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<rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>Search results for 'tag:Nominative tag:Articles' matching tags 'Nominative' and 'Articles'</title><link>http://www.englishforums.com/search/pro.htm?q=tag%3aNominative+tag%3aArticles</link><description>Search results for 'tag:Nominative tag:Articles' matching tags 'Nominative' and 'Articles'</description><dc:language>en-US</dc:language><generator>CSMOD (Build: 3256.36449)</generator><item><title>Re: One of many problems faced by English learners is their own misconceptions.</title><link>http://www.englishforums.com/English/ProblemsFacedEnglishLearners-Misconceptions/hrnpz/post.htm#588664</link><pubDate>Mon, 17 Nov 2008 23:27:00 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:588664</guid><dc:creator>Avangi</dc:creator><description>&lt;BLOCKQUOTE&gt;&lt;div&gt;&lt;img src="/Themes/englishforums/images/icon-quote.gif"&gt; &lt;strong&gt;Jackson6612&lt;/strong&gt;&lt;/div&gt;&lt;div&gt; &lt;BLOCKQUOTE&gt;&lt;div&gt;&lt;img src="/Themes/englishforums/images/icon-quote.gif"&gt; &lt;strong&gt;Avangi&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;either &amp;quot;learners of &lt;strong&gt;&lt;em&gt;&lt;span style="TEXT-DECORATION:underline;"&gt;the&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt; English language,&amp;quot; or &amp;quot;English language learners.&amp;quot;&lt;/div&gt;&lt;/BLOCKQUOTE&gt; Why is article &lt;em&gt;the&lt;/em&gt; essential here? There is only one English language. e.g. I&amp;#39;m learning Chinese language these days. Is there any need to specify &lt;em&gt;Chinese language&lt;/em&gt; using &lt;em&gt;the&lt;/em&gt;? The use of &lt;em&gt;the&lt;/em&gt; is justified in sentences as in &amp;#39;&amp;#39;I&amp;#39;m learning the Southern American English dialect nowadays&lt;em&gt;.&lt;/em&gt; &lt;strong&gt;&lt;span style="COLOR:#00bfbf;"&gt;The article is required in all of these.&amp;nbsp; I honestly have no idea why.&amp;nbsp; My guess is that &amp;quot;language&amp;quot; is the object of the verb &amp;quot;to learn,&amp;quot; and would require an article if it were used without &amp;quot;English&amp;quot; as a modifier.&amp;nbsp; To qualify for standing without the article, a &amp;quot;subject of study&amp;quot; must be one of a few very well-established courses.&amp;nbsp; &amp;quot;I&amp;#39;m majoring in Romance Languages at university.&amp;quot;&amp;nbsp; Here,&amp;nbsp;&lt;em&gt;&lt;span style="text-decoration:underline;"&gt;Romance Languages&lt;/span&gt;&lt;/em&gt; is the recognized name of a well-established course of study, as is &lt;em&gt;&lt;span style="text-decoration:underline;"&gt;Chinese&lt;/span&gt;&lt;/em&gt;.&amp;nbsp; In the case of a dialect, the indefinite article would be used if there were more than one. &lt;/span&gt;&lt;/strong&gt;&lt;em&gt;&lt;BLOCKQUOTE&gt;&lt;div&gt;&lt;img src="/Themes/englishforums/images/icon-quote.gif"&gt; &lt;strong&gt;Avangi&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&amp;lt;&amp;lt;&lt;span style="TEXT-DECORATION:underline;"&gt;One&lt;/span&gt;&amp;nbsp; - - is their own &lt;span style="TEXT-DECORATION:underline;"&gt;misconceptions&lt;/span&gt;.&amp;gt;&amp;gt;&amp;nbsp; IMO there should be number agreement here.&amp;nbsp; Possibly,&amp;nbsp; &amp;quot;&lt;span style="TEXT-DECORATION:underline;"&gt;One&lt;/span&gt; - - - is &lt;span style="TEXT-DECORATION:underline;"&gt;dealing&lt;/span&gt; with their own misconceptions.&amp;quot;&lt;/div&gt;&lt;/BLOCKQUOTE&gt; Yes, there should be number agreement between verb and object. If I followed your suggestion then the sentence would read: One of many problems faced by learners of the English language is &lt;strong&gt;that they are dealing with their&lt;/strong&gt; own misconceptions. Is that what you suggested?&lt;/em&gt;&amp;nbsp; &lt;strong&gt;&lt;span style="COLOR:#00bfbf;"&gt;That would be fine.&amp;nbsp; I was considering &amp;quot;&lt;span style="TEXT-DECORATION:underline;"&gt;that they are&lt;/span&gt;&amp;quot; to be optional, as the gerund &amp;quot;dealing&amp;quot; may serve by itself as predicate nominative following the &lt;em&gt;&lt;span style="TEXT-DECORATION:underline;"&gt;being verb&lt;/span&gt;&lt;/em&gt; &amp;quot;is.&amp;quot; &lt;/span&gt;&lt;/strong&gt;&lt;em&gt;&lt;BLOCKQUOTE&gt;&lt;div&gt;&lt;img src="/Themes/englishforums/images/icon-quote.gif"&gt; &lt;strong&gt;Avangi&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;This is about &amp;quot;learners.&amp;quot;&amp;nbsp; You refer back five times with &amp;quot;they.&amp;quot;&amp;nbsp; At some point you might remind the reader who &amp;quot;they&amp;quot; are.&amp;nbsp; Eg, &amp;quot;these learners,&amp;quot;&amp;nbsp; &amp;quot;the students,&amp;quot; something else of your &lt;strong&gt;choosing&lt;/strong&gt;.&lt;/div&gt;&lt;/BLOCKQUOTE&gt; Is&lt;/em&gt; choosing&amp;#39;&amp;#39; used as a present participle in the above context? &lt;strong&gt;&lt;span style="COLOR:#00bfbf;"&gt;I&amp;#39;d say functionally it&amp;#39;s a gerund, serving as object of the preposition &amp;quot;of.&amp;quot;&amp;nbsp; The other option, &amp;quot;choice,&amp;quot; would of course be a noun. &lt;/span&gt;&lt;/strong&gt;&lt;BLOCKQUOTE&gt;&lt;div&gt;&lt;img src="/Themes/englishforums/images/icon-quote.gif"&gt; &lt;strong&gt;Avangi&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&amp;lt;&amp;lt;During the learning process, they should stop taking the machinery of their native tongue for granted.&amp;gt;&amp;gt;&amp;nbsp; As the final sentence of the first paragraph, this seems enigmatic. It&amp;#39;s very well phrased, but the meaning is less than obvious (to me.)&amp;nbsp; I feel like I want an additional&amp;nbsp;sentence by way of &lt;strong&gt;(=as means of, as a type of)&lt;/strong&gt; explanation, or clarification.&amp;nbsp; &lt;strong&gt;Optionally, you could make your &amp;quot;machinery&amp;quot; image a little easier to connect up.&lt;/strong&gt;&lt;/div&gt;&lt;/BLOCKQUOTE&gt; How can I make the &lt;em&gt;machinery&lt;/em&gt; image a little easier to connect up?&amp;nbsp; &lt;strong&gt;&lt;span style="COLOR:#00bfbf;"&gt;How did I know you were going to ask me that danged question??&amp;nbsp; &lt;em&gt;During the learning process they should remind themselves that the machinery of their native tongue was a long time in [the] building and fine-tuning, and they must be willing to devote an equal effort to the new language.&amp;nbsp;&lt;/em&gt; (I&amp;#39;m not sure I have your intention right.) &lt;/span&gt;&lt;/strong&gt;&lt;BLOCKQUOTE&gt;&lt;div&gt;&lt;img src="/Themes/englishforums/images/icon-quote.gif"&gt; &lt;strong&gt;Avangi&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;In the second paragraph, at first blush &lt;strong&gt;(=when first thought of or considered)&lt;/strong&gt; the antecedent &lt;strong&gt;(=a word or phrase which a pronoun refers back to)&lt;/strong&gt; of &amp;quot;They&amp;quot; would seem to be &amp;quot;English speakers.&amp;quot;&lt;/div&gt;&lt;/BLOCKQUOTE&gt; Yes, you are right. I will be more careful about such constructions in future. &lt;BLOCKQUOTE&gt;&lt;div&gt;&lt;img src="/Themes/englishforums/images/icon-quote.gif"&gt; &lt;strong&gt;Avangi&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;Have you verified that &amp;quot;idiomaticness&amp;quot; is a word?&amp;nbsp; Or is it a &amp;quot;nonce &lt;strong&gt;(=occurring, used, or made only once or for a special occasion)&lt;/strong&gt; word&amp;quot;?&lt;/div&gt;&lt;/BLOCKQUOTE&gt; It is a proper word according to the Merriam-Webster&amp;#39;s dictionary. &lt;/div&gt;&lt;/BLOCKQUOTE&gt;&amp;nbsp; Congratulations on your hard work.&amp;nbsp; - A.&lt;br /&gt;&lt;br /&gt;Edit.&amp;nbsp; &amp;quot;Why is &lt;strong&gt;&lt;em&gt;&lt;span style="TEXT-DECORATION:underline;"&gt;the&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt; article &amp;quot;the&amp;quot; essential here?&amp;quot;</description></item><item><title>Re: Pronoun Case. Please Help.</title><link>http://www.englishforums.com/English/PronounCasePleaseHelp/hrmnd/post.htm#588339</link><pubDate>Mon, 17 Nov 2008 04:15:10 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:588339</guid><dc:creator>AlpheccaStars</dc:creator><description>I have always heard in conversation -&lt;span&gt; that must be &lt;span style="text-decoration:underline;"&gt;him &lt;/span&gt;/ &lt;span style="text-decoration:underline;"&gt;her &lt;/span&gt;on the phone.&lt;/span&gt; &lt;/p&gt;&lt;p&gt;Of course we say:He is on the phone now.&amp;nbsp;&lt;/p&gt;&lt;p&gt;Grammatically,&amp;nbsp; &amp;quot;that must be him&amp;quot; it is not strictly correct, since the case of a pronoun after &amp;quot;be&amp;quot; is nominative. &lt;/p&gt;&lt;p&gt;However, in this case (must be ***), we make an exception to this rule in all but very formal writing&lt;/p&gt;&lt;p&gt;Here is some insight from the site: &lt;a href="http://grammar.ccc.commnet.edu/grammar/cases.htm"&gt;http://grammar.ccc.commnet.edu/grammar/cases.htm&lt;/a&gt;&lt;/p&gt;&lt;blockquote&gt;&lt;p&gt;&lt;i&gt;&amp;nbsp;In formal or academic text, we need the nominative or subject form of the pronoun after a linking verb: &amp;quot;It was he who represented the United Nations during the 1960s,&amp;quot; &amp;quot;&lt;b&gt;That must be she on the dock over there.&lt;/b&gt;&amp;quot; In casual speech and writing, however, that sounds awfully stuffy. Imagine the detective who&amp;#39;s been looking for the victim&amp;#39;s body for days. He jimmies open the trunk of an abandoned car and exclaims, &amp;quot;It&amp;#39;s she!&amp;quot; No self-respecting detective since Sherlock Holmes would say such a thing.&lt;/i&gt;&lt;/p&gt;&lt;/blockquote&gt;&lt;p&gt;&amp;nbsp;&lt;BLOCKQUOTE&gt;&lt;div&gt;&lt;img src="/Themes/englishforums/images/icon-quote.gif"&gt; &lt;strong&gt;Eddie88&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;However, this raises another problem for me. When there is a preposition, the pronoun is meant to be in the objective case. Is this only true when the preposition PRECEEDS the pronoun? Because in this case, ON follows the pronoun, so I wasn&amp;#39;t sure if the rule applied.&lt;/div&gt;&lt;/BLOCKQUOTE&gt;&lt;/p&gt;&lt;p&gt;The preposition always precedes its object, except when the preposition is at the end of a sentence or clause: &lt;/p&gt;&lt;p&gt;Example:&lt;br /&gt;&lt;/p&gt;&lt;p&gt;The &lt;span style="text-decoration:underline;"&gt;man &lt;/span&gt;we bought the gift for is on the train now.&lt;/p&gt;&lt;p&gt;Example: &lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;In the sentence, &amp;quot;that must be him on the phone&amp;quot;, &lt;span style="text-decoration:underline;"&gt;phone &lt;/span&gt;is the object of the proposition &amp;quot;on&amp;quot;. &lt;/p&gt;&lt;p&gt;&amp;nbsp;In the sentence, &amp;quot;The elephant sat on him.&amp;quot;, &lt;span style="text-decoration:underline;"&gt;him&amp;nbsp;&lt;/span&gt; is the object of the proposition &amp;quot;on&amp;quot;.  .&amp;nbsp; &lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;BLOCKQUOTE&gt;&lt;div&gt;&lt;img src="/Themes/englishforums/images/icon-quote.gif"&gt; &lt;strong&gt;Eddie88&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;2)&lt;/b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; Could you please tell me the rules for the usage of &lt;b&gt;were&lt;/b&gt; and &lt;b&gt;was?&lt;/b&gt; For example, in line&amp;nbsp;4 of this writing piece is it &amp;#39;if I were to say...&amp;#39; or &amp;#39;if I was to say... &amp;#39; WHY?&lt;/div&gt;&lt;/BLOCKQUOTE&gt;&lt;/p&gt;&lt;p&gt;The above is the subjunctive mood. Example:&lt;br /&gt;&lt;/p&gt;&lt;p&gt;If I &lt;u&gt;were &lt;/u&gt;rich, I would not be living in this dump. &lt;/p&gt;&lt;p&gt;If I &lt;span style="text-decoration:underline;"&gt;were &lt;/span&gt;you, I would not put any money on that nag. &lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;BLOCKQUOTE&gt;&lt;div&gt;&lt;img src="/Themes/englishforums/images/icon-quote.gif"&gt; &lt;strong&gt;Eddie88&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;3)&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/b&gt;&amp;nbsp;Finally, in academic prose one is not to use the word &lt;b&gt;that&lt;/b&gt; too often, if at all. Once again in line 4, the word &lt;b&gt;that&lt;/b&gt; is used here. It sounds correct to use &lt;b&gt;that&lt;/b&gt; rather than &lt;b&gt;which&lt;/b&gt;. Should I use which to be more formal, even though it sounds weird?&lt;/div&gt;&lt;/BLOCKQUOTE&gt;&lt;/p&gt;&lt;p&gt;&amp;quot;That&amp;quot; is an essential word in English and is used in formal and informal writing. Choosing which word to use is a tricky subject, and the link below has good guidance. It goes into the details on restrictive and non-restrictive clauses and when this rule is likely to be violated.&amp;nbsp;&lt;/p&gt;&lt;ul&gt;&lt;li&gt;Restrictive clauses are introduced by that and are not separated from the rest of the sentence by commas.&lt;/li&gt;&lt;li&gt;Non-restrictive clauses are introduced by which and must be separated by commas from the rest of the sentence to indicate parenthesis. &lt;br /&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&amp;nbsp;&lt;a href="http://www.worldwidewords.org/articles/which.htm"&gt;http://www.worldwidewords.org/articles/which.htm&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;</description></item><item><title>Re:  nominative and objective pronouns.......confusing!</title><link>http://www.englishforums.com/English/NominativeObjectivePronouns-Confusing/3/gnvqw/Post.htm#566431</link><pubDate>Mon, 15 Sep 2008 21:20:46 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:566431</guid><dc:creator>Cool Breeze</dc:creator><description>&lt;BLOCKQUOTE&gt;&lt;div&gt;&lt;img src="/Themes/englishforums/images/icon-quote.gif"&gt; &lt;strong&gt;Avangi&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;br /&gt;When the majority of native speakers prefer an incorrect usage, grammarians respond. &lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;/div&gt;&lt;/BLOCKQUOTE&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Avangi, I couldn&amp;#39;t agree more!&amp;nbsp;&lt;img src="http://www.englishforums.com/emoticons/emotion-1.gif" alt="Smile" title="Smile" /&gt; You have arrived at the nitty-gritty of &lt;u&gt;language&lt;/u&gt;! &lt;u&gt;(Zero&lt;/u&gt; article!) That&amp;#39;s the only way it happens, no matter what usage experts say, sometimes for a long time! Some people have been objecting to using &lt;i&gt;like&lt;/i&gt; as a conjunction in sentences like &lt;i&gt;Do like I say!&lt;/i&gt; for about 150 years. They are late. It has been used that way for 500 years and no one objected to it until the mid-19th century. I am of course liberal enough not to object to anyone being opposed to using &lt;i&gt;like&lt;/i&gt; as a conjunction. I am just wondering WHY? </description></item><item><title>Re: which one is a properly constructed one?</title><link>http://www.englishforums.com/English/ProperlyConstructed/vrlgk/post.htm#337375</link><pubDate>Fri, 09 Mar 2007 10:05:34 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:337375</guid><dc:creator>Believer</dc:creator><description>&lt;P&gt;Thank you, Mr. M.&lt;/P&gt;
&lt;P&gt;That is as you said, I think.&lt;/P&gt;
&lt;P&gt;As to the first one, I think like this.&lt;/P&gt;
&lt;P&gt;His dog is a happiness.&amp;nbsp;&amp;nbsp;&amp;nbsp;(a kind of happiness his dog&amp;nbsp;is.)&lt;/P&gt;
&lt;P&gt;As to&amp;nbsp;the second sentence, why no article here? I think it is because eventhough it is&amp;nbsp;the same predicate nominative as the one above, it is different from&amp;nbsp;the above one because it is NOT&amp;nbsp;saying&amp;nbsp;it is a kind of beauty but rather this&amp;nbsp;is&amp;nbsp;expressing his feeling. This is what I think.&amp;nbsp;Please tell me why there is no need for 'a' here? Sorry if I ask too many questions on this subject.&lt;/P&gt;
&lt;P&gt;This is (no 'a' why??) real beauty.&amp;nbsp;&lt;/P&gt;

&lt;P&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/P&gt;</description></item><item><title>Re: Lesson on issue of descriptive adjective and choice</title><link>http://www.englishforums.com/English/LessonIssueDescriptiveAdjective-Choice/ddkkk/post.htm#268372</link><pubDate>Sun, 17 Sep 2006 13:23:37 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:268372</guid><dc:creator>Mister Micawber</dc:creator><description>&lt;br&gt;&lt;i&gt;Actually, I think I have already said what I had to say in my response to your post about the cats and alligators.&amp;nbsp; But I'll go over some of your concerns&lt;/i&gt;:&lt;br&gt;&lt;br&gt;I think I saw from a post here that kind of said that many times,
having "descriptive adjectives"&amp;nbsp;in front of UNCOUNTABLE NOUNS trigger
the need (necesssity??) to have&amp;nbsp;the indefinite article "a" -- &lt;i&gt;I don't think there is the need, but certainly there is the possibility:&lt;/i&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;I have great faith in you.&lt;br&gt;I have a great sadness in my heart for their pligh&lt;/i&gt;t.&lt;br&gt;&lt;br&gt;&lt;br&gt;and I think
Mr. M said to the effect that in many cases, the choice to put "a" or
not to put it is optional for the cases like one below ("a great happiness"&amp;nbsp; vs.&amp;nbsp; just "great happiness")--&lt;i&gt; &lt;b&gt;generally&lt;/b&gt; optional because both are possible; each case demands its own decision on which should be used.&lt;/i&gt;&lt;br&gt;&lt;br&gt;Here, I think&amp;nbsp;&lt;em&gt;happiness&lt;/em&gt; is one-hundred percent&amp;nbsp;uncountable
noun??, not a variable noun.--&lt;i&gt; No, we have no context, and the noun itself is capable of either form&lt;/i&gt;.&lt;br&gt;&lt;p&gt;His dog is a great happiness in his life. (Sounds good,
isn't it?&amp;nbsp;I&amp;nbsp;think&amp;nbsp;the writer is talking about a kind of happiness and
not the general term, happiness.) -- &lt;i&gt;I agree&lt;/i&gt;&lt;br&gt;&lt;/p&gt;
&lt;p&gt;His dog is&amp;nbsp;great happiness in his life.&amp;nbsp;&amp;nbsp;&amp;nbsp; (Sounds good,
I&amp;nbsp;think, and the writer seems to be saying that his dog is great
happiness in a general sense,&amp;nbsp;not to mean any&amp;nbsp;kind of happiness.) -- &lt;i&gt;I don't agree.&amp;nbsp; You have set up a predicate nominative.&amp;nbsp; &lt;/i&gt;His dog has &lt;b&gt;brought&lt;/b&gt; great happiness into his life&lt;i&gt; would be fine.&amp;nbsp; I leave further analysis to you.&lt;/i&gt;&lt;br&gt;&lt;/p&gt;
&lt;p&gt;1)&amp;nbsp; So, can I&amp;nbsp;say &lt;u&gt;in almost all the cases&lt;/u&gt;, the choice to put
a or not to put a when you have some descriptive adjectives in front of
them&amp;nbsp; depend on the context and perspective of the writer? --&lt;i&gt; Yes, that sounds good-- but more critical is the semantic meaning.&lt;/i&gt;&lt;br&gt;&lt;/p&gt;
&lt;p&gt;2) Can you give me some cases where the choices as described above in not available? -- &lt;i&gt;Not offhand, but I am sure there are many-- I am sure that not all candidate nouns are capable of such permutations&lt;/i&gt;.&lt;br&gt;&lt;/p&gt;
&lt;p&gt;3) Can you check if these are right?&lt;/p&gt;
&lt;p&gt;This&amp;nbsp;form of words is fantastic English. -- &lt;i&gt;OK&lt;/i&gt;&lt;br&gt;&lt;/p&gt;
&lt;p&gt;This form of words is&amp;nbsp; perfectly acceptable English. -- &lt;i&gt;OK&lt;/i&gt;&lt;br&gt;&lt;/p&gt;
&lt;p&gt;This form of words is "good" English --&lt;i&gt; OK&lt;/i&gt;&lt;br&gt;&lt;/p&gt;
&lt;p&gt;This form of words is a fantastic English.-- &lt;i&gt;Not so.&lt;/i&gt;&lt;br&gt;&lt;/p&gt;
&lt;p&gt;This form of words is a perfectly acceptable English. -&lt;i&gt;- Not so.&lt;/i&gt;&lt;br&gt;&lt;/p&gt;
&lt;p&gt;This form of words is a "good" English. -- &lt;i&gt;Not so&lt;/i&gt;&lt;/p&gt;&lt;b&gt;&lt;i&gt;This form of words is a regional English&lt;/i&gt;&lt;/b&gt; -- &lt;i&gt;OK.&amp;nbsp; English and Englishes are specific concepts in linguistics; perhaps that is why the countable form is not so attractive in your sentences.&amp;nbsp; Context, flexibility, semantics&lt;/i&gt;.&lt;br&gt;4)&amp;nbsp;Right now, I have this uneasy feeling when I&amp;nbsp;try to put what look
to be descriptive adjectives in front of uncountable&amp;nbsp;nouns because I am
afraid&amp;nbsp;I might accidently turn them into paticular kinds of something
and not to mean generally. Do you think my feeling regarding that is
unwarranted because the control is in me whether I want to&amp;nbsp;make them to
mean&amp;nbsp; kinds of something or refer (or use&amp;nbsp;them to mean something) in
general terms?&amp;nbsp; -- &lt;i&gt;Fear not; just think what you are trying to say:&amp;nbsp; are you speaking of a general concept or an individual instance?&lt;/i&gt; &lt;i&gt;and choose accordingly&lt;/i&gt;. &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;p&gt;5) Can I be able to put "a" in front of uncountable nouns which have
what I think are descriptive adjectives? -- &lt;i&gt;Generally yes, if you realize that it then becomes countable&lt;/i&gt;.&lt;/p&gt;&lt;p&gt;Is something in apostrophes
qualify like "good" above qualify as a descriptive adjective? -- &lt;i&gt;Yes&lt;/i&gt;.&lt;br&gt;&lt;/p&gt;Help. --&lt;i&gt; I hope this did&lt;/i&gt;.&lt;p&gt;&lt;br&gt;&lt;/p&gt;</description></item><item><title>Re: The reform of linguistics</title><link>http://www.englishforums.com/English/TheReformOfLinguistics/3/clqkz/Post.htm#225884</link><pubDate>Tue, 16 May 2006 14:44:13 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:225884</guid><dc:creator>Forbes</dc:creator><description>&lt;P&gt;Imagine a language in which:&lt;/P&gt;
&lt;P&gt;âThe man hit the table with a stickâ is &lt;/P&gt;
&lt;P&gt;âCopoloteko tipadela tisadure asutariki bu.â&lt;/P&gt;
&lt;P&gt;In this sentence &lt;/P&gt;
&lt;P&gt;co = a classifier indicating that we are talking about something animate &lt;/P&gt;
&lt;P&gt;polo = man&lt;/P&gt;
&lt;P&gt;te = a nominative case marker&lt;/P&gt;
&lt;P&gt;ko = the speaker wishes to emphasise the word âmanâ&lt;/P&gt;
&lt;P&gt;ti = a classifier indicating that we are talking about something inanimate &lt;/P&gt;
&lt;P&gt;pade = table&lt;/P&gt;
&lt;P&gt;la = accusative marker&lt;/P&gt;
&lt;P&gt;ti = as above&lt;/P&gt;
&lt;P&gt;sadu = stick&lt;/P&gt;
&lt;P&gt;re = an instrumental case marker&lt;/P&gt;
&lt;P&gt;a = a prefix indicating that the event took place in the recent past&lt;/P&gt;
&lt;P&gt;suta = hit&lt;/P&gt;
&lt;P&gt;ri = a suffix indicating that the subject of the sentence is animate&lt;/P&gt;
&lt;P&gt;ki = a suffix indicating that the object of the sentence is inanimate&lt;/P&gt;
&lt;P&gt;bu = a particle showing respect to the person addressed&lt;/P&gt;
&lt;P&gt;If we substitute a completely different set of phonemes throughout, so that for example âcopolotekoâ becomes âdasazaviwuâ, the morphology and syntax have not been changed. We can go a step further and make all the syllables closed so that we have âdansaszarvitwunâ, or again go further still and introduce some consonant clusters to produce âdranspaszarvlistwunâ. In each case the phonology of the language is different, but the morphology and syntax&amp;nbsp;are identical.&lt;/P&gt;
&lt;P&gt;Now of course changes in the phonology of a language go hand in hand with changes in its morphology: a classic case is where case endings for nouns are weakened and eventually dropped. But what you seem to be saying, and please correct me if I am wrong, is that you can predict the morphology and syntax of a language from its phonology. In particular, you seem to be suggesting that if a language has a small inventory of phonemes and a simple phonology (that is all syllables must be of the form V or CV or CVC where the final C is restricted to, say, /m/ /n/ and /Å/) the language must be analytic, isolating, monosyllabic and have significant tonality.&lt;/P&gt;
&lt;P&gt;If we take Spanish, it is a language with a comparatively simple phonology. It has only five vowels and the total number of phonemes is about the same as in Mandarin Chinese. The range of consonant clusters is restricted to initial C1C2 where C2 has to be /l/ or /r/. Syllables may only end in a vowel or /Ã°/, /l/, /n/, /r/, /s/ and /&lt;FONT face="Times New Roman"&gt;Î¸&lt;/FONT&gt;/ and even then the /Ã°/, /r/, and /s/ are weak and even disappear in some speakers/varieties with /&lt;FONT face="Times New Roman"&gt;Î¸&lt;/FONT&gt;/ becoming /s/. Whilst Spanish is less synthetic than Latin, from which it derives, it is not isolating, certainly not monosyllabic and does not have significant tonality, at least not at the lexical level, though the difference between statements and questions is often marked only by intonation. Thus we have Spanish and Chinese with broadly similar phonologies (except of course that the phoneme inventories are different) but which are otherwise completely different from each other. It may also be noted that whilst French has a far greater number of phonemes and a more complex phonology than Spanish, Spanish and French have a similar morphology and syntax (at least compared to other non-Romance languages).&lt;/P&gt;
&lt;P&gt;Unless I have completely misunderstood what you are saying, what seems to be the sum of your argument is that simple phonology equals simple language equals simple mind, which is a contention I cannot possibly accept.&amp;nbsp;&lt;/P&gt;</description></item><item><title>Re: Looking for an accepted grammatical explanation.</title><link>http://www.englishforums.com/English/LookingAcceptedGrammatical-Explanation/2/chwdx/Post.htm#203810</link><pubDate>Mon, 06 Mar 2006 21:28:25 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:203810</guid><dc:creator>Pinenut</dc:creator><description>&lt;P&gt;&lt;BLOCKQUOTE&gt;&lt;table width="85%"&gt;&lt;tr&gt;&lt;td class="txt4"&gt;&lt;img src="/Themes/default/images/icon-quote.gif"&gt;&amp;nbsp;&lt;strong&gt;Paco2004 wrote:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="quoteTable"&gt;&lt;table width="100%"&gt;&lt;tr&gt;&lt;td width="100%" valign="top" class="txt4"&gt;&lt;FONT color=#0000ff&gt;"The farther you move away from Earth's center, the less the pull of gravity becomes" &lt;/FONT&gt;&lt;BR&gt;&lt;BR&gt;This "the" was originally "thy", i.e., the instrumental case of the nominative definite article "the" and was used to mean "by means of". Now this "the" is lexically classed as an adverb and OED's grammarians take it that the first "the" means "by how much" and the second "the" means "by so much"&lt;BR&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; "By how much farther you move away from Earth's center, by so much less the pull of gravity becomes."&lt;BR&gt;The oldest use of this construct appeared in King Alfred's translation of Gregory's Regula Pastorialis scripted in 897: "ÃÃ¦t her Ã°y mara wisdom on londe wÃ¦re, Ã°y we ma geÃ°eoda cuÃ°on"&lt;BR&gt;&lt;BR&gt;On the other hand, a&amp;nbsp;British grammarian Quirk explains "the â¦ the â¦" in his CGEL as paring subordinators to make up a proportional relative clause similar to "as â¦ so â¦".&lt;BR&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; "As you move away from Earth's center farther, so the pull of gravity become less."&lt;BR&gt;Suppose the paired "the"s could be used independently,&amp;nbsp;and suppose&lt;BR&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;FONT color=#0000ff&gt;The pull of gravity becomes less &lt;B&gt;the farther&lt;/B&gt; you move away from Earth's center.&lt;/FONT&gt;&lt;BR&gt;be grammatical,&amp;nbsp;then it&amp;nbsp;would be paraphrased like:&lt;BR&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; "As you move away from Earth's center farther, the pull of gravity become less."&lt;BR&gt;It makes sense, but sounds somewhat weaker in the sense of proportionality than "the ... the â¦" or "as â¦ so â¦"&lt;BR&gt;&lt;BR&gt;paco&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/BLOCKQUOTE&gt;&lt;/P&gt;
&lt;P&gt;I am somewhat satisfied with this explanation. It at least tries to explain the usage of "the" in 'the farther'. &lt;/P&gt;</description></item><item><title>Re: Looking for an accepted grammatical explanation.</title><link>http://www.englishforums.com/English/LookingAcceptedGrammatical-Explanation/chwdg/post.htm#203802</link><pubDate>Mon, 06 Mar 2006 20:33:09 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:203802</guid><dc:creator>paco2004</dc:creator><description>&lt;FONT color=#0000ff&gt;"The farther you move away from Earth's center, the less the pull of gravity becomes" &lt;/FONT&gt;&lt;BR&gt;&lt;BR&gt;This "the" was originally "thy", i.e., the instrumental case of the nominative definite article "the" and was used to mean "by means of". Now this "the" is lexically classed as an adverb and OED's grammarians take it that the first "the" means "by how much" and the second "the" means "by so much"&lt;BR&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; "By how much farther you move away from Earth's center, by so much less the pull of gravity becomes."&lt;BR&gt;The oldest use of this construct appeared in King Alfred's translation of Gregory's Regula Pastorialis scripted in 897: "ÃÃ¦t her Ã°y mara wisdom on londe wÃ¦re, Ã°y we ma geÃ°eoda cuÃ°on"&lt;BR&gt;&lt;BR&gt;On the other hand, a&amp;nbsp;British grammarian Quirk explains "the â¦ the â¦" in his CGEL as paring subordinators to make up a proportional relative clause similar to "as â¦ so â¦".&lt;BR&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; "As you move away from Earth's center farther, so the pull of gravity become less."&lt;BR&gt;Suppose the paired "the"s could be used independently,&amp;nbsp;and suppose&lt;BR&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;FONT color=#0000ff&gt;The pull of gravity becomes less &lt;B&gt;the farther&lt;/B&gt; you move away from Earth's center.&lt;/FONT&gt;&lt;BR&gt;be grammatical,&amp;nbsp;then it&amp;nbsp;would be paraphrased like:&lt;BR&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; "As you move away from Earth's center farther, the pull of gravity become less."&lt;BR&gt;It makes sense, but sounds somewhat weaker in the sense of proportionality than "the ... the â¦" or "as â¦ so â¦"&lt;BR&gt;&lt;BR&gt;paco</description></item><item><title>Re: The meaning of 'Gonna'</title><link>http://www.englishforums.com/English/TheMeaningOfGonna/2/cvmgc/Post.htm#190266</link><pubDate>Sun, 29 Jan 2006 07:43:18 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:190266</guid><dc:creator>Anonymous</dc:creator><description>&lt;font color="#0000ff"&gt;What is the word &lt;i&gt;sucks&lt;/i&gt; in &lt;i&gt;"&lt;/i&gt;Homework sucks&lt;i&gt;"&lt;/i&gt;? Is it a verb or an adjective? If it is a verb, what does homework suck?&lt;br&gt;&lt;/font&gt;&lt;br&gt;This brings up an excellent point, and a wonderful opportunity to discover the beautiful syntactic structure of the English language. The question at hand is &lt;i&gt;"&lt;/i&gt;Does an English verb need to have an object?&lt;i&gt;"&lt;/i&gt; Consider the simple construction, &lt;i&gt;"&lt;/i&gt;I eat&lt;i&gt;"&lt;/i&gt; (Subject-ActionVerb). It is a coherent English thought; there is no need to express what is eaten. Just because an English sentence contains an action verb does not mean an object of that action must occur. The neat thing is, though, that it can occur and the thought is just as coherent. &lt;i&gt;"&lt;/i&gt;I eat pizza&lt;i&gt;"&lt;/i&gt; (Subject-ActionVerb-Object) is an equally logical thought. &lt;br&gt;&lt;br&gt;Action verbs that have an object of their action are said to be &lt;i&gt;transitive&lt;/i&gt;, while those that do not are said to be &lt;i&gt;intransitive&lt;/i&gt;. Objects can receive the action of their verb either directly or indirectly. An object which is indirectly acted upon only occurs when there is one which is directly acted upon as well. Objects which receive their verb&lt;i&gt;'&lt;/i&gt;s action directly are said to be &lt;i&gt;direct&lt;/i&gt;,&lt;i&gt; &lt;/i&gt;whereas those which receive it indirectly are said to be &lt;i&gt;indirect&lt;/i&gt;. In the sentence &lt;i&gt;"&lt;/i&gt;I baked them pizza,&lt;i&gt;"&lt;/i&gt; &lt;i&gt;pizza&lt;/i&gt; is a direct object, and &lt;i&gt;them&lt;/i&gt; is an indirect object.&lt;br&gt;&lt;br&gt;We have observed three fundamental patterns of the English language:&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; Subject-IntransitiveVerb &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (S-InV)&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;  &amp;nbsp;&amp;nbsp;  &amp;nbsp;&amp;nbsp;  &amp;nbsp;&amp;nbsp;  I eat.&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; Subject-TransitiveVerb-DirectObject &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (S-TrV-DO)&amp;nbsp;&amp;nbsp;  &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;  I eat pizza.&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; Subject-TransitiveVerb-IndirectObject-DirectObject&amp;nbsp; (S-TrV-IO-DO)&amp;nbsp;&amp;nbsp;&amp;nbsp;  I bake them pizza.&lt;br&gt;&lt;br&gt;As it turns out, the entire English language follows only about six different fundamental patterns, depending on how you count them. Essentially, there are only three more. I find this fascinating, so here I have written a short exposition on the topic. I intend to learn as much from those who view this forum as they can learn from me, so please read, enjoy (hopefully&lt;img src="/emoticons/emotion-2.gif" alt="Big Smile [:D]" /&gt;), and critique it.&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;font size="5"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; An Inquiry into the Syntactical Structure of the English Language&lt;/font&gt;&lt;br&gt;&lt;br&gt;&lt;b&gt;Fundamental Parts of Speech&lt;/b&gt;&lt;br&gt;&amp;nbsp;There exist various schemes that depict the fundamental parts of speech in the English language. The underlying assumption of them all is that every English word can be classified into a fairly small number of categories. According to a word&lt;i&gt;'&lt;/i&gt;s inherent qualities these are somewhat nebulous, but according to how the word is used in a sentence they our definitive. The scheme I adopt here models English words in seven divisions: &lt;i&gt;nouns&lt;/i&gt;* (N), &lt;i&gt;verbs&lt;/i&gt; (V), &lt;i&gt;adjectives&lt;/i&gt;** (Adj), &lt;i&gt;adverbs&lt;/i&gt; (Adv), &lt;i&gt;prepositions&lt;/i&gt; (Prep), &lt;i&gt;conjunctions&lt;/i&gt; (Conj), and &lt;i&gt;interjections&lt;/i&gt; (Interj). No attempt will be put forth to define these whether operationally or inherently. That being beyond the scope of this work&lt;br&gt;&lt;font size="2"&gt;*&lt;i&gt;Nouns&lt;/i&gt; in this work refers to both nouns and pronouns. Though they constitute two distinct categories they are used virtually interchangeably distinguishable only by the inherent qualities they possess. (A point in which syntax is largely uninterested.)&lt;br&gt;**This class contains what other schemes might divide into the categories of &lt;i&gt;articles&lt;/i&gt;, &lt;i&gt;determiners&lt;/i&gt;, &lt;i&gt;qualifiers&lt;/i&gt;, &lt;i&gt;modifying nouns&lt;/i&gt;, etc.&lt;br&gt;&lt;/font&gt;&lt;b&gt;A Steal Framework&lt;/b&gt;&lt;font size="3"&gt;&lt;b&gt;&lt;/b&gt;&lt;/font&gt;&lt;br&gt;Again the various models of English syntax would number the fundamental patterns differently. I have adopted a scheme of six. The patterns are concerned only with two parts of speech: verbs and nouns. They form a sort of a metal framework upon which the rest of the fundamental part bestow their graces connecting and decorating it into a beautiful masterpiece. I model English nouns as possessing eight unique functions (&lt;i&gt;subject&lt;/i&gt; (S), &lt;i&gt;direct object&lt;/i&gt; (DO), &lt;i&gt;indirect object&lt;/i&gt; (IO), &lt;i&gt;objective complement&lt;/i&gt; (OC), &lt;i&gt;subjective complement&lt;/i&gt; (SC), &lt;i&gt;object of the preposition&lt;/i&gt; (OP), &lt;i&gt;noun of direct address&lt;/i&gt; (DA), and &lt;i&gt;appositive&lt;/i&gt; (App)) and English verbs as possessing four unique functions (&lt;i&gt;action verb&lt;/i&gt;*, &lt;i&gt;linking verb&lt;/i&gt; (LV), &lt;i&gt;state of being verb&lt;/i&gt; (Be), &lt;i&gt;helping verb&lt;/i&gt;** (Aux)). Only the first five of the noun functions and the first three of the verb functions are used in constructing the patterns. The rest are added on later for decoration.&lt;br&gt;&lt;font size="2"&gt;*As it has been aforementioned actions verbs are either &lt;i&gt;transitive verbs&lt;/i&gt; (TrV), possessing objects, or &lt;i&gt;intransitive verbs&lt;/i&gt; (InV), not possessing objects.&lt;/font&gt;&lt;font size="2"&gt;&lt;br&gt;**Helping verbs also known as &lt;i&gt;auxiliary verbs&lt;/i&gt; or simply &lt;i&gt;auxiliaries&lt;/i&gt; serve solely to aid the one main verb of a syntactic pattern in expressing such complexities as &lt;i&gt;tense&lt;/i&gt;, &lt;i&gt;mood&lt;/i&gt;, or &lt;i&gt;voice&lt;/i&gt;. Unlike other languages, English verb ending are unable to accomplish this consisting of only four principle parts with little variation or no variation for person or number. Rarely will you find a verb written more than four ways.&lt;br&gt;&lt;/font&gt;&lt;b&gt;&lt;br&gt;&lt;/b&gt;&lt;font size="3"&gt;&lt;b&gt;The Fundamental Syntactic Patterns&lt;/b&gt;&lt;/font&gt;&lt;br&gt;Some schemes include adjective and adverb elements. I do not, however, because I do not consider them the pegs on which other elements can hang. They are merely filler. I have put alternate examples in &lt;b&gt;boldface type&lt;/b&gt; for where some find grounds for other patterns.&lt;br&gt;&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 1. S-Be&lt;i&gt;*&lt;/i&gt;&lt;i&gt;&lt;font color="#ff0000"&gt;&lt;/font&gt; &amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; I am&lt;/i&gt;. or &lt;i&gt;I am &lt;b&gt;here&lt;/b&gt;&lt;/i&gt;.&lt;br&gt;&lt;font size="2"&gt;&lt;/font&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 2. S-LV-SC&lt;i&gt;&lt;font color="#008000"&gt;*&lt;/font&gt;&lt;/i&gt;&lt;font color="#ff0000"&gt;&lt;font color="#000000"&gt;,&lt;/font&gt;&lt;/font&gt;&lt;i&gt;&lt;font color="#ff0000"&gt;*&lt;/font&gt;&lt;/i&gt;&lt;i&gt; &lt;/i&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; I am&amp;nbsp; Daniel&lt;/i&gt;.&lt;i&gt; &lt;/i&gt;or &lt;i&gt;I am &lt;b&gt;good&lt;/b&gt;&lt;/i&gt;.&amp;nbsp;&amp;nbsp;  &lt;br&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 3. &lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;S-InV&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;i&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; I eat&lt;/i&gt;.&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 4. &lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;S-TrV-DO&lt;font color="#0000ff"&gt;*&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;i&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; I eat pizza&lt;/i&gt;.&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 5. &lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;S-TrV-IO-DO&lt;font color="#0000ff"&gt;*&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;i&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; I bake them pizza&lt;/i&gt;.&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 6. &lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;S-TrV-DO-OC&lt;font color="#0000ff"&gt;*&lt;/font&gt;,&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;i&gt;&lt;font color="#ffff00"&gt;*&lt;/font&gt; &amp;nbsp;&amp;nbsp; &amp;nbsp; I consider pizza food&lt;/i&gt;. or &lt;i&gt;I find pizza &lt;b&gt;tasty&lt;/b&gt;&lt;/i&gt;.&lt;br&gt;&lt;font size="2"&gt;*&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt; &lt;i&gt;"&lt;/i&gt;I am here,&lt;i&gt;"&lt;/i&gt; or, &lt;i&gt;"&lt;/i&gt;I am of the tribe of Benjamin,&lt;i&gt;"&lt;/i&gt; are examples of an adverb element on the S-Be pattern. Under some schemes this would be a new pattern, S-be-Adv. &lt;/font&gt;&lt;font size="2"&gt;The adverb element, often referred to as the &lt;i&gt;adverbial&lt;/i&gt; modifies the verb indicating where or when.&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;br&gt;&lt;font color="#008000"&gt;*&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;The subjective &lt;b&gt;comple&lt;/b&gt;ment is the &lt;b&gt;comple&lt;/b&gt;ter of the subject. If it is an adjective it is called the &lt;/font&gt;&lt;font size="2"&gt;&lt;i&gt;predicate adjective&lt;/i&gt;&lt;/font&gt;&lt;font size="2"&gt; (PA). If it is a noun it is called the &lt;i&gt;predicate nominative&lt;/i&gt; or &lt;i&gt;noun&lt;/i&gt; (PN). As a noun it is said to rename the subject (Daniel). As a adjective it is said to  modify the subject (good). Under some schemes these two cases form distinct patterns (S-LV-PN and S-LV-PA).&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;font color="#ff0000"&gt;&lt;br&gt;*&lt;/font&gt;Depending
on whether or not the definition of linking verb is broadened to
include the state of being verbs, a separate pattern (S-be-SC) is often
employed which in turn is typically divided into the two distinct patterns
(S-be-PA and S-be-PN).&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;br&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;font color="#0000ff"&gt;*&lt;/font&gt;Both direct and indirect objects are considered to be &lt;i&gt;predicate complements &lt;/i&gt;(PC). So the distinction between them is sometimes lost and these patterns can be depicted S-TrV-PC, S-TrV-PC-PC, and S-TrV-PC-OC with the former two occasionally fusing into one pattern (S-TrV-PC).&lt;br&gt;&lt;font color="#ffff00"&gt;*&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;Sometimes a distinction is made between an objective complement that functions as a noun (pizza), &lt;i&gt;objective noun&lt;/i&gt; (ON), and one that functions as a adjective (tasty), &lt;i&gt;objective adjective&lt;/i&gt; (OA). Thus two distinct patterns are formed (S-TrV-DO-ON and S-TrV-DO-OA).&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;br&gt;&lt;font size="3"&gt;&lt;br&gt;Whether or not it is wise to exclude the patterns S-Be-Adv, S-LV-PA, and S-TrV-OA, I do not know, but since I maintain that the fundamental syntactic units are composed of certain nouns and verbs I will. For now the other parts of speech and remaining nouns and verbs are for filling out the framework.&lt;br&gt;&lt;br&gt;&lt;b&gt;The Decorations and Connections&lt;/b&gt;&lt;br&gt;The remaining verbs, helping/auxiliary verbs (Aux), come before the verbs in the patterns and give them tense. Of the remaining nouns, nouns of direct address (DA) are when you address the person you are talking two by name, appositives come right after one of the nouns in the fundamental patterns and serve to rename them, and objects of the preposition are the words the prepositions (Prep) are relating to the rest of the sentence. Prepositions (Prep) then relate nouns to the rest of the sentence. Conjunction (Conj) join elements whether they be fundamental patterns, subject, or verbs. Interjections (Interj) do just that. Butt in breaking the flow of everything. Adjectives (Adj) modify nouns, and adverbs (Adv) modify verbs, adjectives, and other adverbs.&lt;font size="2"&gt;&lt;br&gt;&lt;br&gt;&lt;font size="3"&gt;These nine links and flesh may simply be one word or, as four of them (OP, App, Adj, and Adv)&lt;/font&gt;&lt;font size="3"&gt; often are, be expanded into multiword units composed themselves of smaller units which in turn are linked to other units. Thus you have the massive interlocking structure of the English language.&lt;br&gt;&lt;br&gt;What are these large units with in units though? They are either &lt;i&gt;clauses&lt;/i&gt; or &lt;i&gt;phrases&lt;/i&gt;.&lt;br&gt;&lt;b&gt;&lt;br&gt;Clauses&lt;br&gt;&lt;/b&gt;Clause c&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;ontain both a subject and a verb but cannot stand alone as a complete thought. They are one of the fundamental units fleshed out. They&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;font size="3"&gt; come in three varieties those that will function as an adverb (Adv), those that will function as a adjective (Adj), and those that will function as a noun (not just OP and App, but the fundamental makeup of the patterns S, DO, IO, OC, and PN/SC).&lt;br&gt;&lt;br&gt;&lt;b&gt;Phrases:*&lt;/b&gt;&lt;br&gt;Phrases certain either a subject or a verb, but not both. The &lt;i&gt;prepositional phrase&lt;/i&gt;--the unit Prep-OP (sometimes fleshed out with other elements)--functions as either an Adj, Adv, or a N. There are three phrase which are one of the six or nine depending on how you look at it fundamental patterns with the S severed from them. The &lt;i&gt;gerund phrase&lt;/i&gt; is the one in which the main verb must be in the second principle part** and functions as a N. The &lt;i&gt;participle phrase&lt;/i&gt; is the one in which the main verb must be in the second or fourth principle part** and functions as an Adj. The &lt;i&gt;infinitive phrase &lt;/i&gt;is the one in which the verb must be in the infinitive (nearly synonymous with the first principle part** and functions as an Adj, Adv, or a N. A fifth and unusual type of phrase functions as a modifier (Adj or Adv&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;) of the entire sentence, and is composed of a noun followed by a participial phrase.&lt;br&gt;&lt;font size="2"&gt;*Sometimes the classifications of phrases are broadened to include a &lt;i&gt;noun phrase&lt;/i&gt;, &lt;i&gt;verb phrase&lt;/i&gt;, &lt;i&gt;adjective phrase&lt;/i&gt;, &lt;i&gt;adverb phrase&lt;/i&gt;, and &lt;i&gt;appositive phrase&lt;/i&gt;. However, I will abstain from such a measure because noun phrases are just simply any of the five above which can function as a N, appositive phrases are just simply any of the five above which can function as an appositive (a N), adjective phrases are just any of the five above which can function as Adj, adverb phrases are just simply any of the five above which can function as Adv, and verb phrases are just the verb of the six fundamental patterns with its auxiliaries.&lt;br&gt;**Sometimes English verbs are depicted as having three principle parts, (1) present, (2) past, and (3) past participle, presumably because the present participle of all English verbs is the &lt;i&gt;present + -ing&lt;/i&gt;. However, the scheme used here is that which depicts four principle parts, (1) present, (2) present participle, (3) past, (4) past participle, which can be derived from the infinitive [&lt;i&gt;to &lt;/i&gt;&lt;b&gt;&lt;i&gt;. . .&lt;/i&gt;&lt;/b&gt;]&lt;b&gt; &lt;/b&gt;by asking the four questions (1) &lt;i&gt;Today, &lt;/i&gt;[&lt;i&gt;I/we, you, he/she/it/they&lt;/i&gt;]&lt;i&gt; . . .&lt;/i&gt;&lt;i&gt;Currently, &lt;/i&gt;[&lt;i&gt;I/we, you, he/she/it/they&lt;/i&gt;]&lt;i&gt; &lt;/i&gt;[&lt;i&gt;to be&lt;/i&gt;]&lt;i&gt; . . .&lt;/i&gt; , (3) &lt;i&gt;Yesterday, &lt;/i&gt;[&lt;i&gt;I/we, you, he/she/it/they&lt;/i&gt;]&lt;i&gt; . . . &lt;/i&gt;, (4) &lt;i&gt;Previously, &lt;/i&gt;[&lt;i&gt;I/we, you, he/she/it/they&lt;/i&gt;]&lt;i&gt; &lt;/i&gt;[&lt;i&gt;to have&lt;/i&gt;]&lt;i&gt; . . . &lt;/i&gt;of the infinitive&lt;i&gt;.&lt;/i&gt;&lt;/font&gt;&lt;br&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;</description></item><item><title>Re: parts of speech</title><link>http://www.englishforums.com/English/PartsOfSpeech/bmdqw/post.htm#143624</link><pubDate>Sat, 01 Oct 2005 14:39:08 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:143624</guid><dc:creator>Mister Micawber</dc:creator><description>&lt;br&gt;
&lt;b&gt;&lt;font face="Arial"&gt;1) &lt;/font&gt;&lt;/b&gt;&lt;font face="Arial"&gt;My&lt;/font&gt;&lt;font face="Arial"&gt; little&lt;/font&gt;&lt;font face="Arial"&gt; brother&lt;/font&gt;&lt;font face="Arial"&gt; would &lt;/font&gt;&lt;font face="Arial"&gt;not &lt;/font&gt;&lt;font face="Arial"&gt;turn&lt;/font&gt;&lt;font face="Arial"&gt; down&lt;/font&gt;&lt;font face="Arial"&gt; the&lt;/font&gt;&lt;font face="Arial"&gt; radio&lt;/font&gt;&lt;font face="Arial"&gt; volume &lt;/font&gt;&lt;font face="Arial"&gt;in &lt;/font&gt;&lt;font face="Arial"&gt;the&lt;/font&gt;&lt;font face="Arial"&gt; morning.&lt;/font&gt;&lt;br&gt;
&lt;br&gt;
&lt;font face="Courier New"&gt;MY = &lt;/font&gt;&lt;font face="Courier New"&gt;possessive adjective &lt;/font&gt;&lt;br&gt;
&lt;font face="Courier New"&gt;LITTLE = &lt;i&gt;DESCRIPTIVE ADJECTIVE&lt;/i&gt;&lt;/font&gt;&lt;br&gt;
&lt;font face="Courier New"&gt;BROTHER = noun &lt;/font&gt;&lt;br&gt;
&lt;font face="Courier New"&gt;WOULD = modal auxiliary&lt;/font&gt;&lt;br&gt;
&lt;font face="Courier New"&gt;NOT = &lt;i&gt;NEGATIVE PARTICLE&lt;/i&gt;&lt;/font&gt;&lt;br&gt;
&lt;font face="Courier New"&gt;TURN = main verb &lt;/font&gt;&lt;br&gt;
&lt;font face="Courier New"&gt;DOWN = &lt;i&gt;adverb particle&lt;/i&gt;&lt;/font&gt;&lt;br&gt;
&lt;font size="3"&gt;&lt;font face="Courier New"&gt;THE = definite article&lt;/font&gt;&lt;/font&gt;&lt;br&gt;
&lt;font size="3"&gt;&lt;font face="Courier New"&gt;RADIO = noun (&lt;i&gt;used as an &lt;b&gt;adjective&lt;/b&gt;&lt;/i&gt;)&lt;/font&gt;&lt;/font&gt;&lt;br&gt;
&lt;font size="3"&gt;&lt;font face="Courier New"&gt;VOLUME = noun&lt;/font&gt;&lt;/font&gt;&lt;br&gt;
&lt;font size="3"&gt;&lt;font face="Courier New"&gt;IN = preposition&lt;/font&gt;&lt;/font&gt;&lt;br&gt;
&lt;font face="Courier New"&gt;&lt;font size="3"&gt;THE = definite article &lt;/font&gt;&lt;/font&gt;&lt;br&gt;
&lt;font size="3"&gt;&lt;font face="Courier New"&gt;MORNING = &lt;i&gt;&lt;b&gt;NOUN&lt;/b&gt; OBJECT OF PREPOSITION; THE PREP PHRASE IS A TIME ADVERBIAL&lt;/i&gt;&lt;/font&gt;&lt;/font&gt;&lt;br&gt;
&lt;br&gt;
&lt;font face="Arial"&gt;&lt;b&gt;1) &lt;/b&gt;She came to class ver&lt;/font&gt;&lt;font face="Arial"&gt;y &lt;/font&gt;&lt;font face="Arial"&gt;late.&lt;/font&gt;&lt;br&gt;
&lt;br&gt;
&lt;font face="Arial"&gt;&lt;font face="Courier New"&gt;SHE = &lt;/font&gt;&lt;font face="Courier New"&gt;nominative personal pronoun&lt;/font&gt;&lt;/font&gt;&lt;br&gt;
&lt;font face="Arial"&gt;&lt;font face="Courier New"&gt;CAME = main verb&lt;/font&gt;&lt;/font&gt;&lt;br&gt;
&lt;font face="Arial"&gt;&lt;font face="Courier New"&gt;TO = preposition&lt;/font&gt;&lt;/font&gt;&lt;br&gt;
&lt;font face="Arial"&gt;&lt;font face="Courier New"&gt;CLASS = noun&lt;/font&gt;&lt;/font&gt;&lt;br&gt;
&lt;font face="Arial"&gt;&lt;font face="Courier New"&gt;VERY = adverb of intensity&lt;/font&gt;&lt;/font&gt;&lt;br&gt;
&lt;font face="Arial"&gt;&lt;font face="Courier New"&gt;LATE = adverb of time&lt;br&gt;
&lt;br&gt;
&lt;/font&gt;&lt;/font&gt;&lt;br&gt;</description></item></channel></rss>