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<rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>Search results for 'tag:Nominative tag:Auxiliaries' matching tags 'Nominative' and 'Auxiliaries'</title><link>http://www.englishforums.com/search/pro.htm?q=tag%3aNominative+tag%3aAuxiliaries</link><description>Search results for 'tag:Nominative tag:Auxiliaries' matching tags 'Nominative' and 'Auxiliaries'</description><dc:language>en-US</dc:language><generator>CSMOD (Build: 3256.36449)</generator><item><title>Re: forms of &amp;quot;be&amp;quot;</title><link>http://www.englishforums.com/English/FormsOfBe/zwzrp/post.htm#458369</link><pubDate>Sun, 30 Dec 2007 05:51:11 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:458369</guid><dc:creator>Mister Micawber</dc:creator><description>&lt;br&gt;The uses of &lt;i&gt;be&lt;/i&gt; are numerous, Sunilghai:&lt;br&gt;&lt;br&gt;&lt;i&gt;âverb (used without object)  &lt;/i&gt;&lt;table class="luna-Ent"&gt;&lt;tr&gt;&lt;td class="dn"&gt;&lt;i&gt;1.&lt;/i&gt;&lt;/td&gt;&lt;td&gt;&lt;i&gt;to exist or live: Shakespeare's âTo be or not to beâ is the ultimate question. &lt;/i&gt; &lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;

&lt;table class="luna-Ent"&gt;&lt;tr&gt;&lt;td class="dn"&gt;&lt;i&gt;2.&lt;/i&gt;&lt;/td&gt;&lt;td&gt;&lt;i&gt;to take place; happen; occur: The wedding was last week. &lt;/i&gt; &lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;

&lt;table class="luna-Ent"&gt;&lt;tr&gt;&lt;td class="dn"&gt;&lt;i&gt;3.&lt;/i&gt;&lt;/td&gt;&lt;td&gt;&lt;i&gt;to occupy a place or position: The book is on the table. &lt;/i&gt; &lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;

&lt;table class="luna-Ent"&gt;&lt;tr&gt;&lt;td class="dn"&gt;&lt;i&gt;4.&lt;/i&gt;&lt;/td&gt;&lt;td&gt;&lt;i&gt;to continue or remain as before: Let things be. &lt;/i&gt; &lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;

&lt;table class="luna-Ent"&gt;&lt;tr&gt;&lt;td class="dn"&gt;&lt;i&gt;5.&lt;/i&gt;&lt;/td&gt;&lt;td&gt;&lt;i&gt;to belong; attend; befall: May good fortune be with you. &lt;/i&gt; &lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;

&lt;table class="luna-Ent"&gt;&lt;tr&gt;&lt;td class="dn"&gt;&lt;i&gt;6.&lt;/i&gt;&lt;/td&gt;&lt;td&gt;&lt;i&gt;(used
as a copula to connect the subject with its predicate adjective, or
predicate nominative, in order to describe, identify, or amplify the
subject): Martha is tall. John is president. This is she. &lt;/i&gt; &lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;

&lt;table class="luna-Ent"&gt;&lt;tr&gt;&lt;td class="dn"&gt;&lt;i&gt;7.&lt;/i&gt;&lt;/td&gt;&lt;td&gt;&lt;i&gt;(used as a copula to introduce or form interrogative or imperative sentences): Is that right? Be quiet! Don't be facetious. &lt;/i&gt; &lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;i&gt;&lt;br&gt;âauxiliary verb  &lt;/i&gt;&lt;table class="luna-Ent"&gt;&lt;tr&gt;&lt;td class="dn"&gt;&lt;i&gt;8.&lt;/i&gt;&lt;/td&gt;&lt;td&gt;&lt;i&gt;(used with the present participle of another verb to form the progressive tense): I am waiting. &lt;/i&gt; &lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;

&lt;table class="luna-Ent"&gt;&lt;tr&gt;&lt;td class="dn"&gt;&lt;i&gt;9.&lt;/i&gt;&lt;/td&gt;&lt;td&gt;&lt;i&gt;(used with the present participle or infinitive of the principal verb to indicate future action): She is visiting there next week. He is to see me today. &lt;/i&gt; &lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;

&lt;table class="luna-Ent"&gt;&lt;tr&gt;&lt;td class="dn"&gt;&lt;i&gt;10.&lt;/i&gt;&lt;/td&gt;&lt;td&gt;&lt;i&gt;(used with the past participle of another verb to form the passive voice): The date was fixed. It must be done. &lt;/i&gt; &lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;

&lt;table class="luna-Ent"&gt;&lt;tr&gt;&lt;td class="dn"&gt;&lt;i&gt;11.&lt;/i&gt;&lt;/td&gt;&lt;td&gt;&lt;i&gt;(used in archaic or literary constructions with some intransitive verbs to form the perfect tense): He is come. Agamemnon to the wars is gone.&lt;/i&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;br&gt;</description></item><item><title>Re: The meaning of 'Gonna'</title><link>http://www.englishforums.com/English/TheMeaningOfGonna/2/cvmgc/Post.htm#190266</link><pubDate>Sun, 29 Jan 2006 07:43:18 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:190266</guid><dc:creator>Anonymous</dc:creator><description>&lt;font color="#0000ff"&gt;What is the word &lt;i&gt;sucks&lt;/i&gt; in &lt;i&gt;"&lt;/i&gt;Homework sucks&lt;i&gt;"&lt;/i&gt;? Is it a verb or an adjective? If it is a verb, what does homework suck?&lt;br&gt;&lt;/font&gt;&lt;br&gt;This brings up an excellent point, and a wonderful opportunity to discover the beautiful syntactic structure of the English language. The question at hand is &lt;i&gt;"&lt;/i&gt;Does an English verb need to have an object?&lt;i&gt;"&lt;/i&gt; Consider the simple construction, &lt;i&gt;"&lt;/i&gt;I eat&lt;i&gt;"&lt;/i&gt; (Subject-ActionVerb). It is a coherent English thought; there is no need to express what is eaten. Just because an English sentence contains an action verb does not mean an object of that action must occur. The neat thing is, though, that it can occur and the thought is just as coherent. &lt;i&gt;"&lt;/i&gt;I eat pizza&lt;i&gt;"&lt;/i&gt; (Subject-ActionVerb-Object) is an equally logical thought. &lt;br&gt;&lt;br&gt;Action verbs that have an object of their action are said to be &lt;i&gt;transitive&lt;/i&gt;, while those that do not are said to be &lt;i&gt;intransitive&lt;/i&gt;. Objects can receive the action of their verb either directly or indirectly. An object which is indirectly acted upon only occurs when there is one which is directly acted upon as well. Objects which receive their verb&lt;i&gt;'&lt;/i&gt;s action directly are said to be &lt;i&gt;direct&lt;/i&gt;,&lt;i&gt; &lt;/i&gt;whereas those which receive it indirectly are said to be &lt;i&gt;indirect&lt;/i&gt;. In the sentence &lt;i&gt;"&lt;/i&gt;I baked them pizza,&lt;i&gt;"&lt;/i&gt; &lt;i&gt;pizza&lt;/i&gt; is a direct object, and &lt;i&gt;them&lt;/i&gt; is an indirect object.&lt;br&gt;&lt;br&gt;We have observed three fundamental patterns of the English language:&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; Subject-IntransitiveVerb &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (S-InV)&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;  &amp;nbsp;&amp;nbsp;  &amp;nbsp;&amp;nbsp;  &amp;nbsp;&amp;nbsp;  I eat.&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; Subject-TransitiveVerb-DirectObject &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (S-TrV-DO)&amp;nbsp;&amp;nbsp;  &amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;  I eat pizza.&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; Subject-TransitiveVerb-IndirectObject-DirectObject&amp;nbsp; (S-TrV-IO-DO)&amp;nbsp;&amp;nbsp;&amp;nbsp;  I bake them pizza.&lt;br&gt;&lt;br&gt;As it turns out, the entire English language follows only about six different fundamental patterns, depending on how you count them. Essentially, there are only three more. I find this fascinating, so here I have written a short exposition on the topic. I intend to learn as much from those who view this forum as they can learn from me, so please read, enjoy (hopefully&lt;img src="/emoticons/emotion-2.gif" alt="Big Smile [:D]" /&gt;), and critique it.&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;font size="5"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; An Inquiry into the Syntactical Structure of the English Language&lt;/font&gt;&lt;br&gt;&lt;br&gt;&lt;b&gt;Fundamental Parts of Speech&lt;/b&gt;&lt;br&gt;&amp;nbsp;There exist various schemes that depict the fundamental parts of speech in the English language. The underlying assumption of them all is that every English word can be classified into a fairly small number of categories. According to a word&lt;i&gt;'&lt;/i&gt;s inherent qualities these are somewhat nebulous, but according to how the word is used in a sentence they our definitive. The scheme I adopt here models English words in seven divisions: &lt;i&gt;nouns&lt;/i&gt;* (N), &lt;i&gt;verbs&lt;/i&gt; (V), &lt;i&gt;adjectives&lt;/i&gt;** (Adj), &lt;i&gt;adverbs&lt;/i&gt; (Adv), &lt;i&gt;prepositions&lt;/i&gt; (Prep), &lt;i&gt;conjunctions&lt;/i&gt; (Conj), and &lt;i&gt;interjections&lt;/i&gt; (Interj). No attempt will be put forth to define these whether operationally or inherently. That being beyond the scope of this work&lt;br&gt;&lt;font size="2"&gt;*&lt;i&gt;Nouns&lt;/i&gt; in this work refers to both nouns and pronouns. Though they constitute two distinct categories they are used virtually interchangeably distinguishable only by the inherent qualities they possess. (A point in which syntax is largely uninterested.)&lt;br&gt;**This class contains what other schemes might divide into the categories of &lt;i&gt;articles&lt;/i&gt;, &lt;i&gt;determiners&lt;/i&gt;, &lt;i&gt;qualifiers&lt;/i&gt;, &lt;i&gt;modifying nouns&lt;/i&gt;, etc.&lt;br&gt;&lt;/font&gt;&lt;b&gt;A Steal Framework&lt;/b&gt;&lt;font size="3"&gt;&lt;b&gt;&lt;/b&gt;&lt;/font&gt;&lt;br&gt;Again the various models of English syntax would number the fundamental patterns differently. I have adopted a scheme of six. The patterns are concerned only with two parts of speech: verbs and nouns. They form a sort of a metal framework upon which the rest of the fundamental part bestow their graces connecting and decorating it into a beautiful masterpiece. I model English nouns as possessing eight unique functions (&lt;i&gt;subject&lt;/i&gt; (S), &lt;i&gt;direct object&lt;/i&gt; (DO), &lt;i&gt;indirect object&lt;/i&gt; (IO), &lt;i&gt;objective complement&lt;/i&gt; (OC), &lt;i&gt;subjective complement&lt;/i&gt; (SC), &lt;i&gt;object of the preposition&lt;/i&gt; (OP), &lt;i&gt;noun of direct address&lt;/i&gt; (DA), and &lt;i&gt;appositive&lt;/i&gt; (App)) and English verbs as possessing four unique functions (&lt;i&gt;action verb&lt;/i&gt;*, &lt;i&gt;linking verb&lt;/i&gt; (LV), &lt;i&gt;state of being verb&lt;/i&gt; (Be), &lt;i&gt;helping verb&lt;/i&gt;** (Aux)). Only the first five of the noun functions and the first three of the verb functions are used in constructing the patterns. The rest are added on later for decoration.&lt;br&gt;&lt;font size="2"&gt;*As it has been aforementioned actions verbs are either &lt;i&gt;transitive verbs&lt;/i&gt; (TrV), possessing objects, or &lt;i&gt;intransitive verbs&lt;/i&gt; (InV), not possessing objects.&lt;/font&gt;&lt;font size="2"&gt;&lt;br&gt;**Helping verbs also known as &lt;i&gt;auxiliary verbs&lt;/i&gt; or simply &lt;i&gt;auxiliaries&lt;/i&gt; serve solely to aid the one main verb of a syntactic pattern in expressing such complexities as &lt;i&gt;tense&lt;/i&gt;, &lt;i&gt;mood&lt;/i&gt;, or &lt;i&gt;voice&lt;/i&gt;. Unlike other languages, English verb ending are unable to accomplish this consisting of only four principle parts with little variation or no variation for person or number. Rarely will you find a verb written more than four ways.&lt;br&gt;&lt;/font&gt;&lt;b&gt;&lt;br&gt;&lt;/b&gt;&lt;font size="3"&gt;&lt;b&gt;The Fundamental Syntactic Patterns&lt;/b&gt;&lt;/font&gt;&lt;br&gt;Some schemes include adjective and adverb elements. I do not, however, because I do not consider them the pegs on which other elements can hang. They are merely filler. I have put alternate examples in &lt;b&gt;boldface type&lt;/b&gt; for where some find grounds for other patterns.&lt;br&gt;&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 1. S-Be&lt;i&gt;*&lt;/i&gt;&lt;i&gt;&lt;font color="#ff0000"&gt;&lt;/font&gt; &amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; I am&lt;/i&gt;. or &lt;i&gt;I am &lt;b&gt;here&lt;/b&gt;&lt;/i&gt;.&lt;br&gt;&lt;font size="2"&gt;&lt;/font&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 2. S-LV-SC&lt;i&gt;&lt;font color="#008000"&gt;*&lt;/font&gt;&lt;/i&gt;&lt;font color="#ff0000"&gt;&lt;font color="#000000"&gt;,&lt;/font&gt;&lt;/font&gt;&lt;i&gt;&lt;font color="#ff0000"&gt;*&lt;/font&gt;&lt;/i&gt;&lt;i&gt; &lt;/i&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; I am&amp;nbsp; Daniel&lt;/i&gt;.&lt;i&gt; &lt;/i&gt;or &lt;i&gt;I am &lt;b&gt;good&lt;/b&gt;&lt;/i&gt;.&amp;nbsp;&amp;nbsp;  &lt;br&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 3. &lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;S-InV&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;i&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; I eat&lt;/i&gt;.&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 4. &lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;S-TrV-DO&lt;font color="#0000ff"&gt;*&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;i&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp; I eat pizza&lt;/i&gt;.&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 5. &lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;S-TrV-IO-DO&lt;font color="#0000ff"&gt;*&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;i&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; I bake them pizza&lt;/i&gt;.&lt;br&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; 6. &lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;S-TrV-DO-OC&lt;font color="#0000ff"&gt;*&lt;/font&gt;,&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;i&gt;&lt;font color="#ffff00"&gt;*&lt;/font&gt; &amp;nbsp;&amp;nbsp; &amp;nbsp; I consider pizza food&lt;/i&gt;. or &lt;i&gt;I find pizza &lt;b&gt;tasty&lt;/b&gt;&lt;/i&gt;.&lt;br&gt;&lt;font size="2"&gt;*&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt; &lt;i&gt;"&lt;/i&gt;I am here,&lt;i&gt;"&lt;/i&gt; or, &lt;i&gt;"&lt;/i&gt;I am of the tribe of Benjamin,&lt;i&gt;"&lt;/i&gt; are examples of an adverb element on the S-Be pattern. Under some schemes this would be a new pattern, S-be-Adv. &lt;/font&gt;&lt;font size="2"&gt;The adverb element, often referred to as the &lt;i&gt;adverbial&lt;/i&gt; modifies the verb indicating where or when.&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;br&gt;&lt;font color="#008000"&gt;*&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;The subjective &lt;b&gt;comple&lt;/b&gt;ment is the &lt;b&gt;comple&lt;/b&gt;ter of the subject. If it is an adjective it is called the &lt;/font&gt;&lt;font size="2"&gt;&lt;i&gt;predicate adjective&lt;/i&gt;&lt;/font&gt;&lt;font size="2"&gt; (PA). If it is a noun it is called the &lt;i&gt;predicate nominative&lt;/i&gt; or &lt;i&gt;noun&lt;/i&gt; (PN). As a noun it is said to rename the subject (Daniel). As a adjective it is said to  modify the subject (good). Under some schemes these two cases form distinct patterns (S-LV-PN and S-LV-PA).&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;font color="#ff0000"&gt;&lt;br&gt;*&lt;/font&gt;Depending
on whether or not the definition of linking verb is broadened to
include the state of being verbs, a separate pattern (S-be-SC) is often
employed which in turn is typically divided into the two distinct patterns
(S-be-PA and S-be-PN).&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;br&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;font color="#0000ff"&gt;*&lt;/font&gt;Both direct and indirect objects are considered to be &lt;i&gt;predicate complements &lt;/i&gt;(PC). So the distinction between them is sometimes lost and these patterns can be depicted S-TrV-PC, S-TrV-PC-PC, and S-TrV-PC-OC with the former two occasionally fusing into one pattern (S-TrV-PC).&lt;br&gt;&lt;font color="#ffff00"&gt;*&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;Sometimes a distinction is made between an objective complement that functions as a noun (pizza), &lt;i&gt;objective noun&lt;/i&gt; (ON), and one that functions as a adjective (tasty), &lt;i&gt;objective adjective&lt;/i&gt; (OA). Thus two distinct patterns are formed (S-TrV-DO-ON and S-TrV-DO-OA).&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;br&gt;&lt;font size="3"&gt;&lt;br&gt;Whether or not it is wise to exclude the patterns S-Be-Adv, S-LV-PA, and S-TrV-OA, I do not know, but since I maintain that the fundamental syntactic units are composed of certain nouns and verbs I will. For now the other parts of speech and remaining nouns and verbs are for filling out the framework.&lt;br&gt;&lt;br&gt;&lt;b&gt;The Decorations and Connections&lt;/b&gt;&lt;br&gt;The remaining verbs, helping/auxiliary verbs (Aux), come before the verbs in the patterns and give them tense. Of the remaining nouns, nouns of direct address (DA) are when you address the person you are talking two by name, appositives come right after one of the nouns in the fundamental patterns and serve to rename them, and objects of the preposition are the words the prepositions (Prep) are relating to the rest of the sentence. Prepositions (Prep) then relate nouns to the rest of the sentence. Conjunction (Conj) join elements whether they be fundamental patterns, subject, or verbs. Interjections (Interj) do just that. Butt in breaking the flow of everything. Adjectives (Adj) modify nouns, and adverbs (Adv) modify verbs, adjectives, and other adverbs.&lt;font size="2"&gt;&lt;br&gt;&lt;br&gt;&lt;font size="3"&gt;These nine links and flesh may simply be one word or, as four of them (OP, App, Adj, and Adv)&lt;/font&gt;&lt;font size="3"&gt; often are, be expanded into multiword units composed themselves of smaller units which in turn are linked to other units. Thus you have the massive interlocking structure of the English language.&lt;br&gt;&lt;br&gt;What are these large units with in units though? They are either &lt;i&gt;clauses&lt;/i&gt; or &lt;i&gt;phrases&lt;/i&gt;.&lt;br&gt;&lt;b&gt;&lt;br&gt;Clauses&lt;br&gt;&lt;/b&gt;Clause c&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;ontain both a subject and a verb but cannot stand alone as a complete thought. They are one of the fundamental units fleshed out. They&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;font size="3"&gt; come in three varieties those that will function as an adverb (Adv), those that will function as a adjective (Adj), and those that will function as a noun (not just OP and App, but the fundamental makeup of the patterns S, DO, IO, OC, and PN/SC).&lt;br&gt;&lt;br&gt;&lt;b&gt;Phrases:*&lt;/b&gt;&lt;br&gt;Phrases certain either a subject or a verb, but not both. The &lt;i&gt;prepositional phrase&lt;/i&gt;--the unit Prep-OP (sometimes fleshed out with other elements)--functions as either an Adj, Adv, or a N. There are three phrase which are one of the six or nine depending on how you look at it fundamental patterns with the S severed from them. The &lt;i&gt;gerund phrase&lt;/i&gt; is the one in which the main verb must be in the second principle part** and functions as a N. The &lt;i&gt;participle phrase&lt;/i&gt; is the one in which the main verb must be in the second or fourth principle part** and functions as an Adj. The &lt;i&gt;infinitive phrase &lt;/i&gt;is the one in which the verb must be in the infinitive (nearly synonymous with the first principle part** and functions as an Adj, Adv, or a N. A fifth and unusual type of phrase functions as a modifier (Adj or Adv&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;&lt;font size="2"&gt;&lt;font size="3"&gt;) of the entire sentence, and is composed of a noun followed by a participial phrase.&lt;br&gt;&lt;font size="2"&gt;*Sometimes the classifications of phrases are broadened to include a &lt;i&gt;noun phrase&lt;/i&gt;, &lt;i&gt;verb phrase&lt;/i&gt;, &lt;i&gt;adjective phrase&lt;/i&gt;, &lt;i&gt;adverb phrase&lt;/i&gt;, and &lt;i&gt;appositive phrase&lt;/i&gt;. However, I will abstain from such a measure because noun phrases are just simply any of the five above which can function as a N, appositive phrases are just simply any of the five above which can function as an appositive (a N), adjective phrases are just any of the five above which can function as Adj, adverb phrases are just simply any of the five above which can function as Adv, and verb phrases are just the verb of the six fundamental patterns with its auxiliaries.&lt;br&gt;**Sometimes English verbs are depicted as having three principle parts, (1) present, (2) past, and (3) past participle, presumably because the present participle of all English verbs is the &lt;i&gt;present + -ing&lt;/i&gt;. However, the scheme used here is that which depicts four principle parts, (1) present, (2) present participle, (3) past, (4) past participle, which can be derived from the infinitive [&lt;i&gt;to &lt;/i&gt;&lt;b&gt;&lt;i&gt;. . .&lt;/i&gt;&lt;/b&gt;]&lt;b&gt; &lt;/b&gt;by asking the four questions (1) &lt;i&gt;Today, &lt;/i&gt;[&lt;i&gt;I/we, you, he/she/it/they&lt;/i&gt;]&lt;i&gt; . . .&lt;/i&gt;&lt;i&gt;Currently, &lt;/i&gt;[&lt;i&gt;I/we, you, he/she/it/they&lt;/i&gt;]&lt;i&gt; &lt;/i&gt;[&lt;i&gt;to be&lt;/i&gt;]&lt;i&gt; . . .&lt;/i&gt; , (3) &lt;i&gt;Yesterday, &lt;/i&gt;[&lt;i&gt;I/we, you, he/she/it/they&lt;/i&gt;]&lt;i&gt; . . . &lt;/i&gt;, (4) &lt;i&gt;Previously, &lt;/i&gt;[&lt;i&gt;I/we, you, he/she/it/they&lt;/i&gt;]&lt;i&gt; &lt;/i&gt;[&lt;i&gt;to have&lt;/i&gt;]&lt;i&gt; . . . &lt;/i&gt;of the infinitive&lt;i&gt;.&lt;/i&gt;&lt;/font&gt;&lt;br&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;&lt;/font&gt;</description></item><item><title>Re: parts of speech</title><link>http://www.englishforums.com/English/PartsOfSpeech/bmdqw/post.htm#143624</link><pubDate>Sat, 01 Oct 2005 14:39:08 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:143624</guid><dc:creator>Mister Micawber</dc:creator><description>&lt;br&gt;
&lt;b&gt;&lt;font face="Arial"&gt;1) &lt;/font&gt;&lt;/b&gt;&lt;font face="Arial"&gt;My&lt;/font&gt;&lt;font face="Arial"&gt; little&lt;/font&gt;&lt;font face="Arial"&gt; brother&lt;/font&gt;&lt;font face="Arial"&gt; would &lt;/font&gt;&lt;font face="Arial"&gt;not &lt;/font&gt;&lt;font face="Arial"&gt;turn&lt;/font&gt;&lt;font face="Arial"&gt; down&lt;/font&gt;&lt;font face="Arial"&gt; the&lt;/font&gt;&lt;font face="Arial"&gt; radio&lt;/font&gt;&lt;font face="Arial"&gt; volume &lt;/font&gt;&lt;font face="Arial"&gt;in &lt;/font&gt;&lt;font face="Arial"&gt;the&lt;/font&gt;&lt;font face="Arial"&gt; morning.&lt;/font&gt;&lt;br&gt;
&lt;br&gt;
&lt;font face="Courier New"&gt;MY = &lt;/font&gt;&lt;font face="Courier New"&gt;possessive adjective &lt;/font&gt;&lt;br&gt;
&lt;font face="Courier New"&gt;LITTLE = &lt;i&gt;DESCRIPTIVE ADJECTIVE&lt;/i&gt;&lt;/font&gt;&lt;br&gt;
&lt;font face="Courier New"&gt;BROTHER = noun &lt;/font&gt;&lt;br&gt;
&lt;font face="Courier New"&gt;WOULD = modal auxiliary&lt;/font&gt;&lt;br&gt;
&lt;font face="Courier New"&gt;NOT = &lt;i&gt;NEGATIVE PARTICLE&lt;/i&gt;&lt;/font&gt;&lt;br&gt;
&lt;font face="Courier New"&gt;TURN = main verb &lt;/font&gt;&lt;br&gt;
&lt;font face="Courier New"&gt;DOWN = &lt;i&gt;adverb particle&lt;/i&gt;&lt;/font&gt;&lt;br&gt;
&lt;font size="3"&gt;&lt;font face="Courier New"&gt;THE = definite article&lt;/font&gt;&lt;/font&gt;&lt;br&gt;
&lt;font size="3"&gt;&lt;font face="Courier New"&gt;RADIO = noun (&lt;i&gt;used as an &lt;b&gt;adjective&lt;/b&gt;&lt;/i&gt;)&lt;/font&gt;&lt;/font&gt;&lt;br&gt;
&lt;font size="3"&gt;&lt;font face="Courier New"&gt;VOLUME = noun&lt;/font&gt;&lt;/font&gt;&lt;br&gt;
&lt;font size="3"&gt;&lt;font face="Courier New"&gt;IN = preposition&lt;/font&gt;&lt;/font&gt;&lt;br&gt;
&lt;font face="Courier New"&gt;&lt;font size="3"&gt;THE = definite article &lt;/font&gt;&lt;/font&gt;&lt;br&gt;
&lt;font size="3"&gt;&lt;font face="Courier New"&gt;MORNING = &lt;i&gt;&lt;b&gt;NOUN&lt;/b&gt; OBJECT OF PREPOSITION; THE PREP PHRASE IS A TIME ADVERBIAL&lt;/i&gt;&lt;/font&gt;&lt;/font&gt;&lt;br&gt;
&lt;br&gt;
&lt;font face="Arial"&gt;&lt;b&gt;1) &lt;/b&gt;She came to class ver&lt;/font&gt;&lt;font face="Arial"&gt;y &lt;/font&gt;&lt;font face="Arial"&gt;late.&lt;/font&gt;&lt;br&gt;
&lt;br&gt;
&lt;font face="Arial"&gt;&lt;font face="Courier New"&gt;SHE = &lt;/font&gt;&lt;font face="Courier New"&gt;nominative personal pronoun&lt;/font&gt;&lt;/font&gt;&lt;br&gt;
&lt;font face="Arial"&gt;&lt;font face="Courier New"&gt;CAME = main verb&lt;/font&gt;&lt;/font&gt;&lt;br&gt;
&lt;font face="Arial"&gt;&lt;font face="Courier New"&gt;TO = preposition&lt;/font&gt;&lt;/font&gt;&lt;br&gt;
&lt;font face="Arial"&gt;&lt;font face="Courier New"&gt;CLASS = noun&lt;/font&gt;&lt;/font&gt;&lt;br&gt;
&lt;font face="Arial"&gt;&lt;font face="Courier New"&gt;VERY = adverb of intensity&lt;/font&gt;&lt;/font&gt;&lt;br&gt;
&lt;font face="Arial"&gt;&lt;font face="Courier New"&gt;LATE = adverb of time&lt;br&gt;
&lt;br&gt;
&lt;/font&gt;&lt;/font&gt;&lt;br&gt;</description></item><item><title>Re: As much as</title><link>http://www.englishforums.com/English/AsMuchAs/hwwr/post.htm#36839</link><pubDate>Sun, 11 Jul 2004 09:17:48 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:36839</guid><dc:creator>PASTEL</dc:creator><description>Dear Mirium,&lt;br /&gt;&lt;br /&gt;I'm sorry for that breathless post. Are you any better now? Have you caught some Z's?  You didn't misunderstand my question at all, this is what I need. I understand the meanings of this ambiguous sentence, and I was trying to analysize it from a grammatical point of view. I'm looking for your positive confirm, or some correction that might cause ant misunderstanding.   &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Compare these two,&lt;br /&gt;&lt;BLOCKQUOTE&gt;&lt;table width="85%"&gt;&lt;tr&gt;&lt;td class="quoteTable"&gt;&lt;table width="100%"&gt;&lt;tr&gt;&lt;td width="100%" valign="top" class="txt4"&gt;1. I don't like him as much as you.&lt;br /&gt;2. He doesn't like her as much as us.&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/BLOCKQUOTE&gt;&lt;br /&gt;I've noticed that you mentioned 'you' is viewed as an object pronoun on the condition that the previous 'as' functions as a preposition. Right?  So, #1 and #2 are both correct.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Compare these two,&lt;br /&gt;&lt;BLOCKQUOTE&gt;&lt;table width="85%"&gt;&lt;tr&gt;&lt;td class="quoteTable"&gt;&lt;table width="100%"&gt;&lt;tr&gt;&lt;td width="100%" valign="top" class="txt4"&gt;1. I don't like him as much as you.&lt;br /&gt;2. He doesn't like her as much as we.&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/BLOCKQUOTE&gt;&lt;br /&gt;If 'you' is considered as a nominative(subject), "as...as" functions as compound conjection here, however, #2 is obvious incorrect. In #2, an auxiliary 'do' cannot be omitted, whereas in #1, an auxiliary is allow to go away. This is one of inconsistency I have to accept. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;BLOCKQUOTE&gt;&lt;table width="85%"&gt;&lt;tr&gt;&lt;td class="quoteTable"&gt;&lt;table width="100%"&gt;&lt;tr&gt;&lt;td width="100%" valign="top" class="txt4"&gt;I don't like him as much as you do.&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/BLOCKQUOTE&gt;&lt;br /&gt;&gt;&lt;br /&gt;I have another question about your idea here. If I follow your idea, then I will think up another sentence that goes like "I like him as much as you do." In this sentence, obviously it delivers an affirmative idea,&lt;br /&gt;"I like him."&lt;br /&gt;"You like him."&lt;br /&gt;Both of us like him.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Back to our original sentence, there is a nagative auxiliary that makes me relate its function to form a negation of the main verb 'like', therefore, I think of "dislike".&lt;br /&gt;"I dislike him."&lt;br /&gt;"You dislike him."&lt;br /&gt;Both of us dislike him but you dislike him more than I do.&lt;br /&gt;( Can you feel my headache now? ;&gt;_&lt;br /&gt;&lt;br /&gt;Compare these two,&lt;br /&gt;&lt;BLOCKQUOTE&gt;&lt;table width="85%"&gt;&lt;tr&gt;&lt;td class="quoteTable"&gt;&lt;table width="100%"&gt;&lt;tr&gt;&lt;td width="100%" valign="top" class="txt4"&gt;1. I don't like him as much as you do.&lt;br /&gt;2. I like him as much as you do.&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/BLOCKQUOTE&gt;&lt;br /&gt;You'd say #1 would be affirmative rather than negative. I'd say it would be the same as in #2. Since they could convey affirmative feeling (both you and I like him.) it must be the negative "not" that annoys me. &lt;br /&gt;&lt;br /&gt;In #1, where is the scope of negation? I think the negative 'not' describes 'much' in stead of 'like', doesn't it? &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Mirium, I appreciated of all the elaboraed details you've contributed to this subject. Again, thanks for understanding my questions and I look forward to your further comment.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Yours,&lt;img src="/emoticons/emotion-66.gif" alt="Rose [F]" /&gt;&lt;br /&gt;PASTEL. &lt;br /&gt;</description></item></channel></rss>