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<?xml-stylesheet type="text/xsl" href="http://www.englishforums.com/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>Search results for 'tag:Video tag:Conversational' matching tags 'Video' and 'Conversational'</title><link>http://www.englishforums.com/search/pro.htm?q=tag%3aVideo+tag%3aConversational</link><description>Search results for 'tag:Video tag:Conversational' matching tags 'Video' and 'Conversational'</description><dc:language>en-US</dc:language><generator>XMOD (Build: 3616.28671)</generator><item><title>Re: Coppola Pimps His Latest!</title><link>http://www.englishforums.com/English/CoppolaPimpsHisLatest/knrwc/post.htm#899313</link><pubDate>Sat, 28 Feb 2009 15:01:52 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:899313</guid><dc:creator>nmstevens</dc:creator><description>tmQ W : ) Now, there&amp;#39;s a story of a career that truly faltered. Early on, some of the greatest movies in American cinema maybe some of the greatest movies ever. The Godfather one and two. Apocalyse Now, the Conversation. And then it&amp;#39;s as if something just disappeared. One From the Heart was just emotionally empty. A disaster. And it was as if he never really recovered from it. He&amp;#39;s never made anything on the level of those early movies since. It&amp;#39;s just as if something went out of him. It&amp;#39;s funny there was really a whole generation of filmmakers around that time that made a few (or even one or two) excellent movies early - and then never quite reached the level of those early movies. Certainly George Lucas is one of...</description></item><item><title>Re: Where the stress falls in a word</title><link>http://www.englishforums.com/English/MovingStress/3/zvnrr/Post.htm#670131</link><pubDate>Wed, 11 Feb 2009 22:17:38 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:670131</guid><dc:creator>kooyeen</dc:creator><description>Update (this is an old thread) What Mister Micawber was saying is probably true, even though it might be very difficult to notice. Intonation might be distracting and so the perception of stresses might be affected. I happened to read something about this, and I realized I actually would tend to shift stresses all the time. I have never studied intonation, and I have never paid too much attention to sentence stress, because I know it is actually too complicated to understand with only a few rules of thumb. My approach to stress and intonation is &amp;quot;listen to enough conversations and you will pick it up unconsciously&amp;quot;, so I won&amp;#39;t try to analyze anything here. What I am going to post is one thing I looked up on Youtube: I...</description></item><item><title>Re: Believe the stones...</title><link>http://www.englishforums.com/English/BelieveTheStones/hnpxm/post.htm#653541</link><pubDate>Sun, 25 Jan 2009 14:44:15 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:653541</guid><dc:creator>madhulk</dc:creator><description>It&amp;#39;s hard to be sure; I&amp;#39;d have to watch the video. I assume he&amp;#39;s talking about Clark, because he says &amp;quot;good for you.&amp;quot;  Was there a third person in the conversation? If he was looking at the third person, he might have made some gesture when he said &amp;#39;this guy&amp;#39;.    Here&amp;#39;s the clip below. Just to know I&amp;#39;ve messed up the names.  Clark is undercover and pretends to be Joe. And I didn&amp;#39;t  know the name of the cop so I called him Joe by mistake.  So does the cop mean Joe is too brave? The moment starts at 1:00 .   Edit: Link removed.</description></item><item><title>Re: On Topic - How Much Slack...?</title><link>http://www.englishforums.com/English/OnTopicHowMuchSlack/2/khwzh/Post.htm#873007</link><pubDate>Fri, 07 Nov 2008 05:02:50 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:873007</guid><dc:creator>avoid normal situations.</dc:creator><description>...do you cut a film that&amp;#39;s from a different culture? Less and less, IMHO. It&amp;#39;s not like the 50s and 60s where non-American films were decidedly different. More and more &amp;quot;foreign&amp;quot; films are really made for the international (read: American) audience because (a) they can make a lot more money in the US than at home, and (b) if their makers have a success even a small one, by &amp;quot;art&amp;quot; movie standards they can go work in Hollywood and boost their salaries to the ceiling and have lunch with Julia Roberts. I don&amp;#39;t think many people ever saw Croupier . Yet Clive Owen was ubiquitous afterwards. What brings this up for me is a conversation I was having, a while ago, about John Woo. Americans have ... and then holding...</description></item><item><title>Re: And For The Elvis Fans</title><link>http://www.englishforums.com/English/AndForTheElvisFans/jbhnj/post.htm#758890</link><pubDate>Mon, 30 Apr 2007 15:00:01 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:758890</guid><dc:creator>pinknebulous</dc:creator><description>A Little Less Conversation Remix (Elvis, eeeww.)  Fun for the whole vidiot family! Bonus: reminds me of theCellblock Tango in Chicago. Yes, it does! Robin</description></item><item><title>Re: And For The Elvis Fans</title><link>http://www.englishforums.com/English/AndForTheElvisFans/jbhnj/post.htm#758889</link><pubDate>Mon, 30 Apr 2007 14:51:48 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:758889</guid><dc:creator /><description>A Little Less Conversation Remix (Elvis, eeeww.) Fun for the whole vidiot family! Bonus: reminds me of theCellblock Tango in Chicago.</description></item><item><title>Re: And For The Elvis Fans</title><link>http://www.englishforums.com/English/AndForTheElvisFans/jbhnj/post.htm#758872</link><pubDate>Mon, 30 Apr 2007 14:51:48 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:758872</guid><dc:creator /><description>A Little Less Conversation Remix (Elvis, eeeww.) Fun for the whole vidiot family! Bonus: reminds me of theCellblock Tango in Chicago.</description></item><item><title>And For The Elvis Fans</title><link>http://www.englishforums.com/English/AndForTheElvisFans/jbhnj/post.htm</link><pubDate>Mon, 30 Apr 2007 14:31:20 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:758855</guid><dc:creator>pinknebulous</dc:creator><description>A Little Less Conversation Remix  (Elvis, eeeww.)</description></item><item><title>Re: Why Aren't Conservatives Funny?</title><link>http://www.englishforums.com/English/WhyArentConservativesFunny/2/wqkpk/Post.htm#750024</link><pubDate>Thu, 15 Feb 2007 23:58:08 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:750024</guid><dc:creator>skipper</dc:creator><description>Here&amp;#39;s another clip from the show.  Joe Myers &amp;quot;Stop it. You&amp;#39;re killing me.&amp;quot;- Hide quoted text - - Show quoted text -  The &amp;quot;banter&amp;quot; between the two news personalities at the end was hilarious. The guy on the right couldn&amp;#39;t end the conversation fast enough. The Rush Limbaugh/Ann Coulter stuff is strained and not funny. But then, they&amp;#39;ve made money with their writing. I don&amp;#39;t think Joe Myers has. Now that&amp;#39;s funny. Or maybe it&amp;#39;s pathetic.</description></item></channel></rss>