reader, and the second, from the point of view
of the writer.&lt;/div&gt;&lt;/BLOCKQUOTE&gt;&lt;/p&gt;&lt;p&gt;Now, that&amp;#39;s an interesting observation. I&amp;#39;d argue that the semantic difference is not referential (it refers to the same state of affairs), but it&amp;#39;s a framing difference. If we view the sign as a proxy for the agent, we&amp;#39;re importing the difference of active vs. voice into a construction that&amp;#39;s free of the syntactic properties that normally accompany this framing device in English. &amp;quot;Reads,&amp;quot; then, is ergative, while &amp;quot;says is a straightforward accusative verb (one that takes the accusative (which isn&amp;#39;t marked in English - except, perhaps, for pronouns, where it&amp;#39;s indistinguishable - morphologically - from the dative; the conventional term would be &amp;quot;direct object&amp;quot;).&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;BLOCKQUOTE&gt;&lt;div&gt;&lt;img src="/Themes/englishforums/images/icon-quote.gif"&gt; &lt;strong&gt;MrPedantic&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;Also, although the same few verbs tend to recur as examples in these discussions, actual usage is more imaginative.&lt;/div&gt;&lt;/BLOCKQUOTE&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;That&amp;#39;s what makes language so fascinating, isn&amp;#39;t it? Nice example, there, too. &lt;br /&gt;</description></item><item><title>Re: just that you try your best</title><link>http://www.englishforums.com/English/JustThatYouTryYourBest/grxlx/post.htm#505373</link><pubDate>Fri, 25 Apr 2008 14:46:27 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:505373</guid><dc:creator>Philip</dc:creator><description>It appears to be, I agree&amp;nbsp; However, if you diagram the sentence in the traditional linear style, the verb &amp;#39;expect&amp;#39; has two direct objects:&amp;nbsp; the phrase &amp;#39;your work to be perfect&amp;#39; and the clause&amp;nbsp;&amp;#39;just that you try your best&amp;#39;.&amp;nbsp; It isn&amp;#39;t parallel construction, but the diagram works, I think.</description></item><item><title>Re: Question about the phrase &amp;quot;I have things to do&amp;quot;</title><link>http://www.englishforums.com/English/QuestionAboutPhraseThings/zpmxb/post.htm#495007</link><pubDate>Mon, 31 Mar 2008 17:12:09 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:495007</guid><dc:creator>miriam</dc:creator><description>&amp;nbsp;No, Jim, I really meant an adjective, as in &amp;quot;I&amp;#39;m happy to see you&amp;quot;.&lt;/p&gt;&lt;p&gt;happy to see you = predicative (or subject complement if you wish); adjectival construction.&lt;/p&gt;&lt;p&gt;happy = head of the predicative&lt;/p&gt;&lt;p&gt;to see you = to-infinitive clause acting as &amp;quot;adjectival complement&amp;quot; (which means post-modifier of an adjective)&lt;/p&gt;&lt;p&gt;to see = head of the non-finite clause&amp;nbsp;&lt;/p&gt;&lt;p&gt;you = direct object of the to-infinitive verb, within the clause&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Miriam&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;</description></item><item><title>Re: Transformational Rules and Subject-Verb Agreement</title><link>http://www.englishforums.com/English/TransformationalRulesSubjectVerb-Agreement/zplbr/post.htm#494496</link><pubDate>Sun, 30 Mar 2008 09:01:07 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:494496</guid><dc:creator>miriam</dc:creator><description>&amp;nbsp;In response to the questions posed in the first post of this thread, &amp;quot;the officer&amp;quot; is NOT the subject of the sentence regardless of whether the sentence is active or passive. &amp;quot;The officer&amp;quot; is undoubtedly the doer of the action in both sentences, but it is the subject only in the sentence with the active verb.&lt;/p&gt;&lt;p&gt;In the sentence with the passive verb, it can only appear in the predicate as &amp;quot;agent&amp;quot;. It is still the doer of the action but no longer the subject of the sentence.&lt;/p&gt;&lt;p&gt;The subject, in a sentence with a monotransitive verb such as &amp;quot;capture&amp;quot; is always the &amp;quot;receiver&amp;quot; or &amp;quot;undergoer&amp;quot; of the action, and it will change from subject to direct object in an active sentence.&lt;/p&gt;&lt;p&gt;If we have a look at the post before mine, we will see &amp;quot;The officer has been captured by the subjects&amp;quot;, which is untrue if we consider the sentences in the first post correct. The subjects have been captured, not the officer.&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&amp;quot;The subjects&amp;quot; is not only the grammatical or formal subject of the
passive verb, it is also the notional subject or whatever other name
you might wish to call it. The subject of a sentence is not necessarily
the doer of the action, and that fact doesn&amp;#39;t make the subject in
question any less &amp;quot;logical&amp;quot; than it should be. Actually, it&amp;#39;d be
illogical to make &amp;quot;the officer&amp;quot; the subject of the passive verb if what
you mean is precisely the opposite.&lt;/p&gt;&lt;p&gt;The officer, whether as agent
or subject (from a syntactic point of view) will always be the &amp;quot;agent&amp;quot;
of both sentences, the active and the passive, from a different
perspective, from that of &lt;b&gt;thematic roles&lt;/b&gt;. Perhaps analysing the
sentence in terms of thematic roles will help you see the diferences
between active and passive constructions more clearly. In this type of
analysis, the agent (not a syntactic function) is the doer of the
action regardless of whether the sentence is active or passive and also regardless of the position the construction occupies in the sentence. The
direct object of an active sentence, and the subject of that sentence
in the passive voice, are called &amp;quot;patient&amp;quot; if a living entity, and
&amp;quot;theme&amp;quot; if it&amp;#39;s a non-living entity. Again in this case, it shows that places are not always what define a function.&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Leaving that aside and
coming back to transformational grammar, Chomsky and his theories
aren&amp;#39;t the easiest to understand. But it is important to remember that
an active sentence and a passive one require different mental processes
and that, according to Chomsky, when you think of a sentence there are
choices you must make before actually coming up with an utterance. One
of those choices has to do with the sentence being active or passive.
If you decide on a passive sentence, that will dictate a number of
sub-processes needed in order to make adjustments to produce a
grammatical sentence. Chomsky says that the choices concerning a
sentence in the passive voice are made at the very beginning, at the
moment you decide your sentence will be in the passive voice instead of
the active. All this usually happens without us being aware of our own
mental processes, but it seems we make decisions such as subject-verb
agreement the very moment we decide what type of sentence we wish to
produce. In his first book (Syntactic Structures, 1957, Chomsky made the rules for the passive voice appear as &amp;quot;optional&amp;quot;. Later, in 1965, when he was already closer to becoming a rationalist or mentalist, and farther away from structuralism, he saw that the rule couldn&amp;#39;t possibly be optional and that they should appear at the level of the phrase structure rules; in other words, before the &amp;quot;transformational&amp;quot; stage.&lt;/p&gt;&lt;p&gt;I hope this makes sense. I tried to put it in very few words, but I&amp;#39;m not sure it was a good idea. &lt;img src="http://www.englishforums.com/emoticons/emotion-1.gif" alt="Smile" title="Smile" /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Miriam&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;</description></item><item><title>Verbs</title><link>http://www.englishforums.com/English/Verbs/zxkld/post.htm</link><pubDate>Sun, 16 Mar 2008 09:38:41 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:489467</guid><dc:creator>ganesh77</dc:creator><description>The list isn&amp;#39;t meant to be exhaustive or carefully arranged. Any additions, corrections or further examples would be welcomed.&amp;nbsp;

&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;1 main verbs; lexical verbs (all verbs which are not
auxiliaries or modals) &lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;2 action verbs; event verbs; dynamic verbs (a verb which can
be used in continuous tenses) i.e. eat, run, talk&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;3 state of being verbs; existence verbs; state verbs;
stative verbs; static verbs (a verb which describes a state and is not usually
used in a continuous tense) i.e. be, own, know&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;4 regular verbs (a verb that has four forms and follows the
normal rules)&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;5 irregular verbs; strong verbs (a verb not following the
normal rules for inflection)&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;6 auxiliary and modal verbs (which make up verbal phrases) â
23 in total&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;7 linking verbs; copulative verbs; copulas (a verb which
links the subject and complement of a clause) i.e. It is warm today.&lt;span&gt;&amp;nbsp; &lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;8 transitive verbs (a verb used to talk about an action or
event that involves more than one person or thing, and so is followed by an
object) i.e. Sheâs wasting her money. &lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;9 intransitive verbs (a verb used to talk about an action or
event that only involved the subject and so has no object) i.e. She arrived. &lt;/p&gt;







&lt;p&gt;&amp;nbsp;&lt;br /&gt;10 multiword verbs&lt;/p&gt;&lt;p&gt;a type 1 â intransitive [phrasal
verbs; adverb particle&lt;/p&gt;&lt;p&gt;b type 2 â transitive (inseparable)
[prepositional verbs; preposition particles]&lt;/p&gt;





&lt;p&gt;c type 3 â transitive (separable) [phrasal
verbs; adverb particle]&lt;/p&gt;&lt;p&gt;d type 4 â transitive (with two
inseparable particles) [phrasal-prepositional verbs;&lt;span&gt;&lt;/span&gt; first particle is
an adverb, second particle is a preposition]&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;11 compound verbs&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;12 delexical verbs (a verb which has very little meaning in
itself but is used with an object to describe an action) i.e. She gave a small
cry.&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;13 ditransitive verbs (a verb which can have both a direct
and indirect object) i.e. She gave me a kiss. &lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;14 ergative verbs (a verb which can be used transitively to
focus on the performer of the action, or intransitively to focus on the thing
affected by the action) i.e. He boiled the water. The water boiled. &lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;15 reporting verbs; performance verbs; performative verbs (a
verb used with a quote or a reported clause to describe what people say or
think) i.e. suggest, say, wonder&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;16 reciprocal verbs (a verb which describes an action
involving two people doing the same thing to each other) i.e. They met in the
street. &lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;17 reflexive verbs (a verb which is typically used with a
reflexive pronoun) i.e. Donât cut yourself with that knife.&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;18 defective verbs (a verb without all the inflected forms
of a regular verb) i.e. modals &lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;19 finite and non-finite&lt;/p&gt;

&lt;p&gt;a infinitives&lt;/p&gt;

&lt;p&gt;b gerunds; verbal nouns&lt;/p&gt;

&lt;p&gt;c participles&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;20 catenative verbs (a verb that takes other verb forms as
objects; found at the head of a series of linked constructions) i.e. We agreed
to try to decide to stop eating snacks.&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;21 causative verbs (a verb that designates the action
necessary to cause another action to happen) i.e. The devil made me do it. &lt;/p&gt;

&lt;p&gt;&amp;nbsp;</description></item><item><title>Re: Grammatical subject and construction with 'it'/'there'</title><link>http://www.englishforums.com/English/GrammaticalSubjectConstruction/zxjpn/post.htm#489256</link><pubDate>Sat, 15 Mar 2008 16:19:16 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:489256</guid><dc:creator>ganesh77</dc:creator><description>The bed is not the direct object. A direct object will never be in a prepositional phrase. Apologies for misleading.&lt;/p&gt;&lt;p&gt;You are right. The introductory &amp;#39;there&amp;#39; doesn&amp;#39;t fit grammatically with the rest of the sentence. &amp;nbsp;</description></item><item><title>Re: Grammatical subject and construction with 'it'/'there'</title><link>http://www.englishforums.com/English/GrammaticalSubjectConstruction/zxjph/post.htm#489250</link><pubDate>Sat, 15 Mar 2008 15:50:58 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:489250</guid><dc:creator>schweedie</dc:creator><description>Thank you for replying. &amp;quot;The bed&amp;quot; is the direct object? Really? I would&amp;#39;ve thought it an adverbial, since it answers the question &amp;#39;Where?&amp;#39; Any chance you could explain what it is that makes it the direct object?&lt;/p&gt;&lt;p&gt;So &amp;quot;there&amp;quot; can&amp;#39;t be a subject. Got it. Is it something else? I mean, does it actually have a grammatical function as a clause element in the sentence?Â </description></item><item><title>Re: Grammatical subject and construction with 'it'/'there'</title><link>http://www.englishforums.com/English/GrammaticalSubjectConstruction/zxjxc/post.htm#489228</link><pubDate>Sat, 15 Mar 2008 13:51:10 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:489228</guid><dc:creator>ganesh77</dc:creator><description>&amp;quot;It lay a dog on the bed&amp;quot; does attempt, unsuccessfully, to make &amp;#39;it&amp;#39; the subject.&amp;nbsp;&lt;/p&gt;&lt;p&gt;The prepatory &amp;#39;there&amp;#39; is never the subject of a sentence. &amp;quot;There was a dog lying on the bed.&amp;quot;  In this sentence the dog is the subject, because this is what the verb is happening to. The bed is the direct object.&amp;nbsp; </description></item><item><title>Re: what are these grammar parts?</title><link>http://www.englishforums.com/English/WhatAreTheseGrammarParts/zdqhr/post.htm#437087</link><pubDate>Wed, 31 Oct 2007 07:08:20 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:437087</guid><dc:creator>Mister Micawber</dc:creator><description>&lt;br&gt;#1 and #2 are bare infinitives; they are object complements (of the direct objects &lt;i&gt;him&lt;/i&gt; and &lt;i&gt;us&lt;/i&gt; respectively).&lt;br&gt;#3 is the -ing participle construction serving the same function (object complement of &lt;i&gt;them&lt;/i&gt;).&lt;br&gt;&lt;br&gt;Yes, infinitives can serve various functions:&amp;nbsp; object (&lt;i&gt;I want to go&lt;/i&gt;), subject (&lt;i&gt;To dance well is my dream&lt;/i&gt;).&lt;br&gt;&lt;br&gt;</description></item></channel></rss>