<?xml version="1.0" encoding="UTF-8" ?>
<rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>Search results for 'tag:Whom tag:Tenses' matching tags 'Whom' and 'Tenses'</title><link>http://www.englishforums.com/search/pro.htm?q=tag%3aWhom+tag%3aTenses&amp;tag=Whom,Tenses&amp;orTags=0</link><description>Search results for 'tag:Whom tag:Tenses' matching tags 'Whom' and 'Tenses'</description><dc:language>en-US</dc:language><generator>CSMOD (Build: 3125.9045)</generator><item><title>past continuous tense versus simple past tense</title><link>http://www.englishforums.com/English/PastContinuousTenseVersusSimple-PastTense/gvkdn/post.htm</link><pubDate>Fri, 06 Jun 2008 09:22:22 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:523732</guid><dc:creator>sebayanpendam</dc:creator><description>&lt;p&gt;Dear sir/madam,&lt;/p&gt;
&lt;p&gt;I heard this question uttered in a movie in which a scene is about a child asking her guardian about a man whom she has met. the question is&amp;nbsp;&amp;#39;Was he wearing any ring?&amp;#39; the past continuous tense is used here. Would there be any difference if the question is asked this way, &amp;#39;Did he wear any ring?&amp;#39; &lt;/p&gt;
&lt;p&gt;Thanks.&lt;/p&gt;</description></item><item><title>Re: Felt like...</title><link>http://www.englishforums.com/English/FeltLike/gvddq/post.htm#521712</link><pubDate>Sun, 01 Jun 2008 15:42:54 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:521712</guid><dc:creator>Avangi</dc:creator><description>&lt;p&gt;Hi Mad,&amp;nbsp; With this scant context, it could be taken either way.&amp;nbsp; It&amp;#39;s pretty confusing.&lt;/p&gt;
&lt;p&gt;&amp;quot;Friends&amp;quot; is plural. Was she paired with one particular guy?&lt;/p&gt;
&lt;p&gt;Whom is she talking to?&amp;nbsp; Her date??&lt;/p&gt;
&lt;p&gt;&amp;quot;Felt&amp;quot; is past tense, but &amp;quot;is&amp;quot; is present tense.&amp;nbsp; Is she still on the date with this guy (or guys) (or girls) when she makes this statement? (like maybe at the very end of it?)&lt;/p&gt;
&lt;p&gt;Is Neil her main squeeze?&amp;nbsp; (Sorry, my eyes are getting bad.)&amp;nbsp; Is Nell her main squeeze?&amp;nbsp; Who the h--- is Nell?&amp;nbsp; (Is Lana a guy?)&lt;/p&gt;
&lt;p&gt;Anyway, I&amp;#39;m assuming &amp;quot;tonight&amp;quot; is a noun rather than an adverb.&amp;nbsp; &amp;quot;I had to explain &lt;strong&gt;&lt;em&gt;&lt;u&gt;about&lt;/u&gt;&lt;/em&gt;&lt;/strong&gt; tonight.&amp;quot;&amp;nbsp; Not, &amp;quot;Tonight, I felt like I had to explain to Nell.&amp;quot;&lt;/p&gt;
&lt;p&gt;It&amp;#39;s still &amp;quot;tonight&amp;quot; when she makes the&amp;nbsp;statement.&amp;nbsp; It sounds like Nell is not present.&amp;nbsp; If she has already explained to Nell, she must have covered a lot of ground.&lt;/p&gt;
&lt;p&gt;But on the other hand, we don&amp;#39;t know what it is she wants to explain.&amp;nbsp;&amp;nbsp;Did she feel she had to explain &lt;strong&gt;&lt;em&gt;&lt;u&gt;what happened tonight&lt;/u&gt;&lt;/em&gt;&lt;/strong&gt;, or did she&amp;nbsp;feel (in the past) that she had to explain that she was planning to go on a date without him/her??&lt;/p&gt;
&lt;p&gt;If she&amp;#39;s talking to the guy and they&amp;#39;re still on the date, maybe it&amp;#39;s, &amp;quot;I felt like I had to explain to Nell, but, you know what?&amp;nbsp; I don&amp;#39;t feel that way any longer.&amp;quot;&amp;nbsp; Maybe she&amp;#39;s just telling him that she feels wierd about having felt obligated to tell Nell all her private business.&lt;/p&gt;
&lt;p&gt;Or maybe she&amp;#39;s warning &amp;quot;him&amp;quot; that this &amp;quot;date&amp;quot; is no secret from Nell, because she felt obligated to tell her/him.&lt;/p&gt;
&lt;p&gt;You&amp;#39;re asking me, &amp;quot;Did Lana explain to Nell about tonight?&amp;quot;&amp;nbsp; I&amp;#39;ll tell you.&amp;nbsp; I don&amp;#39;t know.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description></item><item><title>A question about Style</title><link>http://www.englishforums.com/English/AQuestionAboutStyle/gcgpg/post.htm</link><pubDate>Mon, 12 May 2008 20:56:47 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:512947</guid><dc:creator>Ant_222</dc:creator><description>Hello everybody!&lt;br /&gt;&lt;br /&gt;
Probably, you already know of my infamous venture âthe translation of an adventure game called Star Heritage.&lt;br /&gt;&lt;br /&gt;
Below I&amp;#39;ll repeat part of my answer to Huevos, whom I shall thank for accidently reminding me of the problem that I now ask you to help me with:&lt;br /&gt;&lt;br /&gt;
Â«I have tried to preserve the original (Russian) way of narraion, which is done:&lt;br /&gt;&lt;br /&gt;

1) From the first person perspective,&lt;br /&gt;
2) In the past tense,&lt;br /&gt;
So most of the time it looks pretty much like a diary.Â»&lt;br /&gt;&lt;br /&gt;

...Such is the most of the narration, but the descriptions of various items â those which you&amp;#39;d get in response to the &amp;quot;examine&amp;quot; command in traditional text adventures â are provided in the Present tense. Keeping the player envolved, this doesn&amp;#39;t sound unnatureal in Russian, but...&lt;br /&gt;&lt;br /&gt;
Is it acceptable in English?&lt;br /&gt;&lt;br /&gt;
EXAMPLE (no, it&amp;#39;s not from the game I just thought it out):&lt;br /&gt;&lt;br /&gt;
&amp;gt; GO NORTH&lt;br /&gt;
I easily went down the hill and found myself in(on?) a gloomy lowland. Only  the strained buzz of moscitoes making their way through the thick, moist air disturbed the silence. They were the only creatures here, but that was more than compensated by their number.&lt;br /&gt;
&amp;gt; examine mosquito&lt;br /&gt;
Nothing unusual, except for the very long proboscis, probably useful for some animals covered with fur&lt;br /&gt;
&amp;gt; examine air&lt;br /&gt;
The air is extremly moist and smells of decaying plants.</description></item><item><title>A study in Oratory - Part One</title><link>http://www.englishforums.com/English/AStudyInOratoryPartOne/gbnlp/post.htm</link><pubDate>Mon, 05 May 2008 18:08:50 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:509998</guid><dc:creator>Jackson6612</dc:creator><description>&lt;span&gt;&lt;font color="#400000"&gt;&lt;strong&gt;Churchill: A Study in Oratory&lt;/strong&gt;&lt;/font&gt; &lt;p align="left"&gt;&lt;font color="#000000"&gt;&lt;strong&gt;Seven Lessons in Speechmaking From One of the Greatest Orators of All Time&lt;br /&gt; By Thomas Montalbo, DTM&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt; &lt;p align="left"&gt;&lt;font color="#000000"&gt;&lt;strong&gt;Published in Finest Hour 69&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt; &lt;p align="justify"&gt;&lt;font color="#000000"&gt;He wasn&amp;#39;t a natural orator (=someone who is good at making speeches and persuading people), not at all. His voice was raspy (=If someone has a raspy voice, they make rough sounds as if they have a sore throat or have difficulty in breathing). A stammer and a lisp often marred (=to make less effective, spoil) many of his speeches. Nor was his appearance attractive. A snub nose (=a snub nose is short and flat and points slightly upwards) and a jutting (=sticking out) lower lip made him look like a bulldog. Short and fat, he was also stoop-shouldered (=bent forwards and down).&lt;/font&gt;&lt;/p&gt; &lt;p align="justify"&gt;&lt;font color="#000000"&gt;Yet this manâSir Winston Churchillâbecame probably the greatest orator of our time and won the Nobel Prize for his writings and &amp;quot;brilliant oratory.&amp;quot; How did he do it? And what lessons can all Toastmasters (=someone who introduces the speakers at a formal occasion such as a banquet) learn from him to help them make better speeches?&lt;/font&gt;&lt;/p&gt; &lt;p align="justify"&gt;&lt;font color="#000000"&gt;In school, Winston Churchill was a backward student. But he wasnât stupid. He later explained, &amp;quot;Where my reason, imagination or interest were not engaged, I would not or I could not learn.&amp;quot; But the English language fascinated him. He was the best in his class.&lt;/font&gt;&lt;/p&gt; &lt;p align="justify"&gt;&lt;font color="#000000"&gt;Macaulay and Gibbon, two of Englandâs most famous historians, dazzled (=to make someone feel strong admiration) him with their styles of writing. The impact these authors made on his mind stayed with him for life, as his speeches show. Because their styles were markedly different and yet both charmed him, he believed this showed, as he put it, &amp;quot;What a fine language English is. . .&amp;quot;&lt;/font&gt;&lt;/p&gt; &lt;p align="justify"&gt;&lt;font color="#000000"&gt;His English teacher once said, &amp;quot;I do not believe that I have ever seen in a boy of 14 such a veneration (=respect) for the English language.&amp;quot; Churchill called the English sentence &amp;quot;a noble thing&amp;quot; and said, &amp;quot;The only thing I would whip boys for is not knowing English. I would whip them hard for that.&amp;quot; Lord Moran, his physician and intimate friend, wrote: &amp;quot;Without that feeling for words, he would have made little enough in life. -. .&amp;quot;&lt;/font&gt;&lt;/p&gt; &lt;p align="center"&gt;&lt;em&gt;&lt;font color="#000000"&gt;&lt;strong&gt;Lesson #1&lt;br /&gt; for Toastmasters from Churchill:&lt;/strong&gt;&lt;/font&gt;&lt;/em&gt;&lt;/p&gt; &lt;p align="center"&gt;&lt;em&gt;&lt;font color="#000000"&gt;&lt;strong&gt;Know, respect and love the English language.&lt;/strong&gt;&lt;/font&gt;&lt;/em&gt;&lt;/p&gt; &lt;p&gt;&lt;font color="#000000"&gt;An Avid (=doing something as much as possible) Listener The greatest influence in his early life was his father, the leader of the House of Commons. Young Winston often visited Parliament and heard all the speeches. Sitting, watching and listening, he absorbed the oratory as if by osmosis (=if you learn facts or understand ideas by osmosis, you gradually learn them by hearing them often). Devotedly, he read and reread his fatherâs speeches, many of which he knew by heart (=to remember all of something exactly). He also read and studied the speeches of Oliver Cromwell, William Pitt, William Gladstone and many others.&lt;/font&gt;&lt;/p&gt; &lt;p align="justify"&gt;&lt;font color="#000000"&gt;At age 21, Churchill came to the United States and met Bourke Cockran, a New York Congressman whom he described as &amp;quot;a remarkable man. . .with an enormous head, gleaming (=to shine softly) eyes and flexible countenance (=mental composure, expression, look).&amp;quot; But most of all, Churchill admired Cockran for the way he talked.&lt;/font&gt;&lt;/p&gt; &lt;p align="justify"&gt;&lt;font color="#000000"&gt;The Congressman had a thundering (=awesomely great, intense, or great) voice and often spoke in heroic and rolling (=if drums or thunder roll, they make a long low series of sounds) phrases. When Churchill asked his advice on how he could learn to spellbind (=extremely interesting and holding your attention completely) an audience of thousands, Cockran told him to speak as if he were an organ, use strong words and enunciate (to pronounce words clearly and carefully) clearly in wave-like rhythm (=a regular pattern of changes). They corresponded (=to write letters to someone and receive letters from them) for many years.&lt;/font&gt;&lt;/p&gt; &lt;p align="justify"&gt;&lt;font color="#000000"&gt;Adlai Stevenson, himself a notable speaker, often reminisced (=to talk or think about pleasant events in your past) about his last meeting with Churchill. &amp;quot;I asked him on whom or what he had based his oratorical style. Churchill replied, âIt was an American statesman who inspired me and taught me how to use every note (=a particular musical sound) of the human voice like an organ.â Winston then to my amazement started to quote long excerpts from Burke Cockranâs speeches of 60 years before. âHe was my model,â Churchill said. âI learned from him how to hold thousands in thrall (=controlled or strongly influenced by someone or something).â&amp;quot;&lt;/font&gt;&lt;/p&gt; &lt;p align="center"&gt;&lt;em&gt;&lt;font color="#000000"&gt;&lt;strong&gt;Lesson #2:&lt;/strong&gt;&lt;/font&gt;&lt;/em&gt;&lt;/p&gt; &lt;p align="center"&gt;&lt;em&gt;&lt;font color="#000000"&gt;&lt;strong&gt;See and hear good speakers in action, and study the texts of their speeches.&lt;/strong&gt;&lt;/font&gt;&lt;/em&gt;&lt;/p&gt; &lt;p align="justify"&gt;&lt;font color="#000000"&gt;Stimulated (=encouraged) by his fatherâs career, young Churchillâs ambition (=strong desire) was to go into politics, but he worried about his speech impediment (=a physical problem that makes speaking, hearing, or moving difficult). So he consulted a throat specialist. The doctor found no organic defect and told young Churchill only practice and perseverance (=persistence, steadfastness) would help him.&lt;/font&gt;&lt;/p&gt; &lt;p align="justify"&gt;&lt;font color="#000000"&gt;Diligently (=someone who is diligent works hard and is careful and thorough) and faithfully (=in a loyal way, in a regular way), he practiced and persevered. He believed people should never submit to (=to agree to obey, accept - give in) failure. Years later he said in a speech, &amp;quot;Never give in! Never give in! &lt;strong&gt;Never give in except to convictions (=a very strong belief or opinion) of honour and good sense.&lt;/strong&gt;&amp;quot;&lt;/font&gt;&lt;/p&gt; &lt;p&gt;&lt;font color="#000000"&gt;&lt;span style="color:#c00000;"&gt;Question: What does the bold text mean?&lt;/span&gt;&lt;br /&gt; &lt;/font&gt;&lt;/p&gt; &lt;p&gt;&lt;font color="#000000"&gt;He rehearsed (=practised) aloud to make sure he wouldnât muff (=say wrongly) words or stumble (=to stop or make a mistake when you are reading to people or speaking) over them, particularly words starting with &amp;quot;s.&amp;quot; While walking on the street he repeated such sentences as, &amp;quot;The Spanish ships I cannot see since they are not in sight.&amp;quot; Eagerly (=enthusiastically) he sought (=tried to find) opportunities to speak. All this helped him to lose the inhibition (=restriction, prevention) that had caused his stammering, though he never totally lost his lisp.An Attention-Getter&lt;/font&gt;&lt;/p&gt; &lt;p align="justify"&gt;&lt;font color="#000000"&gt;But even this turned into an advantage. Randolph Churchill once theorized that his father may have exploited (=to use something fully and effectively) the residual (=remaining) impediment to advantage to achieve an individual style (=distinctive style) of oratory. When Winston was 23 he wrote an unpublished article on oratory, &amp;quot;The Scaffolding (=raised platform to do a certain job) of Rhetoric.&amp;quot; Describing the physical attributes of the orators, he wrote, &amp;quot;Sometimes a slight and not unpleasing stammer or impediment has been of some assistance in securing (=getting) the attention of the audience. . .&amp;quot;&lt;/font&gt;&lt;/p&gt;&lt;/span&gt;</description></item><item><title>Re: Help me please.</title><link>http://www.englishforums.com/English/HelpMePlease/grzvl/post.htm#502650</link><pubDate>Sat, 19 Apr 2008 14:13:20 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:502650</guid><dc:creator>julielai</dc:creator><description>&lt;p&gt;You need to fix the part in red. 
&lt;p&gt;&lt;BLOCKQUOTE&gt;&lt;div&gt;&lt;img src="/Themes/englishforums/images/icon-quote.gif"&gt; &lt;strong&gt;Anonymous&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&amp;nbsp;Ok... so basically I need to do a five paragraph essay (Paragraph model?) by analyzing 3 quotes from this a passage I read &amp;quot;No name woman&amp;quot; by Maxie Hong Kingston. I&amp;#39;m just having trouble with a few things... some I understand, and others I don&amp;#39;t. I tried fixing some errors that I made.. (ie: spelling, grammar). This is just the a 2nd draft. I would apprcieate some help and tips. Thanks in advance! 
&lt;p&gt;This is what I need help with: &lt;/p&gt;
&lt;p&gt;-Verb Tense &lt;/p&gt;
&lt;p&gt;`Unpacking language of quotes -Introducing all quotes fully&lt;/p&gt;
&lt;p&gt;-Run on sentences?&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;span&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;u&gt;No Name Woman&lt;/u&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;Maxine Hong Kingston begins to learn the story of &lt;strong&gt;&lt;u&gt;her &lt;/u&gt;&lt;/strong&gt;aunt &lt;strong&gt;&lt;u&gt;who in the story &lt;/u&gt;&lt;/strong&gt;is known as âNo Name Womanâ. Kingstonâs mother begins in the first passage, warning her to not tell anyone what she is about to say, referring to the story of her aunt. She explains that the aunt &lt;font color="#000000"&gt;was&lt;/font&gt; Kingstonâs fatherâs sister, who killed herself in the family &lt;strike&gt;well&lt;/strike&gt;, but thereâs no mention of her at all, &lt;/span&gt;&lt;span&gt;because it is as if she had never been born. The aunt brought shame to the family. She became a disgrace to the village, because the &lt;strike&gt;action of&lt;/strike&gt; adultery committed. As a result of that, she ended up with an unwanted pregnancy. This caused so much commotion with the villagers, who were enraged, and raided the family house. The villagers destroyed and &lt;font color="#ff0000"&gt;broke&lt;/font&gt; their possessions, wanting to get rid of the aunt from their community; because the villagers did not permit the coupleâs breaking tradition. As a child, Kingston did not fully understand&amp;nbsp;&lt;strong&gt;&lt;u&gt;this part &lt;/u&gt;&lt;/strong&gt;&amp;nbsp;of her Chinese culture. She starts making up her own stories. As an adult, Kingston looks back at her childhood years, to &lt;strong&gt;&lt;u&gt;understand the &lt;/u&gt;&lt;/strong&gt;story and her &lt;strong&gt;&lt;u&gt;culture&lt;/u&gt;&lt;/strong&gt;.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;Roughly around the age of 12, Kingston starts receiving warnings&lt;strike&gt;, &lt;/strike&gt;and semi-threats from her mother &lt;strong&gt;&lt;u&gt;about&lt;/u&gt;&lt;/strong&gt;&amp;nbsp;any unwanted pregnancies. Kingstonâs mother sets the aunt as an example. The mother says:&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&amp;quot;Don&amp;#39;t let your father know that I told you. He denies her. Now that you have started to menstruate, what happened to her could happen to you. Don&amp;#39;t humiliate us. You wouldn&amp;#39;t like to be forgotten as if you had never been born. The villagers are watchful;&amp;quot; (325)&lt;/p&gt;
&lt;p&gt;The mother warns young Kingston, and &lt;strong&gt;&lt;u&gt;talks about &lt;/u&gt;&lt;/strong&gt;the aunt who brought disgrace to the family. Kingston is being guided, not to fall in the wrong path as her aunt did. The mother warns her at this moment, because it is the moment &lt;strong&gt;&lt;em&gt;Kingston goes into a new stage of life that she must go through carefully (be specific)&lt;/em&gt;&lt;/strong&gt;. The mother wants Kingston to learn the values of her culture, traditions, and the people she represents. She describes that the villagers are &lt;font color="#ff0000"&gt;watching (watching whom?)&lt;/font&gt;, because they are a community who stick together as a group. &lt;font color="#ff0000"&gt;It is part of their culture, having private lives is a dishonor to the culture.&amp;nbsp; (doesn&amp;#39;t make sense) &lt;/font&gt;&lt;font color="#000000"&gt;The&lt;/font&gt; aunt dishonored it, by having a baby without &lt;strong&gt;&lt;u&gt;a father&lt;/u&gt;&lt;/strong&gt;. The mother is preventing young Kingston from &lt;font color="#ff0000"&gt;bring&lt;/font&gt; shame to the family again. &lt;strike&gt;Kingstonâs mother told stories&lt;/strike&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;Adult Kingston remembers when her mother &lt;font color="#ff0000"&gt;use&lt;/font&gt; to &lt;strong&gt;&lt;u&gt;tell her stories to &lt;/u&gt;&lt;/strong&gt;warn her about life, and the realities &lt;strike&gt;that existed&lt;/strike&gt;. &lt;strike&gt;She would tell stories, to teach Kingston morals.&lt;/strike&gt; Kingston explains:&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;âWhenever she had to warn us about life, my mother told stories that ran like this one, a story to grow up on. She tested our strength to establish realities. Those in the emigrant generations who could not reassert brute survival died young and far from home. Those of us in the first American generations have had to figure out how the invisible world the emigrants built around our childhoods fit in solid America.â (325) &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Adult Kingston discusses &lt;strike&gt;about&lt;/strike&gt; the emigrants who were struggling with poverty, and moved to America. This was the old generation, who struggled with &lt;strong&gt;&lt;u&gt;survival&lt;/u&gt;&lt;/strong&gt;. The emigrants re-&lt;font color="#ff0000"&gt;assert&lt;/font&gt; themselves with the new life; some &lt;font color="#ff0000"&gt;endure&lt;/font&gt; (tense) brute survival. Poverty was an issue in old China. The new generation is growing in America. China was the âinvisible worldâ for &lt;strike&gt;most that was part of&lt;/strike&gt; the new generation. Kingston &lt;font color="#ff0000"&gt;they&lt;/font&gt; never been there, but only hear stories about it. &lt;strike&gt;America was solid, because&lt;/strike&gt; the new generation &lt;font color="#ff0000"&gt;was&lt;/font&gt; adapting to new changes. Kingston &lt;font color="#ff0000"&gt;wanted&lt;/font&gt; to uncover more of this Chinese cultural history.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;As an adult, Kingston starts to question if her aunt is really guilty&lt;strike&gt;, to commit such an act,&lt;/strike&gt; &lt;strike&gt;which would lead to her own demise&lt;/strike&gt;. Kingston searches for answers, because the stories only seem to confuse her. She &lt;font color="#ff0000"&gt;did&lt;/font&gt; not fully understand the Chinese &lt;font color="#ff0000"&gt;cultural&lt;/font&gt; as a child, because she &lt;strong&gt;&lt;u&gt;is part of &lt;/u&gt;&lt;/strong&gt;the new generation. This leads Kingston &lt;strong&gt;&lt;u&gt;to form &lt;/u&gt;&lt;/strong&gt;her own perspective of the story that her mother had told. She starts &lt;strong&gt;&lt;u&gt;rewriting &lt;/u&gt;&lt;/strong&gt;the story in her own words, and her own point of view. Kingston thinks:&lt;/p&gt;
&lt;p&gt;âAdultery is extravagance. Could people who hatch their own chicks and eat the embryos and the heads for delicacies and boil the feet in vinegar for party food, leaving only the gravel, eating even the gizzard lining--could such people engender a prodigal aunt? To be a woman, to have a daughter in starvation time was a waste enough. My aunt could not have been the lone romantic who gave up everything for sex. Women in the old China did not choose. Some man had commanded her to lie with him and be his secret evil. I wonder whether he masked himself when he joined the raid on the family.â (326)&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Adult Kingston does not believe that her aunt gave up everything for adultery. She questions, &lt;strong&gt;&lt;u&gt;and thinks &lt;/u&gt;&lt;/strong&gt;how cruel the villagers &lt;font color="#ff0000"&gt;are&lt;/font&gt; towards the aunt. Kingston describes her aunt as &lt;strong&gt;&lt;u&gt;a &lt;/u&gt;&lt;/strong&gt;âprodigal auntâ &lt;strike&gt;meaning she is yielding profusely&lt;/strike&gt;. She questions&lt;strike&gt;,&lt;/strike&gt; if a human being is capable of bringing a newborn &lt;strong&gt;&lt;u&gt;to this world&lt;/u&gt;&lt;/strong&gt;, and then getting rid of it without any remorse. She realizes that &lt;strike&gt;in Chinese culture, woman &lt;font color="#ff0000"&gt;had&lt;/font&gt; no right to rule, because they &lt;font color="#ff0000"&gt;had&lt;/font&gt; to obey the rules set by the husband. We&lt;/strike&gt;women in that time &lt;strike&gt;of Chinese culture&lt;/strike&gt; did not have a choice &lt;strong&gt;&lt;u&gt;because they had to obey their husbands&lt;/u&gt;&lt;/strong&gt;. Kingston wonders if the man responsible for impregnating her aunt wasnât man enough to &lt;strong&gt;&lt;u&gt;try to be responsible&lt;/u&gt;&lt;/strong&gt;. She also believes the man might have been responsible for organizing the raid in the first place. Kingston&lt;strike&gt;, &lt;/strike&gt;somehow wanted to defend her aunt. She tries to analyze the possible reasons behind her aunt&amp;#39;s unwanted pregnancy&lt;strike&gt;, in&lt;/strike&gt; which dishonored her entire &lt;strong&gt;&lt;u&gt;family&lt;/u&gt;&lt;/strong&gt;. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;Kingston as an adult&lt;strike&gt;, &lt;/strike&gt;finally realized her aunt was not fully guilty. The aunt &lt;strike&gt;went through injustice, and&lt;/strike&gt; was the victim of rape. While the entire society rejected her aunt, Kingston honored her aunt instead. The motherâs aim was to warn young Kingston, not to humiliate the family by making the same mistake as her aunt did. &lt;span&gt;&amp;nbsp;&lt;/span&gt;The motherâs aim also had another purpose, in which she wanted to show the values of her culture, traditions, and making Kingston a better person in life&lt;strike&gt;, without any disruptions&lt;/strike&gt;. Kingston as an adult reflects back on what she has learned from her mother, and her unnamed aunt. She &lt;strong&gt;&lt;u&gt;has &lt;/u&gt;&lt;/strong&gt;also discovered the world that was once invisible to her. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;/div&gt;&lt;/BLOCKQUOTE&gt;</description></item><item><title>Re:  plzzz helm me</title><link>http://www.englishforums.com/English/PlzzzHelmMe/zphkv/post.htm#493497</link><pubDate>Thu, 27 Mar 2008 09:15:14 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:493497</guid><dc:creator>Anonymous</dc:creator><description>&lt;b&gt;&lt;span&gt;&lt;font&gt;The nub of leadership: Managing the culture and policy contexts of educational organisations&lt;/font&gt;&lt;/span&gt;&lt;/b&gt;&lt;span&gt;&lt;font&gt;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font&gt;Hugh Busher and Bernard Barker, University of Leicester, School of Education&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font&gt;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font&gt;Paper presented to the British Educational Research Association Annual Conference, University of Leeds, 13-15 September 2001&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font&gt;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font&gt;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font&gt;Abstract&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font&gt;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;i&gt;&lt;span&gt;&lt;font&gt;This paper explores how senior leaders in one school in England and Wales manage policy at three different levels: the micro-level within school and within departments within schools; the mezzo level with local government and local communities; and the macro-level of central government and government agencies, such as OFSTED (The Office for Standards in Education) &lt;/font&gt;&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span&gt;&lt;font&gt;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span&gt;&lt;font&gt;To cope with and influence these three arenas successfully involves leaders in creating particular cultures within school that encourage members of the school to feel empowered to take part in decision-making; to feel valued as people and as workers; and to feel they are respected and are encouraged to respect other people. The members here are defined as all staff and students in a school.&lt;span&gt;&amp;nbsp; &lt;/span&gt;It also involves leaders in generating a culture with the local community and local authorities that makes members feel they are partners with the staff and students of the school. So members feel welcome into the school and excited by and involved with the practices of the school. &lt;/font&gt;&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span&gt;&lt;font&gt;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span&gt;&lt;font&gt;In large measure this is achieved by leaders having and creating particular types of knowledge, and helping members of the school to gain access to particular types of knowledge. This knowledge can be categorised into: knowing how to act effectively in particular policy contexts e.g. classrooms, or local civic communities; interpreting external policy contexts effectively, i.e. understanding what powerful people in the external context of an organisation want and value and will use power to see implemented; knowing how other people&lt;span&gt;&amp;nbsp; &lt;/span&gt;(e.g. staff, students, parents) are likely to respond to particular actions; knowing how to assert self effectively in a principled way (i.e. in line with a public proclaimed or enacted vision) to gain oneâs own preferred interests, which may be portrayed as in the interests of the common weal.&lt;/font&gt;&lt;/span&gt;&lt;/i&gt;&lt;span&gt;&lt;font&gt;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font&gt;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;b&gt;&lt;span&gt;&lt;font&gt;Introduction &lt;/font&gt;&lt;/span&gt;&lt;/b&gt;&lt;span&gt;&lt;font&gt;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font&gt;This paper presents part of a larger study undertaken by Busher, Barker and Wortley (2001) in urban schools in the East Midlands of the UK during the late 1990s. It explores processes of school transformation and leadership. Names and locations are fictional to protect the anonymity of participants in tense political situations, but the situations really occurred.&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font&gt;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font&gt;It explores how different headteachers tried to cope with the changing circumstances in their schoolsâ external socio-political environments and how they attempted to help the teaching and support staff, students, governors and parents to respond to the changing demands that were placed upon them by central and local government. This, in turn, raises questions about how their actions modified the cultures, organisational structures and teaching and learning processes which existed in their schools and the relationships which they had with other members of their schools. We wondered how the headteachersâ actions, and the external pressures on them and the schools altered the sense of engagement which staff, students, governors and parents claimed to feel with the school.&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font&gt;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font&gt;How headteachers cope with change seems to contain several interlocking micro-political processes, which this study set out to explore: how school leaders read and respond to the pressures in the external environment of a school; how headteachers mediate the external pressures on their school to the other members in the school, interpreting and offering possible solutions for these; how members of a school respond to the external pressures and to the headteacherâs mediation of these âthe dialectic between agency and structure to which Giddens (1984) refers; what is the nature of a school leaderâs own knowledge of how to bring about change â access to and defining what constitutes appropriate knowledge is a source of power (e.g. Foucault, 1990); how school leaders offer support, practically, to their colleagues in coping with the pressures to change; how school leaders represent a school to its residential community.&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font&gt;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font&gt;There is an important personal dynamic in the potent mixture of micro-political and cultural factors which fuel processes of change in schools: There are leaders as well as leadership. Who the headteacher of a school is and how he /she interacts personally with staff, students and parents seems to be an important element in the explanation of how people in schools are helped to change to meet pressures in a schoolâs external environment.&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font&gt;&amp;nbsp;&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font&gt;Cerberus , the site of this study, was an 11â16, co-educational, multi-cultural comprehensive school, situated in a mixed residential area on the outskirts of an urban area in the Midlands. It was located in a unitary local authority (LEA) that was newly established at the time of this study and was distracted from processes of school improvement by its urgent need to create a more cost-effective organisation of its schools. There were over 500 students on roll in the school, of whom more than 20% were entitled to free school meals. The schoolâs Special Educational Needs (SEN) register included over one hundred names. Despite improved GCSE results nationally, the number of local children reaching the 5 A*-C threshold was stable and below average. &lt;/font&gt;&lt;/span&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description></item><item><title>Re: Help proofreading &amp;quot;A Doll's House&amp;quot;</title><link>http://www.englishforums.com/English/ProofreadingDollsHouse/zmpbq/post.htm#480929</link><pubDate>Sun, 24 Feb 2008 05:53:58 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:480929</guid><dc:creator>Mister Micawber</dc:creator><description>&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;i&gt;I have underlined some problem areas:&lt;/i&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p align="center"&gt;&lt;font color="#003366"&gt;&lt;b&gt;The Woman Within the Doll&lt;/b&gt;&lt;/font&gt;&lt;/p&gt;
&lt;p align="left"&gt;&lt;font color="#003366"&gt;&lt;b&gt;&lt;i&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;The Baltimore Sun &lt;/i&gt;&lt;span&gt;wrote
that back in 1879, âA Doll&amp;#39;s Houseâ by Henrik Ibsen âshocked and
offended people wherever [it] was played,â and that the dramatist
&lt;u&gt;assured&lt;/u&gt; it was not about a woman, but about âanyone who had to live
according to the rules created by othersâ (Hyder). Society &lt;u&gt;thought to
be&lt;/u&gt; outrageous that a woman would get involved in manly things, for her
role in society was exclusively to care for the family and please her
husband. Women did not enjoy the rights women do now. They were not
taken seriously, and decisions were made by the &lt;u&gt;man who&lt;/u&gt; was and still
is considered the head of the family. &lt;/span&gt;&lt;span&gt;&lt;span&gt;Nora&amp;#39;s choice
to become &lt;u&gt;free, independent&lt;/u&gt; and leave her husband, along with some of
the characters&amp;#39; &lt;u&gt;actions made&lt;/u&gt; this play &lt;u&gt;to be&lt;/u&gt; scandalous for its time.&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/font&gt;&lt;/p&gt;
&lt;p align="left"&gt;&lt;font color="#003366"&gt;&lt;b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Ibsen wrote in a letter that the story &lt;u&gt;in&lt;/u&gt; âA Doll&amp;#39;s Houseâ was about a woman who feels:&lt;/b&gt;&lt;/font&gt;&lt;/p&gt;
&lt;p align="left"&gt;&lt;font color="#003366"&gt;&lt;b&gt;&amp;quot; Oppressed
and bewildered by belief in authority, she loses her faith in her own
moral right and ability to bring up her&amp;nbsp;children... [She is bittered
because,] like&amp;nbsp;certain insects,&lt;u&gt; (ought to) &lt;/u&gt;go away and die when she has
done her duty towards the continuance of the species... [she shakes]
off of cares, [but then she feels] a sudden return of apprehension and
dread. She must&amp;nbsp;bear it all aloneâ &lt;u&gt;&lt;span&gt;(&lt;/span&gt;Doll)&lt;/u&gt;.&lt;/b&gt;&lt;/font&gt;&lt;/p&gt;
&lt;p align="left"&gt;&lt;font color="#003366"&gt;&lt;b&gt;Nora had a beautiful&lt;u&gt;
life, she&lt;/u&gt; had a husband, beautiful children, and everything she wanted.
Earlier in her marriage, &lt;u&gt;his&lt;/u&gt; husband suffered &lt;u&gt;of&lt;/u&gt; an illness &lt;u&gt;of&lt;/u&gt; which he
needed to recover somewhere in the south, but this was concealed from
him by the doctor and Nora. Not having the means to afford a trip&lt;u&gt; so
costly and &lt;/u&gt;out of love and desperation, Nora decides to ask for a loan
without letting Tolvard know. She forges her father&amp;#39;s signature to
obtain the loan because she does not want to trouble her father either,
who is very ill &lt;u&gt;himself too&lt;/u&gt;. However, she is responsible and works
secretly from home in order to make the payments. Eventually, Tolvard
&lt;u&gt;finds out about&lt;/u&gt; her secret and feels that his life, happiness and
reputation will be lost once Krogstad, who lent the money, publishes
the &lt;u&gt;then scandalous situation&lt;/u&gt; out of &lt;u&gt;revenged&lt;/u&gt; for &lt;u&gt;having&lt;/u&gt; fired him from
the bank he now manages. He quickly turns against her. That is the
moment when Nora starts to understand things she did not understand
before; she realizes she does not love Tolvard &lt;u&gt;anymore just&lt;/u&gt; as he does
not really love her as she thought&lt;u&gt;, and decides&lt;/u&gt; to leave for good to
discover herself.&lt;font color="#000000"&gt; &lt;/font&gt;&lt;font color="#000000"&gt;[&lt;i&gt;Too many pronouns-- I don&amp;#39;t know who&amp;#39;s doing what to whom&lt;/i&gt;]&lt;/font&gt;&lt;br /&gt;&lt;/b&gt;&lt;/font&gt;&lt;/p&gt;
&lt;p align="left"&gt;&lt;span&gt;&lt;font color="#003366"&gt;&lt;b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The
&lt;u&gt;scenery&lt;/u&gt; consists of the Helmer&amp;#39;s apartment and nowhere else. The
description of the apartment &lt;u&gt;depicts&lt;/u&gt; the decision that Nora will have
to make. There is a door to the right which leads to the entryway and
another to the left which leads to Helmer&amp;#39;s study. Nora will have to
decide which door to take: freedom or Helmer &lt;/b&gt;&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font color="#003366"&gt;&lt;b&gt;[&lt;i&gt;&lt;font color="#000000"&gt;Tolvard / Helmer:&amp;nbsp; we don&amp;#39;t know if they are one or two&lt;/font&gt;&lt;/i&gt;]&lt;/b&gt;&lt;/font&gt;&lt;/span&gt;&lt;span&gt;&lt;font color="#003366"&gt;&lt;b&gt;. The place is not
&lt;u&gt;â&lt;/u&gt;expensively furnished&lt;u&gt;â&lt;/u&gt;, but it is comfortable, just like Nora&amp;#39;s
&lt;u&gt;marriage, she&lt;/u&gt; lives a comfortable life, but there are certain things
she lacks that are more important than riches. No woman could even
consider back in the 1800s doing such &lt;u&gt;a scandalous things&lt;/u&gt; as to leave
not only &lt;u&gt;the&lt;/u&gt; husband, but her children too.&lt;/b&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p align="left"&gt;&lt;font color="#003366"&gt;&lt;b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The main
character in the story is Nora, a seemingly selfish, materialistic
woman who cares a lot about money and in living a good life. This is to
be &lt;u&gt;expected since&lt;/u&gt; her father liked to spend money himself and live a
life he could only could afford with credit. He used to called her his
âdoll-child, &lt;span&gt;and he played with [her] the way [she] played with [her] dollsâ (Ibsen &lt;u&gt;1041&lt;/u&gt;)&lt;/span&gt;.
She was obviously very protected and spoiled by &lt;u&gt;both, her&lt;/u&gt; father and
her husband, who provided anything she needed or wanted. Her father
raised her &lt;u&gt;not think&lt;/u&gt; for herself and just play her role in society.
âWhile [she] was at home with [her] father, he&amp;nbsp;used to tell [her] all
his opinions, and [she] held the same opinions.&amp;nbsp;If [she] had others
[she] said nothing about them, because he wouldn&amp;#39;t&amp;nbsp;have liked itâ
(1041) [&lt;i&gt;&lt;font color="#000000"&gt;All the bracketed pronouns are distracting; it would be better to give the exact quotes&lt;/font&gt;&lt;/i&gt;]. This &lt;u&gt;repeated again&lt;/u&gt; as a married woman; she would not express
her opinion to Tolvard, for they never talked seriously, but seemed to
have trusted Dr. Rank better. &lt;u&gt;Norah&lt;/u&gt; was greatly misunderstood. She was
a loving &lt;u&gt;person, she&lt;/u&gt; loved her husband so much that she was willing to
forge her father&amp;#39;s signature &lt;u&gt;to obtain a loan to take her husband south
in order for him to recover from a deadly illness&lt;/u&gt; [&lt;i&gt;&lt;font color="#000000"&gt;You said all this before; cut it&lt;/font&gt;&lt;/i&gt;.]. She is willing to do
anything for him. Eventually she&lt;u&gt; realized&lt;/u&gt; she does not have to play the
doll anymore. One can only imagine people&amp;#39;s &lt;u&gt;reaction&lt;/u&gt; throughout the
&lt;u&gt;play&amp;#39;s events&lt;/u&gt;.&lt;/b&gt;&lt;/font&gt;&lt;/p&gt;
&lt;p align="left"&gt;&lt;font color="#003366"&gt;&lt;b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Tolvard Helmer
&lt;u&gt;seemed&lt;/u&gt; [&lt;i&gt;&lt;font color="#000000"&gt;Be consistent in verb tenses&lt;/font&gt;&lt;/i&gt;] to be an ideal husband. He is loving, admirable, honest,
ethical, hard-working and successful, but there seems to be a dark side
&lt;u&gt;of&lt;/u&gt; him. He is a prideful &lt;u&gt;man, he&lt;/u&gt; won&amp;#39;t ask for money&lt;u&gt; to&lt;/u&gt; &lt;u&gt;anyone, to&lt;/u&gt; [&lt;i&gt;&lt;font color="#000000"&gt;Commas are not conjunctions.&lt;/font&gt;&lt;/i&gt;] do
so would be humiliating. To him, honor and appearances are more
important than family. He does not believe people can change and become
good, as he did not believe Krogstad was a good person although he had
been honest for a long time &lt;u&gt;already&lt;/u&gt;. Also, he is so affectionate &lt;u&gt;that
makes&lt;/u&gt; one wonder &lt;u&gt;of&lt;/u&gt; his sincerity; he calls Nora diminutive names such
as &lt;u&gt;featherbrained, spendthrift&lt;/u&gt; [&lt;i&gt;&lt;font color="#000000"&gt;These are not diminutives.&lt;/font&gt;&lt;/i&gt;] , a squirrel, a song-bird, lark, strange
little being all the time (994). One cannot think of a woman who would
like being called &lt;u&gt;like that&lt;/u&gt; and who would not be affected emotionally.
Tolvard&amp;#39;s reaction after finding out Nora&amp;#39;s secret is amusing. He had
told Nora that sometimes he wished â[she] was in some terrible danger,
just so [he] could take [his] life and soul and everything, for [her]
sakeâ (1038), yet he quickly turns against &lt;u&gt;her calling&lt;/u&gt; her a wretched
woman, a criminal, unprincipled, untrustworthy of raising her children,
incapable, etc. His hypocrisy is clearly revealed&lt;u&gt; when as &lt;/u&gt;soon as he
realizes that Nora&amp;#39;s mistake won&amp;#39;t affect his &lt;u&gt;reputation he&lt;/u&gt; forgives
her (1039-1949). There&amp;#39;s a saying that &lt;u&gt;goes something like&lt;/u&gt; &lt;i&gt;&lt;span&gt;a good friend is hard to find, specially during difficult times&lt;/span&gt;&lt;/i&gt;;
Tolvard was &lt;u&gt;nor&lt;/u&gt; a good&lt;u&gt; friend neither&lt;/u&gt; that perfect husband he seemed to
be. He loved to have control of his wife&amp;#39;s life, and his conversations
usually &lt;u&gt;tend to imply&lt;/u&gt; that Nora would be lost without &lt;u&gt;him; that &lt;/u&gt;she
needed his guidance and teaching. Tolvard did not love &lt;u&gt;Nora, &lt;/u&gt;â[he]
thought it fun to be in love with [her]â (1041).&lt;/b&gt;&lt;/font&gt;&lt;/p&gt;
&lt;p align="left"&gt;&lt;span&gt;&lt;font color="#003366"&gt;&lt;b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Dr. Rank
is in love with Nora, and that seems to have been the main reason he
visited the Helmer&amp;#39;s house. This character is not essential &lt;u&gt;in&lt;/u&gt; the
play, but it causes outrage when he dares to &lt;u&gt;reveal Nora&lt;/u&gt; his secret.
This is almost vulgar for him to do, and very dishonorable, specially
during those times in which people were very conservative. It is as if
he had taken advantage of the trust the family had in &lt;u&gt;it&lt;/u&gt; and ended up
tarnishing his reputation.&lt;/b&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p align="left"&gt;&lt;span&gt;&lt;font color="#003366"&gt;&lt;b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Mrs.
Linde is one of Nora&amp;#39;s old friends from school. She gave up her true
love for money, but in the end things did not turn out the way she had
expected. Her husband &lt;u&gt;died leaving&lt;/u&gt; her in a terrible financial
&lt;u&gt;situation making&lt;/u&gt; &lt;i&gt;&lt;font color="#000000"&gt;[On the other hand, commas are essential for separating dependent clauses.]&lt;/font&gt;&lt;/i&gt; it necessary for her to work in order to sustain her
mother and brothers. After her mother passed away and her brothers did
not need her &lt;u&gt;help she&lt;/u&gt; left town. Not to have someone to take care of
made her feel âcompletely alone in the worldâ, and it frightened her
âto be so empty and lostâ (1032). She needed âsomeone to take care &lt;u&gt;ofâ,
she&lt;/u&gt; wanted to be a mother and wanted the companionship of a husband. In
the end, she was supposed to have helped Nora hide her secret. She
could have convinced Mr. Krogstad to get the letter back, but she did
not intercede (1033). She might have been envious of&lt;u&gt; Nora, after&lt;/u&gt; all,
Nora had all she was longing &lt;u&gt;for; &lt;/u&gt;a husband, beautiful children, and a
good life.&lt;/b&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p align="left"&gt;&lt;span&gt;&lt;font color="#003366"&gt;&lt;b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Lastly,
Krogstad is the one who lent Nora money to save her husband, and
threatens&lt;u&gt; her&lt;/u&gt; to tell her husband if she does not convince Tolvard to
let him keep his job at the&lt;u&gt; bank, but&lt;/u&gt; just as Nora did, he once made a
mistake, which caused him to&lt;u&gt; loose&lt;/u&gt; his reputation. He was a man who
seems to have been &lt;u&gt;harden&lt;/u&gt; by life&amp;#39;s difficulties. When he was left by
the woman he dearly &lt;u&gt;loved âit&lt;/u&gt; was as if all the solid ground dissolved
from under [his] feetâ (1031). This might have caused him to become the
âhalf-drownedâ kind of man, as he refers to himself. After finding love
in his&lt;u&gt; life he&lt;/u&gt; turns from&lt;u&gt; the&lt;/u&gt; revengeful person into a forgiving one.&lt;/b&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p align="left"&gt;&lt;span&gt;&lt;font color="#003366"&gt;&lt;b&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; In
conclusion, Nora &lt;u&gt;realized of &lt;/u&gt;her true value as a human being and as a
woman. She decides to leave everything and &lt;u&gt;everyone,&lt;/u&gt; husband, children,
&lt;u&gt;luxuries to&lt;/u&gt; a journey to liberate herself. To do&lt;u&gt; such thing&lt;/u&gt; was
unthinkable at that time and caused turmoil, but it was the best choice
she could ever make. To leave one&amp;#39;s children is&lt;u&gt; a terrible things&lt;/u&gt; to do
and was not necessary, but looking beyond that, without prejudices, it
is not hard to &lt;u&gt;understands&lt;/u&gt; she is trying to figure out who she really
is and what she believes in. This is essential to one&amp;#39;s happiness;
therefore she is determined to make necessary changes in her life even
if people think&lt;u&gt; bad&lt;/u&gt; of her. It seems that daring to do so back in the
1800s was just as bad as selling drugs or prostituting oneself.&lt;/b&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;
&lt;font color="#003366"&gt;.&lt;br /&gt;&lt;/font&gt;&lt;p&gt;&amp;nbsp;</description></item><item><title>Re: Proficiency alongside &amp;quot;poverty&amp;quot;.</title><link>http://www.englishforums.com/English/ProficiencyAlongsidePoverty/5/zmrnd/Post.htm#476785</link><pubDate>Thu, 14 Feb 2008 09:58:49 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:476785</guid><dc:creator>Cool Breeze</dc:creator><description>&lt;br /&gt;&lt;BLOCKQUOTE&gt;&lt;div&gt;&lt;img src="/Themes/englishforums/images/icon-quote.gif"&gt; &lt;strong&gt;Anonymous&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;p&gt;In that respect, I would like to know when and how the auxiliary &amp;quot;do&amp;quot; appeared in English. What kind of people introduced it into the English language? &lt;/p&gt;&lt;p&gt;I would like to know who decided about the value of tenses of the Past. They do not correspond to the value of the tenses of the Past in latinoÃ¯d languages. Who can give me answers ?&lt;/p&gt;&lt;p&gt;In this&amp;nbsp; debate, I do not think there is an evolution towards simplicity nor towards more complicated structures. The&lt;/p&gt;&lt;p&gt;communities of native speakers of a language&amp;nbsp;constantly change the rules and the meaning of words (although the main core remains more or less&amp;nbsp;stable for facility reasons.)&lt;/p&gt;&lt;p&gt;Ethnic languages are tools of inclusion and mainly exclusion (internal and external).&amp;nbsp;That is why there are so many exceptions.&lt;/p&gt;&lt;p&gt;No ethnic language is that easy to learn. When I say &amp;quot;to learn&amp;quot; I mean to learn it to be on equal footing with a native speaker of the language. &amp;nbsp;There will always be a difference, a discrimination. &lt;/p&gt;&lt;p&gt;From what I have experienced ( I am very interested by languages), there is no easy language. All has been done by training. &lt;/p&gt;&lt;p&gt;There is no natural language : everything has been constructed by Man.&amp;nbsp;&lt;/p&gt;&lt;p&gt;I invite the readers to learn an interlanguage such as Esperanto, &lt;strong&gt;compare it with your mother tongue&lt;/strong&gt;&amp;nbsp;&amp;nbsp; and with &lt;strong&gt;languages you have studied later&lt;/strong&gt;. 90% to 95% of the time is spent to the learning of exceptions. That is why a language without exception such as Esperanto is ten to twenty times faster to learn than ethnic languages.&amp;nbsp; &lt;/p&gt;&lt;p&gt;It is fascinating to see how a universal congress of Esperanto works and to compare it with an international congress in only one language. Many prejudices fall. &lt;/p&gt;&lt;p&gt;Maybe I am opening new interests in the debate..&lt;/p&gt;&lt;p&gt;George/Belgium&lt;/p&gt;&lt;/div&gt;&lt;/BLOCKQUOTE&gt;&lt;br /&gt;&lt;em&gt;Do&lt;/em&gt; existed in Old English more than a thousand years ago as a regular verb and meant &lt;em&gt;to cause&lt;/em&gt;. It is impossible to say who introduced it to English. It&amp;#39;s use as an auxiliary in questions and negations was established in Shakespeare&amp;#39;s day when it was correct to say both&lt;br /&gt;&lt;br /&gt;&lt;em&gt;I know not him&lt;/em&gt;&lt;br /&gt;and&lt;br /&gt;&lt;em&gt;I do not know him.&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;It is very common that the usage of tenses varies from language to language, especially if the languages are not closely related. No reasons can usually be given for this. You might just as well ask why the usage of tenses in the Romance languages differs from that in English. Linguistic changes are often shrouded in the past and there is no knowing &lt;span style="text-decoration:underline;"&gt;why&lt;/span&gt; they occurred.&lt;br /&gt;&lt;br /&gt;All words and grammatical structures people are not used to sound wrong and/or odd and therefore people usually object to changes that are about to happen in their lifetime and think the language is deteriorating. This is true about all languages, not just English. People tend to think a language is at its most beautiful right now and any change will just make it worse.&lt;br /&gt;&lt;br /&gt;English grammar has become so simple over the centuries that I cannot envisage it becoming any simpler without the risk of English becoming even more inexact than it is now. However, not all changes have made the language simpler in structure. In Old English there was just one relative pronoun and it had only one form. That made communication with relative clauses very awkward and it wasn&amp;#39;t a great surprise that &lt;em&gt;who, whom, whose, what&lt;/em&gt; and &lt;em&gt;which&lt;/em&gt; began to be used as relatives to facilitate communication.&lt;br /&gt;&lt;br /&gt;CB</description></item><item><title>Re: Please review my experience letter</title><link>http://www.englishforums.com/English/ReviewExperienceLetter/3/zlhgx/Post.htm#473787</link><pubDate>Thu, 07 Feb 2008 09:23:32 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:473787</guid><dc:creator>Vb.rahul</dc:creator><description>&lt;BLOCKQUOTE&gt;&lt;table width="85%"&gt;&lt;tr&gt;&lt;td class="txt4"&gt;&lt;img src="/Themes/default/images/icon-quote.gif"&gt;&amp;nbsp;&lt;strong&gt;Nona The Brit wrote:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="quoteTable"&gt;&lt;table width="100%"&gt;&lt;tr&gt;&lt;td width="100%" valign="top" class="txt4"&gt;
&lt;P&gt;This is quite long? Perhaps you need to cut it down a little bit. If you put in too much shameless self-promotion then it is obvious that the letter was written by you rather than your company. Companies tend to take a dry attitude to these things.&lt;/P&gt;
&lt;P&gt;EXPERIENCE CERTIFICATE&lt;/P&gt;
&lt;P&gt;May 0000000&lt;/P&gt;
&lt;P&gt;TO WHOM IT MAY CONCERN&lt;/P&gt;
&lt;P&gt;This is to certify that Mr. MH was employed by ABC from 02.01.2001 till 01.03.06. ABC has almost 350 employees .During his final year Mr MH was&amp;nbsp;a Project Manager of the Software Development Section, which has 60 employees.Mr. MH is a responsible, hard working and honest person. The management was highly pleased and satisfied with his performance.&lt;BR&gt;&lt;/P&gt;
&lt;P&gt;Mr.&amp;nbsp;MH joined us as a Junior Software Engineer in January 2001 and his duties included development using Microsoft Technologies&amp;nbsp;such as&amp;nbsp;Visual Basic 6.0, ASP (Active Server Pages), XML and Microsoft SQL Server. He&amp;nbsp; also took part in designing and documenting the project with UML (Rational Rose 2000).&lt;BR&gt;It is our company policy that we have a 6 month probation period for new hirings but on the basis of his performance and good technical skills, his employment was confirmed within 3 months. &lt;/P&gt;
&lt;P&gt;In September 2001, Mr MH worked in a team to develop a paperless virtual back office system for the UK based company; APL Pvt. Ltd. In January 2002, he was promoted&amp;nbsp;to Software Engineer and his new responsibilites were: preparing the Detail Design Specification document, communicating design with other developers, participating in development by Microsoft SQL Server 2000, VB 6.0, XML, ASP and UML, project documentation and client meetings. &lt;/P&gt;
&lt;P&gt;In August 2002, we won another UK contract to develop the accounting, payroll and financial systems for GGP PLC. We held an in-house competition (is that really the right word?)to choose the team to work on the account. Mr. MH was among top three employees in that competition so he was&amp;nbsp;put in the team as Senior Software Engineer. Now his responsibilities were: correspondence with our UK clients, understanding their requirements, preparing the documents, designing the system, getting approval from the client and developing it. He used ASP and SQL Server 2000. &lt;/P&gt;
&lt;P&gt;In 2003, Mr MH was promoted to Team Leader for a major software project that involved computerisation of land records in Pakistan. His responsibilities were: meeting with clients to prepare the specification document, functional specification, project plan, maintaining schedules for rest of the team members, designing the architecture of the applications and managing the whole team.. &lt;/P&gt;
&lt;P&gt;In October 2004,we participated in GITEX in Dubai, and we selected Mr MH to represent us there.&lt;/P&gt;
&lt;P&gt;In November 2004 we started developing a product named UREMIS and keeping in view the leadership, motivating, analytical and designing capabilities of Mr. MH, he was appointed its Project Manager. He was&amp;nbsp;responsible for the recruitment of the team, monitoring day to day functions of the project, defining standards and processes, supervising and guiding the project team, monitoring and evaluating the progress. He was actively involved in the day to day administration of the activities, appraisal of staff performance, coordinating and managing the overall performance of the staff. He was then involved in presenting the product to prospective clients and won several accounts for us.&lt;/P&gt;
&lt;P&gt;&lt;BR&gt;Since he has been employed by us, MR MH has shown an excellent attitude to his work, has been a popular member of our team, and contributed to our success. By implementing a continuous improvement strategy he has&amp;nbsp; made his department an example for the other departments. He has proved a good trainer and mentor for his staff. He has redesigned and reengineered the software development infrastructure and procedures to meet the intense and ever increasing demand of latest technologies of Information technology.&lt;/P&gt;
&lt;P&gt;&lt;BR&gt;Due to his skills, commitment and continued hard work, we wish him success in his ambitions.&amp;nbsp; &lt;/P&gt;
&lt;P&gt;For ABC (Pvt) Ltd&lt;/P&gt;
&lt;P&gt;XYZ&lt;BR&gt;Human Resource Manager.&lt;/P&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/BLOCKQUOTE&gt;</description></item><item><title>Re: What he said were distortions</title><link>http://www.englishforums.com/English/WhatHeSaidWereDistortions/zkghw/post.htm#468596</link><pubDate>Fri, 25 Jan 2008 03:06:00 GMT</pubDate><guid isPermaLink="true">946f00bb-57d3-4b7b-a9a2-059b5341af52:468596</guid><dc:creator>Liveinjapan</dc:creator><description>&lt;BLOCKQUOTE&gt;&lt;table width="85%"&gt;&lt;tr&gt;&lt;td class="txt4"&gt;&lt;img src="/Themes/default/images/icon-quote.gif"&gt;&amp;nbsp;&lt;strong&gt;Pter wrote:&lt;/strong&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="quoteTable"&gt;&lt;table width="100%"&gt;&lt;tr&gt;&lt;td width="100%" valign="top" class="txt4"&gt; 
&lt;BLOCKQUOTE&gt;
&lt;P&gt;&lt;FONT color=#0000ff&gt;Mr. Obama was as heated and intense as he has been at any debate over the last year. At times, he appeared angry and close to expressing it at Mrs. Clinton â and also at her husband, Bill Clinton, whom &lt;FONT style="BACKGROUND-COLOR: #ffff00"&gt;Mr. Obama criticized frequently during the debate for what he said were distortions of his views and record by the former president.&lt;/FONT&gt;&lt;/FONT&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/BLOCKQUOTE&gt;&lt;/P&gt;
&lt;P&gt;Then, I should have said:&lt;/P&gt;
&lt;P&gt;&lt;EM&gt;Mr. Obama criticized&amp;nbsp;Mr. Clinton&amp;nbsp;frequently during the debate for what&lt;STRONG&gt; he said&lt;/STRONG&gt; were distortions of his views and record by the former president.&lt;/EM&gt;&lt;/P&gt;
&lt;P&gt;Thanks&lt;BR&gt;LiJ&lt;BR&gt;(I was Anon.)&lt;/P&gt;
&lt;/BLOCKQUOTE&gt;</description></item></channel></rss>