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<rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>Search results for 'tag:Nouns tag:Modals' matching tags 'Nouns' and 'Modals'</title><link>http://www.englishforums.com/search/pro.htm?q=tag%3aNouns+tag%3aModals&amp;tag=Nouns,Modals&amp;orTags=0</link><description>Search results for 'tag:Nouns tag:Modals' matching tags 'Nouns' and 'Modals'</description><dc:language>en-US</dc:language><generator>CSMOD (Build: 3191.21962)</generator><item><title>Re: Lack of emphasis on NPs in ESL</title><link>http://www.englishforums.com/English/LackOfEmphasisOnNpsInEsl/3/gndjn/Post.htm#566028</link><pubDate>Sun, 14 Sep 2008 20:38:55 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:566028</guid><dc:creator>Kooyeen</dc:creator><description>I obviously agree with Forbes: it depends on your first language. I have never had any problems with passive sentences, subjects and objects, the difference between countable and uncountable, etc. because those are all features I have in Italian too. It is not difficult at all for me to use conditional structures (= modal verbs) in polite requests, like in &amp;quot;Could you lend me 1,000 dollars?&amp;quot;, because very similar structures are used the same way in Italian too. On the other hand, I know some Asian languages don&amp;#39;t even have past or future tenses, so it&amp;#39;s easy to imagine how much more difficult it must be for them to learn English.&lt;br /&gt;&lt;br /&gt;So instead of focusing on noun phrases, shouldn&amp;#39;t we rather focus on the real difficulties, which happen to vary from learner to learner according to their native language and past experience with languages in general?&lt;br /&gt;&lt;br /&gt;&lt;BLOCKQUOTE&gt;&lt;div&gt;&lt;img src="/Themes/englishforums/images/icon-quote.gif"&gt; &lt;strong&gt;Anonymous&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;How about this student?&lt;br /&gt;&lt;br /&gt;&amp;lt;&amp;lt;I assume many of you have watched the cartoon &amp;quot;Totally spies&amp;quot;, right? &lt;br /&gt;I just wonder why it is &amp;quot;Totally&amp;quot; here. &amp;quot;totally&amp;quot; is always an adverb, so what do they imply when using &amp;quot;totally&amp;quot; here? How can it go with the noun &amp;quot;spies&amp;quot;?&amp;gt;&amp;gt;&amp;gt;&lt;/div&gt;&lt;/BLOCKQUOTE&gt;&lt;br /&gt;&lt;br /&gt;Heh, good question! I don&amp;#39;t know! Could somebody tell me more about that, as a side note here without going completely off topic? Otherwise I will open another thread. I would say &amp;quot;Total spies&amp;quot;, but if I suspect that &amp;quot;totally&amp;quot; in &amp;quot;Totally spies&amp;quot; is used informally in some dialects to mean &amp;quot;definitely&amp;quot;, like in, like &amp;quot; Are you, like, coming to my awesome party tonight? - Oh, yeah, totally!&amp;quot; &lt;br /&gt;If that is the case, then I don&amp;#39;t think that &amp;quot;totally&amp;quot; has anything to do with proving learners have trouble with noun phrases. It would suggest learners have trouble with informal English, and if you ask me, that&amp;#39;s true.</description></item><item><title>Re: A few English Grammar Questions !! Need help..</title><link>http://www.englishforums.com/English/EnglishGrammarQuestions/gjlpc/post.htm#548779</link><pubDate>Wed, 30 Jul 2008 16:59:31 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:548779</guid><dc:creator>Anonymous</dc:creator><description>1. Â Â Â Â A group IS ... Â (Not important who is in the group). A group is a singular, countable noun.&lt;div&gt;3.Â Â Â Â Both wrong. Â Â Â Â She went home half an hour ago. Given, finished time requires simple past UNLESS it relates to another action in the past. e.g. She had gone home before the others arrived.&lt;/div&gt;&lt;div&gt;4.Â Â Â Â She has sold... Â Indefinite (no time) past. Done, but we don&amp;#39;t know (or care) when.&lt;/div&gt;&lt;div&gt;5Â Â Â Â Ditto&lt;/div&gt;&lt;div&gt;6. Â Â Â Â Have you ever ...? Â  Indefinite past. We don&amp;#39;t know when.&lt;/div&gt;&lt;div&gt;7. Â Â Â Â Mmmm, this one is elementary ! Â Do you .... Â  ALWAYS requires the infinitive form. e.g. Do you live..., Do you like..., Do you do... Do you have...?Â &lt;/div&gt;&lt;br /&gt;&lt;div&gt;I could write a whole grammar book on how to differentiate the 6 modal verbs and their MANY uses. I suggest you buy one.Â Â Â Â Good luck :)&lt;/div&gt;</description></item><item><title>Re: the middle voice option</title><link>http://www.englishforums.com/English/TheMiddleVoiceOption/4/gdmjw/Post.htm#519494</link><pubDate>Tue, 27 May 2008 08:09:34 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:519494</guid><dc:creator>Dawnstorm</dc:creator><description>Hi,&lt;/p&gt;&lt;p&gt;I&amp;#39;m really enjoying this. You&amp;#39;re making me think.&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;I&amp;#39;m going to take your points out of sequence. I think I&amp;#39;m still replying to your post; if I misrepresent what you&amp;#39;re saying, please correct me.&lt;/p&gt;&lt;p&gt;&amp;nbsp;First, the summary of what I&amp;#39;m going to say: A lot depends on theory, and how you frame your terms. To me, ergativity in English is primarily a side topic to voice, and the only &amp;quot;marked&amp;quot; voice in English is the passive. All others rely on semantics and indirect evidence (such as your very detailled and useful post about the transitivity system in English). BUT: how do you frame the evidence there is systematically? In syntax? Make it part of the lexicon? In other words, what exactly is it that the term &amp;quot;ergative&amp;quot; adds to a combination of transitivity and lexical tagging? I&amp;#39;m still thinking about your suggestion to speak of &amp;quot;ergative structures&amp;quot; rather than &amp;quot;ergative verbs&amp;quot;. This is an interesting approach, de-emphasising the lexicon in that respect; but I&amp;#39;m trying to ignore it for this post, mostly because I&amp;#39;m not done thinking it through.&lt;/p&gt;&lt;p&gt;&amp;nbsp;Second, I think I&amp;#39;ve used the term &amp;quot;semantic&amp;quot; very loosely in my other post. There&amp;#39;s reference, and then there&amp;#39;s cognitive framing. (Or content and point of view.) The cognitive framing is harder to get at and interpret, mostly because these things aren&amp;#39;t always immediately visible. We&amp;#39;re talking about &amp;quot;ergative structures&amp;quot; in English, or the &amp;quot;middle voice&amp;quot;, because we&amp;#39;ve noticed these constructions in other languages (Basque for ergativity; Ancient Greek for Middle voice; etc.). That is we have to strip away the structure and get down to the point-of-view meaning that the structures imply. And then we have to go back to English and look for expressions of said point-of-view meaning in this language. (Something similar is going on when linguists are probing &amp;quot;shall/will&amp;quot; along the lines of futurity/modality, within the discussion whether English has a future tense or not. The consensus is it doesn&amp;#39;t, but the discussion - assuming &amp;quot;will/shall&amp;quot; as tense-modals - has been productive, if not conclusive.) But the thing is this: if you&amp;#39;re bringing concepts to a language from outside (which is usual in comparative linguistics) you need an anchor; conventional structural methods - such as your &amp;quot;what syntactic operations yield well-formed usage?&amp;quot; approach - have their limitations. So do semantic (referential or framing). &lt;i&gt;This&lt;/i&gt; makes ergativity/unaccusativity hard to think about, &lt;i&gt;before&lt;/i&gt; you choose your approach.&lt;/p&gt;&lt;p&gt;&amp;nbsp;Examples follow:&amp;nbsp;&lt;/p&gt;&lt;p&gt;This is about the sentence, &amp;quot;He died a cruel death.&amp;quot;  &lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;BLOCKQUOTE&gt;&lt;div&gt;&lt;img src="/Themes/englishforums/images/icon-quote.gif"&gt; &lt;strong&gt;MrPedantic&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;The object here is a &lt;i&gt;cognate&lt;/i&gt; object (it is implied in&amp;nbsp;the verb
itself) and thus belongs to a slightly different model. (I would say
that it only exists to provide an adverbial opportunity: &amp;quot;he died a
cruel death&amp;quot; = &amp;quot;he died in a cruel way&amp;quot;.)&lt;/div&gt;&lt;/BLOCKQUOTE&gt;&lt;/p&gt;&lt;p&gt;I agree that, framing-wise, the object functions much like an adverbial. But it&amp;#39;s an &amp;quot;object&amp;quot; in syntax, which has implications that are incompatible with adverbials. Most relevant, here, &amp;quot;die&amp;quot; is now prone to passivisation.&lt;/p&gt;&lt;p&gt;&amp;nbsp;&amp;quot;A cruel death was died,&amp;quot; does sound odd (I&amp;#39;ll get to it in a minute), but I wouldn&amp;#39;t bat an eyelid at &amp;quot;Many deaths were died that night.&amp;quot; Interestingly, it&amp;#39;s hard to put this into the active voice, mostly because no subject seems appropriate. (?&amp;quot;The Soldiers died many deaths that night.&amp;quot;; ?&amp;quot;The army died many deaths that night.&amp;quot;...). To me, all the examples I can think of (plural nouns, collective nouns...) don&amp;#39;t express the passive meaning. The closest I come is &amp;quot;Many people died that night.&amp;quot; Anything else I can think of is of questionable grammaticality.&lt;/p&gt;&lt;p&gt;&amp;nbsp;However, &amp;quot;A cruel death was died,&amp;quot; although it sounds odd, doesn&amp;#39;t sound ungrammatical in the least (at least not to me). It&amp;#39;s also not a semantic problem; I understand the sentence perfectly well, both reference- and framingwise. &lt;/p&gt;&lt;p&gt;The reason, I think, this sounds odd is a pragmatic one. I think this one sounds odd because it&amp;#39;s hard to find a context for this utterance that justifies the passive, which is a &amp;quot;marked construction&amp;quot;. You generally expect &amp;quot;marked&amp;quot; constructions to be there for a reason. I suspect in the right context the above sentence would be perfectly fine. (It&amp;#39;s a matter of &lt;a href="http://www.ux1.eiu.edu/~cfbxb/class/1900/prag/grice.htm" target="_blank" title="http://www.ux1.eiu.edu/~cfbxb/class/1900/prag/grice.htm"&gt;Grice&amp;#39;s conversational maxims&lt;/a&gt;, the maxim of manner, in particular.)&lt;/p&gt;&lt;p&gt;This is where the &amp;quot;frame-semantics&amp;quot; of syntactic constructions become complicated, I think. How do language structures tie in with cognitive structures (e.g. To what extent do we buy the &lt;a href="http://en.wikipedia.org/wiki/Sapir-Whorf_hypothesis" target="_blank" title="http://en.wikipedia.org/wiki/Sapir-Whorf_hypothesis"&gt;Sapir-Worf hypothesis&lt;/a&gt;?)&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;So, from this I go to self-observation:&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;BLOCKQUOTE&gt;&lt;div&gt;&lt;img src="/Themes/englishforums/images/icon-quote.gif"&gt; &lt;strong&gt;MrPedantic&lt;/strong&gt;&lt;/div&gt;&lt;div&gt; and precisely because of that distinction, I would call &amp;quot;break&amp;quot; here&amp;nbsp;ergative (ex. 5) , and &amp;quot;die&amp;quot; unaccusative (ex. 2).&lt;/div&gt;&lt;/BLOCKQUOTE&gt;&lt;/p&gt;&lt;p&gt;See, I had the hardest time even to grasp what that meant, not now in this thread, but when I first discovered the distinction. That&amp;#39;s because, learning English, I didn&amp;#39;t train to see the difference. It wasn&amp;#39;t necessary, as ergativity/unaccusativity isn&amp;#39;t expressed through syntactic structures, but only indirectly through what operations are possible on the verb; this I pretty much took care off either through lexical list-tagging, or through collocation. If there is a hidden logic to it that I applied in learning, it never became conscious. (It&amp;#39;s quite possible that I had a practical knowledge, but no discoursive one of this subject; but why, then, is it so hard to grasp?)&lt;/p&gt;&lt;p&gt;If we go back to the list and sift through the operations there, we&amp;#39;ll find that &amp;quot;die&amp;quot; behaves different from &amp;quot;break&amp;quot; in the way we specified. But here&amp;#39;s the catch: to apply that structural method, we have to assume that &amp;quot;break&amp;quot; in 5.a = &amp;quot;break&amp;quot; in 5.b = &amp;quot;break&amp;quot; in 5.c etc.; i.e. that &amp;quot;break&amp;quot; is the same lexical item in all these instances. That&amp;#39;s because syntax has a hard time to differentiate between &amp;quot;signifier&amp;quot; and &amp;quot;signified&amp;quot;, or &amp;quot;sign&amp;quot; and &amp;quot;concept&amp;quot;.&lt;/p&gt;&lt;p&gt;&amp;nbsp;Notice, for example, how your 5.a is already the transitive, while systematically it should be the intransitive agentive: 5.a *He broke. (i.e. &amp;quot;He caused/performed the action of breaking.&amp;quot; as opposed to &amp;quot;He underwent the process of breaking,&amp;quot; which is 5.b, now, and would be 5.c)&lt;/p&gt;&lt;p&gt;So I&amp;#39;d amend this, to:&lt;/p&gt;&lt;p&gt;5a. *He broke.&lt;/p&gt;&lt;p&gt;5b. He broke the plate&lt;/p&gt;&lt;p&gt;5c. The plate broke.&lt;/p&gt;&lt;p&gt;5d. The plate was broken.&lt;/p&gt;&lt;p&gt;5e. The broken plate&lt;/p&gt;&lt;p&gt;5f. The plate broke easily &lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;And the comparison with &amp;quot;die&amp;quot; would be two-fold:&lt;/p&gt;&lt;p&gt;&amp;nbsp;1. = sign; 2. = concept&lt;/p&gt;&lt;p&gt;5.1a He died.&lt;/p&gt;&lt;p&gt;5.2a He killed.&lt;/p&gt;&lt;p&gt;5.1b *He died the man.&lt;/p&gt;&lt;p&gt;5.2b He killed the man&lt;/p&gt;&lt;p&gt;5.1c The man died.&lt;/p&gt;&lt;p&gt;5.2c *The man killed.&lt;/p&gt;&lt;p&gt;5.1d *The man was died.&lt;/p&gt;&lt;p&gt;5.2d The man was killed.&amp;nbsp;&lt;/p&gt;&lt;p&gt;5.1e *The died man [cf. The dead man.]&lt;br /&gt;&lt;/p&gt;&lt;p&gt;5.2e The killed man. &lt;/p&gt;&lt;p&gt;5.1f The man died easily. (&amp;lt;-- What&amp;#39;s the difference to 5.1a? Should I add an * before it, as this is out of place, here?)&lt;/p&gt;&lt;p&gt;5.2f *The man killed easily. (&amp;lt;-- Is this not available, because 5.1f is available?) &lt;/p&gt;&lt;p&gt;&amp;nbsp;5.1a, 5.1c, and 5.1f seem to be much the same. And &lt;i&gt;this&lt;/i&gt; is the problem I have systematising a structural comparison. One possibility, I see is to re-cast 5a as reflexive 1. *He died himself./2. He killed himself. I might try to justify this through dying being a process you undergo, thus if you add an agentive/causative to core meaning (which is not in slot a, but in slot c) the verb becomes by necessity reflexive (&amp;quot;He caused himself to die.&amp;quot;)&lt;/p&gt;&lt;p&gt;But these things are all a bit... tentative. I fear it&amp;#39;s more rationalised than rational, if you get my drift. &lt;br /&gt;&lt;/p&gt;&lt;p&gt;[Interesting aside: you used the term &amp;quot;anticausative&amp;quot; alongside &amp;quot;ergative&amp;quot; and &amp;quot;unaccusative&amp;quot; for break in your thread. Bears repeating, as it&amp;#39;s something I&amp;#39;m also still thinking about; a very interesting concept I haven&amp;#39;t come across yet.]&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;BLOCKQUOTE&gt;&lt;div&gt;&lt;img src="/Themes/englishforums/images/icon-quote.gif"&gt; &lt;strong&gt;MrPedantic&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;But I find a semantic difference too: the first presents the sign from
the point of view of the reader, and the second, from the point of view
of the writer.&lt;/div&gt;&lt;/BLOCKQUOTE&gt;&lt;/p&gt;&lt;p&gt;Now, that&amp;#39;s an interesting observation. I&amp;#39;d argue that the semantic difference is not referential (it refers to the same state of affairs), but it&amp;#39;s a framing difference. If we view the sign as a proxy for the agent, we&amp;#39;re importing the difference of active vs. voice into a construction that&amp;#39;s free of the syntactic properties that normally accompany this framing device in English. &amp;quot;Reads,&amp;quot; then, is ergative, while &amp;quot;says is a straightforward accusative verb (one that takes the accusative (which isn&amp;#39;t marked in English - except, perhaps, for pronouns, where it&amp;#39;s indistinguishable - morphologically - from the dative; the conventional term would be &amp;quot;direct object&amp;quot;).&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;BLOCKQUOTE&gt;&lt;div&gt;&lt;img src="/Themes/englishforums/images/icon-quote.gif"&gt; &lt;strong&gt;MrPedantic&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;Also, although the same few verbs tend to recur as examples in these discussions, actual usage is more imaginative.&lt;/div&gt;&lt;/BLOCKQUOTE&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;That&amp;#39;s what makes language so fascinating, isn&amp;#39;t it? Nice example, there, too. &lt;br /&gt;</description></item><item><title>Re: Analysis sentence</title><link>http://www.englishforums.com/English/AnalysisSentence/gbqhk/post.htm#510792</link><pubDate>Wed, 07 May 2008 12:10:28 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:510792</guid><dc:creator>Clive</dc:creator><description>&lt;p&gt;Hi,&lt;/p&gt;
&lt;p&gt;&lt;font color="#0000ff"&gt;Sentence A . It takes all sorts ( to make a world ) ( saying ) used to say that you think somebody&amp;#39;s behaviour is very strange or unusual&lt;u&gt; but&lt;/u&gt; that everyone is different and likes different things.&amp;nbsp;&amp;nbsp; ( Oxford Advanced Learner&amp;#39;s Dictionary [ 7 th edition ] ).&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font color="#0000ff"&gt;it takes all sorts ( to make a world ) ( saying )&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; - subject / main clause&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font color="#0000ff"&gt;used to&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;- modal verb&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font color="#0000ff"&gt;say&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; - verb&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font color="#0000ff"&gt;used to say&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; -&amp;nbsp;&lt;/font&gt;&lt;font color="#000000"&gt;I&amp;#39;d call it &amp;#39;a verbal phrase&amp;#39;.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font color="#0000ff"&gt;that you think somebody&amp;#39; behaviour is very strange or unusual&amp;nbsp;&amp;nbsp; - subordinate clause / noun clause&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font color="#0000ff"&gt;but&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;- &lt;/font&gt;&lt;font color="#000000"&gt;a conjunction, joining subordinate clauses. &lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font color="#0000ff"&gt;that everyone is different and likes different things.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; - subordinate clause / noun clause&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font color="#0000ff"&gt;&lt;/font&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;font color="#0000ff"&gt;Hello Grammar Teacher/Teachers,&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font color="#0000ff"&gt;1. I have attempted partly, could you help me to break down&amp;nbsp;Sentence A into clauses, phrases and so on ?&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font color="#0000ff"&gt;2. What is the part of speech of the underlined word ,&amp;#39; but &amp;#39;?&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font color="#0000ff"&gt;Could you define the underlined word,&amp;#39; but &amp;#39; as well ? &lt;/font&gt;&lt;font color="#000000"&gt;nevertheless, on the other hand.&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font color="#000000"&gt;Best wishes, Clive&lt;/font&gt;&lt;/p&gt;</description></item><item><title>Analysis sentence</title><link>http://www.englishforums.com/English/AnalysisSentence/gbqdn/post.htm</link><pubDate>Wed, 07 May 2008 08:36:16 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:510727</guid><dc:creator>bhikkhu1991</dc:creator><description>&lt;p&gt;Sentence A . It takes all sorts ( to make a world ) ( saying ) used to say that you think somebody&amp;#39;s behaviour is very strange or unusual&lt;u&gt; but&lt;/u&gt; that everyone is different and likes different things.&amp;nbsp;&amp;nbsp; ( Oxford Advanced Learner&amp;#39;s Dictionary [ 7 th edition ] ).&lt;/p&gt;
&lt;p&gt;it takes all sorts ( to make a world ) ( saying )&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; - subject / main clause&lt;/p&gt;
&lt;p&gt;used to&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;- modal verb&lt;/p&gt;
&lt;p&gt;say&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; - verb&lt;/p&gt;
&lt;p&gt;used to say&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; -&amp;nbsp;?&lt;/p&gt;
&lt;p&gt;that you think somebody&amp;#39; behaviour is very strange or unusual&amp;nbsp;&amp;nbsp; - subordinate clause / noun clause&lt;/p&gt;
&lt;p&gt;but&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;- ?&lt;/p&gt;
&lt;p&gt;that everyone is different and likes different things.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; - subordinate clause / noun clause&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;Hello Grammar Teacher/Teachers,&lt;/p&gt;
&lt;p&gt;1. I have attempted partly, could you help me to break down&amp;nbsp;Sentence A into clauses, phrases and so on ?&lt;/p&gt;
&lt;p&gt;2. What is the part of speech of the underlined word ,&amp;#39; but &amp;#39;?&lt;/p&gt;
&lt;p&gt;Could you define the underlined word,&amp;#39; but &amp;#39; as well ?&lt;/p&gt;
&lt;p&gt;Thank you.&lt;/p&gt;
&lt;p&gt;With best wishes.&lt;/p&gt;</description></item><item><title>Verbs</title><link>http://www.englishforums.com/English/Verbs/zxkld/post.htm</link><pubDate>Sun, 16 Mar 2008 09:38:41 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:489467</guid><dc:creator>ganesh77</dc:creator><description>The list isn&amp;#39;t meant to be exhaustive or carefully arranged. Any additions, corrections or further examples would be welcomed.&amp;nbsp;

&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;1 main verbs; lexical verbs (all verbs which are not
auxiliaries or modals) &lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;2 action verbs; event verbs; dynamic verbs (a verb which can
be used in continuous tenses) i.e. eat, run, talk&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;3 state of being verbs; existence verbs; state verbs;
stative verbs; static verbs (a verb which describes a state and is not usually
used in a continuous tense) i.e. be, own, know&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;4 regular verbs (a verb that has four forms and follows the
normal rules)&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;5 irregular verbs; strong verbs (a verb not following the
normal rules for inflection)&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;6 auxiliary and modal verbs (which make up verbal phrases) â
23 in total&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;7 linking verbs; copulative verbs; copulas (a verb which
links the subject and complement of a clause) i.e. It is warm today.&lt;span&gt;&amp;nbsp; &lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;8 transitive verbs (a verb used to talk about an action or
event that involves more than one person or thing, and so is followed by an
object) i.e. Sheâs wasting her money. &lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;9 intransitive verbs (a verb used to talk about an action or
event that only involved the subject and so has no object) i.e. She arrived. &lt;/p&gt;







&lt;p&gt;&amp;nbsp;&lt;br /&gt;10 multiword verbs&lt;/p&gt;&lt;p&gt;a type 1 â intransitive [phrasal
verbs; adverb particle&lt;/p&gt;&lt;p&gt;b type 2 â transitive (inseparable)
[prepositional verbs; preposition particles]&lt;/p&gt;





&lt;p&gt;c type 3 â transitive (separable) [phrasal
verbs; adverb particle]&lt;/p&gt;&lt;p&gt;d type 4 â transitive (with two
inseparable particles) [phrasal-prepositional verbs;&lt;span&gt;&lt;/span&gt; first particle is
an adverb, second particle is a preposition]&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;11 compound verbs&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;12 delexical verbs (a verb which has very little meaning in
itself but is used with an object to describe an action) i.e. She gave a small
cry.&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;13 ditransitive verbs (a verb which can have both a direct
and indirect object) i.e. She gave me a kiss. &lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;14 ergative verbs (a verb which can be used transitively to
focus on the performer of the action, or intransitively to focus on the thing
affected by the action) i.e. He boiled the water. The water boiled. &lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;15 reporting verbs; performance verbs; performative verbs (a
verb used with a quote or a reported clause to describe what people say or
think) i.e. suggest, say, wonder&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;16 reciprocal verbs (a verb which describes an action
involving two people doing the same thing to each other) i.e. They met in the
street. &lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;17 reflexive verbs (a verb which is typically used with a
reflexive pronoun) i.e. Donât cut yourself with that knife.&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;18 defective verbs (a verb without all the inflected forms
of a regular verb) i.e. modals &lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;19 finite and non-finite&lt;/p&gt;

&lt;p&gt;a infinitives&lt;/p&gt;

&lt;p&gt;b gerunds; verbal nouns&lt;/p&gt;

&lt;p&gt;c participles&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;20 catenative verbs (a verb that takes other verb forms as
objects; found at the head of a series of linked constructions) i.e. We agreed
to try to decide to stop eating snacks.&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;

&lt;p&gt;21 causative verbs (a verb that designates the action
necessary to cause another action to happen) i.e. The devil made me do it. &lt;/p&gt;

&lt;p&gt;&amp;nbsp;</description></item><item><title>Re: 'than' in a comparative sentence</title><link>http://www.englishforums.com/English/ComparativeSentence/zxjcc/post.htm#489024</link><pubDate>Sat, 15 Mar 2008 00:29:10 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:489024</guid><dc:creator>CalifJim</dc:creator><description>You can use the full form, the &amp;#39;pro&amp;#39; form, or just the
pronoun.&amp;nbsp; In the last case, note that isolated subject pronouns
after &lt;i&gt;than&lt;/i&gt; are often expressed as object pronouns in informal
situations.&amp;nbsp; The &amp;#39;pro&amp;#39; form is the echo of the operator (modal or
auxiliary) -- &lt;b&gt;do&lt;/b&gt; if the first clause has no other operator.&lt;/p&gt;&lt;p&gt;&lt;i&gt;Joe can play chess better than [I can play chess / I can / I / me].&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;Ed will reach the train station sooner than [we will reach the train station / we will reach it / we will / we / us].&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;Karen saw the sign more clearly than [he saw the sign / he saw it / he did / he / him].&lt;/i&gt;&lt;/p&gt;&lt;p&gt;CJ&amp;nbsp;</description></item><item><title>Re: the purpose of would have+p.p.</title><link>http://www.englishforums.com/English/ThePurposeOfWouldHavePP/zmhrk/post.htm#478594</link><pubDate>Mon, 18 Feb 2008 21:52:23 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:478594</guid><dc:creator>Clive</dc:creator><description>&lt;p&gt;&lt;font color="#ff00ff"&gt;&lt;strong&gt;Hi,&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;font color="#ff00ff"&gt;&lt;strong&gt;Here are a few comments for you to consider. If you have any more questions, please post again.&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;font color="#ff00ff"&gt;Next time, please try to use a smaller-sized font &lt;img src="http://www.englishforums.com/emoticons/emotion-1.gif" alt="Smile" title="Smile" /&gt;)&lt;/font&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;font color="#ff00ff"&gt;&lt;strong&gt;Clive.&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;
&lt;h3&gt;I suppose the writer &lt;span style="COLOR:#3366ff;"&gt;would have been&lt;/span&gt; about 30 when he published his first book.&lt;font color="#ff00ff"&gt; The modal/PP shows doubt. The statement about age may or may not be correct.&lt;br /&gt;&lt;/font&gt;&lt;br /&gt;That &lt;span style="COLOR:#3366ff;"&gt;would have been &lt;/span&gt;Della&amp;#39;s car.&amp;nbsp; (&lt;em&gt;How is that different with &lt;/em&gt;&amp;quot;That &lt;span&gt;&lt;font color="#ff6600"&gt;would be&lt;/font&gt;&lt;/span&gt; Della&amp;#39;s car.&amp;quot; &lt;em&gt;?&lt;/em&gt; &lt;font color="#ff00ff"&gt;&amp;lt;&amp;lt;&amp;lt; This would not be used for a past situation&lt;/font&gt;.) &lt;font color="#ff00ff"&gt;Again, this shows lack of certainty. The speaker is trying to make a logical deduction.&lt;br /&gt;&lt;/font&gt;&lt;br /&gt;Within 10 weeks of the introduction, 34 million people &lt;span style="COLOR:#3366ff;"&gt;would have been &lt;/span&gt;reached by our television commercials. &lt;font color="#ff00ff"&gt;This sounds like the speaker thinks&amp;nbsp;the introduction probably did not happen, and thus the 34 million were not reached&lt;/font&gt;&lt;font color="#ff00ff"&gt;. This senetnce is a little trickier, in that it could also refer to a future introduction that the speaker knows will not happen.&lt;/font&gt;&lt;/h3&gt;
&lt;h3&gt;&lt;br /&gt;I &lt;span style="COLOR:#3366ff;"&gt;would have liked &lt;/span&gt;a life in politics. &lt;font color="#ff00ff"&gt;Because of the pronoun &amp;#39;I&amp;#39;, the speaker is not showing lack of certainty. He is speaking of a hypothetical situation in the past, which he knows did not happen. You might say he is speaking of &amp;#39;an alterbative form of the past&amp;#39;.&lt;br /&gt;&lt;/font&gt;&lt;br /&gt;I &lt;span style="COLOR:#3366ff;"&gt;would&lt;/span&gt; never &lt;span&gt;&lt;font color="#3366ff"&gt;have done&lt;/font&gt; &lt;/span&gt;what they did. &lt;font color="#ff00ff"&gt;Again, a situation in the past which the speaker knows did not &amp;#39;happen&amp;#39;.&lt;br /&gt;&lt;/font&gt;&lt;br /&gt;She &lt;span style="COLOR:#3366ff;"&gt;would have arrived &lt;/span&gt;by now. &lt;font color="#ff00ff"&gt;Again, shows lack of certainty. If the speaker were certain, he&amp;#39;d simply say &amp;#39;She has arrived by now&amp;#39;.&lt;/font&gt;&lt;/h3&gt;</description></item><item><title>Re: How to say using modal verb?</title><link>http://www.englishforums.com/English/HowToSayUsingModalVerb/zwhbv/post.htm#458953</link><pubDate>Mon, 31 Dec 2007 20:13:39 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:458953</guid><dc:creator>Clive</dc:creator><description>&lt;P&gt;Hi,&lt;/P&gt;
&lt;P&gt;Happy New Year to you, too.&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;&lt;FONT color=#0000ff&gt;"How can I continue work any longer?"&lt;/FONT&gt;&amp;nbsp;&lt;/FONT&gt;&lt;FONT color=#000000&gt; Let me add that 'work' here is a noun. It's like saying &lt;/FONT&gt;&lt;FONT color=#0000ff&gt;"How can I continue &lt;EM&gt;my class&lt;/EM&gt; any&amp;nbsp;longer?"&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;"How can I continue&lt;STRONG&gt; &lt;FONT color=#000000&gt;to&lt;/FONT&gt;&lt;/STRONG&gt; work any longer?" &lt;/FONT&gt;&lt;FONT color=#000000&gt;Here, 'work' is&amp;nbsp;an infinitive verb form.&lt;/FONT&gt;&lt;/P&gt;
&lt;P&gt;Really, one&amp;nbsp;could also argue that the word 'continue' makes 'any longer' rather&amp;nbsp;redundant.&lt;/P&gt;
&lt;P&gt;Again, Happy New Year, Clive&lt;/P&gt;</description></item><item><title>Re: ''Should I not respect you?'' and ''Shouldn't I respect you?''</title><link>http://www.englishforums.com/English/RespectShouldntRespect/zdpwp/post.htm#436830</link><pubDate>Tue, 30 Oct 2007 16:05:47 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:436830</guid><dc:creator>Bokeh</dc:creator><description>&lt;BLOCKQUOTE&gt;&lt;table width="85%"&gt;&lt;tr&gt;&lt;td class="txt4"&gt;&lt;img src="/Themes/default/images/icon-quote.gif"&gt;&amp;nbsp;&lt;strong&gt;Jackson6612 wrote:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="quoteTable"&gt;&lt;table width="100%"&gt;&lt;tr&gt;&lt;td width="100%" valign="top" class="txt4"&gt;&lt;p&gt;In grammar, a clause that is in the interrogative has its subject following do, be, have, or a modal verb.&lt;/p&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/BLOCKQUOTE&gt;The pronoun goes in the first possible position after do, be, have, or a modal verb. In a case where that verb is part of a contraction the first possible position is obviously after the whole contraction.&lt;br&gt;</description></item></channel></rss>