<?xml version="1.0" encoding="UTF-8" ?>
<rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>Search results for 'tag:Literature tag:Clauses' matching tags 'Literature' and 'Clauses'</title><link>http://www.englishforums.com/search/pro.htm?q=tag%3aLiterature+tag%3aClauses&amp;tag=Literature,Clauses&amp;orTags=0</link><description>Search results for 'tag:Literature tag:Clauses' matching tags 'Literature' and 'Clauses'</description><dc:language>en-US</dc:language><generator>CSMOD (Build: 3191.21962)</generator><item><title>Re: Please check the grammar</title><link>http://www.englishforums.com/English/PleaseCheckTheGrammar/zxcvr/post.htm#487033</link><pubDate>Mon, 10 Mar 2008 15:28:54 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:487033</guid><dc:creator>Avangi</dc:creator><description>&lt;p&gt;Hi Maple,&lt;/p&gt;
&lt;p&gt;Are you sure you mean &amp;quot;sentences&amp;quot;?&amp;nbsp; That looks to me like one wallyloobirdpippin of a single sentence!&lt;/p&gt;
&lt;p&gt;Are Chinese materia medica medicinal herbs or the collected wisdom of the ages re stomach pain?&lt;/p&gt;
&lt;p&gt;By &amp;quot;sieving&amp;quot; are you speaking figuratively about going through all existing information and saving the best, or are you straining tea?&lt;/p&gt;
&lt;p&gt;Are we also sieving the recipes and the validation?&amp;nbsp; I have to assume we are, since the first comma is after &amp;quot;dynasties.&amp;quot;&lt;/p&gt;
&lt;p&gt;The rest of it flows pretty well and seems to be in grammatical order.&amp;nbsp; My only problem lies in swallowing that first clause, or the section up to the first comma.&amp;nbsp; I&amp;#39;m assuming you mean to run all these things through a sieve.&amp;nbsp; I don&amp;#39;t see anything wrong with the grammar,&amp;nbsp; but I expect only someone who has memorized the sentence, or someone with a 150 IQ would be able to digest it in one reading.&lt;/p&gt;
&lt;p&gt;Edit.&amp;nbsp; My guess is that we&amp;#39;re sieving two things: materia medica, and recipes.&amp;nbsp; There are two sources for these two things: classic and modern literature.&amp;nbsp; I expect the validation is a separate deal.&amp;nbsp; I think you have to find a way to clarify the relationship between the sieving and the validation&amp;nbsp; -&amp;nbsp;&amp;nbsp; at least enough so one can grasp it in one reading.&amp;nbsp;&amp;nbsp; - A.&lt;/p&gt;
&lt;p&gt;pps.&amp;nbsp; Perhaps another source of confusion is that the sentence is paragraph length and we have to wait til we get to the middle of it before we get a sense of the topic.&amp;nbsp; All of the things you invite us to deduce after the first comma pertain to stomach pain, but you ask us to hold them all in suspension until the main character is finally introduced.&amp;nbsp; You might try to put something akin to a topic sentence close to the beginning.&amp;nbsp; That would give us a hook to hang some of these rather specialized phrases on.&lt;/p&gt;
&lt;p&gt;Best wishes,&amp;nbsp; - A.&lt;/p&gt;</description></item><item><title>Re: What is ??appositive clause??</title><link>http://www.englishforums.com/English/WhatIsAppositiveClause/2/zmcmv/Post.htm#477347</link><pubDate>Fri, 15 Feb 2008 21:19:35 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:477347</guid><dc:creator>CalifJim</dc:creator><description>&amp;nbsp;&lt;BLOCKQUOTE&gt;&lt;div&gt;&lt;font color="#0000ff"&gt;&lt;font color="#000000"&gt;&lt;font color="#0000ff"&gt;&lt;font color="#ff0000"&gt;&lt;font color="#000000"&gt;Now, regarding the appostive aspect, I believe both &amp;#39;that I wrote&amp;#39; and &amp;#39;that I had resigned&amp;#39; are appositive clauses. &lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/div&gt;&lt;/BLOCKQUOTE&gt;In my experience in reading the literature of linguistics the term &lt;u&gt;appositive&lt;/u&gt; (&lt;i&gt;that&lt;/i&gt; clause) is restricted to content clauses; the term is not typically applied to relative clauses.&lt;/p&gt;&lt;p&gt;That&amp;#39;s a good observation about the difference in the use of &lt;i&gt;that&lt;/i&gt; in these two types of clauses, by the way.&amp;nbsp; In the content clauses &lt;i&gt;that&lt;/i&gt; is a complementizer; in the relative clauses it&amp;#39;s a pronoun.&lt;/p&gt;&lt;p&gt;CJ&amp;nbsp;</description></item><item><title>Re: culture</title><link>http://www.englishforums.com/English/Culture/zhlwd/post.htm#455314</link><pubDate>Thu, 20 Dec 2007 13:58:32 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:455314</guid><dc:creator>Cool Breeze</dc:creator><description>Hi Believer&lt;br&gt;&lt;br&gt;Don't look for logic with regard to articles in English. &lt;font color="#0000ff"&gt;Adjectival attributes&lt;/font&gt; very often bring on an indefinite article:&lt;br&gt;&lt;i&gt;&lt;b&gt;A&lt;/b&gt; &lt;font color="#0000ff"&gt;new&lt;/font&gt; culture was born.&lt;/i&gt;&lt;br&gt;&lt;br&gt;&lt;font color="#ff0000"&gt;A relative clause&lt;/font&gt; may do the same:&lt;br&gt;&lt;i&gt;We need &lt;b&gt;a&lt;/b&gt; culture &lt;font color="#ff0000"&gt;that is totally different from what we have now&lt;/font&gt;.&lt;/i&gt;&lt;br&gt;&lt;br&gt;When an adjectival attribute refers to &lt;font color="#800080"&gt;a nation&lt;/font&gt; or &lt;font color="#008000"&gt;a historical period&lt;/font&gt;, zero article is usually used:&lt;br&gt;&lt;i&gt;He takes an interest in &lt;font color="#800080"&gt;Korean&lt;/font&gt; culture.&lt;br&gt;I don't like &lt;font color="#800080"&gt;German&lt;/font&gt; literature.&lt;br&gt;&lt;font color="#008000"&gt;Medieval&lt;/font&gt; music is very fascinating.&lt;/i&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;The&lt;/i&gt; is used in such cases when the reference is to things not associated with culture:&lt;br&gt;&lt;i&gt;&lt;b&gt;The&lt;/b&gt; Swedish &lt;b&gt;Army&lt;/b&gt; has not been engaged in a battle for 200 years.&lt;br&gt;How many fleets does &lt;b&gt;the&lt;/b&gt; French &lt;b&gt;Navy&lt;/b&gt; consist of?&lt;br&gt;&lt;b&gt;The&lt;/b&gt; Finnish &lt;b&gt;president&lt;/b&gt; attended the conference.&lt;/i&gt;&lt;br&gt;&lt;br&gt;CB&lt;br&gt;&lt;br&gt;</description></item><item><title>Re: gerund or verbal noun</title><link>http://www.englishforums.com/English/GerundOrVerbalNoun/zrdmk/post.htm#418686</link><pubDate>Fri, 14 Sep 2007 20:25:23 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:418686</guid><dc:creator>CalifJim</dc:creator><description>&lt;u&gt;All&lt;/u&gt; of your examples are &lt;u&gt;gerunds&lt;/u&gt; if we stick to modern terminology.&lt;br&gt;
&lt;br&gt;
Forget about the terminology &lt;i&gt;verbal noun&lt;/i&gt;.&amp;nbsp; It's total garbage!&lt;br&gt;
&lt;br&gt;
It has many different definitions, depending on the author and when the grammar book was written.&lt;br&gt;
_____________&lt;br&gt;
&lt;br&gt;
The modern definition is given at &lt;br&gt;


&lt;p&gt;http://en.wikipedia.org/wiki/Verbal_noun&lt;/p&gt;


&lt;p&gt; &lt;/p&gt;


&lt;p&gt;A &lt;b&gt;verbal noun&lt;/b&gt; is a noun formed directly as
an inflexion
of a verb or a verb stem, sharing at least in part its
constructions. This term is applied especially to gerunds, and
sometimes also to [bare] infinitives and supines [i.e., full
infinitives].&lt;br&gt;
&lt;/p&gt;
&lt;p&gt;That is, there are three types of verbal noun:&amp;nbsp; gerunds, bare infinitives, and full infinitives.&lt;br&gt;
&lt;/p&gt;
&lt;p&gt;&lt;b&gt;So anything that is a gerund is also a verbal noun, because a gerund is one of the types of verbal nouns.&lt;/b&gt;&lt;br&gt;
____________&lt;br&gt;
&lt;/p&gt;
&lt;p&gt;The modern definition is echoed at&lt;br&gt;
&lt;/p&gt;
http://www.ielanguages.com/english.html



&lt;p&gt;&lt;b&gt;Gerunds: &lt;/b&gt;&amp;nbsp;[Like participles,] Gerunds
are also
formed by adding -ing to the verb, but they function as a verbal noun
[as opposed to the participle, which is a verbal adjective] and are
normally preceded by articles or demonstratives. &amp;nbsp;The &lt;i&gt;singing&lt;/i&gt; was
excellent.&lt;br&gt;
___________&lt;br&gt;
&lt;/p&gt;
&lt;p&gt;A completely different definition is found here:&lt;br&gt;
&lt;/p&gt;

&lt;p&gt;http://www.encyclopedia.com/doc/1O29-VERBALNOUN.html&lt;/p&gt;


&lt;p&gt; &lt;/p&gt;


&lt;b&gt;VERBAL NOUN.&lt;/b&gt; A
category of noncountable abstract noun derived from a verb, in English by
adding the suffix &lt;em&gt;-ing&lt;/em&gt;. Like the verb from which it derives, it refers
to an action or state: &lt;em&gt;writing&lt;/em&gt; in &lt;em&gt;The writing has taken too long&lt;/em&gt;;
&lt;em&gt;hearing&lt;/em&gt; in &lt;em&gt;His hearing is defective&lt;/em&gt;. Verbal nouns are
frequently combined with the preposition &lt;em&gt;of&lt;/em&gt; and a noun phrase that
corresponds to the subject or object in a clause: &lt;em&gt;The grumbling of his
neighbours met with no response&lt;/em&gt; (compare &lt;em&gt;His neighbours grumbled&lt;/em&gt;);
&lt;em&gt;His acting of Hamlet won our admiration&lt;/em&gt; (compare &lt;em&gt;He acted Hamlet&lt;/em&gt;).
Verbal nouns contrast with &lt;em&gt;deverbal nouns&lt;/em&gt;, that is, other kinds of
nouns derived from verbs, such as &lt;em&gt;attempt&lt;/em&gt;, &lt;em&gt;destruction&lt;/em&gt;, and
including nouns ending in &lt;em&gt;-ing&lt;/em&gt; that do not have verbal force: &lt;em&gt;building&lt;/em&gt;
in &lt;em&gt;The building was empty&lt;/em&gt;. &lt;u&gt;They also contrast with the gerund, which
also ends in &lt;em&gt;-ing&lt;/em&gt;, but is syntactically a verb.&lt;/u&gt;&lt;u&gt;
&lt;/u&gt;&lt;br&gt;
&lt;br&gt;
Note the last (underlined) sentence.&amp;nbsp; By this definition only usages like &lt;i&gt;The neighbors were &lt;u&gt;acting&lt;/u&gt; like fools&lt;/i&gt; are considered gerunds -- &lt;b&gt;not&lt;/b&gt; all the other examples that preceded -- examples that we would all agree &lt;b&gt;are&lt;/b&gt; gerunds in current terminology.&lt;br&gt;
_____________&lt;br&gt;
&lt;br&gt;
The next definition is &lt;u&gt;more than 100 years old&lt;/u&gt;, and I've seen it quoted on this site.&amp;nbsp; Note that it is classified (see the URL) under "&lt;u&gt;Classic&lt;/u&gt; Literature".&amp;nbsp; It is useful only as a historic document -- not as a guide to modern English and modern syntactic analysis.&lt;br&gt;
&lt;br&gt;




http://&lt;b&gt;classiclit&lt;/b&gt;.about.com/library/bl-etexts/wmbaskervill/bl-wmbaskervill-grammar-parts-nouns.htm&lt;br&gt;
&amp;nbsp;

&lt;p align="center"&gt;&lt;b&gt;An English Grammar &lt;/b&gt;&lt;/p&gt;


&lt;p align="center"&gt;&lt;font color="#ff0000"&gt;&lt;b&gt;1896&lt;/b&gt;&lt;/font&gt; &lt;/p&gt;


&lt;p align="center"&gt;&lt;b&gt;by W. M. Baskervill &amp;amp; J. W. Sewell&lt;/b&gt; &lt;/p&gt;



&lt;p&gt;&lt;strong&gt;273.&lt;/strong&gt; It [the gerund] differs from the
participle in being always used as a noun: it never belongs to or limits a
noun. &lt;/p&gt;


&lt;p&gt;It
differs from the verbal noun in having the property of governing a noun (which
the verbal noun has not) and of expressing action (the verbal noun merely names
an action, Sec. II).&lt;br&gt;
&lt;/p&gt;
&lt;p&gt;&lt;font color="#0000ff"&gt;[Sec.
II.&amp;nbsp; is actually Sec. 11, where nouns are discussed.&amp;nbsp; The
discussion of verbal nouns is within a category called Abstract Nouns,
so in Section 11 verbal nouns are called by their more specific
name:&amp;nbsp; Verbal Abstract Nouns.]&lt;/font&gt;&lt;br&gt;
&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;&lt;i&gt;II.&lt;/i&gt;&lt;/strong&gt;&lt;em&gt; The VERBAL ABSTRACT NOUNS
Originate in verbs, as their name implies. They may beâ &lt;/em&gt;&lt;/p&gt;


&lt;p&gt;&lt;em&gt;(1) Of the same form as the simple verb. The verb, by
altering its function, is used as a noun; as in the expressions, "a long
run" "a bold move," "a brisk walk "&lt;br&gt;
&lt;font color="#0000ff"&gt;[These are called deverbal nouns in modern terminology -- or 'zero-related nominals' or just 'nouns'.]&lt;/font&gt;&lt;br&gt;
 &lt;/em&gt;&lt;/p&gt;


&lt;p&gt;&lt;em&gt;(2) Derived from verbs by changing the ending or adding a
suffix: motion from move, speech from speak, theft from thieve, action from
act, service from serve.&lt;br&gt;
&lt;font color="#0000ff"&gt;[These,too, are called deverbal nouns nowadays -- or just 'nouns'.]&lt;/font&gt;&lt;br&gt;
 &lt;/em&gt;&lt;/p&gt;


&lt;p&gt;&lt;em&gt;(3) Derived from verbs by adding -ing to the simple verb.
It must be remembered that these words are free from any verbal function They
cannot govern a word, and they cannot express action, but are merely names of
actions. They are only the husks of verbs, and are to be rigidly distinguished
from gerunds (Secs. 272, 273). &lt;font color="#0000ff"&gt;[These
are nouns that end in -ing.&amp;nbsp; They have acquired fixed meanings as
nouns, referring to something more concrete than the action of the
underlying verb.]&lt;/font&gt;&lt;br&gt;
 &lt;/em&gt;&lt;/p&gt;


&lt;p&gt;&lt;em&gt;To avoid difficulty,
study carefully these examples: &lt;/em&gt;&lt;/p&gt;


&lt;p&gt;&lt;em&gt;The best thoughts and
&lt;font color="#ff0000"&gt;sayings&lt;/font&gt; of the Greeks; the moon caused fearful &lt;font color="#ff0000"&gt;forebodings&lt;/font&gt;; in the &lt;font color="#ff0000"&gt;beginning&lt;/font&gt; of
his life; he spread his &lt;font color="#ff0000"&gt;blessings&lt;/font&gt; over the land; the great Puritan &lt;font color="#ff0000"&gt;awakening&lt;/font&gt;;
our birth is but a sleep and a &lt;font color="#ff0000"&gt;forgetting&lt;/font&gt;; a &lt;font color="#ff0000"&gt;wedding&lt;/font&gt; or a festival; the rude
&lt;font color="#ff0000"&gt;drawings&lt;/font&gt; of the book; masterpieces of the Socratic &lt;font color="#ff0000"&gt;reasoning&lt;/font&gt;; the &lt;font color="#ff0000"&gt;teachings&lt;/font&gt; of
the High Spirit; those opinions and &lt;font color="#ff0000"&gt;feelings&lt;/font&gt;; there is time for such
&lt;font color="#ff0000"&gt;reasonings&lt;/font&gt;; the &lt;font color="#ff0000"&gt;well-being&lt;/font&gt; of her subjects; her &lt;font color="#ff0000"&gt;longing&lt;/font&gt; for their favor;
&lt;font color="#ff0000"&gt;feelings&lt;/font&gt; which their original &lt;font color="#ff0000"&gt;meaning&lt;/font&gt; will by no means justify; the main
&lt;font color="#ff0000"&gt;bearings&lt;/font&gt; of this matter.&lt;br&gt;
______________ &lt;/em&gt;&lt;/p&gt;


It is debatable whether anything whatsoever is to be gained in the
study of modern English by resurrecting these older definitions.&lt;br&gt;
&lt;br&gt;
CJ&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;</description></item><item><title>My interview experience.</title><link>http://www.englishforums.com/English/MyInterviewExperience/vqxjm/post.htm</link><pubDate>Mon, 10 Sep 2007 20:07:48 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:416903</guid><dc:creator>Bird Of Paradise</dc:creator><description>&lt;P&gt;I belong to a country where English is used as a second language, so it is not my first language. A few days ago I appeared in an interview for the post of English Teacher. I want to share a few points of that interview for your worthy comments. &lt;/P&gt;
&lt;P&gt;I use A for interviewer and B for myself.&lt;/P&gt;
&lt;P&gt;&amp;nbsp;&amp;nbsp; After the formal greetings,&lt;/P&gt;
&lt;P&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; A:&amp;nbsp; &amp;nbsp;Introduce yourself.&lt;/P&gt;
&lt;P&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; B.&amp;nbsp; Sir, I have come from Swabiâ¦..&lt;/P&gt;
&lt;OL&gt;
&lt;LI&gt;&amp;nbsp;Donât say âI have come fromâ say âI come fromâ&lt;/LI&gt;&lt;/OL&gt;
&lt;P&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; Then I was asked some questions in English Literature and then,&lt;/P&gt;
&lt;OL&gt;
&lt;LI&gt;How many moods are there in English Grammar?&lt;/LI&gt;
&lt;LI&gt;Sir, there are three moods in English grammar, Indicative, imperative and subjunctive.&lt;/LI&gt;&lt;/OL&gt;
&lt;OL&gt;
&lt;LI&gt;Can we use Model auxiliary with infinite clause.&lt;/LI&gt;
&lt;LI&gt;Yes sir, we can.&lt;/LI&gt;&lt;/OL&gt;
&lt;OL&gt;
&lt;LI&gt;How? Give an example.&lt;/LI&gt;
&lt;LI&gt;&amp;nbsp;For example âI will goâ&lt;/LI&gt;&lt;/OL&gt;
&lt;OL&gt;
&lt;LI&gt;What is an infinite clause?&lt;/LI&gt;
&lt;LI&gt;A clause, which doesnât show tense. &lt;/LI&gt;&lt;/OL&gt;
&lt;OL&gt;
&lt;LI&gt;No. You are wrong.&lt;/LI&gt;&lt;/OL&gt;
&lt;OL&gt;
&lt;LI&gt;Ok, tell my in how many ways can we use a subordinate clause?&lt;/LI&gt;
&lt;LI&gt;Well sir, there are different kinds of subordinate clauseâ¦&lt;/LI&gt;&lt;/OL&gt;
&lt;OL&gt;
&lt;LI&gt;No, no. Just tell me exactly in how many ways can we use it, like with subject-verb, subject-adverb etc.&lt;/LI&gt;
&lt;LI&gt;Sorry sir.(it was really confusing for me.)&lt;/LI&gt;&lt;/OL&gt;
&lt;P&gt;A.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Ok, âHe is marriedâ which part of speech is &lt;B&gt;married&lt;/B&gt;?&lt;/P&gt;
&lt;P&gt;B.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Sir, it the past participle form of the verb &lt;B&gt;marry&lt;/B&gt; and here it is used as an adjective.&lt;/P&gt;
&lt;P&gt;&amp;nbsp;&lt;/P&gt;These are some of the point of my interview. Please give some comments. Thanks.</description></item><item><title>Re: Relative Clauses and Indirect Questions</title><link>http://www.englishforums.com/English/RelativeClausesIndirectQuestions/2/vjmrw/Post.htm#381777</link><pubDate>Wed, 20 Jun 2007 01:24:20 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:381777</guid><dc:creator>CalifJim</dc:creator><description>&lt;table width="85%"&gt;&lt;tr&gt;&lt;td class="quoteTable"&gt;&lt;table width="100%"&gt;&lt;tr&gt;&lt;td width="100%" valign="top" class="txt4"&gt;if you call this a relative clause, then the clause is relative
to . . . what?&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/BLOCKQUOTE&gt;Much of the literature on the topic says &lt;i&gt;where&lt;/i&gt; is both the antecedent and the relative pronoun all in one.&amp;nbsp; That's why it's often called "fused".&lt;br&gt;
&lt;i&gt;&lt;br&gt;
I know &lt;u&gt;the place in/at which&lt;/u&gt; the pen is. = I know &lt;u&gt;where&lt;/u&gt; the pen is.&lt;/i&gt;&lt;br&gt;
&lt;br&gt;
I'm not completely satisfied with that terminology either, but it does exist.&lt;br&gt;
&lt;br&gt;
CJ&lt;br&gt;
&lt;br&gt;</description></item><item><title>Re: Are these SIMPLE sentences?</title><link>http://www.englishforums.com/English/AreTheseSimpleSentences/3/vwkwv/Post.htm#376418</link><pubDate>Thu, 07 Jun 2007 21:51:24 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:376418</guid><dc:creator>Clive</dc:creator><description>&lt;P&gt;Hi,&lt;/P&gt;
&lt;P&gt;So, your position appears to be this.&lt;/P&gt;
&lt;P&gt;&lt;FONT size=2&gt;&lt;FONT color=#0000ff&gt;1. Bob went to the store and&amp;nbsp;&lt;/FONT&gt;&lt;FONT color=#0000ff&gt;went to the postoffice&lt;/FONT&gt;. is a simple sentence.&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT size=2&gt;&lt;FONT color=#0000ff&gt;2. Bob went to the store and &lt;/FONT&gt;&lt;FONT color=#ff1493&gt;Bob &lt;/FONT&gt;&lt;FONT color=#0000ff&gt;went to the postoffice&lt;/FONT&gt;. is a compound sentence.&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT size=2&gt;You don't think that the basic structure of both these sentences is the same? I do.&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT size=2&gt;&lt;/FONT&gt;&amp;nbsp;&lt;/P&gt;
&lt;P&gt;&lt;FONT size=2&gt;I don't agree with the definition that you quote, which includes&amp;nbsp;&lt;/P&gt;
&lt;LI&gt;&lt;FONT color=#0000ff&gt;Each part of the sentence has a subject. &lt;/FONT&gt;&lt;/LI&gt;
&lt;P&gt;because you seem to intrepret this as meaning 'an explicit subject'&lt;/P&gt;
&lt;P&gt;My 'Oxford Companion to the English Language'&amp;nbsp;defines a simple sentence in this very simple way. &lt;FONT color=#0000ff&gt;A sentence that consists of one main clause and does not contain a co-ordinate clause or a subordinate clause.&amp;nbsp;&lt;/FONT&gt;&lt;FONT color=#000000&gt; It makes no reference to&amp;nbsp;the need for an explicit rather than an implicit subject. Furthermore, as I'm sure you know, &amp;nbsp;'and' is a co-ordinating conjunction. Are&amp;nbsp;you really arguing that example&amp;nbsp; #1 above consists of only one clause?&amp;nbsp;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT size=2&gt;My overall feeling about&amp;nbsp;this topic is that the purpose of this kind of clause analysis is ultimately to enable you to speak and write better English. So, if your way of looking at it helps your English, that's great and I'm glad. Similarly, my way is the way that I was taught and I find it very useful to me for speaking and writing good English.&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT size=2&gt;You said &lt;FONT color=#0000ff&gt;This is Grammar not literature. There is either black or white. One of us should convince the other. &lt;/FONT&gt;&lt;FONT color=#000000&gt;I don't agree. Such analysis is just a technique to help people speak and write better English. In response to your remark, let me quote&lt;/FONT&gt; a little bit more from my&amp;nbsp; 'Oxford Companion to the English Language' on the subject of 'Clause Analysis'.&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT size=2&gt;&lt;FONT size=3&gt;&lt;EM&gt;A technique of formal grammar analysis once common . . .&amp;nbsp; Such analysis&amp;nbsp; . .&amp;nbsp; from the 1960s fell into disfavour. Most teachers and linguists currently present four arguments against such work: (1) It rests on a narrow,theoretical base derived from the study of Latin, and ignores the range of types of clauses that can be identified in English . . . '&lt;/EM&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT size=2&gt;&lt;EM&gt;&lt;FONT size=3&gt;I particularly like this comment in the book: 'Clause analysis continues to be favoured by many older, usually middle-class people, who argue that . . . (it)&amp;nbsp; . . . is useful in developing linguistic skills.'&lt;img src="/emoticons/emotion-5.gif" alt="Wink [;)]" /&gt;&lt;/FONT&gt;&lt;/EM&gt;&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;After writing&amp;nbsp;all this, I don't really have a lot left to say on this topic, although I'm happy to discuss it a little longer if that would be of assistance to you.&lt;img src="/emoticons/emotion-1.gif" alt="Smile [:)]" /&gt;&lt;/P&gt;
&lt;P&gt;Best wishes, Clive&lt;/P&gt;</description></item><item><title>Re: Are these SIMPLE sentences?</title><link>http://www.englishforums.com/English/AreTheseSimpleSentences/2/vwjxg/Post.htm#376233</link><pubDate>Thu, 07 Jun 2007 13:33:11 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:376233</guid><dc:creator>Aous</dc:creator><description>&lt;p&gt;&lt;b&gt;Compound
Sentence --&lt;/b&gt; Two-part
sentence. Both parts could be sentences on their own. &lt;/p&gt;

&lt;ul&gt;&lt;li&gt;Each part of the sentence has a
     subject. &lt;/li&gt;&lt;li&gt;Each part of the sentence has a
     predicate. &lt;/li&gt;&lt;li&gt;Each part is called an &lt;b&gt;independent
     clause&lt;/b&gt;.&lt;/li&gt;&lt;/ul&gt;

That is:&lt;br&gt;&lt;font size="2"&gt;&lt;font color="#0000ff"&gt;Bob went to the store and &lt;font color="#ff1493"&gt;Bob &lt;/font&gt;went to the postoffice&lt;/font&gt;. Is a compound&lt;br&gt;( I checked tens of reliable internet links, and they treat such sentences &lt;/font&gt;&lt;font size="2"&gt;&lt;font color="#0000ff"&gt;(Bob went to the store and&amp;nbsp;&lt;font color="#ff1493"&gt; &lt;/font&gt;went to the postoffice) &lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;as simple. Also that's what my teacher told me. He is a grammarian. Who shall I trust?)&lt;br&gt;&lt;br&gt;You can do some googling, and you'll absolutely change your mind.&lt;br&gt;&lt;font color="#000080"&gt;&lt;br&gt;&lt;/font&gt;&lt;/font&gt;&lt;font color="#000080" size="2"&gt;I don't agree. &lt;font color="#000000"&gt;This is Grammar not literature. There is either black or white. One of us should convince the other.&lt;br&gt;&lt;br&gt;Have a nice time&lt;br&gt;Again &lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;I'm looking forward to your answer&lt;br&gt;And here is a very big smile&lt;img src="/emoticons/emotion-2.gif" alt="Big Smile [:D]" /&gt;&lt;br&gt;&lt;/font&gt;</description></item><item><title>Re: subjunctive or past conditional</title><link>http://www.englishforums.com/English/SubjunctivePastConditional/vzknw/post.htm#361768</link><pubDate>Mon, 07 May 2007 23:03:25 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:361768</guid><dc:creator>Goodman</dc:creator><description>&lt;P&gt;&lt;FONT color=#000000&gt;Hi Bokeh,&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#000000&gt;Becasue of your reply, it made me take a second look at the original question. I also did some research and found this paper written on the subject of&amp;nbsp;&lt;/FONT&gt;&lt;B&gt; Semantic Composition of Subjunctive Conditionals &lt;/B&gt;&lt;B&gt;by &lt;/B&gt;&lt;I&gt;Michela Ippolito of MIT/TÃ¼bingen University. I am not completely sure if I understood&amp;nbsp;&amp;nbsp;all thwt he wrote, but I do agree whole-heartedly with his view&amp;nbsp;from what I understood.&amp;nbsp; It's obvious that there are several subjunctive moods and conditionals discussed in great legnth which was exactly the reason&amp;nbsp; causing&amp;nbsp;the confusions on this thread. I find it absoulutely useful so I've &amp;nbsp;extracted a small portion which I beleive was related the posted question.&lt;/I&gt;&lt;/P&gt;
&lt;P&gt;&amp;nbsp;&lt;/P&gt;
&lt;P&gt;&lt;a href="http://www.google.com/search?hl=en&amp;amp;q=type+of+subjunctive" target="_blank" title="http://www.google.com/search?hl=en&amp;amp;q=type+of+subjunctive"&gt;http://www.google.com/search?hl=en&amp;amp;q=type+of+subjunctive&lt;/a&gt;&lt;/P&gt;
&lt;P&gt;&lt;I&gt;michela@alum.mit.edu&lt;/I&gt;&lt;/P&gt;
&lt;P&gt;&amp;nbsp;&lt;/P&gt;
&lt;P&gt;&lt;B&gt;&lt;FONT color=#0000ff&gt;3. The Semantic Analysis of Subjunctive Conditionals&lt;/FONT&gt;&lt;/B&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;In answering the question of what the correct semantic analysis of subjunctive&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;conditionals is we will raise and answer the following questions too: (1) What is the&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;difference between indicative an subjunctive conditionals? (2) What is the role of the&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;past morphology in the composition of the meaning of a subjunctive conditional? (3)&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;What is the contribution of the second layer of past to the meaning of subjunctive&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;conditionals? As Iatridou observes, the past morphology in subjunctive conditionals is&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;not interpreted temporally, as the event of playing baseball in example (2) is supposed&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;to take place in the future (tomorrow). What follows in this paper is inspired by her&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;work and by the intuition behind it, i.e. that the temporal morphology we see in modal&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;constructions actively contributes to the construction of the modal meaning. However,&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;I depart from her idea that tense morphology has a âcore meaningâ that can apply to&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;different kinds of entities (i.e. her idea that if it applies to times, it is interpreted&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;temporally; if it applies to worlds, then it is interpreted modally). My claim is that&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;tense (aspectual) morphology has a single, definite interpretation: the temporal&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;(aspectual) one. The way tense morphology contributes to the composition of modal&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;meaning is by being interpreted in &lt;I&gt;different positions &lt;/I&gt;in the structure of a modal&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;sentence, i.e. either in the restriction or in the nuclear scope of the modal operator.&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;Recall that I am arguing that accessibility relations are of type &amp;lt;s&amp;lt;i&amp;lt;st&amp;gt;&amp;gt; (where &lt;I&gt;i &lt;/I&gt;is&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;the type for times and &lt;I&gt;s &lt;/I&gt;the type for worlds): the notion of &lt;I&gt;accessible world &lt;/I&gt;is relative&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;not only to a world but also to a time so that a world will be accessible if it satisfies&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;certain conditions with respect to an evaluation world and an evaluation time. The&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;past that we see in subjunctive conditionals such as &lt;I&gt;If Charlie played baseball&lt;/I&gt;&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;&lt;I&gt;&lt;FONT color=#0000ff&gt;tomorrow, we would lose the game &lt;/FONT&gt;&lt;/I&gt;&lt;FONT color=#0000ff&gt;is the&lt;/FONT&gt; &lt;FONT color=#0000ff&gt;morphological realization of a &lt;I&gt;perfect&lt;/I&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;&lt;/FONT&gt;&lt;FONT color=#0000ff&gt;&lt;FONT color=#0000ff&gt;operator&lt;/FONT&gt; interpreted in the modal domain. I will develop an analysis of the meaning of&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;subjunctive conditionals and show how it solves the puzzle of the presupposition&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;projection for subjunctive conditionals discussed in Heim 1992; finally, I will answer&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;the three questions I raised above.&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;&lt;/FONT&gt;&amp;nbsp;&lt;/P&gt;
&lt;P&gt;&lt;B&gt;&lt;FONT color=#0000ff&gt;3.1 Felicity Conditions for Conditionals&lt;/FONT&gt;&lt;/B&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;Recall what the puzzle was. The antecedent of a subjunctive conditional can be&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;inconsistent with the common ground, and consequently, the set of worlds the modal&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;operator quantifies over cannot be restricted to the worlds in the context set (the&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;epistemically accessible worlds) (see (19) below). Furthermore, this set cannot be the&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;empty context (W) either because, if it were, we would expect conditionals with&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;antecedents with presuppositions to be infelicitous since the modal base does not have&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;the right entailments. However, this is incorrect: subjunctive conditionals whose&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;antecedents have presuppositions are felicitous, which means that the antecedentâs&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;presuppositions can be entailed by the modal base (cf. (20)). In fact, they must (cf.&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;(21)).&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;(19) Jack is dead. If he were alive, he would come to the ceremony.&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;11&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;(20) Jack smokes. If he quit smoking tomorrow, which he wonât, he would run&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;the marathon.&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;(21) Jack quit smoking last year. If he quit smoking tomorrow, he would run&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;the marathon.&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;Heim 1992 concluded that the only way to reconcile these two requirements of&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;subjunctive conditionals is to stipulate that the modal base is neither the set of&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;epistemically accessible worlds (the main context) nor the totally empty modal base&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;W, but the (largest) set of worlds obtained by suspending all the speakerâs&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;assumptions except the presuppositions of the antecedent, which then remain entailed.&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;However, I showed above that this stipulation does not work for all subjunctive&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;conditionals: in particular, it does not account for the difference between one-past&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;subjunctive conditionals and mismatched two-pasts subjunctive conditionals, as&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;shown below.&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;(22) &lt;I&gt;Jack died last year&lt;/I&gt;.&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;a. #If he came to the ceremony tomorrow, he would be proud of Sally.&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;b. If he had come to the graduation tomorrow, he would have been proud&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;of Sally.&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;We are back where we were: how is the set of worlds to which modal operators apply&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;selected? Clearly, the felicity conditions for indicative, one-past and two-pasts&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;subjunctive conditionals are all different. But what is the difference and how is the&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;difference determined?&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;It seems correct to hold that for a sentence to be felicitously uttered in the&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;context &lt;I&gt;c&lt;/I&gt;, &lt;I&gt;c &lt;/I&gt;must entail the presuppositions of &lt;I&gt;. &lt;/I&gt;In the common ground theory of&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;presuppositions developed by Stalnaker (1973, 1974, 1975), the common ground is&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;the set of all the propositions known or assumed to be true by all the participants in&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;the conversation, and the context set is the set of worlds where all the propositions in&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;the common ground are true. Assertions are meant to update the common ground. If&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;the assertion is made and accepted, the common ground expands and the context set&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;shrinks. Thus, if a sentence presupposes &lt;I&gt;p&lt;/I&gt;, then asserting requires that the&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;common ground entail &lt;I&gt;p&lt;/I&gt;, i.e. it requires that the speaker assume that it is true in the&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;common ground that &lt;I&gt;p&lt;/I&gt;, modulo accommodation.10 It is explicit in Heimâs context&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;change semantics (and implicit in Stalnakerâs idea of a &lt;I&gt;derived context&lt;/I&gt;) that a clause&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;(that is to say, the structural description of a clause at the level of Logical Form) is not&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;always evaluated with respect to the context of utterance: the context with respect to&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;which a structure is evaluated depends on the level of embedding of the clause, the&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;most unembedded clause being interpreted with respect to the main (utterance)&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;context. We can then reformulate the principle above: what is responsible for the&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;felicity of a sentence is not whether its presuppositions are entailed by the utterance&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;context but whether they are entailed by the &lt;I&gt;evaluation context &lt;/I&gt;(which may be&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;identical to the utterance time in some cases). Call this principle PREP.&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;10 Stalnaker (1972, 1973, 1974, 1978, 1988, 1998). Kartunnen (1974), Lewis (1979), Heim (1982,&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;1983, 1992), Thomason (1990) and von Fintel (2000) also contributed important work in the tradition&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;of the common ground theory of presuppositions.&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&amp;nbsp;&lt;/P&gt;
&lt;P&gt;&lt;B&gt;&lt;FONT color=#0000ff&gt;3.2 What Looks Like Past is Perfect&lt;/FONT&gt;&lt;/B&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;I propose that the past morphology we see in subjunctive conditionals in English is&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;the morphological realization of a perfect operator. The English perfect, and&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;especially the present perfect, has raised a lot of interest in the linguistic literature&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;because of the properties that distinguish it from both the present and the simple past&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;tense. McCoard (1978) offers a survey of possible theories of the perfect: the current&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;relevance theory, the indefinite past theory, the embedded past theory and, finally, the&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;theory that he argues to be the best, the Extended Now theory. Very briefly, according&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;11 The claim that the presuppositions of the antecedent of a conditional have to be entailed by the&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;context is a standard claim of a dynamic approach to meaning (Heim 1992). However, we will see later&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;that the issue is more intricate and I will have more to say on this topic later on in the paper.&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;&lt;/FONT&gt;&amp;nbsp;&lt;/P&gt;</description></item><item><title>Re: help with exercise</title><link>http://www.englishforums.com/English/HelpWithExercise/dwdqh/post.htm#291013</link><pubDate>Thu, 09 Nov 2006 09:27:29 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:291013</guid><dc:creator>Chariot</dc:creator><description>&lt;P&gt;Thank you, Nona de Brit. &lt;/P&gt;
&lt;P&gt;The blue answers are my alternatives. I have two questions about these exercises. &lt;/P&gt;
&lt;P&gt;1.&amp;nbsp;&amp;nbsp; If you visit the Lincoln Memorial, you will see a giant statue of Lincoln _dominating_/which/that dominates_ (dominate) the center of the Memorial.&lt;/P&gt;
&lt;P&gt;2.&amp;nbsp;&amp;nbsp; The Washington Monument _was built_/is built_ (build) in honor of George Washington, the first president of the United States.&lt;/P&gt;
&lt;P&gt;3..&amp;nbsp;&amp;nbsp; Abraham Lincoln's famous speeches _were engraved_/ are engraved (engrave) on the interior walls of the Lincoln Memorial.&lt;/P&gt;
&lt;P&gt;4.&amp;nbsp;&amp;nbsp; The Oval Office, _situated_/which is situated_ (situate) in the White House, is the office of the President of the United States.&lt;/P&gt;
&lt;P&gt;5.&amp;nbsp;&amp;nbsp; Amelia Earhart was the first woman _to fly_/that/who flew_ (fly) solo across the Atlantic Ocean.&lt;/P&gt;
&lt;P&gt;6.&amp;nbsp;&amp;nbsp; Ernest Hemingway was a famous American writer who _won_/winning_ (win) the 1954 Nobel Prize for literature.&lt;/P&gt;
&lt;P&gt;8.&amp;nbsp;&amp;nbsp; Queen Victoria _was_/is_ (be) the first sovereign to reside in Buckingham Palace.&lt;/P&gt;
&lt;P&gt;Are the blue answers correct? Thanks for your help.&lt;/P&gt;
&lt;P&gt;

&lt;P&gt;a. In 1, 4,&amp;nbsp; both participles and relative clauses work. Can I conclude that participles and relative clauses are interchangeable when it comes to modifying a noun? Irregardless of the tense in the main clause and the relative clause? In 6, I meant to remove "who" and write the sentence as this:" 6.&amp;nbsp;&amp;nbsp; Ernest Hemingway was a famous American writer winning_ (win) the 1954 Nobel Prize for literature."&lt;/P&gt;
&lt;P&gt;b. In 2, both answers are correct. I understand that "were engraved" means an action, which took place in the past, and "are engraved" describes the condition of the monument. In 5 and 8, I thought the sentence states a fact which do not change and should be expressed in the present tense. Could you explain to me why the correct answers are in the past tense.&lt;/P&gt;
&lt;P&gt;c.&amp;nbsp; Sentences 5, 8:&amp;nbsp; infintives are used following the noun, not relative clauses. Is it because the noun is modified by "the first"? &lt;/P&gt;
&lt;P&gt;I feel confused with these modifier issues, they are very confusing. If there&amp;nbsp;is a rule governing/that governs the modifiers, I'd be very happy to&amp;nbsp;hear about it.&lt;/P&gt;
&lt;/P&gt;</description></item></channel></rss>